We found 71174 price guide item(s) matching your search

JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "... es herrschen die Lust und das Fleisch"Radierung auf Japanpapier. Bleistiftmonogramm. In der Platte datiert: [19]91. Druckplatte: 25,4 x 19,1 cm, Blatt: 28 x 21 cm. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:29 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "... lust and the flesh prevail"Etching on Japanese paper. Pencil monogram. Dated in the plate: [19]91. Printing plate: 25.4 x 19.1 cm, sheet: 28 x 21 cm. German draughtsman, graphic artist, illustrator and photographer; one of the most outstanding German artists of the 20th century, the "Horst-Janssen-Museum" dedicated to him was opened in Oldenburg in 2000. "I am after the fleeting apparitions of this world in their changing disguises so that I could say at my funeral: 'I've seen it! And if I scream until then and in between, then: Leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). Call time 24 | Feb 2024 | probably 11:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DAHMEN, Karl Fred(1917 Stolberg - 1981 Preinersdorf) Ohne TitelFarbradierung auf Bütten. Bleistiftsignatur. Exemplar: 14/20. Druckplatte: 37 x 29,5 cm. Gerahmt & hinter Glas : 62 x 55 cm. Deutscher Maler und Grafiker; zählt zu den bedeutendsten Vertretern des deutschen Informel. Literatur : https://www.karl-fred-dahmen.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:38 Uhr (CET) DAHMEN, Karl Fred(1917 Stolberg - 1981 Preinersdorf) Without titleColor etching on laid paper. Pencil signature. Copy: 14/20. Printing plate: 37 x 29.5 cm. Framed & behind glass : 62 x 55 cm. German painter and graphic artist; one of the most important representatives of German Art Informel. Literature : https://www.karl-fred-dahmen.de/. Aufrufzeit 24. | Feb 2024 | probably 11:38 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Stehender weiblicher AktRadierung. Bleistiftsignatur. 1964. Exemplar: 8/20. Druckplatte: 9,3 x 6,3 cm, Blatt: 26,1 x 19,2 cm. Minimal griff- und knickspurig. Deutscher Maler und Grafiker der Naiven Kunst. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:17 Uhr (CET) EBERT, Albert (1906 Halle/Saale - 1976 Halle/Saale) Standing female nudeEtching. Pencil signature. 1964. copy: 8/20. Printing plate: 9.3 x 6.3 cm, sheet: 26.1 x 19.2 cm. Minimal handling and crease marks. German painter and graphic artist of naive art. Aufrufzeit 24. | Feb 2024 | probably 11:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NAUMANN, Hermann (* 1930 Kötzschenbroda (Radebeul)) "Akt vor Spiegel"Radierung. Bleistiftsignatur. Druckplatte: 25,8 x 14,5 cm, Blatt: 37,5 x 25 cm. Verso mit Widmung "Ich bedauere sehr, daß unsere Zusammenarbeit im Angermuseum so kurz war. Für die Zukunft alles Gute. Ihr Karl Römpler. Erfurt September 1964". Oberer Rand etwas knickspurig. Deutscher Grafiker und Bildhauer. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:15 Uhr (CET) NAUMANN, Hermann (* 1930 Kötzschenbroda (Radebeul)) "Nude in front of a mirror"Etching. Pencil signature. Printing plate: 25.8 x 14.5 cm, sheet: 37.5 x 25 cm. Dedication on verso "I very much regret that our collaboration at the Angermuseum was so short. All the best for the future. Yours, Karl Römpler. Erfurt September 1964". Some creasing to upper margin. German graphic artist and sculptor. Aufrufzeit 24. | Feb 2024 | probably 11:15 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEIN, Johann Adam(1792 Nürnberg - 1875 München) Magd beim Melken einer KuhRadierung. In der Platte monogrammiert. In der Platte datiert: 1817. Druckplatte: 15,2 x 17,7 cm, Blatt: 23 x 30,5 cm. Blatt stärker stockfleckig und griffspurig. Deutscher Maler und Radierer des Biedermeiers. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:24 Uhr (CET) KLEIN, Johann Adam(1792 Nuremberg - 1875 Munich) Milking a cowEtching. Monogrammed in the plate. Dated in the plate: 1817. Plate: 15.2 x 17.7 cm, sheet: 23 x 30.5 cm. Sheet with heavy foxing and handling marks. German painter and etcher of the Biedermeier period. Aufrufzeit 24. | Feb 2024 | probably 10:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Degen mit deutschem Reichsadler. Preußen. Klinge L 81 cm, Gesamt L 96 cm. Gerade, einschneidige Klinge mit Hohlschliff. Hälftig mit Musterätzung, darunter gekreuzte Kanonen. Gefäß mit einem nach unten weisenden Stichblatt, darauf deutscher Reichsadler montiert. Bügel und Knauf floral ornamentiert. Griff mit silberfarbener Drahtwicklung. Schwarze Lederscheide, dazu Portepee. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:56 Uhr (CET)Sword with German imperial eagle. Prussia. Blade L 81 cm, total L 96 cm. Straight, single-edged blade with fuller. Half with pattern etching, crossed cannons below. Hilt with a downward-pointing guard plate with the German imperial eagle mounted on it. Guard and pommel with floral ornamentation. Grip with silver-coloured wire winding. Black leather scabbard, with portepee. Call time 22 | Feb 2024 | presumably 16:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DALI, Salvador(1904 Figueres - 1989 Figueres) "Phoebus, der bekrönte Gott"Farbholzstich auf Arches-Bütten (1970er Jahre). Bleistiftsignatur. Exemplar: 35/144. Druckstock: 27 x 21 cm, Blatt ca.: 56 x 38 cm. Gerahmt & hinter Glas : 60 x 41,5 cm. Aus dem Zyklus "Ovid. Die Kunst zu lieben" mit 13 Farbholzstichen, 1 Radierung und 1 Farblithografie, Centre Culturel Paris, 1978. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. "Eines Tages wird man offiziell zugeben müssen, dass das, was wir Wirklichkeit getauft haben, eine noch größere Illusion ist als die Welt des Traumes." (Zitat: SD, https://www.dalimuseum.de/zitate.php). Literatur : WVZ Michler/Löpsinger 1527a. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:07 Uhr (CET) DALI, Salvador(1904 Figueres - 1989 Figueres) "Phoebus, der bekrönte Gott"Color wood engraving on Arches laid paper (1970s). Pencil signature. Copy: 35/144. Imprint block: 27 x 21 cm, sheet approx. 56 x 38 cm. Framed & behind glass : 60 x 41.5 cm. From the cycle "Ovid. The Art of Loving" with 13 wood engravings, 1 etching and 1 color lithograph, Centre Culturel Paris, 1978. Spanish painter, graphic artist, writer and stage designer. He is one of the most famous painters of the 20th century and one of the main representatives of Surrealism. "One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams." (Quote: SD, https://www.dalimuseum.de/zitate.php). Literature : WVZ Michler/Löpsinger 1527a. Aufrufzeit 24. | Feb 2024 | probably 11:07 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GRAF, Oskar(1873 Freiburg im Breisgau - 1958 Bad Boll) Blick auf den Markusdom in VenedigRadierung. Bleistiftsignatur. Druckplatte: 41,5 x 49 cm. Gerahmt & hinter Glas : 49 x 55,5 cm. Stockfleckig, lichtgebräunt. Auch Oscar Graf; deutscher Maler und Grafiker des Naturalismus. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:21 Uhr (CET) GRAF, Oskar(1873 Freiburg im Breisgau - 1958 Bad Boll) View of St. Mark's Basilica in VeniceEtching. Pencil signature. Print plate: 41.5 x 49 cm. Framed & behind glass : 49 x 55.5 cm. Foxing, light browning. Also Oscar Graf; German painter and graphic artist of naturalism. Aufrufzeit 24. | Feb 2024 | probably 10:21 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

URY, Lesser(1861 Birnbaum (Miedzychodzki) - 1931 Berlin) Bauer beim GrabenRadierung. Bleistiftsignatur. Ca. 1920. Exemplar: 23/150. Druckplatte: 17,3 x 10,4 cm. Gerahmt & hinter Glas : 32 x 24,5 cm. Stockfleckig. Deutscher Maler und Grafiker; zählt zu den bedeutendsten Künstlern des Impressionismus in Deutschland. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:22 Uhr (CET) URY, Lesser(1861 Birnbaum (Miedzychodzki) - 1931 Berlin) Bauer beim GrabenEtching. Pencil signature. Circa 1920. copy: 23/150. Print plate: 17.3 x 10.4 cm. Framed & behind glass : 32 x 24.5 cm. Foxing stains. German painter and graphic artist; one of the most important Impressionist artists in Germany. Aufrufzeit 24. | Feb 2024 | probably 10:22 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HENSEL, Kerstin(* 1961 Karl-Marx-Stadt (Chemnitz)). MINKEWITZ , Reinhard(* 1957 Magdeburg) Seltenes Künstlerbuch: "Stinopel"Federsignatur beider Künstler, Bleistiftsignatur von Minkewitz. 1989. Exemplar: 39/150. 32 x 35,6 cm. Vollständiges, gebundenes Künstlerbuch mit Illustrationen von Reinhard Minkewitz nach einer Erzählung von Kerstin Hensel, mit einer handsignierten Original-Radierung von Minkewitz; in dunkelblauem Hardcover-Leineneinband. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:52 Uhr (CET) HENSEL, Kerstin(* 1961 Karl-Marx-Stadt (Chemnitz)). MINKEWITZ , Reinhard(* 1957 Magdeburg) Rare artist's book: "Stinopel"Signature in pencil by both artists, signature in pencil by Minkewitz. 1989. copy: 39/150. 32 x 35.6 cm. Complete, bound artist's book with illustrations by Reinhard Minkewitz after a story by Kerstin Hensel, with a hand-signed original etching by Minkewitz; in dark blue hardcover cloth binding. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:52 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEIN, Johann Adam(1792 Nürnberg - 1875 München) "Auf der Scheideck"Radierung. In der Platte monogrammiert. In der Platte datiert: 1824. Morasch & Skerl, Dresden. Druckplatte: 17,8 x 23 cm, Blatt: 26,5 x 34,5 cm. Blatt stärker stockfleckig und griffspurig. Deutscher Maler und Radierer des Biedermeiers. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:13 Uhr (CET) KLEIN, Johann Adam(1792 Nuremberg - 1875 Munich) "Auf der Scheideck"Etching. Monogrammed in the plate. Dated in the plate: 1824. Morasch & Skerl, Dresden. Plate: 17.8 x 23 cm, sheet: 26.5 x 34.5 cm. Sheet with heavy foxing and handling marks. German painter and etcher of the Biedermeier period. Aufrufzeit 24. | Feb 2024 | probably 10:13 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PLÜCKEBAUM, Meta(1876 Dortmund - 1945 Düsseldorf) "Puderquaste"Radierung mit Farbakzenten. Bleistiftsignatur. Druckplatte: 22 x 28 cm. Gerahmt & hinter Glas : 41,5 x 46,5 cm. Zwei Kätzchen beim Spielen mit einer Puderquaste, bezeichnet "rad. v.". Blatt etwas lichtgebräunt. Deutsche Tier-, Blumen- und Porträtmalerin, Grafikerin. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:36 Uhr (CET) PLÜCKEBAUM, Meta(1876 Dortmund - 1945 Düsseldorf) "Powder puff"Etching with color accents. Pencil signature. Print plate: 22 x 28 cm. Framed & behind glass : 41.5 x 46.5 cm. Two kittens playing with a powder puff, inscribed "rad. v.". Sheet somewhat light browned. German animal, flower and portrait painter, graphic artist. Aufrufzeit 24. | Feb 2024 | probably 10:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Schale "Thistle Gold". St. Louis. Ätzmarke, 20. Jh. Frankreich. Farbloses Glas, Ätzbordüre. Ø 22,5 cm. Minimaler Goldabrieb am Rand. Aufrufzeit 21. | Feb 2024 | voraussichtlich 18:06 Uhr (CET)Bowl "Thistle Gold". St. Louis. Etching mark, 20th century France. Colorless glass, etched border. Ø 22.5 cm. Minimal gold abrasion to the rim. Call time 21 | Feb 2024 | probably 18:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRIEDLAENDER, Johnny (1912 Pless - 1992 Paris) Composition AbstraitFarbradierung 1978. Signiert. 76,5 x 57,5 cm, Blattgröße: 91 x 63 cm. Nummeriert: 62/95, Prägestempel: manus presse, Wasserzeichen Arches France. Friedlaender, deutsch-französischer Maler und Grafiker. Studierte an der Akademie in Breslau, Schüler von Otto Mueller. Ab 1930 in Dresden tätig, seit 1937 in Paris ansässig, 1950 französischer Staatsbürger, auf zahlreichen internationalen Ausstellungen vertreten, 1978 Chevalier des Arts et des Lettres * Partnerauktion Bergmann. Literatur : Saur (2005). Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:50 Uhr (CET) FRIEDLAENDER, Johnny (1912 Pless - 1992 Paris) Composition AbstraitColor etching 1978. signed. 76.5 x 57.5 cm, sheet size: 91 x 63 cm. Numbered: 62/95, embossed stamp: manus presse, watermark Arches France. Friedlaender, German-French painter and graphic artist. Studied at the academy in Breslau, pupil of Otto Mueller. Active in Dresden from 1930, resident in Paris since 1937, French citizen in 1950, represented at numerous international exhibitions, 1978 Chevalier des Arts et des Lettres * Partner auction Bergmann. Literature : Saur (2005). Aufrufzeit 24. | Feb 2024 | probably 11:50 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) Zwei Männchen machende Terrier - "Zwei treue Freunde"Farbradierung. Bleistiftsignatur. Druckplatte: 32 x 27,5 cm. Gerahmt & hinter Glas : 46,5 x 40 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:37 Uhr (CET) MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) Two male terriers - "Zwei treue Freunde"Color etching. Pencil signature. Printing plate: 32 x 27.5 cm. Framed & behind glass : 46.5 x 40 cm. German painter, graphic artist and illustrator, who became particularly well known for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt with the addition of his mother's maiden name. Aufrufzeit 24. | Feb 2024 | probably 10:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kürassier-Degen "Kürassier-Regt. Königin (Pomm.)No 2". Klinge L 87 cm, Gesamt L 104 cm. Gerade, einschneidige Klinge mit reicher Musterätzung und Schriftzung sowie Reiterszene in dunklen Kartuschen, Klingenrücken mit Lorbeerblatt. Vierspangiges Messinggefäß mit leicht abgewickeltem, glatten Knauf. Griff mit Rochenhaut und Drahtwicklung. Dunkle, matte Scheide mit einem Ring. Scheide mit kleineren Dellen, Klinge mit leichtem Rostanflug. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:42 Uhr (CET)Cuirassier sword "Kürassier-Regt. Königin (Pomm.)No 2". Blade L 87 cm, total L 104 cm. Straight, single-edged blade with rich pattern etching and engraving as well as an equestrian scene in dark cartouches, the back of the blade with a laurel leaf. Four-bar brass hilt with a slightly uncoiled, smooth pommel. Grip with rayskin and wire winding. Dark, matt scabbard with a ring. Scabbard with minor dents, blade with slight rust. Call time 22 Feb 2024 | probably 16:42 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SALIGER, Ivo(1894 Königsberg - 1987 Wien) "Der Arzt, das Mädchen und der Tod"Farbradierung. Bleistiftsignatur. [1920]. Druckplatte: 74 x 53 cm. Gerahmt & hinter Glas : 108,5 x 80 cm. Blatt lichtgebräunt und stärker stockfleckig. Österreichischer Maler und Grafiker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:30 Uhr (CET) SALIGER, Ivo(1894 Königsberg - 1987 Vienna) "The doctor, the girl and death"Color etching. Pencil signature. [1920]. Print plate: 74 x 53 cm. Framed & behind glass : 108.5 x 80 cm. Sheet light browned and more heavily foxed. Austrian painter and graphic artist. Call time 24 | Feb 2024 | presumably 11:30 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLINGER, Max(1857 Leipzig - 1920 Großjena) "Gefallener Reiter"Radierung auf gewalztem China, auf Kupferdruckkarton. In der Platte signiert. [1881]. Druckplatte: 36 x 22 cm, Blatt: 60 x 45 cm. Blatt XI "Gefallener Reiter" aus "Intermezzi, Opus IV", Folge von 12 Radierungen. Blatt etwas griffspurig, am unteren linken Rand ein kleiner Riss, unterer Rand mit kleinen, hinterklebten Rissen. Deutscher Maler, Grafiker und Bildhauer; Pionier des deutschen Symbolismus, gehörte zu den bekanntesten Künstlerpersönlichkeiten um 1900. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:26 Uhr (CET) KLINGER, Max(1857 Leipzig - 1920 Großjena) "Gefallener Reiter"Etching on rolled China, on copperplate. Signed in the plate. [1881]. Printing plate: 36 x 22 cm, sheet: 60 x 45 cm. Sheet XI "Gefallener Reiter" from "Intermezzi, Opus IV", series of 12 etchings. Some handling marks to sheet, a small tear to lower left margin, lower margin with small, backed tears. German painter, graphic artist and sculptor; pioneer of German Symbolism, one of the best-known artistic personalities around 1900. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:26 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) Zwei DackelwelpenRadierung in Sepia. Bleistiftsignatur. Druckplatte: 18,7 x 23,3 cm. Gerahmt & hinter Glas : 32 x 37,5 cm. Etwas stockfleckig. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:37 Uhr (CET) MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) Two dachshund puppiesEtching in sepia. Pencil signature. Print plate: 18.7 x 23.3 cm. Framed & behind glass : 32 x 37.5 cm. Some foxing. German painter, graphic artist and illustrator, who became particularly well known for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt with the addition of his mother's maiden name. Aufrufzeit 24. | Feb 2024 | probably 10:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Hemkes, Johannes (Johan) (Schalsum(Fr) 1894 -1988) "Sneekermeer", signed in full in pencil left, etching/paper, h 20 x w 50 cm.

Hemkes, Johannes (Johan) (Schalsum(Fr) 1894-1988) "Farm at the lake", signed with monogram r.r. and '31, etching/paper no. 14/100, h 11.5 x w 32 cm.

Rembrandt, (1606-1669) "Self-portrait with book", signed r.b and 1698, posthumous print/etching/paper, h 15.5 x w 13 cm (damaged).

Student society 'Mutua Fides' Groningen destroyed during the liberation in 1945, signed in full in pencil lower right, etching/paper, h 28.5 x w 19 cm.

Four various works in frame, including watercolor and etching, up to 4x.

Le Roy, Guillaume Louis (Blaricum 1938-2008) “Untitled”, 1972, signed in full in pencil lower left, etching/paper no. 117/150, h 65 x w 53.5 cm.

Bottema, Tjeerd (Langezwaag 1884-1978) "Mill and housing in winter landscape", signed below the frame, color etching, h 35 x w 51 cm.

Prins, Riekele (1905 -1954) "Allotment gardens with a view of Baflo", signed in full bottom right, etching/paper, h 27 x w 40 cm.

A post-war German deer hunter or Forester's dagger, manufactured by Hubertus Solingen, with a stag-handled grip, S-shaped crossguard with acorn qullions, the nickel-plated blade with gold ornamental etching, marked 'Hubertus Solingen - Made in Germany', blade length 26cm, overall length 37.5cm housed in a grey leather sheath with loop

Sydney Litton (1887-1949), gondolas on a Venetian canal, etching, signed and numbered 72/80 in pencil, plate size 9.75" x 13.75" (25 x 35cm), unframed.

Charles Cottet (1863-1925) French, a society lady, etching in colours, signed in pencil, plate size 4.25" x 4.25" (11 x 11cm), along with another unsigned etching by the same hand of three female heads, plate size 4.5" x 6.5" (11 x 16.5cm), unframed, (2).

William Walcot (1874-1943), 'The Circus 1925-6', drypoint etching, signed in pencil, 5.5" x 8" (14 x 30cm).

After Rowlandson, a hand coloured etching of figures in a farmyard, 7" x 9.75" (18 x 25cm).

Trevor Price, 'A Fish Out of Water', etching in colours, signed inscribed and noted 'Artist's Proof', in pencil, plate size, 7.25" x 9.5" (18.5 x 24cm).

Israel Silvestre, an Old Master etching of a view at Fontainbleau, 4.25" x 6.25" (11 x 16cm).

Graham Clilverd (1883-1959), 'The Spires of Oxford', drypoint etching, signed in pencil, plate size 8.75" x 15.75" (22 x 40cm).

Dorothy Kay (Irish, 1886-1964), ‘ Die Voorlooper ‘ original etching, signed and titled in pencil. Framed and glazed. Born in Ireland, Dorothy moved to South Africa where she travelled the country producing paintings and etchings. She held one-woman exhibitions from 1922 to 1955, and retrospective exhibitions of her work were held at the South African National Gallery in 1965 and 1982. 26cm x 22cm.

Russell Sidney Reeve (1895-1970), ‘Cheltenham College’, original etching, signed. C. 1930’s original black and white etching of Cheltenham College, Windsor. Unframed, signed in pencil. Reeve was a well-known painter and printmaker, born at Hethersett in Norfolk. He exhibited at the Royal Academy from 1927 and his work is represented in many public collections, including the Victoria and Albert Museum and the Tate Gallery. He worked extensively in East Anglia. 26cm x 19.5cm.

Charles Terry Pledge (British, 1887-1992), London City scene, original dry-point etching, signed in pencil to lower right. Framed and glazed. Pledge was a British architect. His work was part of the architecture event in the art competition at the 1948 Summer Olympics. 20cm x 24.5cm.

William Lionel Wyllie (1851-1931), etching of a river scene, signed to the lower left, 12.5cm x 30cm, framed and glazed

Roy Perry (British 20th Century), watercolour on paper, depicting Battlesbridge in Essex, 12cm x 17.5cm, together with a selection of watercolours, prints and etchings, including riverscapes, Steamers and Galleons, Greenwich Hospital etching, Oxford from the Heney Road etching, a street scene in Santander and more (parcel)

Celeste Benitte, French, a signed etching 'Bonifacio', numbers and signed. Framed and glazed. H.60 W.50cm.

Bruce Petty (Australian. 1929–2023). Two cartoons, ink on paper. A reworking of a David Hockney etching titled 'SAS man waiting for the call to action'. Framed and glazed. With another political cartoon titled 'Petty and the News'. Unframed. H.52 W.34cm.

William Lionel Wyllie RA (1851-1931) etching, ‘A Fair Wind and an Ebb Tide’, signed in pencil, inscribed gallery label verso, 16 x 34cm

Valerie Thornton (1931–1991), etching and colour aquatint, 'Cloisters', signed in pencil, limited edition 117/150, 77 x 57cm

A watercolour depicting a windmill; P.W. Smith etching "Cutty Sark" and a framed and glazed print

Group lot of various pictures to include etching Poppies in Tuscany, study of Turtledoves and various others (5)

WILLI KISSMER (GERMAN, 1951-2018) (3)Woman in white fabric signed and numbered in pencil '20/250' (in lower margin) etching 60 x 23cm together with an etching by the same hand of a nude woman reclining on a sofa, 46 x 73cm; and an etching by another hand of a woman wearing a dressing gown, 59 x 42cm ARR (3)

AFTER FRANCIS WHEATLEY (4)Cries of London, Turnips and Carrots Ho; Primroses Two Bunches a Penny a set of two engravings each 35 x 27cm together with La Riboteuse Hollondaise, an engraving after Jean Daulle; and C’est La Fille a Simonette, an etching by Gilles Demarteau after Francois Boucher (4)

AFTER REMBRANDT VAN RIJNSelf Portrait etching 15 x 12cm together with another Rembrandt etching, The Rat Catcher, 13.5 x 12cm (framed together) Footnote Please note these are impressions taken from a plate designed after Rembrandt, not from a Rembrandt designed plate.Condition ReportBoth sheets have been adhered by the four corners to the mount paper.  Self Portrait - rectangular imprint above the figure's head off the upper border, visible upon close inspection.  Some very light traces of surface staining; very narrow margins.  The Rat Catcher - scattered areas of surface staining, upper and lower right; very narrow margins.Framed as one in a wooden frame in fair condition, unglazed.

ATTRIBUTED TO JAMIE BOYD (AUSTRALIAN, B. 1948) (4)Hampstead Heath signed and indistinctly dated 'J. Boyd 19-2' (lower right) and inscribed with title (on a label attached to the backboard) gouache on paper 12.5 x 17cm together with The Jetty, an etching signed and numbered '4/15' by Joan Dannatt; Field Mice, a gouache by Maggie Oliver; and Waiting for the Ferry, Sanday Orkney an etching by Sloan (4)

PAULUS LA FARGUE (8)Vue & Perspective en Antran la Haye par le canal de delft etching 25 x 34cm together with Vue de la Porte des Rame, an etching after C. Philips Jacobsz; a set of three coloured engravings depicting Amsterdam; Den Ouertoom; Haerlemse Iaegschuyties, a pair of engravings by Reinier Zeeman; and Les Moulins Hollandois, an engraving by J.P. Le Bas (8)

LANCE SMITH (BRITISH, B. 1950)Untitled, Abstract composition signed, dated and numbered in pencil 'lance smith 1991 23/35' (in lower margin) etching with aquatint and gold leaf 58 x 45cm ARR

NELSON ETHELRED DAWSON (BRITISH, 1859-1941) (4)The Boomsway, Scarbrough signed and titled 'Nelson Dawson Sc et Imp' (in lower margin) etching 17.5 x 24.5cm together with Fishing Boats off Ryde, Isle-of-Wight, an etching by Edward Frances Wells; Fishing boats in rough weather, an engraving by Robert Kent Thomas; and Brixham Trawlers, a reproduction print by R.F. King (4)

HENRY WILKINSON (BRITISH 1921-2011) FIVE LIMITED EDITION DRYPOINT ETCHINGS WITH COLOURS, all signed and numbered to the lower margin, comprising of a print with a Spaniel and gamekeeper, a Spaniel flushing a Pheasant, a Spaniel flushing a Woodcock, a Golden Labrador flushing Woodcocks and a pair of Terriers in the field, largest approximate size 28cm x35cm, smallest 21cm x 28cm, together with a Maurice Moisand etching signed in the plate, Condition Report: the prints are in good overall condition, frames marked in places (6)

▴ Victor Pasmore CH (1908-1998) Untitled (from IAA Portfolio)etching and aquatint, signed with initials and dated '75' in pencil l.r., numbered '68/75' l.l., from the 'Portfolio of Prints by British Artists', published by the United Kingdom National Committee of the International Association of Art plate 25 x 37.5cm, unframedCondition ReportSheet: 48 x 68cmSome light cockling but presents well overall and appears to be in otherwise good condition.

GEORGES BARBIER (1882-1932) THEATRE HAND-COLOURED ETCHING ON WOVE ca. 1912 ARTIST PROOF    APP.SIZE: 15cm x 20cm (24cm x 30cm)

David Gee Original etching 'Two Cockers' [30x40cm]

Salomon Van Abbé (1883-1955) Limited edition framed etching ‘Declarations’, signed. (17/50) [42x43cm]

Michael Carlo, b1945, Autumn Ditch, signed, mixed media, 76 x 57cm, label for Woodgates Gallery, Spring Exhibition 1997, together with Snow Track, signed etching, 12/36, by the same hand (2)

Tom Dowling, London street scene, etching, inscribed below with title London Street Scene A/P and further inscribed PP Tom Dowling 1960 or 62 or 63, 23 x 36cm, framed and glazed, Graham-Weall, Southwold, colour print, 12.5 x 47cm and Julius Goltzius after Ambrosius Francken, Roof van Helena, engraving, 22 x 29cm, all framed and glazed