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Lot 80
LEONARD R. SQUIRRELL (1893-1979) Edinburgh from Calton Hill, etching with aquatint, pencil signed in the margin, 23 x 35.5cm; and a small collection of further engravings and watercolours to include: Claude Rowbotham (x4); portrait of a lady reading a letter, signed with initials 'P.E' and dated 1880, 29 x 21cm etc, all unframed
Lot 100
Various jewellery, a group of bangles comprising two hammered metal bangles with etching and rose decoration, three wicker bangles, an orange and black coloured beaded necklace, with a screw in clasp and matching clip on earrings converted from loose beads and an imitation jet multi row beaded necklace with similar clasp. (a quantity)
Lot 149
§ SIR MUIRHEAD BONE H.R.S.A., H.R.W.S., H.A.R.I.B.A., H.R.E., L.L.B., D.LITT (SCOTTISH 1876-1953) Etching and drypoint, signed in plate, signed, titled and inscribed 'Set No. 19' in pencil to margin(the sheet 34.3cm x 25.7cm (13.5in x 10.125in), unframed)Footnote: Exhibited: The Fine Art Society, Edinburgh, Muirhead Bone 1876-1953, October -November 1990 Provenance: Garton & Co
Lot 69
§ JOHN BELLANY C.B.E., R.A. (SCOTTISH 1942-2013) RAISED BEACH Signed and numbered 1/45, etching(45cm x 39.5cm (17.75in x 15.5in), plate)Footnote: Note: Inspired by the poem, "On a Raised Beach" by Hugh MacDiarmid Unframed. Part of the series of prints known as the 'Addenbrokes series', named after the hospital in Cambridge where Bellany underwent a major operation.
Lot 203
* Gillray (James). A Peep at Christies; - or - Tally-ho, & his Nimeney-pimmeney taking the Morning Lounge, H. Humphrey, Sept. 24th 1796, aquatint etching with contemporary hand clouring, narrow margins, slight staining and dust soiling, some adhesion scaring to verso, 350 x 250 mmQty: (1)NOTESA caricature depicting the diminutive Lord Derby with the tall and thin actress Elizabeth Farren, studying paintings on view in the exhibition rooms at Christie's. The title, 'Tally-ho' refers to Lord Derby's reputation as an eminent fox-hunter; presumably, this is why he is studying a painting showing the death of a fox, and 'Nimeney-pimmeney' refers to Miss Farren's successful portrayal of Nimeney-pimmeney in General Burgoyne's The Heiress, a work dedicated to Lord Derby. The painting which is being studied by Lord Derby is titled 'The Death' and this hints at the fact that Lord Derby was waiting for his estranged - and terminally ill wife - to die, which she would do the following year. She had left her husband for an affair with Lord Dorset, which left Lord Derby and his wife in an acrimonious stalemate not resolved until the countess died; three weeks after her death Lord Derby married Miss Farren.
Lot 204
* Gillray (James). Dilettanti Theatricals - or a Peep at the Green Room - Vide Pic-Nic-Orgies, H. Humphrey, Feb 18th 1803, etching on wove with contemporary hand colouring, some adhesion scars to margins, slight mount staining, laid on later card, 310 x 490 mmQty: (1)NOTESA crowded drawing-room scene showing several figures from the upper echelons of society dressing and rehearsing for an amateur production of a play. The image clearly echoes William Hogarth's 'Strolling Actresses Dressing in a Barn' but Gillray's rendering is a great deal more luxurious than the squalor depicted by Hogarth. The scene is dominated by the enormous Lady Buckinghamshire who is standing before a dressing-table, adding yet another 'beauty-spot' to her face. Othe characters include Lady Salisbury pulling on her boots, the gigantic Lord Cholmondeley who is dressed as Cupid and the tiny Lord Mount Edgcumbe clad in the armour and helmet of Alexander the Great. Sir Lumley Skeffington is dressed as Harlequin and dances with a deformed 'punch-like' hunchback who is Lord Kirkcudbright. Discreetly shown in front of the room screen is a group of four dancing in a round which includes the Prince of Wales placed between Mrs Fitzherbert and Lady Jersey; his attention and right hand firmly attached to Lady Jersey. A detailed caricature intended to depict complex machinations and intrigue which swirled around the political and aristocratic classes of mid-Georgian society.
Lot 221
* Rowlandson (Thomas). The Huntsman, T. Smith, 1785, etching with aquatint and contemporary hand colouring, slight spotting and dust soiling, 355 x 420 mm, framed and glazedQty: (1)NOTESAn uncommon Rowlandson etching of a huntsman on a grey horse with a couple of hounds, clearing a low stone wall.
Lot 223
* Sharpshooter (A. pseud. John Phillips). Four caricatures, New Mode of Military Discipline, G. Humphrey, 1829, Losing my Seat, G. Humphrey 1829, The Royal George, J. Gans 1829, [and] The Lumber Troop - or - Queen's Own, G. Tregear, 1829, together four caricatures with bright contemporary hand colouring, 'The Royal George' trimmed to neatline and laid on later paper, each approximately 250 x 345 mm, framed and glazed, together with Tregear (Gabriel Shire, publisher). A Vision of Judgement!!!, circa 1830, etching with bright contemporary hand colouring, 245 x 350 mm, framed and glazed (glass cracked), with Cruikshank (Isaac Robert). The Wellington Testimonial, see "The Times" April 30th, G. Tregear, 1829, etching with contemporary hand colouring, 250 x 345 mm, framed and glazed, plus Heath (Henry). A Long Pull, A Strong Pull and a Pull Together, G. Tregear 1829, etching with bright contemporary hand colouring, 250 x 350 mm, framed and glazed, and Heath (William). A Political Reflection, T. McLean, circa 1829, etching with bright contemporary hand colouring, 255 x 375 mm, framed and glazed, with Jones (Thomas Howell). John Bull & his new Doctor, S. W. Fores, 1820, etching with bright contemporary hand colouring, 355 x 250 mm, framed and glazed, and one other similarQty: (10)
Lot 238
* Marine. Walker (J.). The Great Western Steam Ship intended to trade between Bristol and New York, leaving Cumberland Basin on the morning of the 18th August 1837, in tow of the Lion Steam Tug and accompanied by the Benledi and Herald Steamers for the purpose of proceeding to London to receive her Engines, Hullmandel, 1837, uncoloured lithograph some mount staining and dust soiling, 240 x 320 mm, together with Morgan (W., lithographer). The British Queen Floated out of Dock on the Queen's Birthday, May 24th 1838, W. Morgan, 1838, tint stone lithograph, some dust soiling, one long repaired closed tear affecting image, 245 x 290 mm, mounted, with Knell (W. A.). [The Turkish Steamer "Vassitie Tidjaret", circa 1850, hand-coloured lithograph, proof before title and letters, some surface abrasion, occasional marginal closed tears, 280 x 420 mm, mounted, plus Fores (S. W. publisher). The Famous Packet from Paddington to Uxbridge on the Grand Junction Canal, 1801, etching with contemporary hand-colouring, a manuscript '96' to lower right margin, trimmed to platemark and tipped on to later card, 250 x 405 mm, mounted, and Rushton & Melling (publishers). The Hibernia and St George starting from Liverpool, circa 1830, uncoloured lithograph, slight staining, 260 x 360 mm, with another sixteen engravings and lithographs similar, including examples by or after Ackermanns, 'The Boys Own Paper, Ross, W. Cooke and Dudley, various sizes and conditionQty: (21)
Lot 385
George Woolliscroft Rhead, after Thomas M Hemy, The Eton Wall Game, signed in pencil 'G Woolliscroft Rhead' (in lower margin), etching, published 1888 by Dickensons, 35 x 52cm, together with another etching by Woolliscroft Rhead after Thomas Hemy, Eton - Absence, signed in pencil, published 1887 by Dickensons, 35 x 52cm (2)
Lot 386
F G Stevenson, after Henry Jamyn Brooks, Eton College Gateway (Entrance to School Yard), signed in pencil 'H Jamyn Brooks, F G Stevenson' (in lower margin), etching, published 1891 by Dickinson & Foster, 32 x 50cm, together with an etching by George Woolliscroft Rhead after Thomas M Hemy, Eton - Absence, signed in pencil 'G Woolliscroft Rhead' (in lower margin), published 1887 by Dickensons, 35 x 52cm (2)
Lot 411
Martin Hardie (British, 1875-1952), Antifouling boats, signed in pencil 'Martin Hardie' (in lower margin), etching, 17 x 22.5cm, together with an etching by Elisabeth Boardman Warren, A Path to the Sea, signed in pencil, 20 x 25cm, and a further etching of two girls on the beach, indistinctly signed in pencil, 17.5 x 25cm (3)ARR
Lot 499
Valerie Thornton (British, 1931-1991), L'Estany, stamped signature in the margin (lower right), titled, dated '90' and numbered '16/40' in pencil (in margin), etching, 36 x 36cm, together with; 'Cows in the valley', etching by June Berry and 'Gardens after rain', an aquatint by Ronald Miller, (3)ARR
Lot 128
After Boris Stfanovitch Riabouchinsky (1898-1975) French Coloured sporting etching marked to top ?Ch.Ducher et Cie . 35 Ave de l? Opera , Paris No 737? Black Labrador studies Posthumously signed in pencil lower left ? B Riab ? 13 1/4 (30.6 cm) x 10? (25.4 cm) In a figured walnut and ebonised frame
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71174 item(s)/page