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Lot 56

John George Mathieson (active 1918-1940) Scottish. 'Stirling Town', Etching, Signed in Pencil, 7" x 14".

Lot 57

Niels Moeller Lund (1863-1916) Danish. 'Corfe Castle', Etching, Signed and Titled in Pencil, 6" x 7".

Lot 6

Rowland Langmaid (1897-1956) British. Sailboats off the Coast, Etching, Signed in Pencil, 6" x 9".

Lot 60

Sian Edwards, Circa 1987. 'Speak No Evil' and 'Hear No Evil', a Pair, Etching, both Signed, Inscribed and Numbered 3/10 in Pencil, 22.5" x 20", (2).

Lot 63

Erna Hoppe Kinross (1878-1964). Etching of a Child, 6" x 4".

Lot 7

Rowland Langmaid (1897-1956) British. Sailing Boats heading away from Shore, Etching, Signed in Pencil, 8" x 6".

Lot 8

Rowland Langmaid (1897-1956) British. 'Yachts Racing, Cowes', Etching, Signed in Pencil, 5.5" x 7.5".

Lot 10

After Rembrandt. Self Portrait in a Felt Hat, Etching, 5" x 6", and four other Old Master Prints, Unframed, (5).

Lot 11

After Turner. Alpine Landscape with Figures, Sepia Etching, 7" x 10", Unframed, and two similar, (3).

Lot 17

Nicholas Ward. 'Water Tower, Metfield', Etching and Aquatint, Signed in Pencil, 6" x 3".

Lot 2

Sidney MacKenzie Litten. (1887-1934) British. Berry Bros & Co Wine Merchants with Figures on the Street Outside, Etching, Signed in Pencil, in a Maple Frame, 9.5" x 13.5".

Lot 21

English School 1778. 'Earl Chesterfield's Dog, Bung', Etching, 6" x 9", and an Old Master Etching of Elizabeth Castle, Jersey by Hollar, 2.25" x 5.25", (2).

Lot 27

Frederick Halpern (b.1918 in Vienna). 'Old Jerusalem', Etching, 9" x 7", and signed and numbered in pencil '11/25, with a companion piece of 'The Western Wall', a Pair, (2).

Lot 3

William Lionel Wyllie (1851-1931) British. A View of the Thames in London with a Distant Bridge, Etching, Signed in Pencil, 5" x 11.5".

Lot 4

William Lionel Wyllie (1851-1931) British. A View of Ships in a Harbour with Cliffs beyond, Etching, Signed in Pencil, 6.25" x 14.5".

Lot 141

CHARLES A VANDERHOOF (AMERICAN 1853 - 1918). SWEETHEART ABBEY, DUMFRIES etching, signed in pencil 20cm x 31cm Mounted, framed and under glass

Lot 1477

Three Framed Willie Rawson Etchings, all signed; together with an unframed Willie Rawson etching of Old Gloucester and one other of Tatton Winter. (5)

Lot 237

Blind stamped pencil signed print/etching, 23.5cm x 15.5cm

Lot 36

VERENA VICKERS (XX) A framed etching, scene at Chipping Norton plus print of Swinbrook (2)

Lot 1066

WILFRED CRAWFORD APPLEBEY St Vincent Masonic Hall, signed, etching, 24 x 27cm, Glasgow University Doorway, signed, etching, 31 x 14cm and three Studio folios (5) Condition Report: Available upon request

Lot 1123

PETER HOWSON ISAH signed, etching, pp2, dated, (19)87, 37 x 29cm Condition Report: Available upon request

Lot 125

An antique early 19th century named Naval Dirk / Dagger, believed to be US / American in origin. Having a brass pommel engraved with anchor decoration and the inscription ' USS Enterprise Sailing Master James Bassett 1813 '. A ribbed bone handle with a chain stretching from the pommel to the guard. Floral etching to the curved blade, housed within original leather scabbard. Measures approx 47cm.The USS Enterprise was the third US ship to be named Enterprise was a schooner, built by Henry Spencer at Baltimore, Maryland, in 1799. Her first commander thought that she was too lightly built and that her quarters, in particular, should be bulletproofed. Enterprise was overhauled and rebuilt several times, effectively changing from a twelve-gun schooner to a fourteen-gun topsail schooner and eventually to a brig. Enterprise saw action in the Caribbean, the Mediterranean, and the Caribbean again, capturing numerous prizes. She wrecked in July 1823.

Lot 489

A pair of antique North African ceremonial dress daggers / knives. The first being a traditional North African ' Jambiya ' dagger having a brass capped pommel with floral etching and a wooden grip with green celluloid decoration to the collar. The curved double edge blade of typical form is housed within a intricately carved brass scabbard with suspension rings. The second a North African ' Wahhabite ' half sword having a characteristic white metal and brass mounted hilt. A curved double edged blade of typical form and housed within its original leather scabbard with decorated collar and brass tip. Highly detailed African knives. Measure approx 45 and 71cm

Lot 1309

Anthony Gross "Geese going out into the fields" (Herdman 5609), signed, inscribed with title and dated 1956 in pencil, colour etching, numbered 4/50, 36.5 x 49cms (plate size), unframed.

Lot 1310

Anthony Gross "Plateau" (Herdman 5603, Reynolds 176), signed Artist's proof, inscribed with title in pencil, etching, printed c.1956, 40 x 50cms (plate size ), unframed.

Lot 1311

Anthony Gross "Landscape with Juniper (Paysage au Genévrier)" (Herdman 5801, Reynolds 189), signed and inscribed with title in pencil, etching, published 1958, numbered 24/50, 41.5 x 59.5cms (plate size), unframed.

Lot 1312

Anthony Gross "Thicket (Buissons)" (Herdman 5705, Reynolds 188), signed and inscribed with title in pencil, etching, published 1957, numbered 15/50, 31 x 42.5cms (plate size), unframed.

Lot 1313

Anthony Gross "Edge of the Wood (Copse, la Garenne)" (Herdman 5903, Reynolds 192), signed and inscribed with title in pencil, etching, numbered 10/50, published 1959, 33 x 44.5cms (plate size), unframed.

Lot 1314

Anthony Gross "Children Going out to the Fields (Déart Aux Champs)" large plate (Herdman 5601, Reynolds 174", signed Artist's proof, inscribed with title in pencil, etching, numbered 2/5, 53 x 45cms (plate size), unframed. NB: From the Le Boulvé Suite of eight plates depicting people and landscapes in and around the village of Le Boulvé, South-West France. Published by St. George's Gallery, London in 1956, as an edition of 50 with five Artist's proofs of each plate.

Lot 1316

Anthony Gross "Valley No. 2" (Herdman 5904, Reynolds 193), signed Artist's proof, inscribed with title in pencil, etching, printed 1959, 37.2 x 49.3cms (plate size), unframed.

Lot 1318

Graham Clarke "Latrès Chose", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 27cms (plate size), in frame.

Lot 1319

Graham Clarke "Joe's Place", signed and inscribed in pencil, colour etching triptych, 22.5 x 27cms (plate size), 19.5 x 11cms (plate size x 2), mounted together in one frame.

Lot 1320

Graham Clarke "Fish Merchant of Venice", signed and inscribed in pencil, colour etching, Artist's proof, 34.5 x 37cms, in frame.

Lot 1321

Graham Clarke "Logger Rhythm", signed and inscribed in pencil, colour etching, numbered 261/400, 10 x 12.5cms, (plate size), in frame.

Lot 1302

Anja Percival "Dusk Light VIII", signed, inscribed and dated 2014 in pencil, colour etching, numbered 28/50, 29 x 29.5cms, in frame.

Lot 1303

Anthony Gross "Death of Adonis", from the series Sixe Idyllia of Theocritus State 1 of 1 (Herdman 7005), published 1970, etching, 23.5 x 16cms (plate size), unframed.

Lot 1304

Robin Tanner "Wiltshire Roadmaker (poor man)", signed in pencil, etching, published c.1928, 10 x 15cms (plate size), in frame.

Lot 1305

Robin Tanner "The Drinking Trough", signed and inscribed with title in pencil, etching, 20 x 15.3cms (plate size), in frame.

Lot 1306

John Nicholls A house on a country lane, signed in pencil, etching, 9.5 x 12.4cms (plate size), in frame.

Lot 1308

Anthony Gross "Running Tree (Le Petit Bois)" (Herdman 5403, Reynolds 164), signed and inscribed with title in pencil, etching, second state of 2, numbered 19/50, published c.1954, 30 x 23.3cms (plate size), unframed.

Lot 144

9CT GOLD WITH BRONZE CORE BANGLE, BY LAWSON WARD AND GAMMAGE LAGARMIC WITH SAFETY CHAIN, 65MM X 55MM X 15MM DECOR FERN ETCHING 33.7G

Lot 202

AN ETCHING BY GEORGE EDWARD HORTON (1859-1950) SEATON SLEUCE VILLAGE NORTHUMBERLAND SIGNED AND INSCRIBED 16 X 21CM

Lot 403

2 BOXES OF MISCELLANEOUS GLASS AND PORCELAIN INC ARTHUR WOOD TEAPOT SMALL ROYAL BRIERLEY VASE WITH GRAPE VINE ETCHING ETC

Lot 469

LEIGHTON, Clare, Wood Engravings and Woodcuts, The Studio, London, 1932. 8vo. Dec. binding, plus HOLME, Geoffrey. Ed. Modern Woodcuts and Lithographs, The Studio London, 1919. And Modern Etching and Engraving. The Studio, 1902. Both 4to. lib. rebound in blue cloth. Plus 2 assoc. titles. 5

Lot 28

Etching with hand-colouring, 39/50, signed and numbered in pencil to margin, titled to a label verso(50cm x 65cm (19.75in x 25.5in))

Lot 37

Etching, Printer's Proof, signed and inscribed in pencil to margin(53.5cm x 56cm (21in x 22in), full sheet)

Lot 68

Etching and aquatint, 9/25, inscribed and dated in pencil to margin 'For my friend Ifan Thomas - 1946,' signed and dated in plate(32cm x 40cm (12.5in x 15.75in), plate size)

Lot 70

Etching and aquatint, signed and inscribed in pencil to margin(61cm x 44cm (24in x 17.25in))Footnote: Provenance: From a private collection of Contemporary Art & Photography.

Lot 406

After N. R. Black, View of London, taken from Albion Place, Blackfryars Bridge, Vue de Londres, Prise d'Albion Place, Pont de Blackfryars, Etching and aquatint by Joseph Constantine Stadler, 56 x 90.5cm (22 x 35 5/8in.), Overall 76 x 111cm (29 7/8 x 43 5/8in.)

Lot 273

Pictures to include Hughes Richardson - Evening Stanhope in Weardale watercolour signed, an etching of a lion, a portrait and others

Lot 321

A presentation reproduction Rolling Stones poster, titled Gimme Shelter, relating to a concert in Livermore, California 1969, a print of trees and an artist signed etching after Walt Nygard titled New Century, artist proof No. 1/4, 36cm x 30cm.

Lot 334

After D Deighton. Glory Hole Lincoln and Newport Arch Lincoln, artist signed etchings and a proof etching after Leonard Hammond (3).

Lot 598

20TH C SCHOOL, STILL LIFE WITH FLOWERS, SIGNED R. ROSSINI, ACRYLIC ON CANVAS, 89 X 59CM, HARRY WEBSTER, COTTAGES ON THE COAST, SIGNED, WATERCOLOUR, 27 X 37.5CM, PAT ROONEY, CARICATURE OF LOFTY OF THE GLOUCESTER REGIMENT, SIGNED AND DATED 1944, CHARCOAL AND AN ETCHING OF THE FALCON INN, CHESTER Y W. MACALISTER-TURNER Caricature stained, the others in good condition

Lot 623

WILLIAM LIONEL WYLLIE, THE FISHING FLEET, ETCHING WITH MARGINS, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED CCXIV, 19 X 27.5CM AND AN ETCHING OF LIVERPOOL BY ANOTHER HAND Wyllie etching in good condition, undisturbed in the original early 20th c narrow ebonised frame, the second etching stained and wanting glass

Lot 633

DAVID FOGGIE, ST SALVATOR'S CHAPEL UNIVERSITY OF ST. ANDREWS, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 24 X 18CM AND FIVE SMALLER ETCHINGS BY OTHER CONTEMPORARY HANDS All in good original condition, some mounts slightly stained, some in the original or contemporary frames, glass of one cracked

Lot 654

BENJAMIN WILLIAMS LEADER, THE LOCK GATES, ETCHING, SIGNED BY THE ARTIST IN PENCIL, 39.5 X 45CM, A MEZZOTINT OF DULCE DOMUM OR THE RETURN FROM SCHOOL AND TWO OTHER PRINTS Leader etching foxed. Dulce Domum in apparently good condition, mounted to image. The other prints stained and dirty

Lot 1225

F Bartolozzi (1728 - 1815), engraving and etching, Acis and Galatea, published 1787, image 8" x 11"Very slight paper discolouration, no foxing

Lot 1267

Glynn Boyd Harte (1948 - 2003), coloured etching, still life, signed in pencil, from an edition of 75, image 16" x 23", framedA few fox marks in the margin

Lot 3

SIR HUBERT VON HERKOMER - A FRAMED AND GLAZED PORTRAIT STUDY OF A YOUNG WOMAN 'IVY' SIGNED IN PLATE UPPER RIGHT, ETCHING ON PAPER. OVERALL SIZE INCLUDING FRAME 90.5 X 79 CM 

Lot 6047

A folder of 19th Century and earlier Norfolk etchings, engravings, maps etc including Henry Davy (1793-1865), Mutford Church Suffolk, 1822, printed area approx 33 x 24cm, mounted; circa 17th Century etching depicting the South Prospect of the Cathedral Church of Norwich, by Daniel King, printed area approx 20 x 31cm, mounted, etc etc, mainly mounted and all housed loose in folder

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