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Lot 636
SAVAGE, James, History of The Hundred of Carhampton in the County of Somerset, Strong, Bristol, 1830. 4to. frontis. folding cold. map. 1/2 glt. bds. Tog.with EVANS, Rachel, Home Scenes: or Tavistock & Its Vicinity, Simpkin & Marshall, 1846. 8vo. frontis foxed. A.e.g. glt. bds. scuffed. Plus PAGE, John Ll. W. The Rivers of Devon from Source to Sea, Seeley & co. 1893. 8vo. frontis with tissue guard. Drawn by A. Ansted. lacking 1 etching. folding map. glt. cl. Plus The Coast of Devon & Lundy Island, by same, Horace Cox, 1895. 8vo. plts. a.c.f. maps at rear. glt. cl. owners insc. Plus other Somerset & West Country interest. 17
![¥ Edmund Blampied [1886-1986] morning Bathers drypoint etching 1920 signed in pencil lower right numbered 7 of 20 lower left](http://lot-images.atgmedia.com/SR/35518/2850922/330-20121015155254_468x382.jpg)
Lot 62
After Paul Cesar Helleu - an etching of an Edwardian lady, pencil signed, 39.5 x 30 cm Note: Possibly Lady Meysey Thompson, who was painted by various society portrait artists of the day, such as John Singer Sargent (oil on canvas, 1901, private collection) Prov: Egerton estate, thence by descent Condition Report Extensive spotting overall
Lot 15
AFTER W HOLLAR "A merchant's daughter of London" and "An English gentlewoman", a pair of black and white etchings, each 10 cm x 7 cm, mounted on card (ONE ILLUSTRATED) CONDITION REPORTS Both pictures have been kept extremely flat, the mounts can be lifted and underneath they have had tissue paper put over the top of the etchings, they are backed onto card and have been glued down all across the back and it would be quite difficult to remove them from the card. "English Gentlewoman" - has been cut right to edge, there is slight, but even, browning throughout, there are at least three big foxing/browning spots - one on the top left, one on the top right and one just down the top edge on the left-hand side of the etching itself, and several other "dots" of browning on the card. "Merchants Daughter" is again slightly browned and is cut right to the edge but does not show any signs of foxing, card it is mounted on is slightly dirty.
Lot 16
AFTER LEONARD BASKIN (1920-2000) (AMERICAN) "Gericault", a head study limited edition black and white etching, numbered, signed and inscribed in pencil in the margin, image size 48 cm x 39 cm, and a similar smaller head study black and white etching artist's proof print dated "1956" and signed in pencil in the margin, 18 cm x 12 cm (ONE ILLUSTRATED) CONDITION REPORTS Overall OK. SOME STAINING TO MOUNT - SEE IMAGES
Lot 34
AFTER HERBERT DICKSEE (1862-1942) "Leopard on the prowl", black and white etching, bearing blind stamp, signed in pencil in the margin, 20 cm x 42 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Is under glass so we are unable to comment on the condition underneath the mount, however frame is slightly mis-shapen along the bottom edge and is dropping slightly in the centre, appears slightly dirty, there is some even yellowing/browning throughout the etching particularly on the outer mount, otherwise appears OK.
Lot 35
AFTER HERBERT DICKSEE (1862-1942) "Tiger gnawing at a bone", black and white etching, bearing blind stamp and signed in pencil in the margin, 21 cm x 47 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Slight, but quite even, browning throughout the etching, mount is particularly browned, it is unframed, when the mount is lifted up it is very discoloured towards the edge of the backing card, with some "splodges" of water damage down the left-hand edge of the backing card, there is clearly some paper attached to the backing card where the mount has been glued down and pulled away. The etching itself is glued down securely onto the card and would be difficult to remove, white edging is quite dirty with some blackening towards the edges, although the main image itself appears in sound condition with some slight discolouration.
Lot 36
AFTER HERBERT DICKSEE (1862-1942) "Leopard taking water from a stream", black and white dry point etching, signed in pencil in the margin, 22 cm x 36 cm (ILLUSTRATED) (ARR) CONDITION REPORTS Overall with general wear and dirt, some staining and foxing to the mount. Frame in worn and chipped condition.
Lot 41
AFTER PETER ILSTED (1861-1933) "A windswept Autumnal wooded landscape", limited edition dry point etching No'd. 23/125, signed in pencil in the margin, image size 27 cm x 40 cm and PATSY FARR (1955-) "Nude study of a seated lady", crayon, signed, 49.5 cm x 37 cm (2) (ONE ILLUSTRATED) CONDITION REPORTS Small white spots top edge and into top right hand corner. Slight brown mark into margin adjacent with mount bottom edge. Otherwise generally sound
Lot 54
AFTER OTTO GOETZE (1868-1931) "Native Dancer", dry point black and white limited edition etching No'd. 3/50, signed in pencil in the margin, 29 cm x 21 cm, AFTER JOHN R BARCLAY (1884-1962) "Resting - a nude woman lying down", dry point black and white etching, No'd. 32/40, signed in pencil in the margin, 21 cm x 25.5 cm (2) (ONE ILLUSTRATED) (ARR)
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71174 item(s)/page