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Dublin Printing: After George Cruikshank (British, 1792-1878), Early 19th Century - Coloured Caricature Etching. 'An Interesting Scene, on Board an East - Indiaman, showing the Effects of a Heavy Lurch.' Published by. J. Le Petit, 20 Capel St, Dublin. In an eglomise mount. 39 x 49cm total size.
Early 20th Century oil on canvas, figure on a woodland track, titled ' The Road Through the Wood near Abinger ', indistinctly signed and dated 1904, gilt framed, 14ins x 8.5ins, three Henry Alken coloured prints, ' The Meet ', ' Full Cry ' and ' The Death ' and an etching by F. Robson, ' The Dark Entry, Canterbury Cathedral '
David Hockney (b. 1937) A Picture of Ourselves, from: The Blue Guitar (S.A.C. 210; Tokyo 189) Signed in pencil and numbered 44/200, etching with aquatint in colours, 1976-7, 34cm by 42cm *ARR/(Droit de Suite) applies to this lot Light time staining to the paper. With some tiny sized sporadic foxing spots throughout. The print has been glued at the edges and there are discoloured finger prints which may well be the transference of the glue from the securing process. Cockelling around the centre. Small number of thunderflies trapped under the glass. Scuffs and scratches to the glass. Thin aluminium frame. Not examined out of the frame.
REMBRANDT VAN RIJN [1606-1669], ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS": Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 185; BB 41-G. Provenance: Ex. Coll. J. Peoli [Lugt 2020; F.C. Gray [Lugt 1101] and the Fogg Art Museum, Harvard University.
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