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Click here to subscribeGerald Leslie Brockhurst RA, RE (1890-1978) signed in pencil, etching, 14.5cm by 8cm The image depicts Anais Folin, the artist's first wife holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time.
^ After Rembrandt Harmensz van Rijn (1606-1669) Dutch Christ driving the money changers from the temple, etching possibly a late eighteenth century impression with additional re-workings, bears a French collectors stamp verso together with an etching and aquatint after Vuillard depicting Van Rysselberghe and a further black and white reproduction after Raoul Dufy 13cm by 16cm, 9cm by 12.5cm and 21.5cm by 30.5cm respectively (3)
Percy Robertson ARE (1868-1934) ''The Thames at Westminster'', signed with initials and inscribed in pencil, etching, together with two further works by the same artist ''Westminster from Vauxhall'' and A view of St Pauls from the Thames, 23.5cm by 36cm, 29cm by 43cm and 28cm by 38cm respectively (sh) unframed (3)
Percy Robertson ARE (1868-1934) ''Cenotaph'' inscribed in pencil, etching, together with four other etchings entitled ''Westminster Abbey'', ''St George's, Hanover Square'', ''Victoria Memorial'' and ''Hyde Park Corner'' 29cm by 23cm, 32cm by 25.5cm, 28.5cm by 19cm, 19.5cm by 26cm and 30cm by 22.5cm respectively (sh) unframed (5)
~ Frederick (Fred) Cecil Jones RBA (1891-1966) ''Ugthorpe Mill, Near Whitby'' signed and inscribed in pencil, etching, unframed, together with a portfolio of other unframed etchings and prints including ''Whitby from Crag Steps'', signed J Barrie Robinson, ''Low Water Whitby Harbour'', by H L Boyle, various 19th century engravings of Whitby and the surrounding area, a small collection of Whitby Auction posters and three watercolours of Whitby interest etc (qty) contained within a portfolio, various sizes
Winifred Austen (1876-1964) ''Lesser Whitethroat'' signed and inscribed in pencil, a black and white etching, together with a further signed example by the same artist ''Sedge Warbler'', andd two gouache painting by Eustace Barnes ''Laniisoma e elegans'' & ''Phibalura f. flavirostris'', initialled and dated (19)97, 15cm by 13cm, 14cm by 18.5cm, 28cm by 20cm respectively (4)
Charles Robertson (1844-1891) ''The waste and plunder of the shore'' signed and inscribed in pencil, etching, together with seven other etchings including A study of a tigers head After W.F Potter, three etchings after Mortimer L Menpes, A study of a girl holding a doll After Anthony Bowsfield and two others figurative studies by other artist 36cm by 52.5cm, 33cm by 25.5cm, 25.5cm by 17.5cm, 25cm by 17cm, 36cm by 26cm, 19cm by 14cm, 24cm by 21cm and 25cm by 21cm respectively (sh) (8) unframed
William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) ''Blackfriars'' signed in pencil, a black and white etching, together with a further signed etching by the same artist ''Greenwich Reach'' and a further shipping scene by Harold Wyllie 20cm by 40cm, 16cm by 37cm and 14cm by 24.5cm respectively (3)
William Walcot RBA, RE (1874-1943) ''The Frigidarium of the baths of Carcalla'' signed in pencil, a black and white etching, together with a further signed etching by the same artist ''Ludgate Hill'', another by M Bauer depicting moorish figures gathered on steps inscribed no. 43 and a colour reprodcution after Frank Brangwyn (unframed) 45.5cm by 58.5cm, 13.5cm by 12.5cm, 38cm by 50cm and 35cm by 46.5cm respectively (4)
Percy Robertson ARE (1868-1934) ''Switzerland'', signed and inscribed in pencil, etching, unframed, together with seven other etchings entitled ''Bushy Park, Hampton Court'', ''Dordrecht'', ''Lincoln'', ''Books and Toys'', ''Bon church'', A windmill in an open landscape and an etching of a river landscape 19cm by 24.5cm, 19.5cm by 28cm, 28cm by 25.5cm, 38cm by 28cm, 29cm by 23cm, 39.5cm by 28cm, 20.5cm by 23cm and 36cm by 39cm respectively (sh) unframed (8)
Percy Robertson ARE (1868-1934) ''The Shooing Forge'' signed and inscribed in pencil, etching together with three further etchings ''Godalming'', A figure ploughing with a pair of shire horses, The hay cart, 21.5cm by 27.5cm, 21cm by 26cm, 21cm by 26cm and 18cm by 21cm respectively (sh) (4) unframed
Collection Of Prints and Etchings. Three in total each housed in black wood frames with cream mount. To include two city scenes and the third, an original etching 'St Mary's Abbey Ruins by Edward J. Cherry' Artist signed to bottom right. Framed by W. Carling & Son 19 Station Road, Whitley Bay.
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