Image of angels surrounding a central saint-like female figure ascending against a distant background. The work of Salvador Dali is associated with the surrealist movement of the 20th Century. In addition to his original works, Dali produced works on paper for reproduction using dry point, etching, woodcut, and lithography. Litho is unnumbered, signed in the plate, on deckled edge paper, beautifully presented in a recessed coved & fluted float frame. Overall size: 26 1/4 x 24 in.Sight size: 13 x 10 1/4 in.
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Salvador Dalí Original Edition reverse plate signed etching. entitled "Autumn",it is a beautiful maiden with 2 cherubs celebrating an Autumn Harvest. The sanguine engraving is in very good to excellent condition. This edition is signed Dali inverse in the plate.Overall: 19 x 15 in. Sight: 10 1/2 x 8 1/2 in.
"Veduta della Basilica e Piazza de S. Pietro in Vaticano", (View of the Basilica and St. Peter's Square in the Vatican) Framed etching dated 1748. Piranesi was active in Italy and is known for ancient cityscape etching and painting, modernist figure and cityscape.Overall size: 26 1/2 x 33 1/4 in. Sight size: 16 1/2 x 22 in.
Collection of Pictures including Limited Edition Signed David Shepherd ' On Shed ..... as we remember them in the last days of steam ', 49cms x 90cms, framed and glazed together with +Pair of Prints of Cherubs, Limited Edition Etching ' Textures and Shapes ' 2/70, Oil Painting of River Scene, Watercolour of a Chinese Junk signed Chuen, Watercolour of a Sea View from a Balcony, plus ' Venetie M.D. ' Folder (but containing no illustrations)
Joseph Simpson (1879-1939, official Royal Flying Corps War artist) The Highlander, head and shoulders portrait of a seasoned Highland regiment piper in feather bonnet, drypoint etching, pencil-signed to the lower margin, 65 of 75, in broad card mount and slender ebonized frame under glass, 20 cm x 16 cm impression size, 57 cm x 42 cm framed
AUDUBON, John James (1785-1851).Common Cormorant (Plate CCLXVI)Phalacrocorax CarboEngraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey paper watermarked 1835, sheet 25 1/2 x 38 1/4 in. (646 x 974 mm). Thin layer of old adhesive verso, a few short marginal tears, some toning from old framing. Low p.124. Property from the Collection of Brigid McClainFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
AUDUBON, John James (1785-1851).Florida Cormorant...View Florida Keys (Plate CCLII)Carbo FloridanusEngraving with etching, aquatint and hand-coloring, on J Whatman paper watermarked 1834, sheet 25 3/4 x 38 3/4 in. (657 x 985 mm). 6-in. L-shaped tear to upper margin repaired not affecting image, a few very short marginal tears, some minor marginal toning from old framing, matted and framed. Low p.119 (Variant 1). Property from a Corporate Art CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
AUDUBON, John James (1785-1851).American Crossbill (Plate CXCVII)Loxia curvirostra Engraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey Mill paper watermarked 1834, sheet 38 x 25 1/2 in. (968 x 648 mm). A few short tears to edges, small loss to upper right corner, some very pale mostly marginal soiling, outer margin slightly toned from old matting, matted and framed. Low p.101 (Variant 1). Property from a Corporate Art CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[BOOKS ABOUT BOOKS]. ADLER, Elmer (1884-1962) and WINTERICH, John T. (1891-1970), editors. The Colophon. A Book Collectors' Quarterly. Vols. 1-18, 20. New York: The Colophon Ltd., Pynson Printers, 1930-1935. 19 volumes, including duplicate numbers of Vols. 2, 4, 6, 7, 8, 10, 11 and 15. Together 27 volumes, 4to. Original printed boards (slight toning and soiling, light rubbing to extremities); several vols. with original glassines (some tearing with loss). Publisher 's ephemera laid in. FIRST EDITIONS, a nearly complete run of the periodical lacking only vol.19, including the often lacking color drypoint etching entitled "Hilltop" SIGNED BY DAVID B. MILNE in pencil lower margin in vol.V and the color woodcut print "An Eagle Ceremony at Tesuque Pueblo" by Gustave Baumann in vol.XII. [With:] The Colophon. New Series. Vol.I Nos.1-4, Vol.III no.2. New York: Pynson Printers, 1935-1936, 1938. 5 volumes, including duplicate numbers of Vol.I nos. 3-4 and Vol.III no. 2. Together 8 volumes, 8vo. Original publisher 's printed boards or cloth; original glassine to one vol. (tearing with loss). FIRST EDITIONS. -- The Annual of Bookmaking 1927-1937. New York: Pynson Printers, 1938. 4to. Original publisher 's cloth stamped in silver and black (slight darkening to spine). FIRST EDITION. -- The Colophon. New Graphic Series. New York: Pynson Printers, 1940. Vol.I No.4. 4to. Original publisher 's cloth (slight toning to extremities). FIRST EDITIONS.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
FOLON, Jean-Michel (1934-2005). Affiches de Folon. Geneva: Alice Editions, 1978. Folio. Original color etching in aquatint SIGNED AND NUMBERED BY FOLON in pencil lower margin 156/200. 25 reproductions of posters by Folon, loose as issued in original portfolio. Original printed cardboard wrappers with cloth ties (some light fraying to ties). LIMITED EDITION, number 156 of 200 copies. Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). Insect on Unicycle. Zurich: Diogenes Verlag, 1978.Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Cloth tape from framing upper margin verso.)One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and only one copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). Child and Elephant Table. Zurich: Diogenes Verlag, 1978. Etching, on Arches paper, 14 x 11 3/4 in., SIGNED BY GOREY and numbered in pencil lower margin, 5/120. (Small surface abrasions to margins verso, cloth tape from framing upper margin verso, small pale stain upper margin.) According to Rick Jones of the Edward Gorey House, the common title for this etching, "Baby seated Under Rolling Elephant," is incorrect. This correct title appears in the original Diogenes brochure for this set of prints. One of 6 etchings created by Gorey and distributed by Diogenes Verlag in 1975, each consisting of 120 Arabic numbered and 20 Roman numbered copies. Though the etchings were sold individually, they are considered a set. VERY RARE: according to online records, no complete set of all 6 etchings has ever sold at auction, and no copy of this etching has ever sold at auction. See Goreyana Blogspot, 4 April 2011. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Signed, titled and numbered 30/160 in pencil in the margin, a two-plate etching.plate size 37.5cm x 25cm (14.75in x 9.75in)Condition report: The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. There is a minor water stain running along the top edge of the mountboard and the frame has some minor scuffs and scratches.
1979, signed, titled and numbered 31/150 in pencil in the margin, published by Christie's Contemporary Art and printed by J.C. Editions on Arches paper, with both blindstamps, with full margins, etching and aquatint.sheet size 57.5cm x 76.5cm (22.5in x 30in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. The print has been laid down. There is some very light time staining and browning around the edges of the sheet. The print is framed and glazed.
ERNEST HEBER THOMPSON (1891-1971) - Two ballerinas exercising, etching, signed in the plate, framed, 28cm x 20cm, frame size 46.5cm x 37cm, with other etchings by the same hand to include A ballerina en pointe before a mirror, etching, signed in the plate, framed, 21cm x 29cm, frame size 46cm x 37cm, another depicting Two Ballerinas, and A young woman drinking from a flask, etching, signed in the plate, framed, 36cm x 17cm, frame size 54cm x 34cm.
A pair of 19th century stipple engravings of children with a cat, in black glass mounts, a pair of oval prints of children, a set of four 19th century coloured hunting prints, in gilt frames, Major E F Humphreys: a signed etching of Barnstaple bridge, 5" x 9 1/2", a pair of coloured engravings of Bideford and Barnstaple, two other engravings, views of Charlton Park and Carlisle Castle, H Young: a modern watercolour, still life of fruit, and four other framed pictures
HEDLEY FITTON RE (British 1859-1929), 'The shrine of Edward the Confessor Westminster (Abbey)', first state etching, signed in pencil by the artist, Rembrandt Gallery label verso. 37.5 x 47.5cm approx within the plate marks. Together with another 'Rue san Romain, Rouan', uncoloured first state etching, 43 x 27cm approx. (2)(B.P. 21% + VAT) In good original condition overall.
* Caricatures. A collection of 22 cartoons & caricatures, 18th & 19th century, etched, engraved and lithographic caricatures including Gillray (James). The Guardian Angel 1805 [but later], hand-coloured etching on laid, old folds, thread margins, lacking the H. Humphrey publication imprint and with an additional 'No 1' to the upper right margin, 370 x 265 mm, together with Corbutt (Philip). The Amorous Hollander, circa 1800, uncoloured mezzotint after Ostade, slight creasing, a few marginal closed tears, slight dust soiling, 355 x 255 mm, with Dawe (H.). The Black Draught, W. I. White, 1824, uncoloured mezzotint after M. W. Sharp, slight spotting and dust soiling, 340 x 260 mm, laid on later card, plus Blundell (H.). Life, its Ups and Downs by Alfred Crowquille, R. C. Lamb, circa 1840, uncoloured allegorical engraving after A. Crowquille, some creasing and staining, laid on card, 290 x 530 mm, mounted, with others similar including examples by or after John Kay, W. Hogarth, G. Cruikshank, John Doyle and Henry Bunbury, various sizes and conditionQty: (22)
* Hollar (Wenceslaus). Plan de Londres tel quil etoi avant L'Incendie de 1666, Gravé par Hollar, published Robt. Wilkinson circa 1816, uncoloured etching with the margins decorated with the coats of arms of city livery companies, title repeated in English within the image, 175 x 280 mm, mounted, framed and glazed, together with Capellae Regiae ac Collegiate St. Georgii in Castro de Windsore a meridie prospectus...., 1671, uncoloured etched prospect with a floor plan below the prospect, 295 x 360 mm, mounted, framed and glazed, with Capellae Collegij Regalis de Eton ab Aquilone Prospectus, 1672, uncoloured etching, 260 x 380 mm, mounted, framed and glazedQty: (3)
* Foreign Topographical Views. A collection of 38 prints and engravings, mostly 18th & 19th century, engraved and lithographic views including Marieschi (M.). Forum minus Diui Marci publieys oedificys utrinque insigne, Venice, [1741], uncoloured etching on laid, originally published in the series 'Manificentiores Selectioresque Urbis Venetiarum...,' trimmed to image but retaining the title, some worming affecting printed image, 310 x 470 mm, together with Needham (J.). Ancient temple on the Tukt-I-Suleman, Day & Son, 1858, lithograph after Mrs Clark with contemporary hand colouring, slight spotting, 320 x 420 mm, with Bluck (John). A View of the City of Montreal & The River St. Laurence from the Mountain, R. Ackermann, 1811 [but 20th-century restrike], hand-coloured aquatint after E, Walsh, mount stained, 430 x 560 mm, plus Vanderhecht (G.). Hôtel de Ville de Bruxelles, P. Degobert, circa 1845, uncoloured lithograph by and after Vanderhecht, 300 x 210 mm, tipped on to contemporary paper, with others similarQty: (38)
Folio Society. Travels into Several Remote Nations of the World by Lemuel Gulliver, by Jonathan Swift, 2011, 17 tipped-in colour illustrations by Peter Suart plus an original numbered monochrome etching signed in pencil, publishers original quarter vellum with illustrated boards in book box, folio, limited edition 822/1000Qty: (1)
* Etchings. A collection of 23 etchings, mostly 20th century, uncoloured etchings, including Detmold (Edward J. 1883 - 1957). State Elephant. Spirit of the East, etching, signed by the artist in pencil to the lower right, toned overall, 290 x 240 mm, together with Affleck (A. F.). Venice, The Ducal Palace & Edinburgh Castle, circa 1930, two etchings, both signed by the artist to the lower right below the image, both mount stained and toned overall, each approximately 255 x 470 mm, with Litton (Hedley, 1859 - 1929). Ecclesiastical Interior, etching, signed in pencil by the artist to lower right, slight mount staining, 450 x 305 mm, plus Hester (Wallace), Lancing from the East & Upper Quad Lancing, early 20th century, two etchings, signed and titled in pencil by the artist below image, each toned overall, each approximately 195 x 260 mm, mounted, with others similar, various sizes and conditionQty: (23)
Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, Charles Chenil and Co., Ltd., 1920, numerous monochrome illustrations, some light toning & spotting throughout, front gutters cracked, loose errata to the rear, publishers original quarter white cloth, boards & spine slightly marked & rubbed with minor loss to head & foot, large 4to, limited edition 134/325, includes Catalogue of OneHundred and Twenty-Five Etchings by Augustus E. John, The Chenil Gallery, 1919, black & white portrait frontispiece, some light spotting, publishers original wrappers, covers slightly spotted & rubbed, 8vo, together with; Carter (Charles [editor]), Etching and Dry Points from 1924 by James McBey (1883-1959), Aberdeen Art Gallery, 1962, numerous black & white illustrations, some minor toning, publishers original green cloth, spine lightly faded, large 8vo, and Kennedy (Edward G.), The Etched Work of Whistler, Alan Wofsy Fine Arts, San Francisco, 1978, numerous monochrome illustrations, original cloth in dust jacket, covers slightly rubbed to head & foot, large 8vo, plus 4 further volumes of etching & engraving reference, including Charles Meryon, catalogue raisonné of the etchings, by Loys Delteil & Harold J. L. Wright, Alan Wofsy Fine Arts, San Francisco, 1989, Catalogue of the Etchings of Joseph Pennell, by Louis A. Wuerth, Alan Wofsy Fine Arts, San Francisco, 1988, 8vo/4toQty: (7)
* Brussels. De Jode (Cornelis), Le Koert de Bruxelles, Antwerp, circa 1580, uncoloured etched view after Bartholomeus de Momper, trimmed to image and laid on later paper, slight loss to two corners, 410 x 515 mmQty: (1)NOTESA rare view of the palace of the Dukes of Burgundy at Coudenberg in Brussels, which Dürer described as one of the prettiest buildings in Europe. Sadly the building no longer exists as it was burned down in 1731. The etching shows the Aula Magna, or Throne Room, the Warande Park and surroundings, the Court of Nassau, parks and churches with a jousting contest in the foreground.
* Sporting etchings. Slocombe (Frederick), Salmon fishing, The Fine Art Society, March 1st, 1889, uncoloured etching on vellum, remarque to the lower right of a creel, gaff and brown trout, signed by the artist in pencil to lower left, slight marginal dust soiling, 415 x 595 mm, together with Whymper (Charles). Duck shooting, The Fine Art Society, Feby. 1st. 1886, uncoloured etching on faux-vellum, remarque to the lower right of a duck feather, signed by the artist in pencil to lower left, some marginal dust soiling and slight staining but not affecting image, 400 x 570 mm, mounted, with Kirk (Alex H.). The Angler, circa 1948, etching on wove, signed in pencil by the artist to the lower left, slight mount staining, 355 x 255 mm, plus Wilkinson (Henry). Trout Fishing, circa 1980, dry-point etching, printed in colours and finished by hand, limited edition 11/75, signed in pencil by the artist to lower left, 230 x 330 mm, and Birket Foster (Miles). Mother and Children in a Country Lane, The Fine Art Society, Feby. 2nd, 1891, uncoloured etching on faux-vellum, Print Sellers Association blind stamp to lower left and signed in pencil by the artist below image to lower left, slight marginal dust soiling, 565 x 400 mm, with another 6 etchings of portraits, sporting and genre subjects, various sizes and conditionQty: (11)
Pennell (Joseph). Etchers and Etchings, Chapters in the history of the arts together with technical explanations of modern artists, 1st edition, T. Fisher Unwin, 1920, 8 original unsigned etchings by Pennell, numerous reproductions, top edge gilt, remainder untrimmed, original publisher's brown morocco-backed boards gilt, rubbed and some marks, folio, limited signed edition 97/105, together with: Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, 1st edition, Charles Chenil and Co., Ltd., 1920, monochrome illustrations, top edge gilt, remainder untrimmed, original white cloth-backed boards gilt, rubbed and some soiling, large 4to, limited edition 129/325, plus others related on etching and print making, including Frank L. Emanuel, Etching and Etchings, 1930, Frank Rinder, Etchings of D.Y. Cameron and a Catalogue of His Etched Work, Otto Schulze, 1908 (2 copies), W. Shaw Burrow, A Book of British Etchings, 1926, John Buckland-Wright, Etchings and Engravings, Techniques and the Modern Trend, 1st edition, 1953 (ex-library copy), Roberto Sanesi, The Graphic Work of Ceri Richards, 1973, Clare Leighton, Wood-engraving and Woodcuts, Studio 'How To Do It' series, no. 2, reprinted 1944 (covers damp marked), etc.Qty: (17)
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71174 item(s)/page