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Lot 416

Hixon(?) (19th century school) Etching "The Temple of Venus in Rome", 1/60 proofs, signed in pencil and another further etching (2)  Condition ReportSee attached images

Lot 561

Victor Pasmore (1908-98) - 'The Desert Sand', softground etching with aquatint on copper plate with collage of Japan paper, limited edition numbered 14/90, pencil signed with initials to lower right margin and dated '92, from Wiseman Originals, 60 x 54 cm (aperture)ARR may be applicableGood clean condition

Lot 511

William Lionel Wyllie (1851-1931) - 'Westminster from Lambeth Pier', drypoint etching, pencil signed to lower left margin, 20 x 40 cmSome discolouration to margins

Lot 501

Frank Brangwyn (1867-1956) - 'On London Bridge', etching, pencil signed to lower right margin, 10 x 12.5 cmGood clean condition

Lot 510

William Lionel Wyllie (1851-1931) - 'London Bridge and Southwark Cathedral', drypoint etching, pencil signed to lower left margin, 30.5 x 23 cm Some discolouration where mount meets paper

Lot 509

William Lionel Wyllie (1851-1931) - 'Tower Bridge', drypoint etching, pencil signed to lower left margin, 28 x 18.5 cmGood original condition

Lot 530

Julian Trevelyan (1910-1988) - 'Malta', a limited edition etching numbered 10/20, pencil signed to lower right margin, 38 x 50  cm, label for The Zwemmer Gallery, London, to reverseARR may be applicableGood original condition commensurate with age

Lot 1204

W.L. Wyllie, etching, various shipping on The Thames at Westminster, signed in pencil, 8ins x 16ins

Lot 1007

Sir William Russell Flint, signed etching, study of two figures, ' Allegro '

Lot 926

Ted French, signed etching, ' Dancer ', No. 2 of 10, 11.5ins x 8.5ins, framed

Lot 1009

Roland Langmaid, signed etching, sailing vessel on the open sea, 10ins x 7ins

Lot 1142

Graham Clark, Limited Edition, 189 of 350, black and white etching, ' Mullion Cove ', 11.5ins x 16ins, signed in pencil

Lot 1024

In the manner of Edmond Dulac, etching, figures in a landscape, with etched floral border, image size 5.5ins x 4.5insFramed. The mount appears to have been replaced. No visible damage or repair to the image.

Lot 712

Herbert Thomas Dicksee RE (1862-1942) WAITING, A RECUMBENT HOUND Etching, signed artist's proof, edition of 125, single state, plate destroyed, published by Frost & Reed, 1918, with blindstamps Pl. 21.5 x 42.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 738

Herbert Thomas Dicksee RE (1862-1942) AN AFRICAN MONARCH, A LION'S HEAD Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1915, with blindstamp Pl. 50 x 42cm

Lot 732

Herbert Thomas Dicksee RE (1862-1942) THE JUNGLE POOL, A TIGER Etching, signed artist's proof, edition of 150, single state, plate destroyed, published by Frost & Reed, 1924 Pl. 20 x 30cm Provenance: The Bryan and Valerie Steele Collection.

Lot 730

Herbert Thomas Dicksee RE (1862-1942) STEALTH, A LEOPARD Etching on vellum, signed artist's remarque proof (head of a vulture), edition of 300, published by Frost & Reed, 1914 Pl. 49.5 x 69cm Provenance: The Bryan and Valerie Steele Collection.

Lot 727

Herbert Thomas Dicksee RE (1862-1942) A POLAR BEAR Etching on wove, signed artist's proof, edition of 125, single state, plate destroyed, published by Frost & Reed, 1919/1920, with blindstamps Pl. 21.5 x 28cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 748

George Stubbs (1724-1806) A HORSE AFFRIGHTED AT A LION Etching with roulette work, with narrow margins, glued to mount I. 22.5 x 31.7cm

Lot 719

Herbert Thomas Dicksee RE (1862-1942) ANXIOUS HEARTS, A LADY AND A BLOODHOUND SEATED BY A WINDOW Drypoint etching on vellum, signed artist's proof, published by The Fine Art Society, 1899, with blindstamp Pl. 72.5 x 52.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson.

Lot 734

Herbert Thomas Dicksee RE (1862-1942) THE AMBUSH, A LION AND LIONESS Drypoint etching, signed artist's proof, edition of 200, single state, published by Frost & Reed, 1926, with blindstamp Pl. 56 x 32.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson.

Lot 736

Herbert Thomas Dicksee RE (1862-1942) A LIONESS Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed,1914, with blindstamp Pl. 18.5 x 49cm Provenance: The Bryan and Valerie Steele Collection.

Lot 724

Herbert Thomas Dicksee RE (1862-1942) THE BEND IN THE RIVER Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed, 1915, with blindstamps Pl. 40 x 50cm Provenance: The Bryan and Valerie Steele Collection.

Lot 739

Herbert Thomas Dicksee RE (1862-1942) IN THE ENEMY’S COUNTRY, A LION AND LIONESS Etching on vellum, signed artist's proof, edition of 500, published by Frost & Reed, 1900, with blindstamp I. 50.5 x 70.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 735

Herbert Thomas Dicksee RE (1862-1942) AGAINST THE SKY, A LION Drypoint etching, signed artist's proof, edition of 100, single state, published by Frost & Reed, 1929 Pl. 20.5 x 39.8cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 737

Herbert Thomas Dicksee RE (1862-1942) LIONESS ON ROCK Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed, 1919?, with blindstamps Pl. 16 x 25cm Provenance: The Bryan and Valerie Steele Collection.

Lot 718

Herbert Thomas Dicksee RE (1862-1942) SHOULD AULD ACQUAINTANCE BE FORGOT, A COLLIE AND PUPPY Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1905, with blindstamp Pl. 66.5 x 49.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 713

Herbert Thomas Dicksee RE (1862-1942) HEAD OF A BLOODHOUND Etching on wove, signed artist's proof, possibly published by The Fine Art Society, London, 1894 Pl. 43.5 x 36.5cm, unframed Provenance: The Bryan and Valerie Steele Collection; from the artist's grandson.

Lot 728

Herbert Thomas Dicksee RE (1862-1942) EAGLE STANDING ON A ROCK Etching, signed artist's proof, not published Pl. 30 x 15cm Provenance: The Bryan and Valerie Steele Collection; purchased from the artist’s granddaughter.

Lot 720

Herbert Thomas Dicksee RE (1862-1942) RESCUED (REPRESENTING THE WORK OF THE RED CROSS DOG ON WW1 BATTLEFIELDS) Etching on vellum, signed artist's proof, one of 300 impressions, published by Frost & Reed, 1915 Pl. 49.5 x 61cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 726

Herbert Thomas Dicksee RE (1862-1942) THE LAST LOAD Etching on vellum, signed artist's proof, edition of 325, published by Frost & Reed, 1925 Pl. 32.5 x 56cm Provenance: The Bryan and Valerie Steele Collection.

Lot 740

Herbert Thomas Dicksee RE (1862-1942) THE SETTING SUN, A LIONESS AND HER CUB Etching, signed artist's proof Pl. 33 x 50.5cm, unframed Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson. This print was exhibited at The Royal Academy of Art, London, in 1895 (no. 1289) but not known to have been subsequently published.

Lot 714

Herbert Thomas Dicksee RE (1862-1942) COMRADES (SCOTTISH DEER-HOUND AND A WEST HIGHLAND TERRIER) Etching, signed artist's proof, edition of 325, published by Frost & Reed, 1928, with blindstamps Pl. 32.5 x 56.6cm Provenance: The Bryan and Valerie Steele Collection.

Lot 721

Herbert Thomas Dicksee RE (1862-1942) THE FLIGHT INTO EGYPT, AFTER THE PAINTING BY S HARMON VEDDER (1833-1880) Etching on vellum, signed by both artists, artist's proof, edition of 375, published by Arthur Lucas, London, 1900 I. 43.5 x 68.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 725

Herbert Thomas Dicksee RE (1862-1942) THE CLOVER FIELD Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1907, with blindstamps Pl. 30.5 x 47.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 711

Herbert Thomas Dicksee RE (1862-1942) A SCOTTISH DEERHOUND Drypoint etching on vellum, signed artist's proof, edition of 150, single state, plate destroyed, published by Frost & Reed, 1924, with blindstamps Pl. 14.8 x 22.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 717

Herbert Thomas Dicksee RE (1862-1942) THE OLD GARDEN, A GREYHOUND AT PENSHURST PLACE Etching on vellum, signed artist's proof, published by Frost & Reed, 1921, with blindstamps Pl. 49.5 x 68cm Provenance: The Bryan and Valerie Steele Collection.

Lot 723

Herbert Thomas Dicksee RE (1862-1942) THE MILL Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1913, with blindstamp I. 59.5 x 43cm The etching depicts the artist's wife, Ella. Provenance: The Bryan and Valerie Steele Collection.

Lot 761

James Abbott McNeill Whistler (American, 1834-1903) LA MARCHANDE DE MOUTARDE (KENNEDY 22) Etching, second state of five, on India paper I. 15.7 x 8.8cm; and two others, THE PUNT Etching and drypoint, 1860, from the 1861/2 edition edition of 'Passages from Modern English Poets' Pl.12 x 16.5cm; WHISTLER WITH THE WHITE LOCK (KENNEDY 172) Etching 11.7 x 8cm (3)

Lot 733

Herbert Thomas Dicksee RE (1862-1942) HEAD OF A SIBERIAN TIGER Etching on vellum, signed artist's proof, edition of 150, single state, plate destroyed, published by Frost & Reed, 1920, with blindstamps Pl. 21 x 27.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 731

Herbert Thomas Dicksee RE (1862-1942) A TIGER Etching on vellum, signed artist's proof, edition of 100, single state, published by Frost & Reed, 1924 Pl. 43.5 x 18.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s granddaughter.

Lot 716

Herbert Thomas Dicksee RE (1862-1942) THE LAST DEFENDER, A BLOODHOUND Etching, signed artist's proof, reproductions of this etching subsequently published by Seeley and Co. in The Portfolio, 1893 Pl. 20 x 25.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson.

Lot 722

Herbert Thomas Dicksee RE (1862-1942) IN SIGHT AT LAST, A WOMAN AND DOG SEARCHING THE HORIZON, A SHIP IN THE DISTANCE Etching on vellum, signed artist's proof, edition of 325, published by Frost & Reed, 1923, with blindstamp Pl. 45.5 x 64cm Provenance: The Bryan and Valerie Steele Collection.

Lot 343

An Etching of Episcapal Storks signed I.B Souter 1927 51/60

Lot 8

Edouard Chimot - Erotic etching from Les Soupers de Daphne, Editions Eryx, Paris, 1941, 26 x 21cm framed, 42.5 x 31cm

Lot 29

A framed black and white 19th Century etching

Lot 302

A framed and glazed Andro F Affleck etching, pencil signed to bottom right

Lot 152

Leonor Fini (1908-1996), 'Personage', limited edition etching, signed in pencil to lower right margin, numbered 181/200, 40 x 31cm

Lot 69

FRAMED ETCHING OF A CASTLE

Lot 550

Graham Clarke (b. 1941), 'Romans Do', Artist's Proof, signed, inscribed and blind-stamped, coloured etching, 43 x 34cm

Lot 470

Frank Brangwyn, etching, The Beggar Musician 1911, signed in pencil, 25 x 19cm

Lot 522

Frank Brangwyn, etching, The Valentre Bridge, Cahors, signed in pencil, 57 x 83cm

Lot 2130

A Paul Bisson limited edition coloured Etching with aquatint of the National Trust property Shalford Mill, Surrey, no. 4/350, signed in pencil, with Christies Contemporary Art label.

Lot 2087

An old £5 Note (framed), print of Houghton Mill and an etching of Chepstow Castle.

Lot 2104

A framed Etching of Temple Lock, Icklingham by Alfred Richard Blundell.

Lot 2137

A pair of Claude Rowbotham original pencil signed Aquatints, Glencoe and Loch Katrine, together with D.Y. Cameron Etching of Perth Bridge.

Lot 381

William Lionel Wyllie (1851-1931) a drypoint etching, depicting the Royal Citadel, Plymouth, signed in pencil 'W L Wyllie' to margin on left hand side, 3½in x 13in (9cm x 33cm), framed and glazed.

Lot 383

William Lionel Wyllie (1851-1931) a drypoint etching, 'Fishing Boats off Ryde' signed in pencil 'W L Wyllie' to margin on left hand side, 'London Published Sept 1st 1927 by Kolst? Dunthhorne & Sons Ltd, 5 Vigo St., W.' to lower left hand side of print, 6¾in x 15in (16cm x 37.5cm), framed and glazed.

Lot 390

Geoffrey Sparrow, British 1887-1969, Our See:, watercolour and pencil, signed and dated '54 in the picture, signed and dated '55 on the overmount, 6in x 7½in (15cm x 19cm), together with an etching by the same artist, C & H Above Sullington 1952, signed a dated, both glazed and framed (2)

Lot 384

William Lionel Wyllie (1851-1931) a drypoint etching, depicting yachts and rowing boats in a mountainous harbour, probably Oban, signed in pencil 'W L Wyllie' to margin on left hand side, 6¼in x 16in (16cm x 40.5cm), framed and glazed.

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