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Lot 3195

Max Papart (1911 - 1994), by and after, Mirage, signed and numbered in pencil, limited edition etching with aquatint and carborundum, No. 95 of 95, 53cm x 97cm

Lot 3196

Max Papart (1911 - 1994), by and after, Parfum d'Ete, signed and numbered by the artist in pencil, etching with aquatint, No. 144 of 195, 58cm x 45cm

Lot 3231

Robert Houston, by, Glasgow University, A View from the Banks of the River Kelvin, signed in pencil to margin, etching, 12cm x 15cm; others, early 20th century architectural etchings (5)

Lot 118

A limited edition silver plate by Franklin Mint, decorated with an etching entitled 'Riding to the Hunt', by James Wyeth, diameter 20.5cm, gross weight approximately 5.78ozt, in original box with certification, together with a silver four coin 'Olympic coin proof set' in fitted case, gross weight approximately 4.3ozt.

Lot 543

W.L. Wyllie RA (1851-1931), HMS Victory in Portsmouth Harbour with two Dreadnoughts beyond, etching on paper, unsigned, attributed and signed by the artist's daughter Aileen Wyllie, 44x77cm, glazed and framed

Lot 529

James Abbot McNeill Whistler (1834-1903), 'Billingsgate,' fishing boats and figures at the quayside, etching on paper, signed on the plate and dated 1859, 17x24cm, mounted, glazed and framed, with gallery purchase receipt

Lot 520

William Lionel Wyllie (1851-1931) The Bay of Naples, signed in pencil, etching. Mounted, glazed and framed.. 16 x 38cm.

Lot 519

William Lionel Wyllie (1851-1931) The Bay of Naples with Mount Vesuvius beyond, signed in pencil, etching. Mounted, glazed and framed. 16 x 38cm.

Lot 521

Andrew Fairbairn Affleck (Scottish 1874-1935) Venetian canal scene, signed, etching, together with a study of a house with recumbent figure to foreground. Largest measures 55 x 35cm.

Lot 413

Benjamin Damman etching after Jean-Francois Millet, La Petite Bergere, a shepherdess and her flock, B Damman signature to the margin, pub. Georges Petit, Paris 1885, 49cm x 58cm.

Lot 754

WW1 Imperial German Model 1889 Trooper’s Private Purchase Cavalry Sword.A good example with etched decoration to the blade. This includes the Imperial Eagle and Thropies of War. The hilt is of the regulation pattern incorporating an Imperial Eagle. Complete with original scabbard this being post 1906 with a single fixed loop. Etching to the blade clear slight age wear.

Lot 802

William IV General Officer’s 1831 pattern Mameluke hilted swordA rare early example by Widdowson & Veale 73 Strand, London (details to the forte). The blade is etched with Crowned WIVR Cypher, General Officer’s device and floral decoration. Gilt cross guard with floral decoration with General Officer’s device to the centre. Two piece Ivorine grip with two floral head gilt studs. Housed in black leather and gilt mounted scabbard, the top mount with the cutler’s details. Overall condition is good, etching to blade clear, some gilt dulling.

Lot 803

Scottish. 93rd Sutherland Highlanders Victorian pre 1881 Officer’s broadsword.A good scarce possibly fighting example, the straight doubled edged, double fuller blade with etched decoration of a crowned VR cypher, also the regimental title ‘93rd SUTHERLAND HIGHLANDERS’ and Battle Honours the last being ‘LUCKNOW’. The forte with the retailer’s details of “Jones & Co” of London. The hilt with regulation basket guard, retaining original scarlet and buff leather liner. This enclosing a shagreen grip with twist wire binding. Housed in its full polished brown leather field service scabbard of the correct pattern. Overall Good Condition, small edge nicks to the blade, etching faint to parts, overall dark patina to steelwork.

Lot 806

Crimean War Period Highland Regiment Officer’s Basket Hilted Broadsword by Wilkinson.A good and rare example of the regulation pattern. The double edged straight 32 inch blade is decorated with etched decoration. This includes a crowned VR cypher and to the reverse an Order of the Thistle Star. The cutler’s details are to the forte and the back of the blade with the number 6931. The hilt with full basket, retaining scarlet and buff leather lining. Housed in original black leather scabbard with steel mounts. To obverse of each mount with engraved decoration. Fitted with frog hook, to the top mount and two loose rings. Etching to the blade clear. The etching to the blade of the Order of the Thistle may indicate carried by an Officer of the Scots Fusilier Guards.

Lot 810

Victorian Rifle Volunteers Officer’s Sword.A good 1845 pattern, the single-edged blade with strung bugle device and “Rifle Volunteers” surmounted by a Victorian Crown. The obverse with entwined VR cypher and crown. Fixed guard of fire gilt metal bearing entwined VR Crowned Cypher. Shagreen grip with twist wire binding complete with buff sword knot. Housed in original steel scabbard now painted black. Etching to blade clear. The sword has been refurbished at some time and now with some minor wear to plating, traces of fire gilt to the hilt. GC.

Lot 811

Honourable Artillery Company Infantry Officer’s Regimental Pattern SwordA scarce example, with straight single edged blade. The guard closely follows a Guards pattern, with a flaming grenade device with “HAC” to the ball. Housed in polished brown leather field service scabbard. PLEASE NOTE the blade has been re-polished at some time no etching remains. Overall GC.

Lot 812

2nd VB Worcestershire Regiment Edwardian Officer’s Infantry pattern SwordA rare 1901-08 example, the single-edged slightly curved blade decorated with EVIIR entwined cypher surmounted by a crown, regimental title “2nd VB Worcester Regt” and with etched overlaid initials of the original owner. The forte with the retailer’s details of “Hobson & Sons”. The hilt of the regulation pattern, the guard incorporating crowned EVIIR cypher, Shagreen grip with copper twist wire binding. Housed in original steel scabbard. Etching clear, blade with stain spots. GC. Hilt with some surface rust. HQ at Worcester

Lot 815

Victorian Indian Army 1847 Infantry Pattern Officer’s sword.A good example with single edged fullered, slightly curved blade decorated with a VRI entwined cypher surmounted by crown. Gilt metal hilt with crowned VRI cypher to the guard, shagreen grip and copper twist wire binding. Housed in steel scabbard fitted with two loose rings. Etching remains clear. Hilt and scabbard with some age wear. GC

Lot 817

WW1 London Irish Rifles Officer’s Sword.A scarce regimental example of the Light Infantry pattern. The straight blade with etched decoration of a GVR crowned cypher and Regimental title “London Irish Rifles”. The hilt of the regulation pattern the guard incorporating a light infantry crowned bugle. Housed in polished brown leather field service scabbard. The sword with age wear, surface rusting spots to the blade and rusting to the guard. Scabbard with damage to the chape. Etching remains clear overall.

Lot 822

Victorian North York Rifles Officer’s Sword.An example of the Light Infantry regulation pattern. The slightly curved single edged blade with etched decoration incorporating the title “North York Rifles”. The hilt with shagreen grip and open guard with Light Infantry bugle. Housed in steel scabbard. Etching to blade clear. PLEASE NOTE back strap to grip loose, pitting to scabbard.

Lot 829

Scottish. 91st Argyllshire Highlanders attributed Victorian Officer’s dirk.A fine and scarce example by Marshall and Son, 87 George Street, Edinburgh. The clipped back 11 inch blade is double edged for the lower 4 inches, the upper section with a wide fuller and retains faint etching of Crowned VR Cypher and other decoration. The black bogwood grip is of an interlaced design decorated with silver studs and surmounted by a plain silver pommel ornamented with a foiled citrine. The silver base of the grip which covers the throat of the scabbard is inscribed ‘ARGYLL HIGHLANDERS’. Black leather covered sheath with thistle ornamented silver mounts each bearing registration mark indicating 26th March 1864; central mount also inscribed “XCI” and houses the matching side by side knife and fork; the top mount bearing a Crowned saltire with VR between the angles. Some staining to blade and minor service wear otherwise generally VGCTop mount and throat bear scratch initials THB attributed by vendor to Thomas Holme Banks born 1847, Ensign in 91st 8th June 1867, Lieutenant 28th May 1870, Instructor of Musketry 1st January 1873, retired 1st September 1875. Lower mount bears scratched initials TOT attributed by vendor to Arthur Ely Tottenham who possibly purchased the dirk from the above Officer. Tottenham appears as a Sub Lieutenant and Lieutenant 1873, Captain 1st July 1881, Major 11th July 1884, retired 15th April 1896, died in Ireland 20th June 1908 (served with 91st in Zulu War 1879)

Lot 376

*Freemasonry. Bartolozzi (Francisco), To the Grand Lodge of England. This print representing the distinguishing characteristic of Masonry charity exerted on proper objects..., published Wm. Jefferies, 1802, stipple engraving after Stothard, contemporary hand colouring, torn with slight loss to lower left corner, repaired, 535 x 635 mm, mounted, framed and glazed, together with Gillray (James), A Masonic Anecdote, published H. Humphrey 1786 (but H. G. Bohn re-issue circa 1850), uncoloured etching, slight mount staining, with two further caricatures printed on verso, 515 x 475 mm (2)

Lot 397

*Rowlandson (Thomas). Public Characters, published R. Ackermann, 1801, etching with contemporary hand colouring, slight staining, some creasing, pencil numbers to each 'head', 440 x 435 mm, mounted, framed and glazed Portraits of contemporary figures, including William Pitt, James Fox, Edmund Kean, Horatio Nelson and Rowlandson himself in the centre of the lowest diamond. (1)

Lot 417

Herbert F Pimm, View of the Oxford skyline, signed in pencil, etching, 36 x 57cm (PL)

Lot 517

A small quantity of pictures to include two framed sets of three prints after Lawson Wood, two tinted photogravures, an etching of Sienna by Marion Broadhead and a vintage Art Deco style mirror (6).

Lot 737

AN ETCHING OF HORSE GUARDS PARADE signed by G Huardel-Bly, a part wash set (sd), blue teapot and brass bell (6)

Lot 330

LUIGI KASIMIR (1881-1962 AUSTRO HUNGARIAN), a coloured mezzotint etching of continental houses beside a river 19/50, signed in pencil lower right, approximate size 36cm x 26cm, together with a Sir Frank Short (1857-1945) signed etching of a moonlit scene and three other pictures and prints (5)

Lot 630

A WILLIAM WALCOT (1874-1943) ETCHING, 'Piazza, San Marco', approximately 12cm x 16cm (inside mount)

Lot 83

GERALD M. BURN (BRITISH, 1862-1945) H.M.S. 'Renown' carrying the Prince of Wales en route to Australia Sepia watercolour Signed 'Gerald M. Burn' (lower right) and inscribed 'H.M.S. Renown Nov. 1919' (lower left) 9 x 20¼in. (23 x 51.5cm.); together with a signed etching of Thames barges by W.L. Wyllie; a reproduction print of the Battle of Jutland by Wyllie and a coloured etching by Henry Walker (4)

Lot 257

Framed continental etching - interesting scene of travelling refugees

Lot 262

A reprinted coloured etching titled 'The South West Prospect of the City of Chester'

Lot 266

A WATSON TURNBULL proof etching - titled 'Surrey Pines', & a small continental tinted etching of trees beside a lake

Lot 621

Erich Wolfsfeld (German 1884-1956)- 'Elderly Couple Seated on Steps with Accompanying Cat'Fine point etching, signed in pencil lower right, framed and glazed, 30x25cm Erich Wolfsfeld (German 1884-1956)- 'Elderly Couple Seated on Steps with Accompanying Cat'Fine point etching, signed in pencil lower right, framed and glazed, 30x25cm

Lot 624

Erich Wolfsfeld (German 1884-1956) - 'Study of a Old Man in Long Coat'Dry point etching, signed in pencil lower right, framed and glazed, 24x30cm Erich Wolfsfeld (German 1884-1956) - 'Study of a Old Man in Long Coat'Dry point etching, signed in pencil lower right, framed and glazed, 24x30cm

Lot 351

Roland Green (1896-1972) etching on paper, 'Geese in Flight', signed in pencil to margin 'Roland Green', 16.4 cm x 27.5 cm, framed and glazed, ARR MAY APPLY TO THIS LOT

Lot 487

Penelope Needlecraft Kits, for 'H.M. Forces' and 'Occupational Therapy', comprising of squares of unbleached fabric stencilled with floral designs, coloured threads and instruction booklets, together with a quantity of needle etching stencils (parcel)

Lot 389

Framed Grouping of British WW1 Cloth Insignia of the 2/3rd City of London Regiment (Royal Fusiliers) of Gallipoli Interest, pair of embroidered red on khaki cloth tunic shoulder titles “3RD LONDON” and overseas service chevrons for 1914 and 1915. Insignias are framed along with a 1914/14-15 star medal ribbon and a silk etching of “W” Beach Gallipoli, underneath the ribbon is inked “SULVA BAY 1915”. Frame measures 23 x 28 ½ cms. On 13th April 1915 the 2/3rd London’s moved to Egypt, landing at Port Said before going on to garrison Khartoum in Sudan. On 15th September 1915 they left Khartoum and returned to Port Said before carrying on to Mudros, where they arrived on the 18 September. They entered the Gallipoli Campaign on 26 September when they landed at Suvla Bay and was attached to the Regulars of 86th Brigade in 29th Division. Here it was assigned to 'C' section of the 'Dublin Castle' sector of the line, with A Company attached to 2nd Bn Royal Fusiliers for training. During two months of trench holding the battalion lost approximately half its strength. then on 26th November 1915 a great thunderstorm hit the peninsula and their trenches were flooded, followed by snow. The 2/3rd London’s were the worst hit of any unit, 50 men drowned and another 30 were evacuated with frostbite, leaving the battalion with an effective strength of just six officers and 50 other ranks. The battalion was evacuated to Mudros on 12th December 1915 but was re-inserted in the Cape Helles sector on 16th December, taking up positions in the 'Gully Beach' area. It was finally evacuated from Gallipoli on 2nd January 1916.

Lot 300

A Framed Artists Proof Etching, Signed Reginald Green

Lot 301

A Framed Signed Etching, Newstead School

Lot 486

*Richard Bawden (born 1936), etching - 'Southwold', signed and inscribed - 66 / 75, 32 x 45cm, framed

Lot 555

Alfred Richard Blundell (1883 - 1968), signed etching - Pond Hall, Gainsborough Lane, Ipswich and another of Florence, both unframed

Lot 569

Glynn Thomas (b. 1945), signed limited edition etching - Neptune Quay, 48 / 150, in glazed frame, 10.5cm x 23.5cm

Lot 570

*Charles Bartlett (1921 - 2014), signed limited etching and aquatint - Burnt Moor, 7 / 60, in glazed frame, 33cm x 43cm

Lot 571

Charles Henry Baskett (1872 - 1953), signed etching and aquatint - Rochester Harbour, in glazed gilt frame, 22cm x 33cm

Lot 572

Martin Tobias (b. 1932), signed limited edition etching - Seaspray, 141 / 250, in glazed frame, 64cm x 48cm

Lot 574

Elizabeth Morris, signed limited edition etching - Evening Gulls, 28 / 100, 46cm x 59cm, together with three others, entitled - Another Sunrise, Sails and Sun and Masts in Moonlight, each in glazed frame (4)

Lot 576

Elizabeth Morris, signed artists proof etching - Sea, Heights and Depths, in glazed frame, 85cm x 60cm

Lot 594

William Lionel Wyllie (1851 - 1931), signed etching - Norwegian timber ships leaving the Thames, in glazed frame, 13cm x 35cm

Lot 627

Sir Alfred Munnings (1878 - 1959), black and white etching - The Hay Cart, plate 15.5cm x 25cm, together with another etching - a flower head (2), unframed

Lot 98

Early nineteenth century English school portrait miniature watercolour of a dog named Fairy, other nineteenth century-style portrait miniatures, pair of miniature oils and others CONDITION REPORT Dog picture is on paper, area of paint adhered to surface lower left, miniature is an etching in elaborate ormalu frame 19th century portrait of a lady with lamp is on ivory, other portraits miniature on ivory

Lot 142

After Simon Palmer (b.1956)Handcoloured etching "Escape to the Country", figures in car outside country gates, limited edition no 39/75, signed and inscribed in pencil Artists proof"Romance in July", street scene with man on bicycle, signed and inscribed in pencil 

Lot 106

Six copper photo etching plates from original engravings

Lot 12

Salvador Dali (Spanish, 1904-1989), two figures in a Surrealist scene, drypoint etching, signed in pencil to lower margin, numbered 6/250, 17 x 12cm

Lot 5

Käthe Kollwitz (German, 1867-1945), 'Young Couple', interior scene, original etching, framed and glazed, 32 x 29cm

Lot 568

AN ETCHING BY NORMAN WILKINSON of two fishermen on a lake 20.5cm x 30cm together with an oil painting on board by O'Connell of Bosham harbour 29cm x 44cm (2)

Lot 99

HERBERT GORDON WARLOW Cathedral etching 26cm x 16cm, James Hamilton McKenzie, Cathedral Town, Bruges, etching 35cm x 19cm and a landscape woodblock print, indistinctly signed (3)

Lot 312

William Lionel Wyllie (1851-1931)etchingRouensigned in pencil6.25 x 14.75in.

Lot 313

William Lionel Wyllie (1851-1931)etchingThames Estuarysigned in pencil4.25 x 13in.

Lot 314

William Lionel Wyllie (1851-1931)etchingOn the Scheldtsigned in pencil5 x 11.75in.

Lot 315

William Lionel Wyllie (1851-1931)etchingHome with the catchsigned in pencil6.5 x 9.75in.

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