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Click here to subscribe‡ Julian Trevelyan RA (1910-1988) Me and Tom Signed, titled, and numbered 8/25 in pencil to margin Etching and aquatint in colours, 1976 34.9 x 47.3cm (plate) Provenance: The Estate of Dame Elisabeth Frink & Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
‡ Julian Trevelyan RA (1910-1988) Game Park Signed, titled and numbered 2/125 in pencil to margin Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
‡ Julian Trevelyan RA (1910-1988) Sahara Signed, titled, and inscribed artists proof in pencil to margin Etching and aquatint in colours, 1973 35.2 x 47.6cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Lis and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Lis and Alex.
‡ Nicola Hicks MBE (b.1960) Chickens Signed and dated 92 Coloured chalks on brown paper 94.4 x 63cm Unframed Together with Nicola Hicks, Rooster, Signed, dated '93, and inscribed AP in pencil to margin, Drypoint etching, 10.8 x 9.2cm (plate), Unframed (2) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Elisabeth Frink was a mentor to the young Nicola Hicks, and in 1985 selected her for a solo exhibition The Artist of the Day, at the Flowers Gallery, London. Frink described Hicks as 'one of our most talented young sculptors, and also a most wonderful draughtsman'.
Wassily Kandinsky (Russian 1866-1944) Radierung für den Kreis der Freunde des Bauhauses (Etching for Circle of Friends of the Bauhaus) Signed in pencil to margin Drypoint, 1932 From the unnumbered edition of 100, published Kreis der Freunde des Bauhauses 19.7 x 23.5cm (plate) Provenance: Dame Elisabeth Frink (Frink estate stamp to backing board); By descent to Lin Jammet; The Estate of Dame Elisabeth Frink and Lin Jammet
James Gillray (1757-1815) - 'Extirpation of the Plagues of Egypt;-Destruction of Revolutionary Crocodiles;-or-The British Hero cleansing ye Mouth of ye Nile'. A framed and glazed hand coloured etching picture by James Gillray, published 1798 by H. Humphrey. Set within an oak frame. Measures 61cm x 68cm.
James Gillray (British 1756-1815) - The Introduction, monochrome caricature etching published by H Humphrey 1791, 25 x 35.5cm approx visible sheet size, together with a further late 18th century monochrome caricature etching - Give Me The Sweet Delight Of Love - A Catch, inscribed Agnes I-N, published by H Humphrey 1781, 22 x 28.5cm approx visible sheet size, both framed (2)
George Ernest Howman (Early 19th century British School) - Study of Loch Awe, pencil on paper, unsigned but with label verso, 22 x 30cm, together with a quantity of decorative early 19th century and later prints and engravings, including a signed humorous monochrome etching after Alexander Brantingham Simpson - The Duchess and The Wasp, 22 x 14cm approx, a small needlework sampler by Eliza Catharine Stone dated 1842, 18cm square approx, etc, various sizes all framed (19)
A Victorian silver mounted etched glass classical revival claret jug, by Henry Bourne, Birmingham 1875, etched with 'Night' and 'Day' after Thorvaldsen, 28cmCONDITION: Tarnish to the silver otherwise good condition. Handle is springy but there is no evidence a girdle mount is missing as it would have covered up the etching.
A COLLECTION OF PRINTS to include five Michael Blaker open edition prints, Daniel Giraud Elliot prints of cats, some fading, prints of Anne Curtis drawings for the Royal Shakespeare Theatre, Charles Crmmbie golf prints, metal etching prints of sailing ships by Ralph S.Coventry, Renoir print 'Dance at le Moulin De La Galette' etc, all framed, largest approximate size 70cm x 88cm including frame (27)
William Lippincott (New York, 1849 - 1920) "An Idyl" oil on canvas painting. Signed lower right. With old labels verso. Housed in a gilt frame. Provenance: Important New York City private collection. Lippincott taught at the National Academy of Design and also attended the Pennsylvania Academy of Fine Arts. He exhibited in the Paris Salons until 1882 and then returned to the United States where he set up a studio in New York City. He exhibited regularly for more than 40 years at the National Academy of Design, elected an associate member in 1884 and a full academician in 1897. In addition to the National Academy, Lippincott was a member of the New York Etching Club, Philadelphia Sketch Club, and American Watercolor Society. Sight Size: 10.5 x 14 in. Overall Framed Size: 19 x 25 in.
Raoul Dufy (French, 1875-1953) Etching. Pencil signed lower right, numbered (36/100) lower left. L'Art D'Aujourd'hui #5. Deluxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Limited in 100 copies with an original eau-forte by Raul Dufy signed and numbered by the artist. Image Size: 7.5 x 5.5 in. Overall Framed Size: 15.75 x 14 in. Framed behind glass.
Jean-Francois Millet (French, 1814 - 1875) "Le Retour des Champs" Etching. Signed in plate lower right. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet. Image Size: 4.75 x 7 in. Overall Framed Size: 15 x 21 in. Framed behind glass.
Salvador Dali (1904 - 1989) Original self-portrait surrealist etching. On arches paper. Pencil signed and numbered (137/175) in lower portion. Comes with original purchase receipt from Galerie Orangerie Verlag from back in 1968 for BF 4,000.Provenance: Private Longboat Key, Florida estate. Image size: 20.75 x 16 in. Overall framed size: 30.5 x 22 in. Framed behind glass.
Scottish Regiment Artillery Lieutenant Sword, Based on an early 19th century design, Marked to the Blade for the Stirlingshire Artillery Vol, Also stamped J, Wood Blakey to Blade, Having a Basket hilt and Ray skin grip, blade 81cm long, With a white metal scabbard Condition reportThe etching marks on the blade can be made out but are rubbed with age, (Additional photographs of the blade have been taken)Age fading to grip.Age surface marks to hilt and blade.Age scratches to blade.Age staining to scabbard.
Estelle Thompson (b.1960) ''Moving Colour III'', 2002 Signed, inscribed and dated (20)02, etching from an edition of 15, together with David Hosie (b.1962) ''Falling Girl'', signed and inscribed, ink and Philip Archer, Figure and Shadow, signed, oil pastel, 60cm by 48cm, 25cm by 24cm and 13cm by 20.5cm (3) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
After Judy Ball (contemporary) A set four floral studies, pencil signed, uniformly gilt-framed under glass, 36 cm x 20 cm [Judy Ball was born in Bosham, Chichister in 1940. Educated in Scotland, she trained as a florist at Constance Spry, London. When her children reached teen age she took up etching, selling her work at Covent Garden Market, this grew into the business Judy Ball Cards. Since retired, she now resides at Rye Harbour.]
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