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Arthur Briscoe (British, 1873-1943)The Cutty Sarksigned in pencil and numbered 'Arthur Briscoe 26/75' (lower margin)drypoint etching on paper18 x 27.5cm; to be sold with a copy of 'Arthur Briscoe - Marine Artist' by Alex A. Hurst.(2)LiteratureAlex A. Hurst, Arthur Briscoe - Marine Artist, Teredo Books Ltd. 1974, p.107, illustrated pl.117
‡ Bernard Leach CBE (1887-1979) Wind in the Hills or Karuizawa Raging Winds and Mountain Wind, soft ground etching on paper signed in the print and dated 18, 28 x 26cm (sheet) Provenance From a collection of Printer's proof prints. Literature Simon Olding The Etchings of Bernard Leach, Craft Study Centre, page 86 plate 9 for a comparable print.
‡ Bernard Leach CBE (1887-1979) His Plot of Land, Hakone etching originally 1912, signed in the print Bernard Leach 1912, 13.5 x 12.5cm. (image) Provenance From a collection of Printer's proof prints. Literature Simon Olding, The Etchings of Bernard Leach, Crafts Study Centre, page 67 figure 40 for a comparable print illustrated.
‡ Bernard Leach CBE (1887-1979) Japanese Farmhouse, or Tomimoto's Village Ando etching on paper, signed in the plate Bernard Leach and dated 1912 27.7 x 19cm (sheet) Provenance From a collection of Printer's proof prints. Literature Simon Olding, The Etchings of Bernard Leach, Crafts Study Centre, page 52 figure 25 for a comparable print illustrated.
(See English version below)Günther Förg (Füssen 1952 – 2013 Freiburg). Ohne Titel. 1992Radierung und Aquatinta auf Velin. 199,5 × 99,5 cm (217,5 × 118 cm) ( 78 ½ × 39 ⅛ in. (85 ⅝ × 46 ½ in.)). Signiert und datiert.Einer von 10 nummerierten Abzügen. [3723]Provenienz: Privatsammlung, NiederlandeZustandsbericht: Ex. 5/10. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der Ränder stellenweise mit minimalen Fingerspuren. Sehr schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Günther Förg (Füssen 1952 – 2013 Freiburg). Untitled. 1992Etching and aquatint on wove paper. 199,5 × 99,5 cm (217,5 × 118 cm) ( 78 ½ × 39 ⅛ in. (85 ⅝ × 46 ½ in.)). Signed and dated.One of 10 numbered prints. [3723]Provenance: Private Collection, NetherlandsCondition report: No. 5/10. In good condition. Sheet edges without any tears or losses. Minimal fingerprints in places along the margins. Very fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Hilderbrandt (19th Century School), 'Preparing fish', oil on panel, signed lower left and dated 1866, 27cm x 18cm together with an etching by Alfred Jenks, three by A. Knoles, a watercolour of a swiss chalet and further printsQty: 11Condition report: The Hilderbrandt with minor marks and in a modern frame, the etchings with some minor foxing and browning of the paper.
A collection of decorative prints to include a Charlie Chaplin poster, an etching by Anne Shingleton, 'White Chicken', 31cm x 20cm and further decorative picturesCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
June Edwards (British 20th/21st century ) - Topiary, signed black and white ink drawing, together with TJ Greenwood (British contemporary) - Grey Squirrel Eating Chestnuts, signed black and white limited edition etching, Laurence Donovan (British contemporary artist) - Alligator, signed black and white limited edition woodcut, and a further black and white print of an otter, various sizes, all framed (4)
Michel Boulet (French, b. 1936)By The Sea signed in pencil 'Michel Boulet' (lower left) reproduction print 56 x 70cm together with a signed and inscribed Rupert Gatfield poster; an abstract print by Peter Richards; at etching of a table by a window by Penelope Downes; an indistinctly signed and numbered print of figures holding a chicken; and an abstract print of a metal structure (6) ARR
Walter Dendy Sadler (British 1854-1923): A Lively Meal, engraving signed in pencil by artist and engraver pub. 1900, 57cm x 68cm; William Heath (British 1794-1840): 'Dressing for the House on the March 1829', hand-coloured etching pub. Thomas McLean (1788-1875) 24th March 1829, 25cm x 35cm; Richard Dagley (c.1761-1841): 'Taking Likenesses', 19th century hand-coloured engraving 14cm x 18cm (3)
Douglas Ian Smart (British 1879-1970): 'Limoges', drypoint etching signed in pencil, titled verso on gallery label; Romain Malfliet (Belgian 1910-2006): Busy Continental River, etching signed titled and numbered 43/100 in pencil; and a further Scottish coastal etching signed Walter Towers, max 24cm x 68cm (3)

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78411 item(s)/page