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"St. Mary's Island and Lighthouse", drypoint etching, signed proof by William Lionel Wyllie.

Anderson & Garland

Lot 1

"St. Mary's Island and Lighthouse", drypoint etching, signed proof by William Lionel Wyllie.

Live Auction

Anderson & Garland

Lot 1

"Tynemouth", drypoint etching, signed proof by William Lionel Wyllie.

Live Auction

Anderson & Garland

Lot 1

Worshippers in a Muslim temple, etching, signed proof, by Louis C. Rosenberg, 1927.

Live Auction

Anderson & Garland

Lot 1

Muslim temple interior, etching, signed proof, by Louis C. Rosenberg.

Live Auction

Anderson & Garland

Lot 1

"Early Morning, Stirling", drypoint etching, signed proof, by William Walker.

Live Auction

Anderson & Garland

Lot 1

Coastal landscape with ploughman, etching, signed proof, by Percival Gaskell.

Live Auction

Anderson & Garland

Lot 1

The Colosseum, etching, signed proof, by R.F. Gethin; and "Le Mont St. Michel", etching, signed proof, by Barry Owen Jones. (2)

Live Auction

Anderson & Garland

Lot 1

"Le Petit Pont", etching by Jacob Ruisdael (18th Century impression), unframed.

Live Auction

Anderson & Garland

Lot 1

"St. Jerome reading with a skull and lion nearby", etching by Jusepe de Ribera (trimmed and laid down), unframed.

Live Auction

Anderson & Garland

Lot 1

Children alighting from a boat at a loch side, etching, signed proof, by Charles W. Caine.

Live Auction

"French Shop", etching, signed proof by David Hockney, no. 281 from an edition limited to 500, 1971.

Anderson & Garland

Lot 1

"French Shop", etching, signed proof by David Hockney, no. 281 from an edition limited to 500, 1971.

Live Auction

Anderson & Garland

Lot 1

A Scottish glen, mezzotint, signed proof, by Frank Short, after J.M.W. Turner, 1888; and a river bridge, etching, signed proof, by Oliver Hall. (2)

Live Auction

Anderson & Garland

Lot 1

"Female nude and flowers", etching, signed proof by Douglas Portway, no. 28 from an edition limited to 50.

Live Auction

Anderson & Garland

Lot 1

"Lynmouth, the Cottages", etching, signed proof by Walter H. Sweet; and two other etchings, various. (3)

Live Auction

Anderson & Garland

Lot 1

A sailing smack, etching, and a Continental coastal scene, drypoint etching, indistinctly signed. (2)

Live Auction

Anderson & Garland

Lot 1

"Angers", drypoint etching, signed proof, by D. Stuart.

Live Auction

Anderson & Garland

Lot 1

"Bathing Place, Bordighera, Italy", etching, signed proof, by Martin Hardie, 1922, dedicated with inscription "To Malcolm Salaman".

Live Auction

Anderson & Garland

Lot 1

"Whitley Sands, Northumberland", etching, signed proof, by George Horton.

Live Auction

Anderson & Garland

Lot 1

Venice from the Lagoon, etching, signed proof, by W. Fairclough, 1981.

Live Auction

Rosebery's

Lot 1

Salvador Dali - Three horses and riders in a landscape with mountains; hand-coloured etching, signed and numbered 250/400 in pencil, 56.3x44.8cm: Ronald Brooks Kitaj- Albyn or Scotland and the Future; lithograph, signed with initials and numbered 62/150 in pencil: together with a reproduction print after Helen Bradley, signed in pen, titled 'Hollinwood Market', 1972, (3), (unframed)

Live Auction

Jack Coutu - 'Jungle'; etching with drypoint, signed, dated '65, titled and numbered 9/60 in pencil, 38.5x60cm: Dolf Rieser

Rosebery's

Lot 1

Jack Coutu - 'Jungle'; etching with drypoint, signed, dated '65, titled and numbered 9/60 in pencil, 38.5x60cm: Dolf Rieser- 'Tower of Babel'; etching with drypoint printed in pink, signed, titled and numbered 8/50 in pencil, 53x19.6cm., (2)

Live Auction

Graham Sutherland - 'Orpheus', no. 7 from 'Le Bestiare' by Apollinaire; etching with aquatint, signed and numbered 66/75 in

Rosebery's

Lot 1

Graham Sutherland - 'Orpheus', no. 7 from 'Le Bestiare' by Apollinaire; etching with aquatint, signed and numbered 66/75 in pencil, 48.2x75.3cm.

Live Auction

Ernst Fuchs - Mythological figure with a reclining man; etching, signed in pencil, 40x31.5cm

Rosebery's

Lot 1

Ernst Fuchs - Mythological figure with a reclining man; etching, signed in pencil, 40x31.5cm

Live Auction

Peter Blake, R.A. - 'So Alice picked hill up very gently; serigraph, signed and numbered 14/100 in pencil, 24.3x17.7cm: Ken

Rosebery's

Lot 1

Peter Blake, R.A. - 'So Alice picked hill up very gently; serigraph, signed and numbered 14/100 in pencil, 24.3x17.7cm: Ken Wishart- 'Clifford Loves You'; etching with aquatint, signed and numbered 41/75, 39.2x29.5cm., (2)

Live Auction

Rosebery's

Lot 1

William Lionel Wyllie - Two fishing vessels and a steamship in choppy seas; etching, signed in pencil, bears Stacey Mark's framers label verso, 19x24.2cm

Live Auction

William Lionel Wyllie - The entrance to a busy harbour; etching, signed in pencil, 28.2x47.4cm

Rosebery's

Lot 1

William Lionel Wyllie - The entrance to a busy harbour; etching, signed in pencil, 28.2x47.4cm

Live Auction

20th Century School c1980 - Abstract composition with astrological inspired symbols; etching with aquatint, signed and title

Rosebery's

Lot 1

20th Century School c1980 - Abstract composition with astrological inspired symbols; etching with aquatint, signed and titled indistinctly, and inscribed A/P in pencil, 60.2x78.3cm

Live Auction

Rosebery's

Lot 1

James Alphege Brewer - 'Leon Cathedral' after Henry C. Brewer; etching with spots of hand-colouring, signed twice and titled in pencil, 60.3x42.4cm

Live Auction

Attributed to Berthe Morisot - Fillette au Chat; etching with drypoint, 14.6x11.5cm

Rosebery's

Lot 1

Attributed to Berthe Morisot - Fillette au Chat; etching with drypoint, 14.6x11.5cm

Live Auction

Samuel Palmer (1805-1881) 'THE SLEEPING SHEPHERD-EARLY MORNING' 1857 (Lister 6) An etching signed in the plate (?) and inscri

Sworders

Lot 1

Samuel Palmer (1805-1881) 'THE SLEEPING SHEPHERD-EARLY MORNING' 1857 (Lister 6) An etching signed in the plate (?) and inscribed 5

Live Auction

William Lionel Wyllie R.A., R.W.S. (1851-1931) THE TOWER OF LONDON Etching, signed and inscribed in pencil, 25 x 25cm

Sworders

Lot 1

William Lionel Wyllie R.A., R.W.S. (1851-1931) THE TOWER OF LONDON Etching, signed and inscribed in pencil, 25 x 25cm

Live Auction

William Lionel Wyllie R.A., R.W.S. (1851-1931) A DUTCH CANAL Etching, signed in pencil, 16 x 46cm

Sworders

Lot 1

William Lionel Wyllie R.A., R.W.S. (1851-1931) A DUTCH CANAL Etching, signed in pencil, 16 x 46cm

Live Auction

Dame Laura Knight (1877-1970) VIEW OF SPANISH DANCERS Etching and aquatint, signed in pencil, 29 x 24cm

Sworders

Lot 1

Dame Laura Knight (1877-1970) VIEW OF SPANISH DANCERS Etching and aquatint, signed in pencil, 29 x 24cm

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

Clyde from Old Kilpatrick, etching after W. DOUGLAS MACLEOD, signed, 23cm x 35cm.

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

Dutch Windmill, an etching After MATHEW HENDERSON, signed and inscribed, 15cm x 12cm.

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

Auld Brig, Ayr, an etching and a further etching of Arran After D.Y CAMERON. (2)

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

The Old Mill, an etching After G. BROUET, signed in pencil, 16cm x 20cm, an etching of a Bruges scene After A.H. HAIG and a further coloured engraving of an ornate archway. (3)

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

A 19th Century etching depicting figures promenading with classical buildings beyond, 28cm x 58cm.

Live Auction

Thomson Roddick & Medcalf Dumfries

Lot 1

Fontaine De L'Observatorie, an etching After J. Knight, signed, 18cm x 23cm.

Live Auction

Louis Icart (1888-1950), Hoopla (HCI 440), etching with aquatint and drypoint, 1935, signed in pencil, unexamined out of fra

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Hoopla (HCI 440), etching with aquatint and drypoint, 1935, signed in pencil, unexamined out of frame.

Live Auction

Louis Icart (1888-1950), Frolicking (HCI 117), etching with aquatint and drypoint, 1920, signed and indistinctly numbered 1

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Frolicking (HCI 117), etching with aquatint and drypoint, 1920, signed and indistinctly numbered 1/6 in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Love's Blossom (HCI 465), etching with aquatint and drypoint, 1937, signed and indistinctly titled l

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Love's Blossom (HCI 465), etching with aquatint and drypoint, 1937, signed and indistinctly titled l.r. in pencil, unexamined out of frame

Live Auction

Louis Icart (1880-1950), Lassitude (HCI 185), etching and drypoint, circa 1923, signed, numbered '35/50' and entitled 'Lassi

Sotheby's Olympia

Lot 1

Louis Icart (1880-1950), Lassitude (HCI 185), etching and drypoint, circa 1923, signed, numbered '35/50' and entitled 'Lassitude' l.r. in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Solitude (HCI 183), etching with drypoint, circa 1923, signed, numbered '25/50' and entitled 'Rever

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Solitude (HCI 183), etching with drypoint, circa 1923, signed, numbered '25/50' and entitled 'Reverie' l.r. in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), In the Trenches (HCI 80), etching with aquatint and drypoint, circa 1917, signed and numbered 104/

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), In the Trenches (HCI 80), etching with aquatint and drypoint, circa 1917, signed and numbered 104/150 in pencil, inscribed 'Avant L'Attaque' in pencil l.r., unexamined out of frame

Live Auction

Louis Icart (1888-1950), Pals (HCI 118), etching with aquatint and drypoint, 1923, signed and inscribed 'artist proof 43' i

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Pals (HCI 118), etching with aquatint and drypoint, 1923, signed and inscribed 'artist proof 43' in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Backstage (HCI 298), etching and drypoint, circa 1926, signed and numbered 19/50 in pencil, unexami

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Backstage (HCI 298), etching and drypoint, circa 1926, signed and numbered 19/50 in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Girl in a pink dress holding flowers, etching with aquatint and drypoint, signed in pencil, unexami

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Girl in a pink dress holding flowers, etching with aquatint and drypoint, signed in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Sleeping Cat (HCI 134), etching with aquatint and drypoint, circa 1922, signed and entitled 'La Fem

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Sleeping Cat (HCI 134), etching with aquatint and drypoint, circa 1922, signed and entitled 'La Femme au Chat' l.c. in pencil, unexamined out of frame

Live Auction

Louis Icart (1888-1950), Wounded Dove (HCI 386), etching with aquatint and drypoint, 1929, signed and numbered '223/500' in

Sotheby's Olympia

Lot 1

Louis Icart (1888-1950), Wounded Dove (HCI 386), etching with aquatint and drypoint, 1929, signed and numbered '223/500' in pencil, unexamined out of frame

Live Auction

Byrne's Fine Art Auctioneers

Lot 1

After T E Neverson, pair of framed etchings 'Loch Lomond' and 'Loch Katrine', also an etching of St Paul's Cathedral from Watling Street (3)

Live Auction

Dreweatt Neate Honiton Salerooms

Lot 1

Margaret Cane (20th century), Nude girl on a beach, etching, signed in pencil in margin, 22cm x 28cm, and a companion, a pair. (2).

Live Auction

Dreweatt Neate Honiton Salerooms

Lot 1

Joseph Gray (1890 - 1962), Shepherd with flock in the Glen, etching, signed in pencil in margin, 17cm x 25cm.

Live Auction

Dreweatt Neate Tunbridge Wells Salerooms

Lot 1

F. Roth. (French school 20th century). Le Mont St Michaels, chromo dry point etching, signed in pencil , 21cm x 27cm.

Live Auction

Dreweatt Neate Honiton Salerooms

Lot 1

French coloured etching, Revenge of the Dog, depicting a setter smoking a pipe and carrying a shotgun, leading a crawling hunter to the amusement of hares, signed and titled, 23cm x 32cm.

Live Auction

An etching by William S Coleman depicting a maiden playing a pipe, framed signed in the print WSC 30 x 17.5cm.

Woolley & Wallis

Lot 1

An etching by William S Coleman depicting a maiden playing a pipe, framed signed in the print WSC 30 x 17.5cm.

Live Auction

An etching on paper by William S Coleman depicting a female nude holding a fan, in a garden setting, framed artist monogram

Woolley & Wallis

Lot 1

An etching on paper by William S Coleman depicting a female nude holding a fan, in a garden setting, framed artist monogram image 36 x 26cm.

Live Auction

An etching on paper by William S Coleman depicting a female nude smelling blossom, in a garden setting, framed artist sign

Woolley & Wallis

Lot 1

An etching on paper by William S Coleman depicting a female nude smelling blossom, in a garden setting, framed artist signature image 36 x 25cm.

Live Auction

Dreweatt Neate Donnington Priory Salerooms

Lot 1

Graham Jones, Hippolyta, pastel, 38.5 x 36 cm, Derek Wilkinson, Landscape, limited edition etching and aquatint, signed and dated 1972 lower right, inscribed with title and 15/20 lower left, p. 22 x 30 cm, and Jack Cox, Beach with fishermen at daybreak, watercolour, signed lower right, 25.5 x 28 cm

Live Auction

George Vernon Stokes (1873-1954), A pair of terriers at the water's edge, hand coloured etching, signed within the plate lo

Dreweatt Neate Donnington Priory Salerooms

Lot 1

George Vernon Stokes (1873-1954), A pair of terriers at the water's edge, hand coloured etching, signed within the plate lower left, signed in pencil within the margin lower centre, numbered 70/75 lower left, p. 24 x 29 cm

Live Auction

78391 item(s)

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