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Lot 232
Robert de Boudous (printmaker) - `Isaacus Oliverus, Anglus, Pictor` (Three-quarter Length Portrait of the Miniature Portraitist Isaac Oliver standing in his Studio), monochrome engraving with etching, circa 1610, published by Hendrik Hondius I, plate size approx 20.5cm x 12cm. Note: from `Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies`.
Lot 263
After Anthony van Dyck - `Serenissimus Princeps, Carolus D.G. Angliae, Scotiae, & Hiberniae, Rex, etc.` (Half Length Portrait of Charles I, Westminster and Whitehall beyond), monochrome etching by Wenceslaus Hollar, circa 1649, plate size approx 15cm x 10cm. Note: State II of III with the address of Jan Huyssems.
Lot 1440
JUNIOR ETCHING CLUB. "Passages from Modern English Poets illustrated by the Junior Etching Club." 47 etchings comp including "The Angler" and "A River Stream" by Whistler, all with tissue guards, orig cl gt (covers stained and worn), 4to, aeg, Tegg c1860`s (the second Whistler etching stained).
Lot 423
STODDARD, Herbert L. (1889-1970). The Bobwhite Quail- Its Habits, Preservation and Increase. New York: Scribners, 1931. Dimensions: 4to (292 x 212 mm). Signed etching by Frank Benson, color plates after Kalmback and photo illustrations. One quarter vellum and brown cloth, stamped in gilt, top edge gilt, others uncut, with brown cloth slipcase. Two previous owners` book plates on inside cover pasted to endpapers, crack to hinge, pencil marking on front endpaper. FIRST LIMITED EDITION. Numbered 167/ 260, signed by Herbert L. Stoddard.
Lot 704
Pierre Charles Canot, French 1710-1777- `Sun Rising` After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm: James Mason, British 1710-c.1780- `Sun Setting` After Claude Le Lorrain, published by John Boydell 1771; etching on paper, oval, 35.5x43cm, (both in matching gilt & gesso late 18th/early 19th century oval frames) (2) Provenance: Property of the Markham family, William Markham married Daisy Grant, daughter of Sir Francis Grant RA, and thence by descent
Lot 711
Attributed to Richard Parr, British c.1707-1754- `A North View of Westminster Bridge; Vue du Pond de Westminster de Cote du Nord` publ. by Robert Sayer; copper engraving, with later hand-colouring, 26x40.7cm: Wenceslaus Hollar, German 1607-1677- `Palatium Archiepiscopi Cantuariensis propae Londinum, vulgo Lambeth House`; etching with later hand-colouring, signed within the plate and dated 1647, 15x32.2cm: British School, mid/late 18th Century- `Lambeth House`; copper engraving with hand-colouring, 18x25cm: Johann August Corvinus, German c.1682-1788- `Prospectus neo edificati Observatory Astronomici in Collegio Academico Soc. Jesu Prolpoect des Collegii derren RR.PP.Sco. Iefu nebfe dem neürerbaüren Observatorii a. Bibliothea episdem Collegii. b. Templuem ad Marià rotunda RR.PP Predicatoru. Thiern a Derren Bibiothec. b. Die Kirch derre RR.PP Dominicaner` after Salamon Kleiner; copper engraving, 23.5x34cm: Gabriel Perelle, French 1640-1695- `Vue de la cour des fontaines et du jardin de l`étang à Fontainebleau` publ. by Nicolas Langlois, Paris; etching, 18.6x27.5cm: Attributed to Mattäus I Merian, German 1593-1650- `Statt Bltzen`; copper engraving, 18.8x36.7cm: European School, late 17th Century- Views of Navarino and Modon, Italy; copper engraving, 33x34cm: E C Schmidt, German 19th Century- `Teinkirche in Prag` after L. Richter; engraving, 16.5x12cm: Anton Rottmann, German 1795-1840- `The English Church`, after Ludwig Rohbock; engraving, 16x21cm , (9) (part-unframed)
Lot 716
Jean Carzou, French 1907-2000- Orange Venice; lithograph, artist`s proof, signed and dated 66, 48x65.6cm: After Raoul Dufy, French 1877-1953- `Bather`; etching & aquatint in colours/BKF Rives paper, signed within the plate, 22x31cm: After Bernard Buffet, French 1928-1999- Village Street; lithograph, signed within plate, 31.5x24.2cm: After Paul Cézanne, French 1839-1906- `Le Déjuener sur L`Herbe`; lithograph in colours, 35.2x42.7cm: After Marc Chagall, Russian 1887-1985- `Moses Receiving the Tablets of the Law` 1956; lithograph, 35x26cm, Provenance: The Mark Gallery, London, according to label attached to the reverse of the frame(5) (part unframed) (may be subject to Droit de Suite)
Lot 717
Michael Wolgemut, German 1434-1519- `Pius and Frederick III` from the Nuremberg Chronicle; woodcut, 13.6x22.7cm: After Agostino Musi Dei Veneziano, Italian 1490-c1569- Portrait of Caesar; copper engraving, stamped Dr. Lieberg and A&B, (verso), inscribed (verso), 25.5x17cm Provenance: From the Collection of Dr. Lieberg and P. Davidson: Jacobus Neefs, Belgium 1610-1660- Portrait of Francis Synders, after Sir Anthony Van Dyck; etching, 24.5x15.8cm: After Cornelis Ploos Van Amstel, Dutch 1726-1798- River Scene by Moonlight, after Aert I Van der Neer, Dutch 1603/04-1677; aquatint, plate 76, from an edition in 1821, 19x26.5cm: Philibert-Louis Debucourt, French 1755-1832- `Rivage D`Italie`, after Claude Joseph Vernet; copper engraving, 39x52cm Provenance: Robert Guérault, London (according to label attached verso), (5) (part unframed)
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71174 item(s)/page