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Lot 218
A mixed folio: English School early 19th century sepia watercolour river landscape, 26 x 35cm, with old label to verso 'Carter Saloon of Arts, 238 Regent St'; Bartolozzi after Cipriani and others, 'Adam and Eve', engraving published 1794 by Darling and Thompson, full margins, 44 x 61cm overall size; G Dawe, 'Henry Vincent', aquatint with etching, published with the 'Sentinel' London Weekly Newspaper May 18, 1844, full margins, 54.5 x 39.5cm overall; four engravings after Watteau 'Le May', 'Feste Bacchique', 'La Balanceuse', and 'Partie de Chasse', the latter dated 1731, each with neat small repair and trimmed close to image, 60.5 x 36cm; Pizzi after Cignani, Sleeping Child, stipple engraving 1796, full margins, 56.5 x 37.5cm overall; W Giller after A Cooper, 'Richard Coeur de Lion and Saladin', mezzotint 1831, 39 x 46cm (trimmed to plate); Ravenet after Luca Giordano, 'Sophonisba accepting the Nuptial Present...', engraving before letters published for Boydell, some soiling, trimmed to plate, 43 x 53.5cm; and other engravings and later prints
Lot 232
Edmund Blampied (British, 1886-1966) The Stranger, 1920, signed in pencil, drypoint, 26 x 33cm. Literature: Appleby, No.66, signed proof from the only published edition of 100 impressions, on cream laid paper with full margins and deckle edge. In The Stranger Blampied has portrayed the situation with an insight characteristic of his splendid depictions of everyday peasant life in Jersey. Allhusen regarded this plate as "one of the very best of Blampied's drypoints" in his major article The Etchings of Edmund Blampied (PCQ, vol 13, p.78). This drypoint was done upon the back of an old etching plate, the rough surface of which produced the effect of foul-bite in impressions of the finished print
Lot 241
Eugene Bejot (1867-1931) Les Quais de la Monnaie et de la Grave Bordeaux, etching, signed below in pencil, 21.5 x 27cm (plate); andÊJohn Moody, 'Portsmouth', etching, signed (unframed) 14.5 x 20.5cm (plate); and Martin Hardie 'The Quay Middleburg', etching (sunned, unframed) 14.5 x 20.5cm (plate); together with A small watercolour by another hand (4)
Lot 33
D.Y. Cameron (1865-1945) - 'Distant view of Winchester', etching, initialled DYC, 10 x 16 cm; Sir Francis Seymour Haden (1818-1910) - 'A Water Meadow', etching, 15.5 x 24 cm; verso bears Folio Fine Art Ltd label; and 'Old Chelsea - Out of Whistlers window', etching, fore-edge signed, 18 x 26 cm (3)
Lot 593
Ethelbert White (1891-1972) The riverbank Woodcut print Signed lower left Inscribed and numbered 11/15 lower right 19cm x 24.5cm Charles Frederick Tunnicliffe (1901-1975) Joseph and Mary on the road to Bethlehem Etching Signed and inscribed lower centre 17cm x 10cm Together with a pencil sketch of dancing figures (3)
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