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Lot 412
Louis Icart (French, 1888-1950), ‘Gay Senorita Gitane’ original drypoint etching with aquatint signed in pencil. Signed in pencil to lower right, numbered 198 to lower left. L-I Paris blindstamp to lower left, Copyright 1939 Icart to upper. Framed and glazed. Plate measures 46cm x 56cm. Frame measures 57cm x 68cm.
Lot 36
Erna Hoppe-Kinross, British 1875-1964 - Paris: Place de la Concorde, 1910; oil on panel, signed, titled and dated on the reverse of the frame 'Erne Hoppe Paris: Place de la Concorde 1910', 25.7 x 20.8 cm: together with an unframed oil on panel entitled 'Aileen at Giverny', 21.5 x 26.9 cm, an oil on panel entitled 'Paris Policeman', 17.2 x 9.8, and an etching (4) (ARR) Provenance:the Family of the Artists Grace English and Erna Hoppe-Kinross
Lot 5
Orovida Camille Pissarro, British 1893–1968 - Man & Beast, 1924; etching on paper, signed and dated in pencil lower right 'Orovida 1924', titled lower centre and numbered lower left 'final state no. 10/40', image size 27 x 22 cm: together with another etching on paper 'Moonlight Rider, 1922', signed and dated in pencil lower right and numbered 'state 1/4', image size 22.5 x 8.1 cm (2) (ARR) Provenance: with The Redfern Gallery, London (label attached to the reverse of the frame); Dr. Stella Churchill, purchased from the above (according to the label attached to the reverse of the frame); the Descendants of Sidney and Stella Churchill (1862-1921 and 1883-1954) and Ruth Plant (1912-1988) Note: the daughter of Camille Pissarro and sister of Lucien Pissarro, Orovida developed her own visual language influence by Chinese painting she had seen exhibited in London in 1914. Her work was the subject of a retrospective exhibition at the Ashmolean Museum in Oxford, which holds many works by members of her family, in 1969.
Lot 149
AMENDMENT: this work is by Lila de Nobile, Italian 1916–2002 - not Leslie Hurry, British 1909–1978 - Child with musical instrument; ink and gouache on paper, indistinctly signed lower right, : together with 2 other works, a gouache on paper by Henry Bardon, Czech/British 1921-1991 - 'Stratford / London 1961' and an etching on paper by Irina Kadina, Russian active c.1955-56 - 'Paul Scofield as Hamlet, 1956' (ARR) Provenance: the Estate of Johnny Goodwin, Head of PR for the Royal Shakespeare Company 1960-80
Lot 485
Giovanni Battista Piranesi (Italian, 1720-1778) 'Veduta della Piazza di Monte Cavallo';'Veduta della Basilica e Piazza di S. Pietro in Vaticano';'Veduta di Piazza Navona sopra le rovine del Circo Agonale';'Veduta del Palazzo Odescalchi';'Veduta di Campo Vaccino';'Veduta del Romano Campidoglio con Scalinata che va' alla Chiesa d'Araceli'a set of six etchings of classical Rome, signed 'Piranesi fecit'each plate approximately 40 x 54cm, each in a glazed gilt frame (6)Provenance: The Collection of the late Rosemary and Theo Cutting.Condition ReportFoxing present and the paper marked in areas. Light staining to the paper. Evidence of the paper being folded in half. Thrips present between the glass and etching. PLease see additonal images for reference.
Lot 1010
Sir Francis Seymour Haden CMG, FRCS, PPRE (1818-1910) - Breaking Up of the Agamemnon, signed and dated 1870 within the plate, contemporary inscribed label to verso, proof state, drypoint etching, 22 x 43.5cm Provenance: with Grundy & Smith, Ancient & Modern Printsellers, Manchester; their contemporary 19th c label preserved to verso. Unexamined out of frame. Good condition.
![David Charles Read (1790-1851) - Stonehenge, s.l. [Salisbury?], s.n., n.d. [1838], etching, 18 x 21.5cm Unexamined out of fra](https://cdn.globalauctionplatform.com/1f016535-4db4-45d5-bf20-b181011266ae/1e228709-6a8a-4316-8eb7-b18400b1d93b/468x382.jpg)
Lot 1017
Charles William (d.1830) - The Father's Darling, etching in contemporary hand colouring, published by Thomas Tegg, early 19th c and another - St Valentine's Day or John Bull intercepting a letter to his wife, etching on laid paper, in contemporary hand colouring, published by the same, 1809, 32 x 22cm and circa (2) Some faults and creases, long undisturbed in the present dirty frames, showing effects of long term storage in a dusty attic or similar
Lot 1014
A collection of approx. 30 Old Master and later prints, including Stefano della Bella (1610-1664) - Agnus Dei, s.l. [Paris]: Pierre Mariette I, n.d. [1640], etching, trimmed and retaining some margin outside the platemark, foxed portions, 17.5 X 13cm; Dutch School, first-half 17th c - Portrait of a Gentleman, s.l., s.n., n.d., engraving, 23 x 19.5cm, trimmed to within the platemark and re-margined; further 18th c and later portrait engravings, principally British, etc; further ephemera, including a newspaper, The London Gazette, Number 18608, Friday, September 4, 1829, folio; 29 Vatican City stamps, mint and uncirculated in a souvenir folder, the cover printed with a portrait of Pope Pius XII; USA, an envelope of uncirculated American stamps; an art book, Roessler (Arthur), Egon Schiele, Wien & Leipzig: Carl Konegen, 1922, original publisher's boards, perished paper spine, 8vo
Lot 85
Michael Oelman (b. 1941) Journeys of Icarus II, Helter Skelter Limited edition colour etching on paper Number 1 of 95 Signed, numbered & titled in pencil Unframed Measures approx. 48cm x 48cm (19" x 19") Together with a W J Stacey copyright print after ' The Withe Porch ' by Sir W Russell Flint R.A print on cardboard.
Lot 794
After Giovanni Battista Piranesi (Italian, 1720-1778), etching, ‘The Forum of Nerva with two half buried Corinthian columns’, signed in plate, 40 x 58cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 725
Maxwell Stewart Simpson (American, 1896-1984), etching, ‘French girl’, signed and dated 1924 in pencil, 39 x 31cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 521
FOUR BOXES AND LOOSE SEASHELLS, DUMB BELLS, DVDS, PLAYING CARDS, A WICKER BASKET, ETC, including a boxed Mitsubishi Apricot Sub-Woofer, a small flight case with divisions, Harman / Kardon Sound Sticks speakers, lamps, magazine rack, tea cards in albums, fossilised shark's tooth, cased H & S watch repair kit, Jaguar chrome car mascot, no.7/10091/1 WBB, length 19.5cm, Honer Chrometta 8 harmonica, a cased Zeiss Ikon Movinette, a cast boot scraper, assorted cameras, Prinz Student microscope, an etching of Ponte Vecchio, Florence, a pair of bookends, gilt plaster stoop, etc, s.d. (4 boxes and loose)
Lot 636
GRAHAM CLARKE (BRITISH 1941) 'YEAR OF THE WILD PIG', an etching with colours depicting a fantasy scene, signed, titled and numbered 172/400 to lower margin, approximate size 20cm x 15cm, together with two Mark Spain etchings, 'Woodland Glade' artist proof and 'Dappled Path' 132/250, approximate sizes 35cm x 46cm including visible margins, Condition Report: spots of light foxing to the margins of the Clarke etching, light foxing to the lower margin of the 'Dappled Path' etching, frames marked (3)
Lot 147
Stanley Anderson (1884-1966) etching 1928 - Les Arcades Dieppe, edition of 80 proofs,signed titled and editioned, 21cm x 31cm in glazed frameThe work has not been inspected out of the frame and therefore we are unable to state if it has been stuck down or not. Some browning/staining and a few foxing spots to the paper, more noticeable on the mount. The image itself is in very good condition.
Lot 4
EDGAR HOLLOWAY limited edition (17/50) etching - portrait of Sir Harry Jefferson Barnes (1915 - 1982), artist and director of Glasgow School of Art, entitled verso, 'Harry Jefferson Barnes 1941', signed, 20 x 15cmsProvenance: private collection, consigned via our Mid-Wales officeComments: framed and glazed, ready to hang
Lot 30
A 2011 annual edition of an Artic bear in moonlight colored crystal with black crystal eyes and nose. Includes an iceberg formed plaque in aurora borealis crystal; Siku 2011, SCS, and artist name engraved on the front. Swarovski swan etching. Plaque: 3"L x 1"W x 1.75"H. Artist: Anton HirzingerIssued: 2011Dimensions: 6.5"L x 2.25"W x 3.25"HManufacturer: SwarovskiCondition: Age related wear.
Lot 150
ARTIST UNKNOWN. Pair of detailed pen & ink drawings, the south view & the north view of a Scottish baronial country house. Each 7.5" x 10.5". Mounted; also a small etching of Holyrood Palace by Gerald M. Burn, a pencil drawing of a detail at Melrose by William Keith & a small depiction of a ruined church, poss. pen & ink, the latter three all framed. (5).
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