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Click here to subscribe*Prints. Moore (Henry, after), Derby from Chester Close near St. Marys Bridge, 30 Jan 1807 [but later restrike], hand coloured aquatint view, image size 300 x 420mm, together with other prints and ephemera including a 19th century indenture, an 1814 broadside advertising a performance of Macbeth at Covent Garden, a signed etching of Regent Bridge, Aberdeen, by W. Bremnar, etc., many framed and glazed (approx. 22)
Property from a Private German Collection Martin Kippenberger, 1953-1997 UNTITLED signed, dated 91 and numbered 18/20 colour etching on dyed handmade paper held under plexiglass with plastic objects mounted to the outside overall: 100 by 82 by 9cm.; 39.375 by 32.25 by 3.5in. Provenance Akira Ikeda Gallery, Tokyo Acquired from the above by the present owner in 1992
Sam Francis, 1923 - 1994 UNTITLED III signed and numbered 19/76 colour etching 88 by 99 cm.; 34.625 by 39in. Executed in 1987. Provenance Estate of Sam Francis Literature Connie W. Lembark, The Prints of Sam Francis: A Catalogue Raisonne 1960-1990, 1992, volume II, no. I 89, illustration in colour of another example
After Joseph Mallord W Turner 1775-1851- "Lake Lucerne"; watercolour, bears inscription in pencil, bears inscription verso, 21x29cm: French School early 20th century- Clearing ruins in a European city; etching, signed with monogram and dated 1913 within the plate, signed in pencil, bears pseudo oriental style seal, 32x38.5cm: together with a lithograph by the same hand titled "La Cathedral en Ruine, Rheims", signed with monogram and dated 1919 within the plate, signed and dated 1919 in pencil and bears seal mark, 30.5x34.5cm., (3)
Ken Currie, Scottish b.1960- "The Self-Taught Man"; lithograph printed in colours, signed, titled numbered 45/50 and dated 87 in pencil, 70.3x53cm: After Aubrey Beardsley 1872-1898- Salome with the head of Holefernes; lithograph, 16.5x11.7cm: Andre Renoux, French 1939-2002- Creperie des Arts; lithograph in colours, signed and numbered 173/175 in pencil, 32x61cm: together with an etching titled "Betwixt" by an unknown hand, signed and titled, 31.5x32cm., (4) (may be subject to Droit de Suite)
Robert Morden fl 1675-1703- "Oxford Shire"; hand-coloured engraved map, 41.5x36cm: After Moise Kisling, French 1891-1953- Street scene; etching, signed within the plate, trimmed, 33x25.8cm: After Annibale Carracci 1560-1609- Arcadian scenes with figures; lithographs on tissue thin paper, two, (4), (unframed)
Erich Wolfsfeld 1884-1956- "The Archers", c.1909-1910; etching, signed, dedicated and dated 12.39 in pencil, 71x83cm. Note: In 1911 the artist was awarded The Kaiser-Wilhelm Gold Medal for this etching. Literature: Adolph Donath, Erich Wolfsfeld, Berlin, 1920, page 17 illustrated), Elizabeth Furness, The Etchings of Erich Wolfsfeld, 1979, No 31 (illustrated)
Hermann Struck, German 1876-1944- "Portrait Josef Israels"; lithograph, signed and titled in pencil, 22.5x26cm: together with one other lithograph of a portrait subject, signed in pencil and a further etching titled 'Portrait Herschel', signed and titled in pencil, 19x12cm and 10.2x7.5cm., respectively, (3)
Willi Geiger, German 1878-1971- 'Blick auf die Munchner Frauenkirche'; etching, signed with monogram and dated 66, bear pencil inscription and numbered 36/75 in pencil, 40x30cm: Joachim Palm, German b.1936- 'Oberweisenfeld Munchen; etching with aquatint printed in colours, signed, dated 66 and numbered 36/75 in pencil: together with four other prints by Henny Protzen-Kundmuller, German 1896-1967, Rudolf Weissauer, German 1924-1989, Walter Eck, German 1895-1973 and Ernst Brauer, German 1912-1994, all signed and numbered in pencil, various sizes, (6), (unframed)
Pilar Castaneda, Mexican b.1941- "Busqueda"; etching printed in colours, signed, titled, numbered 31/50 and dated 79 in pencil, 43.5x60cm: After Sir William Russell Flint RA 1880-1969- "La Voultre-sur-Rhone", publ 1969 by Frost & Reed Limited; reproduction printed in colours, signed in pencil, bears Fine Art Trade Guild blind stamp, 48.4x63.3cm: together with a colour lithograph of an abstract landscape subject by an unknown hand, signed and numbered 32/120 in pencil, bears Christie's Contemporary Art blind stamp, 63x91cm., (3) (may be subject to Droit de Suite)
Ben Nicholson, O.M., 1894-1982 euboea (vertical) signed and dated 68 in pencil etching with aquatint and handworking in pencil 41x38.5cm.; 16x15.25in. Executed in 1967, the present work is from the edition of 50, published by Lafranca. It is one of only 25 within the edition with handworking in pencil.
Robert S. Austin (early 20th century). Station cabs. Etching. Signed in pencil lower right, inscribed with title lower left. 15.5cm x 19.5cm. Unframed. Together with Robert S. Austin. Horses and cart. Etching. Signed and dated 1920 lower right. 10cm x 15.5cm. Henry Rayner. Horse and trap. Etching. Signed in pencil lower right. 14.5cm x 22cm. Unframed. (3)
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