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Lot 433

An early 20th century black and white etching of a young boy leading a blinded soldier along a riverside path, indistinctly signed in pencil to the margin

Lot 484

Three pencil drawings, river landscape, coastal scene and rural scene, together with a pair of lithographs of Kildaire Cathedral, and a black and white etching of the Porte dei Sospiri, Venice, signed in pencil to the margin JB Marney (?) 1925

Lot 223

After Goodall, Egyptian Harvest, etching by William Heydemann, signed in pencil by etcher and artist, 26 x 55 cm (10 1/4 x 21 1/2 in.)

Lot 563

After Guercino, Figures by a Bridge in a Landscape, etching in brown ink, over two sheets.

Lot 397

After Rowland Bachelor, Self portrait 1937, monochrome etching, signed, titled, number 2/49 and another etching "At The RA", (2).

Lot 421

Monochrome etching of Tower Bridge, and other monochrome prints, (6).

Lot 629

After Alphonse de Neuville - `The Defence of Rorke`s Drift, 22-3 January 1879`, late 19th Century etching on India paper mounted, approx 75.5cm x 111cm, within an oak frame.

Lot 683

After Jan Georg van Vliet - Two Bricklayers, 17th Century monochrome etching from a series depicting trades and professions, approx 21cm x 16.5cm, within a gilt frame.

Lot 709

Carol March - `The Pensive Selina Reclined`, etching, signed, titled and editioned 2/75 in pencil, together with another print by Carol March.

Lot 741

Garnet Wolseley - View of a Cottage in a Landscape, monochrome etching, signed in pencil.

Lot 769

Fred Millar, after Terrick Williams - View of a Continental Market, colour etching, signed in pencil, approx 28.5cm x 33.5cm, together with a collection of other prints by Fred Millar.

Lot 684

Mariel Jacque Barbizon Coloured etching, signed and dated 1951, also AH Geyer, Old Cottages, Drymas, etching signed, 14 x 19cm, also Continental School, Acrobats at Key West, watercolour, 18 x 12cm (3)

Lot 805

H Goltzius, Last Supper, Engraving, dated in the plate 1585, 26 x 35.5cm, together with Death of a Bull, hunting engraving, inscribed `A Paris Chez P mariette`, 16.3 x 24cm (trimmed down)l and AB Gillespie, St Giles Cathedral, Edinburgh, etching, signed in pencil, 34 x 50cm (3)

Lot 819

Robin Tanner (Wiltshire 1904-1988) Christmas Etching on blue paper, numbered XXVII, signed in pencil and dated 1929, 33.5 x 28cm no.27 from an edition of only 50

Lot 109

J.A. SMITH On the docks etching, signed in pencil on margin 14.5cm x 21cm TOM GRAHAM Irish Setter etching, signed and titled in pencil on margin 20.5cm x 28cm (2)

Lot 88

Tanner (Robin). Elegy Written in a Country Churchyard, by Thomas Gray, pub. Old Style Press, 1981,. orig. etching, signed in pencil to lower margin, engs. to text, a.e.g., orig. qtr. morocco gilt in d.j., with paper title label to upper cover, some rubbing to extrems., 4to. Limited ed. 70/100, signed by Robin Tanner and Mary Crimmings. (1)

Lot 284A

A framed and glazed etching of Sherwood Forest, together with a gilt framed and glazed engraving after Bartels `Dutch Fisher Inn`.

Lot 110

Peter Scott/White Fronted Geese/signed/drypoint etching, 23cm x 35cm (9" x 13.75")/ and two further etchings

Lot 111

Peter Scott/Canada Geese/signed/drypoint etching, 20cm x 25cm (8" x 9.75")/ and two further etchings

Lot 112

Peter Scott/Mallards Dropping In/signed/drypoint etching, 25cm x 20cm (9.75" x 8") /and three further etchings

Lot 113

Peter Scott/Pintails Going Fast/signed/drypoint etching, 25cm x 20cm (9.75" x 8")/and three further etchings

Lot 146

Robert Wyatt/Canvas Back/signed and numbered 12/40/etching, 18cm x 22.5cm (7" x 9")

Lot 1

Graham Clarke (Born 1941) Coloured Etching "Southern Breeze" signed in pencil, 42/150, 10.5"x 13.5" framed

Lot 12

Eileen Alice Soper (1905-1990) Etching "The Boat Swing", signed in pencil, original Glasgow Gallery label verso, p 10.75"x 7.5", framed

Lot 68

Frederick Arthur Farrell (1882-1935) Etching, First Battalion The Royal Sussex Regiment, signed in pencil p11"x 13" framed

Lot 78

Percival Leonard Rousseau (1869-1937) Drypoint etching, Pointer dogs "Sons of Wannabrook Baloe" signed in pencil, dated 1932, p9"x 12", framed

Lot 205

Sir Henry Rushbury (1889-1968) Etching, Construction site, signed in pencil, P 11.15"x 15", framed

Lot 285

Tinus de Jongh (South African) Etching "Kirstenbosch Cape" signed in pencil, 7.5"x 10.5", framed

Lot 295

Rudolf Kugler (born 1921) Coloured Etching, Abstract figures, 1958, I 10"x 7.75", framed

Lot 339

Norman Stevens (1937-1988) Coloured Etching, Priory gardens, signed, 61/150, 14,5"x 17.5", woodcut print by Gaston Adolphe Jones, French School woodcut, & posters by Modigliani & Cedric Morris (6) all framed

Lot 290

James Rosenquist (b.1933) Headlines 1976 etching with handcolouring in blue watercolour 1976 signed titled and dated in pencil numbered 22/59 on wove paper with full margins in good condition 152 x 305 mm (6 x 12 in)

Lot 358

FRANCIS KELLY (20TH CENTURY) Night Fishers, signed in pencil in the margin, titled and inscribed Artist`s Proof, coloured etching, 12 3/4" x 19 1/2".

Lot 361

AUGUSTUS JOHN (1878-1961) Gypsy caravan and horse, signed in pencil in the margin, etching, 4" x 5".

Lot 362

JAMES A.M. WHISTLER (1834-1903) `Wheelwright`, etching, signed with butterfly and inscribed `IMP` in pencil on a tab, 5" x 6 3/4".

Lot 365

AUGUSTE BROUET (1872-1941) Work outside the Romany caravan, 19/75, signed and numbered in pencil in the margin and with embossed blind stamp, etching, 5" x 9"; together with a further etching of a girl and father on horse and cart (2).

Lot 366

KENNETH HOLMES (1902-1994) Skipton, High Street, etching, signed in pencil in the margin and titled verso, 8 1/4" x 11 1/2".

Lot 389

ROBERT TAVENER (1920-2004) `Magdalen From The Cherwell (Oxford Series)`, lithograph in colours, pencil signed and dated `67 and numbered 42/50, 19" x 26 1/2"; and Derrick Greaves `Falling Vase`, etching and aquatint, pencil signed and dated `78, numbered 47/150, 16" x 27" (2).

Lot 416

ALPHONSE LEGROS (1837-1911) `Le Lavoir`, etching, pencil signed in the margin, 7 1/2" x 5 1/2"

Lot 417

20TH CENTURY CONTINENTAL SCHOOL `Bedouin Musician`, etching, indistinctly signed Miller?, inscribed in the margin `for Carl with love and every good wish June 2000`, 6" x 5".

Lot 422

JOHN NICHOLSON (1891-1951) Plough horses grazing, etching, pencil signed in the margin, 3 3/4" x 6 1/4"; and after Anthony Van Dyck `Johannes Breugel`, engraving, 9" x 6" (2).

Lot 26

Stanley William Hayter (1901-1988) Battle/Combat ( engraving and soft-ground etching printed in a unique combination of colours 1953 signed titled Battle and inscribed IV state D a colour trial proof before the edition of 220 published by La Guilde de la Gravure on Johannot wove paper with full margins in good condition 300 x 201 mm (11 3/4 x 8 in)

Lot 36

Henry Moore (1898-1986) Two Reclining Figures (C.1 etching 1969 signed and dated in pencil numbered 59/100 on Arches paper with full margins in good condition 308 x 238 mm (12 1/8 x 9 3/8 in)

Lot 73

Marc Chagall (1887-1985) Untitled (see.C.books.99) etching with aquatint printed in colours signed and inscribed ea in pencil an artist`s proof aside from the edition of 25 as included in Celui qui dit les Choses sans Rien Dire on Japan Paper with full margins in good condition apart from minor paper discoloration 395 x 295 mm (15 1/2 x 11 3/4 in)

Lot 85

Salvador Dalí (1904-1989) La Naissance de Venus f etching with drypoint printed in colours 1971 signed in pencil numbered 27/150 on Rives BFK paper with full margins in good condition 570 x 370 mm (22 1/2 x 14 1/2 in)

Lot 86

Salvador Dalí (1904-1989) Les Dames de la Renaissa etching with drypoint printed in colours 1971 signed in pencil numbered 144/150 on Rives BFK paper with full margins in good condition 390 x 575 mm (15 1/4 x 22 1/2 in)

Lot 90

Salvador Dalí (1904-1989) The gelatinous watches o lithograph with etching printed in colours 1974 signed in pencil inscribed E.A. an artist`s proof aside from the edition of 195 on Arches paper with full margins in good condition apart from a few handling creases in margins 740 x 550 mm (29 1/8 x 21 5/8 in)

Lot 93

Salvador Dalí (1904-1989) Vision planetaire et sca etching with aquatint and embossing printed in colours 1974 signed in pencil numbered 162/195 on wove paper with full margins in good condition 750 x 550 mm (29 1/2 x 22 in)

Lot 110

Rene Magritte (1898-1967) La Folie Almayer (K.B.18 etching with aquatint printed in black and pink with the signature stamp numbered 40/150 and with the artist`s studio stamp on japon nacré paper with full margins in good condition 235 x 180 mm (9 1/4 x 7 1/4 in)

Lot 116

Henri Matisse (1869-1954) L`Après-midi d`un faune etching 1932 signed and isncribed planche refusée in pencil refused plate XXI from Poésies de Stéphane Mallarmé on China paper with margins (propbably full) in good condition sheet 330 x 248 mm (13 x 9 3/4 in)

Lot 127

Joan Miro (1893-1983) Danseuse Créole etching with aquatint and carborundum printed in colours 1978 signed in pencil numbered from the edition of 50 on Arches paper with full margins in good condition 1145 x 735mm (45 x 29in)

Lot 128

Joan Miro (1893-1983) Grand Vent (D.283) etching with aquatint printed in colours 1960 signed in pencil numbered 58/90 on BFK Rives paper the full sheet in good condition apart from two 1.5 cm expertly repaired tears at extreme left edge sheet 630 x 900 mm (24 3/4 x 35 1/2 in)

Lot 130

Joan Miro (1893-1983) Le Plus Beau Cadeau (D.1209) etching with aquatint printed in colours signed in pencil numbered 56/80 on wove paper with full margins in good condition 628 x 470mm (24 3/4 x 18 1/2in)

Lot 131

Joan Miró (1893-1983) Escalier de la Nuit (D.536) etching with aquatint and carborundum printed in colours signed in pencil numbered 73/75 on Arches paper with full margins a 3cm scrape in the central black area some slight scuffing in the blue crescent other minor defects 485 x 565 mm (19 x 22 in)

Lot 133

Joan Miró (1893-1983) Biche Chantant la Tosca (D.4 etching with aquatint printed in colours 1969 signed in pencil inscribed H.C. an hors commerce impression aside from the edition of 75 on wove paper the full sheet in good condition sheet 580 x 690 mm (22 3/4 x 27 1/4 in)

Lot 137

Pablo Picasso (1881-1973) Le Sauterelle from Hist etching with drypoint and aquatint 1936 one of five proofs printed before steelfacing cited by Baer the edition was 226 signed in blue crayon on Montval laid paper with full margins in good condition 280 x 205 mm (11 x 8 in)

Lot 138

Pablo Picasso (1881-1973) La Gueppe from Histoire etching with drypoint and aquatint 1936 one of only three proofs printed before steelfacing the edition was 226 signed in red crayon on laid gray Japan paper with full margins in good condition 330 x 220 mm (13 x 8 3/4 in)

Lot 140

Pablo Picasso (1881-1973) Le Vieux Sculpteur IV (B etching 1933 from the Suite Vollard the edition was 260 published by Ambroise Vollard on Montval laid paper watermarked Picasso printed by Lacourière with full margins in good condition 193 x 267mm (7 1/2 x 10 1/2 in)

Lot 145

Pablo Picasso (1881-1973) Personnages masques et F etching with aquatint 1934 from the Suite Vollard from the edition of 50 printed on wide margined Montval Laid paper watermarked Picasso published by Ambroise Vollard printed by Lacourière Paris with full margins in good condition 249 x 348 mm (9 3/4 x 13 3/4 in)

Lot 159

Pablo Picasso (1881-1973) after Maternité (g.&p.E etching with aquatint printed in colours 1930 an unsigned impression presumably from the edition published by Chalcographie du Louvre but lacking their blindstamp on wove paper with wide margins overall paper discolouration 699 x 470 mm (27 1/2 x 17 1/2 in)

Lot 171

Frank Auerbach (b.1931) Tree At Tretire I (h.7) etching with screenprint 1975 signed and dated in pencil numbered 17/30 on wove paper with full margins in good condition 295 x 294 mm (11 5/8 x 11 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights details of which can be found in our Terms and Conditions.

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