We found 78388 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 78388 item(s)
    /page

Lot 120

*Paula Rego RA (Portuguese-British, b.1935)'Baa Baa Black Sheep', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. A couple of light dots of foxing in the margins. Thunderbugs under the glass. Not seen outside of glazed frame.

Lot 121

*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice I', from Nursery Rhymesetching and aquatint, 1989, signed in pencil and inscribed 'A/P', an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. Not seen outside of glazed frame.

Lot 122

*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21 x 22.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A few thunderbugs under the glass. Not seen outside of glazed frame.

Lot 123

*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: the collection of Germaine Greer.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. Some spots of foxing in the margins next to the signature, and a few further very dots in margins elsewhere. Not seen outside of glazed frame.

Lot 124

*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet III', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on woveplate 23 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: One or two tiny dots of foxing visible in the margin. A few thunderbugs under the glass. Not seen outside of glazed frame.

Lot 125

*Paula Rego RA (Portuguese-British, b.1935)'Hey, Diddle, Diddle', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: There is a wave to the paper. There are some dots of brown foxing in the lower area of the print and one or two tiny dots elsewhere. Thunderbugs under the glass. Not seen outside of glazed frame.

Lot 126

*Paula Rego RA (Portuguese-British, b.1935)'Mary, Mary, Quite Contrary II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21.5 x 23cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A small brown stain in top left corner above the maid's head and by the edge of the plate. Not seen outside of glazed frame.

Lot 127

*Paula Rego RA (Portuguese-British, b.1935)'How many miles to Babylon?', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A few very small dots of dark foxing visible in the margins. Not seen outside of glazed frame.

Lot 162

*Dame Elizabeth Blackadder RA RSA (b.1931)'Lily'etching, 1999, HC, with blind stampsheet 25 x 20cm, unframedThe print was made to accompany the special edition of Duncan Macmillan's book. It was included with the book in a slipcase in an edition of 100; this print is annotated 'HC' by the artist and was printed aside from the edition.*Artist's Resale Right may apply to this lot.Condition report: In original condition.

Lot 180

*Sir Terry Frost RA (1915-2003)Untitledetching and aquatint, artist's proof IV, signed and dated '84 in pencilimage 33 x 24.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No condition issues visible.

Lot 264

*Tracey Emin RA (b.1963)'Closed'etching on Somerset soft white paper, signed, inscribed with title, dated 2013 and numbered 164/200 in pencil36.5 x 38cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Good condition.

Lot 37

*Augustus John OM RA (1878-1961)'The Serving Maid, Lucy'etching, signed in pencil, limited edition 6/25, published by Chenil & Co., exhibited 1919plate 21.2 x 16.7cm*Artist's Resale Right may apply to this lot.Condition report: Some time staining however in otherwise good condition, unexamined out of frame and ready to hang.

Lot 38

*Augustus John OM RA (1878-1961)A Girl's Head (G), 1919etching, signed in pencilplate 17.2 x 13.5cm*Artist's Resale Right may apply to this lot.Condition report: In generally good condition, unexamined out of frame.

Lot 44

Christopher Richard Wynne Nevinson ARA (1889-1946)'Waterloo Bridge from a Savoy Window' etching with drypoint, signed in pencil l.r.plate 27.5 x 35cmCondition report: In generally good condition, unexamined out of frame. Acidic mount.

Lot 45

*Gerald Leslie Brockhurst RA (1890-1978)'Jeunesse Dorée'etching, proof, signed and dated 1942 l.r. in pencilplate 27 x 22cm*Artist's Resale Right may apply to this lot.Condition report: In generally good condition, unexamined out of frame. Ready to hang.

Lot 46

*Gerald Leslie Brockhurst RA (1890-1978) The Danceretching, 1925, signed in pencilplate 23.5 x 13.5cm*Artist's Resale Right may apply to this lot.Condition report: In generally good condition, unexamined out of frame.

Lot 47

*Gerald Leslie Brockhurst RA (1890-1978)'Dorette'etching on wove, 1932, signed in pencil l.r.plate 23 x 18.5cm*Artist's Resale Right may apply to this lot.Condition report: In generally good condition, unexamined out of frame.

Lot 48

*Gerald Leslie Brockhurst RA (1890-1978)'Genevieve'etching, 1922, signed in pencil l.r.plate 20 x 15cm*Artist's Resale Right may apply to this lot.Condition report: Some time staining, otherwise in good order, unexamined out of frame.

Lot 50

*Edgar Holloway (1914-2008)Self Portrait No. 6etching, signed in pencilplate 22.5 x 16cm*Artist's Resale Right may apply to this lot.Condition report: In good condition, unexamined out of frame.

Lot 99

*John Mills (b.1933)'Rembrandt Regardent IV'etching, signed, inscribed with title and numbered 10/25 in pencil56.5 x 34cm, unframedProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Some light brown staining to margins, image in good condition.

Lot 312

AFTER JOHAN CYRIAK HACKHOFER (1675-1731) BANQUET SCENES ON THE OCCASION OF EMPEROR JOSEPH I's OATH OF ALLEGIANCE Three engravings with etching (plates VI-VIII), by J. A. Pfeffel and C. Engelbrecht, published by Johann Jacob Kurner, Vienna, c.1705 32 x 46cm.; 50.5 x 38cm; and 27.5 x 48.5cm approx. (3) * Joseph I (1678-1711) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1705 until his death at the age of 32.

Lot 12

ERNEST STEPHEN LUMSDEN (BRITISH 1883 - 1948), VENETIAN SCENE etching, signed and dated 1920 in the plate, further signed and numbered 6A.60 27cm x 34.5cm Mounted, framed and under glass.

Lot 32

KENNETH STEEL RBA, EDINBURGH FROM THE VENELL etching on paper, signed and titled 37cm x 26cm Mounted and framed.

Lot 33

LOUIS WHIRTER, GLASGOW- THE TRONGATE etching on paper, signed and titled 33cm x 20cm Mounted, framed and under glass. Label verso. Along with two 'Cries of London' prints by F Wheatley.

Lot 39

* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.

Lot 65

ALBERT HENRY FULLWOOD (BRITISH/AUSTRALIAN 1863 - 1930), UNIVERSITY OF GLASGOW etching, signed in pencil 26cm x 36cm Mounted, framed and under glass. Artist label verso.

Lot 75

SCOTTISH SCHOOL, RIVER SCENES etching on paper 10cm x 16cm each Mounted, framed and under glass.

Lot 1421

Arthur C Fare RWA (British 1876-1958) - Study of St Peter's Hospital Bristol, watercolour on paper, signed and inscribed with location - Destroyed by Enemy Action November 24th 1940, with Frost and Reed labels verso, dated 1943, 24 x 24cm approx in gilt frame, together with a black and white etching by E Sharland of the same subjects, signed and inscribed, 32.5 x 21.5 approx visible sheets size in black frames (2)

Lot 1438

P Bisson (British B.1938) - A collection of coloured etchings including Burn Farm, Mill on the River Kennet, Clarenton Mill, etc, max approx visible sheet size 35.5 x 45cm, all signed, together with further unsigned etchings probably by the same hand and a signed coloured limited edition etching - The Old Forge, signed Barbara Murray, etc, all frame (8)

Lot 1446

Frances St Clair Miller (British B.1947) - A collection of signed limited edition coloured etchings including Winter Swans, The Sultan Ahmet Mosque, Istanbul, the same subjects shown in the evening, a garden scene at Brobury, various sizes, 54 x 68cm max and all framed, together with a further unframed, signed coloured limited edition etching by the same artist - Spring on the River Wye II (5)

Lot 1460

Fermin Verhevic (Belgian 1874-1962) - Study of a wayside shrine in winter, watercolour and bodycolour on paper, signed, 49.5 x 34cm, together with a further watercolour by the same hand of a village street scene with thatched buildings, 32 x 39cm, and a further collection of watercolours and etchings of continental scenes including black and white etching of a river, with printed signature to plate P Flury, 12.5 x 28cm approx sheet size, a signed coloured limited edition etching of figures walking beside a tree lined canal, indistinctly signed Hebblinck? a framed German insurance policy dated 1911, etc, various sizes, all framed (12)

Lot 1490

Annie Brown (Early 20th century British school) - Still life with vase of white chrysanthemums, watercolour on paper, signed and dated 1909, 51 x 32cm, Winifred Pickard (British 1908-1996) - Hibiscus with Hummingbird, singed coloured limited edition etching, 36 x 28cm, together with further pictures and prints including early 20th century coloured engraving by Arthur Hogg after a 17th century Dutch genre scene, a further engraving by the same hand of a lady in 17th century style costume, etc, various sizes all framed (7)

Lot 1505

Alexander (Alec) Coutts Fraser (Scottish FL.1886-1939) - Rising Moon, Morning and Tinkers, signed coloured etchings, max visible sheet size 18 x 29cm, together with a further monochrome etching of ducks by the same hand, signed, 6.5 x 13cm approx visible sheet size, all framed (4)

Lot 1507

Vera Furneaux Harris RMS (British 1904 c 1995) full length study of a child in a blue romper suit, pencil and watercolour on paper, inscribed Martin and with label verso with name of artist, 24.5 x 14 cm, together with Romeo Dumoulin (Belgian 1883-1943) children walking in procession with their teacher, signed limited edition black and white etching, 15.5 cm x 19.5 cm approximate visible sheet size, also together with small oil painting on board of a little boy, signed Ch Dadd, a coloured print of drawings of children and heads, etc, all framed (5)

Lot 1527

Gillian Lawson (British 20th century school) - Village Pond - artists proof etching, 54 x 64.5cm approx sheet size, together with a machine woven textile panel with leaves, a 19th century Berlin style needlework panel of two continental style female characters, together with a quantity of further decorative pictures and prints of various sizes, all framed (collection)

Lot 581

Henry Lambert, etching, Fleet Street and St Paul's, London, signed in pencil, 19 x 15cm

Lot 609

Graham Clarke, etching, 'Salon de Thé', signed, 10/300, 48 x 57cm

Lot 617

Otto Goetze (1868-1931), etching, 'Vor dem Kamin' - In Front of the Fire, signe din pencil, 33 x 27cm.

Lot 149

WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), THE HOUSE OF SALLUST etching on paper, signed, from an edition of 150 15cm x 20cm Mounted, framed and under glass. Label verso: Andrew Duthie, Fine Art Dealer, Glasgow

Lot 157

WILLIAM LIONEL WYLLIE RA RE (BRITISH 1851 - 1931), YACHTS etching on paper, signed 15cm x 19cm Mounted, framed and under glass.

Lot 164

TOM MAXWELL (SCOTTISH 1874-1937), ORNATE DOORS etching on paper, signed 24cm x 14cm Mounted, framed and under glass. Label verso: James Connell & Sons, Glasgow

Lot 166

AFTER REMBRANDT VAN RIJN (DUTCH 1606-1669), SALVATION OF THE VIRGIN etching on paper, signed by engraver 28cm x 24cm Mounted, framed and under glass. Label verso: James Connell & Sons, Fine Art Dealers, Glasgow

Lot 169

WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), THE CALDARIUM, BATHS OF CARACALLA etching on paper, signed from an edition of 75 45cm x 38cm Mounted, framed and under glass. Label verso: Andrew Duthie, Fine Art Dealers, Glasgow

Lot 170

WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), BABYLON etching on paper, signed from an edition of 50 35cm x 55cm Mounted, framed and under glass. Label verso: Andrew Duthie, Fine Art Dealers, Glasgow

Lot 172

WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), ENTRY OF THE CONSUL etching on paper, signed from an edition of 60 49cm x 58cm Mounted, framed and under glass. Label verso: Andrew Duthie, Fine Art Dealers, Glasgow

Lot 275

Rembrandt (1606 - 1669) Drypoint Etching. This is an etching and drypoint by Rembrandt entitled Landscape with Trees, Farm Buildings and a Tower. The etching was done about 1650, and it's unsigned and undated. It is the fourth state of five, and it comes with a digital certificate of authenticity from Stakenborg-Greenberg Fine Art, an art gallery on Main Street in Sarasota, Florida. The etching is listed in Nowell-Ustickes Catalogue as Nr. 223, and described as RRR, extra rare. The piece is a very fine impression of the fourth (final) state, and one of the rarest of Rembrandt's larger landscape etchings, despite the fact that Rembrandt took this plate through four different states. Very few impressions of this print have come up for auction in recent years. The plate actually began as a precise record of an existing building, namely the building with the tower at the right. In the extremely rare first and second states, the tower is taller and topped with a cupola and a short spire, and those characteristics helped scholars identify the building as that of tax collector Jan Uytenbogaert. Presumably for artistic purposes, Rembrandt changed the appearance of the tower in the third state by burnishing out the upper parts of the tower and obliterating what it really looked like. In his landscapes, Rembrandt usually refrained from depicting the sky with etched lines. He preferred plate tone and polishing scratches or sulphur tinting, but here he covered the left side and part of the lower sky with etched lines to indicate dark clouds. The trees on the left are still overcast and dark, while the rest of the buildings are bathed in sunshine. This strong contrast creates the effect of the sun suddenly breaking through receding rain clouds, and the almost blank foreground evokes a sparse and lovely landscape. Image Size: 4.75 x 12 in. Overall Framed Size: 14.25 x 23.25 in. Framed behind glass.

Lot 285

Jean Jacques De Boissieu (French, 1736-1810) "The Grand Master (Self Portrait in Studio" 1789 Etching. Etched by Jacques de Boissieu 1789. Monogrammed and dated in plate DB 1789 Sight size: 9.5 x 13 inches. Overall framed size: 16 x 20 inches. Framed behind glass.

Lot 30

Rembrandt Harmenszoon Van Rijn (1606 - 1669) Etching, engraving and drypoint. "The Hundred Guilder Print" Circa 1649. Partial indecipherable collector's stamp verso. Bartsch 74; second state of two. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 10.25 x 15.5 in. Overall Framed Size: 21 x 26.5 in. Framed behind glass.

Lot 309

Marc Chagall (1887–1985). Original etching. Title: The Cat Metamorphoses to a Woman, from Les Fables de la Fontaine, Volume I. Circa 1927 - 1931. Pencil signed lower right.Sight Size: 11.5 x 9.5 in. Overall Framed Size: 25.25 x 21.25 in. Framed behind glass.

Lot 31

Rembrandt van Rijn (Dutch 1606-1669) "Christ Carried to the Tomb" Circa 1645. Etching and drypoint, Signed in the plate, lower center. On laid paper with an R W Fleur-de-lis watermark. Collector?s stamp; lower right; Lugt 2775; Former collection of Sir Edward Astley (1729-1802). Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas division, as well as a fine arts instructor for the Department of Defense. Sight Size: 5 x 4.25 in. Overall Framed Size: 13 x 9.5 in.Framed behind glass.

Lot 404

Rembrandt "Beggars Receiving Alms at the Door of a House" Etching. Third state of three.Sight Size: 6.5 x 5 in. Overall Framed Size: 21 x 19 in. Framed behind glass.

Lot 228

Wrought iron aneroid Barometer , copper relief Native American Balcombe dry point etching

Lot 135

Oli on board..50cm x 58cm Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft of canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood-engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows

Lot 511

WILLIAM LIONEL WYLLIE (British, 1851-1931) & EDWARD SLOCOMBE artist's proof etching - entitled verso 'Collier Discharging', on old label for Robert Dunthorne, London & Liverpool, signed, 31 x 53cms Provenance: private collection, London Presentation & Condition: no condition issues and finely presented with contemporaneous frame, gold slip and wash mount

Lot 123

After Carracci, Angelica Kauffmann (Swiss, 1741-1807) Venus and Adonis, etching, 1770, 23 x 18 cm

Lot 281

Künstler des 20. Jahrhunderts, "Schlangen" unter Steinen hervorkriechend, darüber Schriftzug mit Palmen, Radierung, e/a (epreuve d'artiste), rechts unten signiert, 24x18cm (Blatt), 31,5x25,5cm (mit Rahmen)Artist of the 20th century, "snakes" crawling out from under stones, above writing with palm trees, etching, e/a (epreuve d'artiste), signed lower right, 24x18cm (sheet), 31,5x25,5cm (with frame)

Lot 147

Wendy de Rusett (1945-2012), The Clarsach Class, coloured etching, signed and titled (27cm x 20cm)

Lot 25

A pair of George III glass decanters and stoppers, each etched with a ship and inscribed 'LORD WM BENTINCK'26cm highCondition report: Overall appear to be ok, with no obvious damage or repairs. They are dirty inside, so it is difficult to know how they will clean up. The stoppers appear to match and fit well, etching is clear to read. Wear to the bases on each, light signs of wear to the outside surfaces. Some chips around the stoppers at the bases where they fit into the collars, but these are small. Each engraved with initials GAM, within a wreath.

Lot 82

William Lionel Wyllie, RA, 1851-1931, The Old Temple of Athena, Athens, etching, signed to the margin25 x 35cm

Lot 86

William Lionel Wyllie, RA, 1851-1931, lake scene with boats sailing, signed in pencil to the margin, etching16 x 37cmCondition report: Looks to be in clean condition. Clearly signed. Has been recently framed in a modern frame

Loading...Loading...
  • 78388 item(s)
    /page

Recently Viewed Lots