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Lot 3
Harold Frank Collinson (Local Artist, 1886 - 1955), by and after, English Country Village Scene, signed in pencil, drypoint etching, 19.5cm x 14.5cm, W. A. Lewitt, Art Dealer, of Nottingham label to versoCollinson was the etching master at Nottingham Municipal School of Art. He left Nottingham in 1940 to live in the United States and died in New York in 1955. His work can be found in the Metropolitan Museum of Art, New York.
Lot 449
Frank Martin (1921-2005); dry-point etching, film star Vilma Banky, image tinted in red to lips and blue to eye shadow of the subject, limited edition no.52/100, signed, titled and numbered in pencil lower border, with blind stamp lower-right, 37 x 27cm, framed and glazed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit .Small areas of foxing and marks to the mount, no creasing or tears to the etching. Small mark to the centre of the brim of hat, some age-related wear. No obvious signs of restoration.
Lot 450
Frank Martin (1921-2005); dry-point etching, film star Louise Brooks, limited edition no.44/100, signed in pencil, titled and numbered lower border, with blind stamp to bottom right, 37 x 27cm, framed and glazed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit .Small areas of foxing and slight marks to the mount. Age-related wear, no tears, creasing to the etching, no sign of restoration.
Lot 809
1822 / 46 Pattern Sword for General and Staff Officers by Henry Wilkinson.A good example, the single edged slightly curved blade bearing etched decoration of a crowned entwined VR cypher and floral decoration; on the reverse is a General Officer’s device. To the forte of the blade the cutler’s details and the blade is numbered 8954. Gilt brass three bar open guard again with General Officer’s device. Shagreen grip with twist wire binding. Housed in polished steel scabbard with two loose rings. Etching to the blade remains very clean and clear. The hilt has been professionally re-gilded.
Lot 100
λ An early 19th century theatrical tinsel print picture of Mrs Fitzwilliam as Poll the Pet, silk, cut tinsel foil and hand-coloured etching, inscribed 'J. FAIRBURN 110 Minories London, MRS. FITZWILLIAM AS POLL THE PET, In the Pot of the Petticoats', 24 x 19.4cm, in a glazed, rosewood frame. Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-coloured and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child's hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image.Click here to view the online page turning catalogue.
Lot 96
'The Old Bridge', etching signed by Graham Barry Clilverd (British 1883-1959) 18cm x 21cm and Boathouse on Ullswater', ltd.ed coloured etching No.181/200 signed by Michael James Chaplin (British 1943-) 15.5cm x 20cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 97
Lanscombe Farm, Cockington', coloured etching signed by Henry George Walker (British 1876-1932) 26cm x 21.5cm and 'Head of Buttermere', coloured etching signed by Claude Hamilton Rowbotham (British 1864-1949) 16cm x 21cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1072
Bernard Picart (Paris 1673 - Amsterdam 1733) - The Revolt of Mattathias, pen and black & grey ink and wash, signed and dated 1698 lower centre, 14 x 21cmPossibly a sketch for the etching produced (reversed) by David Martin (1639-1721) of the same title, for his Histoire du Vieux et du Nouveau Testament published in 1700 and commonly known as the Mortier Bible. Condition Report / Extra Information Partially stuck on paper mount.Small tear to upper right corner.Some faint yellowing and light foxing.Trimmed.
Lot 182
After Graham Evernden (b.1947) an etching with aquatint `Home Field, AP XX/XX` signed in pencil by the artist, mounted and framed under glass, image size 29 cm x 39 cm. Est £80 - £120 This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply
Lot 183
After Graham Evernden (b.1947) an etching with aquatint `Rook Tor, 104/200` signed, titled and numbered in pencil by the artist, mounted and framed under glass, image size 29 cm x 39 cm. Est £80 - £120 This lot MUST be paid for and collected, or delivery arranged, no later than close of business on Tuesday. Please do not bid if you are unable to comply
Lot 272
MISS ADA M WILLIAMS "A Tudor village", pencil and watercolour, signed lower right, inscribed on "Carlton Gallery" label verso, together with AFTER JOHN BRUNSDON "Suffolk beach", coloured etching, limited edition No'd. 52/100, signed lower right to margins and titled lower left CONDITION REPORTS The Brunsdon print has areas of foxing, some foreign objects behind the glass. Some fading and discolouration, expecially to the corners. See images for details.
Lot 1206
Collection of three late-Georgian satirical caricatures: 'New Metropolitan Police Men on Duty' ('A Metropolitan Police Constable seizing a desperate villain'), hand-coloured etching on wove paper by "Sharpshooter", published in London by John Fairburn, September 18 1829, 32cm x 23cm. 'The Silver-Oar versus The White-Wand -or- The Helmsmen', depicting the Duke of Wellington (Prime Minister), King George IV, and Prince William, Duke of Clarence (the cartoon is satirising the dismissal of the Prince as Lord High Admiral), hand-coloured etching on wove paper, published by John Fairburn, August 1828, 32cm x 22cm. 'Writing the K-g's Speech', depicting the Duke of Wellington and Sir Robert Peel seated at a table, hand-coloured lithograph, John Doyle (HB), c.1830, 31cm x 24cm. All three framed & glazed. (3)
Lot 1214
Small collection of late-15th to 17th-century engravings, including: ‘Cerve Fugax Facilis Varios Audire Sonores’, engraving on laid/chain-lined paper, possibly after Maerten de Vos (1532-1603), from ‘The Five Senses’; David with the Head of Goiliath, 17th-century engraving; ‘Les Trois Graces’, 17th-century etching, also ‘Jupiter et Europe’, possibly Peter Beretin de Cortona; woodcut illustration of a badger taken from a 17th-century work, probably ‘Paralipomena’; c.1577 engraving depicting Ruth and Boaz in the barn, possibly Hendrick Goltzius (1558-1617) / Johannes Janssonius (1596-1664). Together with three lithographic botanical plates by P. Stroobant, and a hand-coloured etching depicting dog breeds, published 1791 for the Royal Encyclopaedia, plus a small collection of 19th-century bookplates. Condition varied. To also include a pair of 17th-century ink drawings, possibly German, still lifes with flowers and fruit in baskets, dark brown ink heightened with grey watercolour, on laid/chain-lined paper, with attribution letter from Philips, dated 1999, suggesting German School.
Lot 121
Saint Helena.- Wathen (James) Six plates from 'A Series of Views Illustrative of the Island of St. Helena', plates 3 through to 8 only (9), etchings and aquatint with hand-colouring, on Whatman wove paper several watermarked with date '1821', each sheet approx. 240 x 305 mm. (9 1/2 x 12 in), or the reverse, minor surface dirt, nicks and tears, handling creases, loose, unframed, published by T. Clay, [1821]; together with another view 'James Town, St. Helena, looking to Ladder Hill Barracks', by Clark after Wathen from a 'Voyage to India', etching and aquatint with hand-colouring, on wove paper without watermark, 210 x 270 mm. (8 1/4 x 10 5/8 in), large tear across lower left quadrant, other minor nicks, some surface dirt and light browning, unframed, [1820s] (8).Literature:cf. Abbey Travel 314
Lot 122
Saint Helena.- Durand-Brager (Jean Baptiste Henri), after. Three views of Saint Helena, 'Rade et Ville de Jame's Town', Long-Wood', 'Vue de James-Town', tinted lithographs, on thick wove paper, each sheet approx. 440 x 580 mm. (17 1/4 x 22 3/4 in), and smaller, nicks and tears, some spotting and surface dirt, [Edité par Gide, Paris, 1844]; together with three other works, including 'Tombeau de Napoléon', by Hostein after Sanson, an etching with mezzotint of Napoleon in gardening attire, and an engraved view of Saint Helena, various sizes, all unframed, [early 19th century] (6).
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71174 item(s)/page