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Lot 1800
DALI, SALVADOR (1904-1989), "Der Kuss" aus „Das hohe Lied des Salomon“, 1971, Radierung mit Pochiorauflage/Arches, part. goldgehöht, im unteren Teil mit Bleistift handschriftlich signiert und nummeriert (30/250), HxB (Passepartoutausschnitt): 47,5/30,5 cm (mit Rahmen 69/51 cm). minimalste Altersspuren.| DALI, SALVADOR (1904-1989), "Der Kuss" from "Das hohe Lied des Salomon",1971, Etching with pochior overlay/Arches, partly heightened with gold, signed and numbered (30/250) in pencil in the lower part, HxW (mat opening): 47.5/30.5 cm (with frame 69/51 cm). minimal traces of age.
Lot 1801
GMELIN, WILHELM FRIEDRICH (1760-1820), „Templum Veneris (Der Tempel der Venus)“, nach einem Gemälde von Claude Lorrain (Gellée), handkolorierte Radierung auf Venlin , un der Platte signiert. HxB: Passepartoutausschnitt 50/65,5 cm (70/84 cm mit Rahmen). Hinter Glas gerahmt, ungeöffnet. Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| GMELIN, WILHELM FRIEDRICH (1760-1820), "Templum Veneris (The Temple of Venus)",after a painting by Claude Lorrain (Gellée), hand-coloured etching on Venlin, signed on the plate. HxW: mat opening 50/65.5 cm (70/84 cm with frame). Framed behind glass, unopened. Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the adult education centre and the municipal gallery in Herrenberg and chairman of the European Cultural Community e.V.
Lot 671
Tracey Emin CBE, RA (b.1963)"Cunnilingus"Signed and dated 2013,, inscribed and numbered 59/100, etching, 35cm by 37cmProvenance: Emin International, LondonThe work is float mounted. The paper has a deckled edge. Slight cockling to the paper. Some light surface dirt and the odd thunder fly trapped under the glass. Not examined out of the frame.
Lot 608
Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish"Langoustine" (2012)Signed and numbered 42/50, etching, 39cm by 39cmProvenance: Royal Academy Summer Exhibition, LondonSlight cockling to the paper. Some light surface dirt and debris trapped under the glass, in particular a thunder fly to the upper left of the margin. Not examined out of the frame.
Lot 620
Pablo Picasso (1881-1973) Spanish "Combat de gladiateurs, avec spectateurs, et en bas, rappel de l’ Ecce Homo" (1970) Signed and numbered 44/50, etching and aquatint, plate 19 from "The 156 Series", 37cm by 46cm Literature: Bloch; Baer, 1874; 1879 Slight cockling to the paper. Very slight time staining to the paper. The odd very minor sporadic foxing spot in evidence, e.g. one to the centre of the bottom edge between the two heads and one to the right margin, etc. Some light surafce dirt and debris trapped under the glass. Not examined out of the frame.
Lot 344
AN ELECTROPLATE MEAT DISH AND COVER, TWO SETS OF SILVER SPOONS OTHER ELECTROPLATE, CUTLERY, STUART CRYSTAL AND OTHER DRINKING GLASS AND DECANTERS, ETC.1. Silver plated meat platter by PS & Co Sheffield with cover made of EP German silver by Harrison Brothers and Howson made for George Stockwell & Co Limited2. Stuart crystal cut glass claret decanter with epns lid and handle, and 2 large crystal wine flutes3. Set of 6 Stuart crystal champagne flutes4. x2 sets of 6 boxed silver coffee spoons (total 12) and box of 4 silver Plated apostle spoons5. A heavy cut glass inkwell with reservoir and brass lid together with a brass lamp 6. 3 cut glass port and wine decanters 7. Intricate fish slice and fish roe server by A. Michaelson (cutler to the Danish court)8. Fish slice and fork with vine leaf etching with faux bone resin handles by Isaac Ellis & Sons Primus 1860-19329. Fish slice 32cm and fork by John Biggin & Sons early 1900s10. Set of 6 fish knives and forks by Harrison Fisher & Co Sheffield 1900-192511. Selection of cut glass and plate ware to include silver topped scent bottle, AlpaDur wine goblet, bonbon basket with blue glass liner, salt and pepper shakers, Edinburgh crystal tumblers, candle holders,
Lot 4125
William Douglas Macleod (Scottish 1892-1963): 'White Horse Close - Edinburgh' drypoint etching signed and titled in pencil; Alfred Hugh Fisher (British 1867-1945): 'Gray's Inn - Christmas' drypoint etching signed in pencil, titled in the plate; 'Fuenterrabia', etching indistinctly signed and titled in pencil; together with a similar etching indistinctly signed and titled, and two Japanese watercolours, max 22cm x 16cm (6)
Lot 640
William Blake (1757-1827) engraved after John Flaxman (1755-1826), stipple engraving and etching on paper, Saturn and His Children - Did Saturn Huge Devour,from Compositions from the Works, Days and Theogony of Hesiod, published by Longman, Hurst, Rees, Orme and Brown 1817, 9cm x 16cm, mounted, glazed andframed. Flaxman, a close friend of Blake, was the much more successful artist at the time and used his name to help the struggling Blake with engraving commissions.According to The William Blake Archive, the Hesiod etchings “are one of Blake’s major endeavours as a commercial etcher/engraver of designs by other artists …Without the Hesiod project, Blake and his wife Catherine might have descended into dire poverty.”
Lot 31
Yoshiko Tsubouchi (Japanese 1966-) "Mener qu en Bateau IX" Signed and titled in pencil in the margin, numbered 12/95, etching with aquatint and gold leaf.47.5 x 62cm (framed 70 x 89cm)The print is in very good, original condition. There are some minor spots of foxing in the margins. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 58
Tony Bevan R.A. (British 1951-) "Head" Signed, titled and dated '02 in pencil in the margin, numbered 1/3 AP, etching.21 x 29.5cm (framed 50.5 x 54cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing across the sheet. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 27
Yoshiko Tsubouchi (Japanese 1966-) "Imperium Japonensium Mappis" Signed and titled in pencil in the margin, numbered 77/95, etching with aquatint and gold leaf.38 x 47cm (framed 55 x 70cm)The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 87
'Bryan Pearce - The Artist and His Work' by Janet Axten, published by Sansom Bristol, 2000, signed by the author, number 3 from a limited edition of 75 copies which include a numbered and signed copy of the etching "Indian Birds".Complete with original dustwrapper and slipcase. Together with Bryan Pearce's order of service.
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