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Lot 865

CH Clark. `The Old Tollbooth`. Etching, signed in pencil, 23 x 16cm and another of `John Knox`s House` (2).

Lot 273

After Herbert Dicksee (1862-1942) an etching depicting a dog seated, signed in pencil to the margin, mounted and framed under glass, image size 24.5 cm (h) x 19.5 cm (w) - included in the lot is a written opinion from Bonhams of Knightsbridge dated 1991- Est £80 - £120

Lot 6

Framed etching, Tong Waterfall by Piers Browne, watercolour of a cottage, framed, two engravings of Oxford and Holdsworth House, framed

Lot 13

Emil boblizsar, Haymaking, signed etching with drypoint, framed

Lot 1273

An etching after W. L. Wylie, ARA, 'The Escape of HMS Calliope', published by the Art Union of London, 1892, 46 by 60cm, framed and glazed.

Lot 19

GRAHAM DUDLEY PAGE, FRSA (1905-1948), SIGNED AND DATED 19/3/25 IN PENCIL TO MARGIN, HAND-COLOURED ETCHING, Inscribed “The Greenland Fishery, Kings Lynn”, 7 ½” x 5”

Lot 39

AFTER R FARREN, BLACK AND WHITE ETCHING (CIRCA 1885), Cow Tower, Norwich, 7” x 10”

Lot 63

HENRY JAMES STARLING, ARE (1905-1996), SIGNED AND NUMBERED 1/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Ponte Vecchio, Venice”, 8” x 11”, mounted but unframed; together with a Coloured Woodblock by the same artist (2)

Lot 64

HENRY JAMES STARLING, ARE (1905-1996), SIGNED, DATED’80 AND NUMBERED 38/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Baconsthorpe Castle, Norfolk”, 9 ½” x 11”, mounted but unframed

Lot 66

HENRY JAMES STARLING, ARE (1905-1996), SIGNED AND NUMBERED 5/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Bishops Bridge, Norwich”, 8” x 10 ½”

Lot 84

ALBANY E HOWARTH (1872-1936), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Mountain Landscape, 6” x 8”; together with ROBERT HOUSTON (1891-1940), SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH PUBLISHER’S BLIND STAMP, “The Falls of Leny”, 6” x 8” (2)

Lot 96

PERCY ROBERTSON (1869-1934), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, London Bridge with Houses of Parliament and Big Ben Beyond, 7” x 12”

Lot 112

HENRY WILKINSON, SIGNED AND NUMBERED 99/100 IN PENCIL TO MARGIN, HAND-COLOURED ETCHING, Hunters and Dogs in Landscape, 10” x 14”

Lot 121

JEAN CHARLES MILLET, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Figure by a Cottage, 7” x 9”, unframed

Lot 141

WILLIAM LIONEL WYLLIE, RI, RE (1851-1931), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Malo”, 6” x 9”

Lot 144

VALERIE THORNTON (1931-1991), SIGNED, DATED ’85 AND NUMBERED 29/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Norwich”, 23” x 14”

Lot 145

VALERIE THORNTON (1931-1991), SIGNED, DATED ’86 AND NUMBERED 11/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Tewkesbury, Interior”, 21” x 14”

Lot 146

VALERIE THORNTON (1931-1991), SIGNED, DATED ’84 AND NUMBERED 60/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Southwold”, 10” x 13”

Lot 183

ELYSE ASHE LORD (1900-1971), SIGNED AND NUMBERED 46/75, HAND COLOURED ETCHING, Inscribed “Chinese”, 8”x 12”, mounted but unframed

Lot 400

GERARD STAMP (CONTEMPORARY), SIGNED AND DATED 1990, WATERCOLOUR, “Barmer”, 10” x 8”; together with GERARD STAMP, SIGNED AND NUMBERED 1/25 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Church Ruins, 8” x 6” (2)

Lot 534

A box of framed articles inc. an etching and water colours

Lot 598

A group of approximately 15 19th century topographical engravings and an etching.

Lot 813

Four drypoint etchings after Hubert von Herkomer, all portrait and character studies, signed in pencil, various sizes and all framed, and other drypoint etching after Alec Fraser, entilted `Sunday Morning`. (5).

Lot 239

A collection of six prints to include an early 20th century Francis Dodd etching having `Carrara` signed in pencil

Lot 31

'Miss Hutchins Approaches No 42' hand coloured etching with aquatint artists proof no.1/6 by Michael Atkin

Lot 32

'The Stolen Kiss' hand coloured etching with aquatint artists proof no.1/6 by Michael Atkin

Lot 33

'The Reaper' coloured etching no.7/50 by Michael Atkin

Lot 34

'Vendage 6' coloured etching by Michael Atkin

Lot 36

'Scarborough Warning' etching with aquatint artists proof no.1/7 by Allison Sharpe

Lot 37

'North Bay Scarborough 1' etching with aquatint no.1/75 by Allison Sharpe

Lot 38

'Quite Early One Morning' hand coloured etching with aquatint no.2/60 by Michael Atkin

Lot 39

'First Sale' etching with aquatint no.1/75 by Michael Atkin

Lot 40

'Otherwise Engaged' hand coloured etching with aquatint no.4/60 by Michael Atkin

Lot 41

'Mirrored Mountain Snowdon' hand coloured etching signed and titled artist's proof with back stamp

Lot 57

Rembrandt self portrait, 20th Century etching signed R D E Boer

Lot 24

A Charles Mielatz etching, landscape with skaters on a frozen river, framed

Lot 36A

AN ALBUM CONTAINING MISC ANTIQUE ETCHINGS - INCLUDING J W BUNBURY `BERGERE DE LA BOURGOGNE` DATED 1773,` CONTADINA DELLA SAVOJA` DATED 1772, `PAYSANNE DE LA BOURGOGNE` DATED 1773, `FILLE DES APENNINS` DATED 1773, `PETIT FILLE DE LA FRANCE` DATED 1773, `CONTADIN DEGLI STATI DI PARMA AND MODENA` DATED 1773, THIS GROUP PUBLISHED BY J BRETHERTON No 34 NEW BOND STREET, LONDON. AN ETCHING `QUE JE SUIS ECHANTE DE VOUS VOIR` SIGNED W.B., J W BUNBURY `EVERY SOUS BEGAD` DATED 1774 PUBLISHED BY J BRETHERTON, HAND COLOURED GROUP BY CANTON DE BERNE `UNE LAITIERE D` OBER-BASLI, `FENEUSE DES MONTAGNER D` OBER-BASLI`, `ON FEMME D. ALTDORF` AMONGST OTHERS...

Lot 272

A HAND COLOURED ENGRAVING ENTITLED " THE WILD IRISHMAN AT THE NATIONAL SPORTING CLUB " TAKEN FROM LIFE BY PAT O’ KEEFFE, DRAWN AND ETCHED BY GEORGE BELCHER MARCH 1918,A HAND COLOURED ENGRAVING ENTITLED " MOLINEAUX " DEPICTING A BLACK BOXER TAKEN FROM LIFE BY PAT O’ KEEFFE, DRAWN AND ETCHED BY GEORGE BELCHERA COLOURED PRINT FROM THE GRAPHIC, APRIL 1870, ENTITLED " NORTH COUNTRY WRESTLING " TOGETHER WITH A HAND COLOURED ETCHING ENTITLED : A SET TO AT FIVES-COURT " FOR THE BENEFIT OF ONE OF THE FANCYS " PUBLISHED OCT. 13th 1823 BY THOS KELLY, 17 PATERNOSTER ROW, FROM A DRAWING BY S AIKEN AND ANOTHER ENTITLED " PRIVATE TURN-UP IN THE DRAWING OF A NOBLE MARQUIS " DRAWN AND ETCHED BY H ALKIN ( 3 )

Lot 168

A large selection of various glass to include two Whitefriars cranberry bubble glass vases, an amethyst Whitefriars style bubble glass vase in the form of a flower head, a Bohemian flash cut cranberry glass cheroot holder, a cranberry glass circular pedestal dish, a pair of pink opalescent vases, a similar pair of pale blue opalescent decorated vases, a 19th Century decanter and stopper and two further 19th Century decanters, and an amber tinted half pint glass with stag etching, etc

Lot 478

JULIETTE PANNETT "From The Grange, Alderley", watercolour, signed and dated 1946 lower right, J BUCHANAN "Mountainous river landscape", oil on canvas,signed lower right, and AFTER EDWARD KING "Street scene with buildings", coloured etching by Cecil Tatton Winter, signed by artist and etcher

Lot 503

A set of six limited edition Redoute botanical prints, each certificate of origin, two coloured engravings, and Oriental watercolour, dry flowered display panel, and a black and white etching

Lot 405

ROWLAND LANGMAID (1897-1956), The Downward Leg, etching, signed in pencil, 6 1/2" x 12", stained frame (AR)

Lot 408

WILLIAM LIONEL WYLLIE (1851-1931), Children Playing Golf on the Sands at St Andrews, etching, signed in pencil, plate size 6 1/4" x 14 3/4", ebonised frame

Lot 69

A sterling silver mounted glass Bowl with floral etching and an Edward VII silver lidded glass Jar engraved initials, Birmingham 1905

Lot 433

LOWES DALBAC LUARD. Percherons, etching, numbered 12/40, unframed, Pl. 3 3/4 x 6 in. Provenance; Ex Denzil Elizabeth Blaxter Collection.

Lot 449

T. THOMPSON: A Figure by a farmhouse, sepia wash drawing, 3 1/2 x 4 1/2 in; two etchings by Robert Greenhalgh; and an etching by Pamela Hughes depicting beached sailing Boats; four (4)

Lot 467

HERBERT DICKSEE, R.E. `Down to the Sea`, artist`s proof etching, Pl.23 1/2 x 17 in

Lot 507

MANNER OF EDGAR HUNT. Poultry and Chicks by a Bucket, oil on canvas, oval, 9 x 7 in; and an etching by Claude Rowbotham titled `Swanpool, Falmouth`; two (2)

Lot 1728

Cornelis Schut (1597-1655)etching,The death of St. Sebastian,7.5 x 5.75in.

Lot 1902

Augustus John (1878-1961)etching,The Amorous Tramp, 1919,signed in the plate and in pencil in the margin (Dodgson 98),4.5 x 5in.

Lot 1940

William Lee Hankey (1869-1952)coloured etching,Portrait of a Dutch Couple,signed in pencil,8 x 6in.

Lot 2002

Anthony Gross RA (1905-1984)etching,`Children going out to the fields`,signed in pencil, 44/75,8.75 x 11in.

Lot 254

A gilt framed and glazed limited edition coloured etching "fault," signed in pencil Michael Caslord 96.

Lot 225

AUGUSTUS E. JOHN (1878-1961). ETCHING. `The Glass of wine` plate 45,. signed `John` in the plate and signed in pencil. further inscribed indistinctly in pencil and replicated in ink with plate number,. title and edition number 20/25. on laid paper, with full margins. 5 1/2" x 4" (14cm x 10cm) plate, sheet 11 1/2" x 9" (29cm x 23cm) unframed.

Lot 233

PATRICK PROCKTOR. COPPER PLATE ETCHING WITH AQUATINT. `A Portrait of Roger Bevan, Director of the New Academy for Art Studies. and `Aesthete`. signed in pencil and numbered 27/98. 16 1/2" X 11" (42cm x 28cm) plate. Acquired from the Redfern Gallery, London.

Lot 239

COPLEY SINGLETON. ETCHING ON WOVEN PAPER. `Self Portrait holding a palette and brushes`. Signed in pencil and numbered 70/75. 12" x 8 1/2" (30.5x21.5cm) plate. 16 1/2" x 11 1/2" (42x29cm) sheet. unframed.

Lot 240

W. WESTLEY MANNING. ETCHING ON WOVEN PAPER. `The Avenue, Normandy`. Signed and inscribed in pencil, numbered 12. 10" x 7" (25.5x18cm) plate. 15 3/4" x 10 1/4" (40x26cm) sheet.

Lot 243

MICHAEL AYRTON. ETCHING. Naked female with ravaging Minotaur. signed and numbered 71/75 in pencil,. on wove paper with margins. 21 1/2" x 13 1/2" (54.5cm x 34.5cm). unframed.

Lot 244

MICHAEL AYRTON. ETCHING. Two female figures with slain Minotaur. signed and numbered 70/75 in pencil. on wove paper with margins. 13 3/4" x 21 1/2" (35cm x 54.5cm). unframed.

Lot 281

JOHN COPLEY. ETCHING. A Chinese boy. signed in pencil in lower margin. 10" x 7" (25.5x18cm) plate. (Acquired from Colnaghi, London 1973).

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