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Lot 537
John Fullwood FSA 1854-1931- "The Hour of Nightfall, Staines-on-Thames"; etching, artists proof, signed in pencil, 26x36cm: together with one other similar etching by the same hand: British School, late 19th century- Portrait of a woman, bust length wearing a black dress and bonnet; oil on canvas, 70x60cm: together with two 19/20th century frames of various styles, (5)
Lot 538
German School, early 20th century- "Ein Platzchen An Der Sonne..."; drypoint etching, monogrammed `LH` and indistinctly signed in pencil, 30x13cm: Maurice Blieck 1876-1922- "Bruges..."; dry point etching, signed and titled in pencil: Chas, c.1914- "Near Kew Bridge"; etching signed and titled, together with three other similar views by the same hand, (6)
Lot 553
European/British School, early 20th century- Portrait of a gentleman quarter-length turned to the left in a black coat; black chalk and watercolour heightened with white on buff paper, 39.5x27.8cm: European School, late 19th century- A fortuneteller and a musician; pen and brown ink on buff paper, 50.5x37.7cm: English School, early 20th century- "In an Eastern Bazaar"; etching printed in colours, signed in pencil, 17.5x20.5cm: together with a mixed folio of drawings and prints by various hands, (a lot), (unframed)
Lot 608
After StÚphano Mulinari 1741-1790- Roman Soldiers, after Caravaggio; etching, this being a late 20th century example, 37x26cm: together with four further decorative etchings depicting classical scenes after the antique, all late 20th century examples and in matching decorative ebonised frames, (5)
Lot 633
Post War School, mid 20th century- The Sun; pen and black ink on two joined pieces of tissue thin tracing paper of orange and beige colouration, signed and dated 69, 36x48.7cm: Post War School, mid 20th century- Sculptural form; etching with aquatint printed in green/black, 50x42cm: Post War School, mid 20th century- Window with trees and cats; pen and black ink and watercolour: together with five other various late 20th/early 21st century works on paper by different hands, (8), (unframed)
Lot 737
Bartolomeu dos Santos, Portuguese b.1931- "Atlantis"; aquatint printed in colours, signed, titled, inscribed and dated 72 in pencil, 50x67cm: Brigitte Coudrain b.1934- Untitled; etching with aquatint in colours, signed and numbered 15.50 in pencil, 31x35cm., (2) (may be subject to Droit de Suite)
Lot 798
Thomas Sutherland c.1785-1820- "Table Bay, Cape of Good Hope"; published by W J Huggins, London, January 1824, hand-coloured etching and aquatint, After William John Huggins 1781-1845, 55x75cm: Edward Duncan 1803-1882- "Launch of the Steam Ship Forth...."; published London, March 12th 1842, hand-coloured aquatint, 55x75cm, After James Wilson Carmichael 1800-1868, both in matching decorative glazed gilt frames, (2)
Lot 831
C Cobby, British Provincial School c.1890- "Moors Pig Farm, 1720-1890"; watercolour, signed and dated 1890, 24x28cm, oval mount: together with other 19/20th century studies, various mediums and subjects: Anthony Gross RA 1905-1984- "Paysage du Sol"; etching, signed within the plate, signed, titled, dedicated and inscribed `Epreuve d`Artiste` in pencil, 24.5x34cm: Modern British School, circa 1930`s- Portrait of a lady half-length in a red coat; oil on unstretchered canvas, 74x62cm: together with one other similar portrait study in oils on unstretchered canvas by the same or related hand, (a lot) (unframed)
Lot 836
Patrick Procktor RWS RE RA 1936-2000- "Yellow Dragon Cave"; etching with aquatint printed in colours, signed and numbered 53/75 in pencil, 44.5x59.5cm: Alison Neville b.1945- "The Mathematical Bridge, Cambridge"; etching with aquatint printed in colours, signed, titled and numbered 4/50 in pencil, 47x65cm., (2). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 282
PHIL GREENWOOD (20TH CENTURY) `Avenue`, etching with aquatint, pencil signed, titled, dated `78 and numbered 88/200 in the margin, 21" x 18", published by Christie`s Contemporary Art and with certificate attached to verso; together with Charles F Mitchell, `Classic Architecture`, a series of ten plates illustrating typical examples of Grecian and Roman Orders and `The Best of Redoute`s Roses` (3).
Lot 301
20TH CENTURY ENGLISH SCHOOL: Armadillo in rough grass, etching, indistinctly signed ? Bartwell and also pencil signed and numbered 195/250, 6 1/4" x 11 1/2" and seven further works to include: William Scott, `Venice 1881`, etching, 13 3/4" x 5", two small landscape etchings framed in one; view of Harewood House after David Heal; two wood engravings framed in one attributed to Eric Gill, `Naked Studies`, 4" x 6"; a watercolour attributed to Rob Gruber (20th century American) - Birds of paradise, 19 1/2" x 29" (8).
Lot 365
MARTIN HARDIE (1875-1952) - `The Quiet West (Martigues)`, etching, signed in the plate and dated, "APR `19", also signed in ink to the margin, 9" x 11"; together with six further engravings to include Fred Richards `Falaise- a gateway`, inscribed and dated 1921, 10" x 6 1/4"; Edward Lear `Nicropolis, plate 15`, colour lithograph from "Journals of a landscape painter in Albania", 3 3/4" x 6 1/2"; and four book plates to include `St Paul`s School`; `The new Sulphur Spring, Harrogate`, `Shropham and Snetterton` and `Church Street, Hampstead` (7).
Lot 370
JOHN ROBERT KEITLEY DUFF (1862-1938) - A shepherd penning his sheep, etching, pencil signed in the margin, 8 3/4" x 7" and two further etchings to include Leslie Jackson `Nativity`, pencil signed in the margin, dated `32, 9" x 7 1/2"; and Alphonse Legros `L`Entree du champ`, pencil signed in the margin, 6 1/2" x 8 1/2" (3).
Lot 1144
Erich Wolfsfeld (German 1884-1956); eighteen various copper etching plaques, each decorated with a different design, including snake dance, Marrakesh, Moroccan asleep on a bench, Egyptian women in conversation, two Arab women with children, Spanish mother and child, head of a man with a moustache, and others
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71174 item(s)/page