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Lot 348

Adriaen van Ostade - late 19th C. Etching 'The Woman Spinning'

Lot 349

Felix Buhot (1847-1898) - The Cab Stand 19th C. etching

Lot 83

Allan Dorian Clark (b.1947) pen and ink drawing on buff paper - a country house, an oil on paper of a Mediterranean view and a signed etching, each in glazed frame

Lot 451

Various prints and engravings to include "La Fontaine des Chaffeurs", "The Justice of Frederick", an etching after Preston Cribb and others (1 box)

Lot 455A

A quantity of prints and pictures to include Edward J Cherry etching 'Tower Bridge', abstract modern pictures, After Basil Ede print 'Waxwing Cedar etc (1 box) 

Lot 210

George Edward Horton (1859 - 1950) : Finsbury Park, drypoint etching, signed in pencil, with full margins, platemark 15 cm x 11 cm, framed.

Lot 211

A Tom Gentleman monochrome etching, Rocher St. Michel, unframed

Lot 258

A framed and glazed etching, Julie Warren, signed by the artist. 46x58cm

Lot 169

TREVOR PUE (20TH CENTURY), "MARINE FORMS I", COLOURED ETCHING AND AQUATINT, SIGNED, NUMBERED 34/150 AND INSCRIBED WITH TITLE IN PENCIL TO LOWER MARGIN 35 X 18CM, TOGETHER WITH A FURTHER LIMITED EDITION PRINT BY W B HANSEN (2)

Lot 339

WILLIAM LIONEL WYLLIE (1851-1931) 'WINDY DAY, COWES WEEK', racing yachts in full sail, signed in pencil to lower margin, mounted, framed and glazed, approximate size 17cm x 39cm, together with assorted prints including Bubbles by John MillaisCondition Report   This is dry point etching from the original plate, it is not a lithographed print, frame damaged. We estimate it will come up around 12 midday

Lot 835

Edward Pococke watercolour of "Tombland Alley Norwich" and Henry Nihham etching of Norwich

Lot 523

J. Alphonse Brewer, coloured etching, Harbour scene, 27 x 40cm and an unsigned oil sketch of a house under moonlight, 20 x 30cm

Lot 578

William Lionel Wyllie, etching, 'Stiff Breeze', signed in pencil, 33 x 44cm

Lot 18

CONTEMPORARY SCHOOL,ABSTRACTetching, signed indistinctly in the plate and dated 23-11-6424.5cm x 30cmMounted, framed and under glass

Lot 2

* HENRY JACKSON SIMPSON (SCOTTISH 1893 - 1963),THE CROFTetching, signed in pencil15cm x 20cmMounted, framed and under glass

Lot 32

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921),ST MARTIN'S BRIDGE, TOLEDOetching, signed in pencil25cm x 29cmMounted, framed and under glass

Lot 4

* A FRASER,WINDOWetching, signed, numbered 1/10 and dated '79 in pencil; inscribed with artist's name and address verso45cm x 37cmMounted, framed and under glass

Lot 43

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), DOORWAY, SANTA CRUZ, TOLEDOetching, signed in pencil, further signed with initials and dated 1913 in the plate30cm x 17cmMounted, framed and under glass

Lot 44

JAMES HAMILTON MACKENZIE (SCOTTISH 1875 - 1926),CHURCH OF OUR LADY, BRUGESetching, signed in pencil24.5cm x 18.5cmMounted, framed and under glass

Lot 45

* FRANCIS DODD (BRITISH 1874 - 1949), VILLAGE SCENEetching, signed in pencil, further signed and dated 1915 in the plate20cm x 30cmMounted, framed and under glass

Lot 24

Beautiful etching/drypoint of Billingsgate by James Abbott McNeill Whistler. Etching is signed and dated "Whistler 1859" in the plate lower right. Appears to be the final state. With original margins. Published on Japan paper. Overall size: 15 1/2 x 18 in. Sight size: 6 x 9 in. Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 402

Titled "The Seaweed Harvest" 1936. Etching, pencil signed. Edmund Blampied was one of the more eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 16 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze. O: 23 3/4 x 26 3/4 in. S: 12 x 14 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 403

Etching / aquatint signed in pencil - "Going Home" Overall size: 13 x 16 1/2 in. Sight size: 8 1/4 x 10 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 404

"Fake Thieband" Color etching signed and numbered in the lower left. A similar work is in the collection of the Fine Arts Museum, San Francisco. California artist Jeanne Gantz was esteemed for her skill in complex and delicate 'a la poupee' color printmaking. Overall size: 12 x 11 in. Sight size: 11 1/4 x 10 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 409

"Japanese Tea Garden" Golden Gate Park San Francisco, signed by the artist. Harriet Gene Roudebush was known during the 1930s and 1940s for her etchings of the San Francisco Bay Area, which were sold in tourist shops and art galleries at Fishermen's Wharf. She and her husband moved to Pacific Grove (a well-known California artists' colony) in 1972. She discontinued printmaking and etching, and instead became a watercolorist, painting watercolors of the Monterey, Carmel, and Pacific Grove areas, until her death Overall size: 15 x 11 3/4 in. Sight size: 9 x 5 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 410

Etching depicting a country road, pencil-signed and numbered 6/50. Frederick M. Polley was an Indiana painter, printmaker, illustrator, writer and teacher. He studied at Indiana University, Corcoran Art School, Washington, DC. Teachers included James R. Hopkins and William Forsyth. His work is contained in the collections of the National Museum, Washington, DC, Herron Art Institute, Iowa State University, University of Pittsburgh. Overall size: 15 3/4 x 19 3/4 in. Sight size: 8 1/2 x 10 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 412

Etching of Johann Strauss Wolfhaus by Berta Bindtner, Austrian artist from Vienna. Titled in the margin lower left and signed in the margin lower right Overall size: 16 1/2 x 20 1/2 in. Sight size: 10 1/2 x 13 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 420

This etching of Enkoping Harbor in Sweden is signed and numbered. Overall size: 20 3/4 x 24 1/2 in. Sight size: 13 1/2 x 17 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 81

Etching by Arthur Briscoe entitled "Bending the Foresail". No other British etcher has celebrated the world of the sailing ship with more understanding than Arthur Briscoe. Briscoe portrayed not just sailing vessels and the sea itself but, in particular, he delighted in portraying seafaring men whilst at work. Briscoe's original prints are now generally acknowledged as the finest marine etchings of the 20th century, for Arthur Briscoe’s bold etched works display both the artist’s intimate knowledge of the sea and his innate mastery of the etching needle. In particular, Briscoe had the ability to convey the motion of the sea itself and the varied effects of light and shade with extraordinary economy of line - a feat which has been the ultimate goal of the etching purist since the time of Whistler and the beginning of the British Etching Revival. Signed in the plate and in the margin, dated 1928, 49/75. Overall size: 14 3/4 x 18 3/4 in. Sight size: 7 x 11 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Lot 401

OLEG TSELKOV (RUSSIAN B. 1934)Demonstration, 1976 etching 30 x 21 cm (11 3/4 x 8 1/4 in.)[plate] signed, dated and inscribed with edition 90/100 CONDITIONObserved in frame, the work appears in overall excellent original condition. Minor waviness apparent to the sheet. Very light scattered foxing overall. Otherwise, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 453

SALVADOR DALI (SPANISH 1904-1989)Jeremiah, from Our Historical Heritage, 1975 etching on Arches paper plate mark: 56.5 x 40 cm (22 1/4 x 15 3/4 in.) signed lower right, inscribed with edition number 302/400 lower left LITERATUREMichler & Lopsinger 7521; Field 75-4-K CONDITIONObserved in frame, crisp impression. Even and light overall toning. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 55

CHRISTIAN GOTTLOB HAMMER (GERMAN 1779-1864)View of St. Isaac's Bridge, the Admiralty and the Winter Palace, St. Petersburg hand colored etching 36 x 54 cm (14 1/8 x 21 1/4 in. )CONDITIONObserved in frame, the work is in overall good age-appropriate condition. Areas of foxing and discoloration are visible throughout. Minor tear in lower right corner.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Lot 110

Robert Cecil Robertson (1890 - 1942) "Auld Reekie" etching, circa 1922, in glazed and silver giltwood frame, 30 x 20cm

Lot 60

Peter Standen (Scottish School) How Cats Get Fat, Artist Proof Etching, signed in pencil and dated '98, in glazed frame, 34 x 47cm

Lot 371

David Deuchar (1743-1808), a framed etching, a schoolmaster seated with three pupils, 10.5 x 8.5cm

Lot 163

William Lionel Wyllie (1851-1931) - Etching Fishing Boats off Ryde - signed in pencil - frame size 33cm x 39cm - some spotting otherwise generally good

Lot 164

William Lionel Wyllie (1851-1931) Etching The Thames at Greenwich with Royal Naval College signed in pencil - frame size 32cm x 61cm - minor spotting, generally good

Lot 165

William Lionel Wyllie (1851-1931) etching Angel Tavern Rotherhith on the Thames signed in pencil - frame size 39cm x 61cm - some spotting mainly to mount otherwise generally good

Lot 166

H G Webb etching Kew Bridge standing on the green, signed, frame size 33cm x 38cm and a signed Harbour scene etching - some staining - frame size 36cm x 46cm

Lot 13

Neil Simone, Platus of Snow, oil on board, 29 x 24cms and a signed Ivanov limited edition etching, Good Night II, no. 158/350, framed

Lot 2038

A limited edition Print no. 31/50 by Charmaine Williamson of floral garden scene along with a limited edition no. 1/35 hard ground etching with aquatint Anneslise S.L. Appleby.

Lot 2045

A.J. Nattier, a framed Etching Le Chaste Joseph, Print of a young Lady sat under a tree and a framed and mounted Etching of a nude.

Lot 2055

A framed and mounted Percy Thomas Etching 'Old London at Kensington'.

Lot 2062

Three etchings including street scene signed Omer Bouchery, St. Urbain Troyes Cathedral signed W.C. Watson and an indistinctly signed etching of St. Ives dated 39'.

Lot 2085

A pencil signed Etching of a squirrel, Paul Harris/ Warwick galleries label.

Lot 2093

An etching of Mikonos, signed in pencil Poppi Damave.

Lot 2101

A G. Pickering coloured engraving 'Goldrill Becke Ullswater, Cumberland' along with a etching of Durham.

Lot 2102

A framed and mounted T.L. Busby coloured etching depicting 'The Shrimp Catcher of Hartlepool'.

Lot 2105

A framed Etching of the Old Pier at Portsmouth by John. H. Fry, unglazed.

Lot 2118

A framed and mounted etching of 'The House of Sallust' by William Walcott.

Lot 2123

An US Etching depicting logging

Lot 11

Axel Herman Haig (1835-1921), Figures before a Cathedral, black and white etching, signed in pencil to lower margin, 62 x 46cm, together with a further signed etching by the same artist, both unframed (2)

Lot 12

Herbert George Hampton (1873-1936), "Falmouth", black and white etching, signed and number 57 in pencil to lower margin, 16 x 25cm unframed

Lot 15

English School (20th century), "My Dugout in the Ypres Salient in Sandnay Wood", black and white etching, inscribed with title to lower margin, 16 x 20cm, unframed

Lot 172

William Tatton Winter (1855-1928) RBA, Continental street scene with figures, coloured etching, signed in pencil to lower right image, 41 x 23cm. Provenance: The Museum Galleries, 53 Shorts Gardens, Drury Lane, London

Lot 173

William Tatton Winter (1855-1928) RBA, "Summer Pastoral", coloured etching, signed in pencil to lower right margin, 30 x 37cm. Provenance: The Museum Galleries, 53 Shorts Gardens, Drury Lane, London

Lot 18

English School (20th century), "My Dugout in the Ypres Salient in Sandnay Wood", black and white etching, inscribed with title to lower margin, 16 x 20cm, unframed

Lot 32

Alfred Richard Blundell (1883-1968), "Lowestoft Harbour", black and white etching, signed in pencil to lower margin, 10 x 14cm

Lot 33

Hilda E Hutchings (20th century), Cley Mill, black and white etching, signed in pencil to lower margin, 22 x 26cm

Lot 34

Albany E Howarth (1872-1936), "Staple Inn from Gray's Inn Road", black and white etching, signed in pencil to lower margin, 25 x 30cm

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