*Paula Rego RA (Portuguese-British, b.1935)'Baa Baa Black Sheep', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. A couple of light dots of foxing in the margins. Thunderbugs under the glass. Not seen outside of glazed frame.
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*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice I', from Nursery Rhymesetching and aquatint, 1989, signed in pencil and inscribed 'A/P', an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21 x 22.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A few thunderbugs under the glass. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: the collection of Germaine Greer.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. Some spots of foxing in the margins next to the signature, and a few further very dots in margins elsewhere. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet III', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on woveplate 23 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: One or two tiny dots of foxing visible in the margin. A few thunderbugs under the glass. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'Hey, Diddle, Diddle', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: There is a wave to the paper. There are some dots of brown foxing in the lower area of the print and one or two tiny dots elsewhere. Thunderbugs under the glass. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'Mary, Mary, Quite Contrary II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21.5 x 23cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A small brown stain in top left corner above the maid's head and by the edge of the plate. Not seen outside of glazed frame.
*Paula Rego RA (Portuguese-British, b.1935)'How many miles to Babylon?', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A few very small dots of dark foxing visible in the margins. Not seen outside of glazed frame.
*Dame Elizabeth Blackadder RA RSA (b.1931)'Lily'etching, 1999, HC, with blind stampsheet 25 x 20cm, unframedThe print was made to accompany the special edition of Duncan Macmillan's book. It was included with the book in a slipcase in an edition of 100; this print is annotated 'HC' by the artist and was printed aside from the edition.*Artist's Resale Right may apply to this lot.Condition report: In original condition.
*Augustus John OM RA (1878-1961)'The Serving Maid, Lucy'etching, signed in pencil, limited edition 6/25, published by Chenil & Co., exhibited 1919plate 21.2 x 16.7cm*Artist's Resale Right may apply to this lot.Condition report: Some time staining however in otherwise good condition, unexamined out of frame and ready to hang.
*John Mills (b.1933)'Rembrandt Regardent IV'etching, signed, inscribed with title and numbered 10/25 in pencil56.5 x 34cm, unframedProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Some light brown staining to margins, image in good condition.
AFTER JOHAN CYRIAK HACKHOFER (1675-1731) BANQUET SCENES ON THE OCCASION OF EMPEROR JOSEPH I's OATH OF ALLEGIANCE Three engravings with etching (plates VI-VIII), by J. A. Pfeffel and C. Engelbrecht, published by Johann Jacob Kurner, Vienna, c.1705 32 x 46cm.; 50.5 x 38cm; and 27.5 x 48.5cm approx. (3) * Joseph I (1678-1711) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1705 until his death at the age of 32.
* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.
Arthur C Fare RWA (British 1876-1958) - Study of St Peter's Hospital Bristol, watercolour on paper, signed and inscribed with location - Destroyed by Enemy Action November 24th 1940, with Frost and Reed labels verso, dated 1943, 24 x 24cm approx in gilt frame, together with a black and white etching by E Sharland of the same subjects, signed and inscribed, 32.5 x 21.5 approx visible sheets size in black frames (2)
P Bisson (British B.1938) - A collection of coloured etchings including Burn Farm, Mill on the River Kennet, Clarenton Mill, etc, max approx visible sheet size 35.5 x 45cm, all signed, together with further unsigned etchings probably by the same hand and a signed coloured limited edition etching - The Old Forge, signed Barbara Murray, etc, all frame (8)
Frances St Clair Miller (British B.1947) - A collection of signed limited edition coloured etchings including Winter Swans, The Sultan Ahmet Mosque, Istanbul, the same subjects shown in the evening, a garden scene at Brobury, various sizes, 54 x 68cm max and all framed, together with a further unframed, signed coloured limited edition etching by the same artist - Spring on the River Wye II (5)
Fermin Verhevic (Belgian 1874-1962) - Study of a wayside shrine in winter, watercolour and bodycolour on paper, signed, 49.5 x 34cm, together with a further watercolour by the same hand of a village street scene with thatched buildings, 32 x 39cm, and a further collection of watercolours and etchings of continental scenes including black and white etching of a river, with printed signature to plate P Flury, 12.5 x 28cm approx sheet size, a signed coloured limited edition etching of figures walking beside a tree lined canal, indistinctly signed Hebblinck? a framed German insurance policy dated 1911, etc, various sizes, all framed (12)
Annie Brown (Early 20th century British school) - Still life with vase of white chrysanthemums, watercolour on paper, signed and dated 1909, 51 x 32cm, Winifred Pickard (British 1908-1996) - Hibiscus with Hummingbird, singed coloured limited edition etching, 36 x 28cm, together with further pictures and prints including early 20th century coloured engraving by Arthur Hogg after a 17th century Dutch genre scene, a further engraving by the same hand of a lady in 17th century style costume, etc, various sizes all framed (7)
Vera Furneaux Harris RMS (British 1904 c 1995) full length study of a child in a blue romper suit, pencil and watercolour on paper, inscribed Martin and with label verso with name of artist, 24.5 x 14 cm, together with Romeo Dumoulin (Belgian 1883-1943) children walking in procession with their teacher, signed limited edition black and white etching, 15.5 cm x 19.5 cm approximate visible sheet size, also together with small oil painting on board of a little boy, signed Ch Dadd, a coloured print of drawings of children and heads, etc, all framed (5)
Gillian Lawson (British 20th century school) - Village Pond - artists proof etching, 54 x 64.5cm approx sheet size, together with a machine woven textile panel with leaves, a 19th century Berlin style needlework panel of two continental style female characters, together with a quantity of further decorative pictures and prints of various sizes, all framed (collection)
Rembrandt (1606 - 1669) Drypoint Etching. This is an etching and drypoint by Rembrandt entitled Landscape with Trees, Farm Buildings and a Tower. The etching was done about 1650, and it's unsigned and undated. It is the fourth state of five, and it comes with a digital certificate of authenticity from Stakenborg-Greenberg Fine Art, an art gallery on Main Street in Sarasota, Florida. The etching is listed in Nowell-Ustickes Catalogue as Nr. 223, and described as RRR, extra rare. The piece is a very fine impression of the fourth (final) state, and one of the rarest of Rembrandt's larger landscape etchings, despite the fact that Rembrandt took this plate through four different states. Very few impressions of this print have come up for auction in recent years. The plate actually began as a precise record of an existing building, namely the building with the tower at the right. In the extremely rare first and second states, the tower is taller and topped with a cupola and a short spire, and those characteristics helped scholars identify the building as that of tax collector Jan Uytenbogaert. Presumably for artistic purposes, Rembrandt changed the appearance of the tower in the third state by burnishing out the upper parts of the tower and obliterating what it really looked like. In his landscapes, Rembrandt usually refrained from depicting the sky with etched lines. He preferred plate tone and polishing scratches or sulphur tinting, but here he covered the left side and part of the lower sky with etched lines to indicate dark clouds. The trees on the left are still overcast and dark, while the rest of the buildings are bathed in sunshine. This strong contrast creates the effect of the sun suddenly breaking through receding rain clouds, and the almost blank foreground evokes a sparse and lovely landscape. Image Size: 4.75 x 12 in. Overall Framed Size: 14.25 x 23.25 in. Framed behind glass.
Rembrandt Harmenszoon Van Rijn (1606 - 1669) Etching, engraving and drypoint. "The Hundred Guilder Print" Circa 1649. Partial indecipherable collector's stamp verso. Bartsch 74; second state of two. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 10.25 x 15.5 in. Overall Framed Size: 21 x 26.5 in. Framed behind glass.
Rembrandt van Rijn (Dutch 1606-1669) "Christ Carried to the Tomb" Circa 1645. Etching and drypoint, Signed in the plate, lower center. On laid paper with an R W Fleur-de-lis watermark. Collector?s stamp; lower right; Lugt 2775; Former collection of Sir Edward Astley (1729-1802). Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 5 x 4.25 in. Overall Framed Size: 13 x 9.5 in.Framed behind glass.
Oli on board..50cm x 58cm Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft of canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood-engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows
WILLIAM LIONEL WYLLIE (British, 1851-1931) & EDWARD SLOCOMBE artist's proof etching - entitled verso 'Collier Discharging', on old label for Robert Dunthorne, London & Liverpool, signed, 31 x 53cms Provenance: private collection, London Presentation & Condition: no condition issues and finely presented with contemporaneous frame, gold slip and wash mount
Künstler des 20. Jahrhunderts, "Schlangen" unter Steinen hervorkriechend, darüber Schriftzug mit Palmen, Radierung, e/a (epreuve d'artiste), rechts unten signiert, 24x18cm (Blatt), 31,5x25,5cm (mit Rahmen)Artist of the 20th century, "snakes" crawling out from under stones, above writing with palm trees, etching, e/a (epreuve d'artiste), signed lower right, 24x18cm (sheet), 31,5x25,5cm (with frame)
A pair of George III glass decanters and stoppers, each etched with a ship and inscribed 'LORD WM BENTINCK'26cm highCondition report: Overall appear to be ok, with no obvious damage or repairs. They are dirty inside, so it is difficult to know how they will clean up. The stoppers appear to match and fit well, etching is clear to read. Wear to the bases on each, light signs of wear to the outside surfaces. Some chips around the stoppers at the bases where they fit into the collars, but these are small. Each engraved with initials GAM, within a wreath.

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78388 item(s)/page