We found 78388 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 78388 item(s)
    /page

Lot 282

Rembrandt Harmensz. van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a good clear impression of New Hollstein's first state (of four), some minor signs of wear in the plate, but before any re-work, on thin laid paper without watermark, sheet 74 x 102 mm (2 7/8 x 4 in), minor touches of red chalk recto and verso, small touch of black ink to one area of cross-hatching, minor repair to centre left edge (unframed)Literature:Bartsch 68; New Hollstein 138 i/iv

Lot 142

Salvador Dalí (1904-1989) Le Jugement de Paris, from Mythologie (Field 63-3I; M&L 123b)Drypoint with etching and heliogravure printed in colours, signed in pencil, numbered from the edition of 20 in roman numerals, printed by Pierre Argillet, published by Robbe, Paris, on Japan paper, with full margins, sheet 763 x 564mm (30 x 22 1/4in)

Lot 299

Rembrandt Harmensz. van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate Etching and engraving, circa 1632, but a later impression of New Hollstein's seventh/eighth state (of nine), on very thin Japan-like buff tissue or chiné, platemark 368 x 257 mm (14 1/2 x 10 1/8 in), sheet 377 x 263 mm (14 3/4 x 10 3/8 in), tipped onto paper support, some marginal nicks and tears where the tipped on sections have been lifted up, overall toning and some browning, minor surface dirt (unframed)Literature: Bartsch 73; New Hollstein 113 vii-viii/ix

Lot 160

Salvador Dalí (1904-1989)Pêcheur Penitant, from FlorDalí (Field 69-11E; M&L 348c)Etching and lithograph printed in colours, 1969, signed and dated in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 740 x 543mm (29 1/8 x 21 3/8in)

Lot 251

Francisco de Goya (1746-1828)El de la rollona (Nanny's boy), plate 4 from the series: Los CaprichosEtching and aquatint, 1799, an excellent impression of the first edition, on laid paper without watermark, platemark 207 x 150 mm (8 1/8 x 5 7/8 in), sheet 315 x 200 mm (12 3/8 x 7 7/8 in), a few marginal repairs and surface dirt (unframed)Literature:Harris 39 III.1 

Lot 138

Marc Chagall (1887-1985)Lot and His Daughters, from Bible (Cramer 30)Etching hand-finished with watercolour, 1958, initialled in pencil, numbered from the edition of 100, printed by Raymond Haasen, published by Teriade, Paris, on Arches paper, with full margins, sheet 520 x 387mm (20 1/4 x 15 1/4in)

Lot 237

Camille Pissarro (1830-1903)Vachère au Bord de L'Eau (Delteil 93)Etching with drypoint, 1890, the eighth and final state, published by Gazette des Beaux-Arts, Paris, on laid paper, with wide margins, sheet 270 x 185mm (10 5/8 x 7 1/8in)

Lot 279

Rembrandt Harmensz. van Rijn (1606-1669)Self-Portrait with Feathered Cap and PlumeEtching, circa 1638, but a later impression of New Hollstein's third state (of four), printing with plate tone on laid paper without watermark, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 136 x 105 mm (5 3/8 x 4 1/8 in), thread margins, faint diagonal crease (unframed)Literature:Bartsch 20; New Hollstein 170 iii/iv

Lot 252

Francisco Goya (1746-1828) Ni asi la distingue, plate 7 from "Los Caprichos" Etching and aquatint, circa 1799, a good impression of the first edition, Harris's first state on cream laid paper without watermark, platemark 197 x 147 mm (7 3/4 x 5 3/4 in), sheet 300 x 215 mm (11 3/4 x 8 1/2 in), good margins, small crease to lower left corner but well outside the image, minor spotting (unframed) Literature: Delteil 44, Harris 42

Lot 214

Pablo Picasso (1881-1973)Femme vue de Dos (Bloch 822)The original copper plate for the etching, 1956, printed by Atelier André Moret, Paris, overall 380 x 280mm (15 x 11in)The etching appeared in Témoignage, by Jean Cocteau, as an homage to Pablo Picasso on the occasion of his seventy-fifth birthday.

Lot 144

Salvador Dalí (1904-1989) Les Chevaux Bleus (Field 66-1; M&L 142b)Drypoint with etching and extensive hand-colouring, signed in pencil, numbered from the edition of 50 in roman numerals, printed and publised by Pierre Argillet, Paris, with the Dalí blindstamp, on Japan paper, with full margins, sheet 653 x 511mm (25 5/8 x 20 1/8in)

Lot 302

Rembrandt Harmensz. van Rijn (1606-1669)Christ Disputing with the DoctorsEtching, 1654, a good but slightly later impression of New Hollstein's only state showing minor signs of wear, printing with plate tone on thin laid paper without watermark, platemark 96 x 144 mm (3 3/4 x 5 5/8 in), sheet 104 x 152 mm (4 1/8 x 6 in), faint exposure lines within the margin, small rust spot within the upper centre blank area (unframed)Literature:Bartsch 64; New Hollstein 281 i/i

Lot 15

Augustus John (1878-1961) The Serving Maid (Campbell Dodgson 41) Etching, 1906, signed in pencil, fifth state, the edition was 25, on laid paper, with full margins, sheet 306 x 272mm (14 1/8 x 10 3/4in) 

Lot 143

Salvador Dalí (1904-1989) Sainte Anne (Field 65-3; M&L 132)Drypoint with etching, heliogravure and extensive hand-colouring, signed in pencil, numbered from the edition of 100 in roman numerals, printed by Pierre Argillet, published by Robbe, Paris, with the Dalí blindstamp, on Japan paper, with full margins, sheet 765 x 570mm (30 1/8 x 22 3/8in)

Lot 301

Rembrandt Harmensz. van Rijn (1606-1669) Christ and the Woman of Samaria among Ruins Etching, 1654, but a later impression of New Hollstein's third state (of five), printing with plate tone on cream laid paper without watermark, some wear in the densely cross-hatched areas, platemark 120 x 103 mm (4 3/4 x 4 1/8 in), sheet 125 x 110 mm (4 7/8 x 4 1/4 in), minor surface dirt (unframed) Literature: Bartsch 71; New Hollstein 127

Lot 208

Pablo Picasso (1881-1973)Peintre devant son Tableau, from Le Chef d’Oeuvre Inconnu (Bloch 92; Baer 133)Etching, 1927, signed and numbered in bistre, from the edition of 99, printed by Louis Fort, Paris, with their blindstamp, published by Ambrose Vollard, Paris, on Van Gelder Zonen wove paper, with full margins, sheet 505 x 380mm (19 3/4 x 15in)

Lot 158

Salvador Dalí (1904-1989) Sainte Trinité, Sainte Persistance de la mémoire, from Dix recettes d'immortalité (Field 73-20H; M&L 574a)Drypoint with etching and heliogravure printed in colours, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 563 x 380mm (22 1/8 x 14 7/8in)

Lot 161

Salvador Dalí (1904-1989)Reverence de Grosillier, from FlorDalí (Field 69-11J; M&L 353c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 746 x 546mm (29 3/8 x 21 1/2in)

Lot 238

Odilon Redon (1840-1916)Saint Thérèse (Le Livre) (Mellerio 24)Etching with drypoint, 1892, from the edition of 20, on laid paper, with full margins, sheet 323 x 253mm (12 3/4 x 10in)

Lot 209

Pablo Picasso (1881-1973)Scène Bachique au Minotaure (Bloch 192) Etching, 1933, signed in pencil, from the total edition of 310, published by Ambrose Vollard, Paris, on Montval laid paper with the Vollard watermark, with full margins, sheet 335 x 446mm (13 1/4 x 17 1/2in)

Lot 289

Rembrandt Harmensz. van Rijn (1606-1669)Christ before Pilate: Large PlateEtching with drypoint and engraving, circa 1635-1636, a good lifetime impression of New Hollstein's fourth state (of five), printing with much depth, on laid paper with watermark of Strasbourg Lily with slightly indistinct '4' below [see Hinterding's watermark A.c., datable to 1655], sheet 537 x 439 mm (21 1/8 x 17 1/4 in), trimmed within the platemark, several expert careful repairs to minor losses, some restored with careful pen facsimile, notably the edge of the step to the lower centre, edges reinforced verso with very fine tissue, drying crease and other old folds with careful support verso (unframed) Literature:Bartsch 77; New Hollstein 155 iv/v

Lot 297

Rembrandt Harmensz. van Rijn (1606-1669)The Baptism of the EunuchEtching, 1641, but a later impression of New Hollstein's third state (of four), on cream laid paper without watermark, sheet 192 x 222 mm (7 1/2 x 8 3/4 in), trimmed to or within the platemark but edges expertly re-margined, minor surface dirt (unframed)Literature:Bartsch 98; New Hollstein 186 iii/iv

Lot 74

Leon Kossoff (1926-2019)Booking HallEtching, 1982, signed, titled and dated in pencil, numbered from the edition of 100, printed by Studio Prints, published by Bernard Jacobson Gallery, London, on TH Saunders wove paper, with full margins, sheet 412 x 356mm (16 1/4 x 14in)

Lot 58

David Hockney (b.1937)The Church Tower and the Clock, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 76) Etching with aquatint, 1969, signed in pencil, numbered from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, each 444 x 397mm (17 3/8 x 15 5/8in)

Lot 156

Salvador Dalí (1904-1989) Saint Julien-le-Pauvre (Field 73-10; M&L 460)Drypoint with etching with hand-colouring, signed in pencil, numbered from the edition of 100 in roman numerals, printed by Editions Argillet, Paris, with the Dalí blindstamp, on Japan paper, with full margins, sheet 655 x 505mm (25 3/4 x 19 7/8in)

Lot 310

Rembrandt van Rijn (1606-1669) Three Heads of Women, One Asleep Etching, 1637, a later impression of New Hollstein's third state (of three) on thin laid paper without watermark, slightly slipped impression, platemark 142 x 95 mm (5 5/8 x 3 3/4 in), sheet 157 x 107 mm (6 1/8 x 4 in) (unframed) Literature: Bartsch 368; New Hollstein 161 iii/iii

Lot 132

Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition printed after 1906, on laid paper, with full margins, each sheet 250 x 165mm (9 7/8 x 6 ½ in)  

Lot 295

Rembrandt Harmensz. van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, but a later impression of New Hollstein's third state (of four), showing signs of wear in the densely hatched areas printing with plate tone on laid paper, platemark 104 x 65 mm (4 1/8 x 2 1/2 in), sheet 117 x 71 mm (4 5/8 x 2 3/4 in), minor surface dirt (unframed)Literature:Bartsch 179; New Hollstein 49 iii/iv

Lot 300

Rembrandt Harmensz. van Rijn (1606-1669)Jews in the SynagogueEtching with drypoint, 1648, but a later impression of New Hollstein’s final state of nine, on thin laid paper without watermark, platemark 71 x 128 mm (2 3/4 x 5 in), sheet 82 x 137 mm (3 1/4 x 5 3/8 in) (unframed)Literature:Bartsch 126; New Hollstein 242 viii/ix

Lot 129

Georges Braque (1882-1963) after.Le Nid Vert Etching and aquatint printed in colours, 1950, signed in pencil and numbered from the edition of 300, on BFK Rives paper, and printed by Atelier Crommelynck with their blindstamp, published by Maeght, Paris, with full margins, sheet 380 x 497mm (15 x 19 1/2in)

Lot 60

David Hockney (b.1937)Beautiful and White Flowers, from Illustrations for Fourteen Poems from C. P. Cavafy (MCA Tokyo 58) Etching with aquatint, 1966, signed and dated in pencil, numbered from the edition of 75, published by Editions Alecto, London, on Crisbrook handmade wove paper, with full margins, sheet 569 x 397mm (22 3/8 x 15 5/8in)

Lot 227

BLACK FRAMED ETCHING OF CHRIST

Lot 1044

Werner BergVerschneiter Park1929etching on paper; framed34.8 x 9.9 cm (plate size), 51 x 37 cm (sheet size)signed underneath the depiction on the right: Werner Berginscribed and dated on the lower right: Pbd. / (1929)

Lot 1301

Arnulf RainerHeuhaufen1967drypoint etching on zinc; unframed41.7 x 29.7 cm (depiction)64.5 x 49.8 cm (sheet size)handwritten numbered and signed at the bottom: 45/50 Raineredition: 50 piecesOtto Breicha, Arnulf Rainer. Überdeckungen, Mit einem Werkkatalog sämtlicher Radierungen, Lithographien und Siebdrucke 1950-1971. Vienna 1972, no. R70, ill. p. 38.

Lot 1224

Martha JungwirthAm Affenfelsen1991etching; unframed30 x 24 cm (depiction)65.5 x 50 cm (sheet size)handwritten numbered, signed and dated at the bottom: 27/70 Martha Jungwirth 91

Lot 1192

Alfred HrdlickaInsulin1968bronzeh. 72 cmmonogrammed and with foundry stamp: A.H. Guss A. Zöttl WienThe figure depicted is modelled on a particular experience. It is the same figure that appears in Hrdlicka's paraphrase of Rembrandt's "The Night Watch" (etching cycle "Randolectil").Michael Lewin, Alfred Hrdlicka - Das Gesamtwerk Bildhauerei. Vienna - Zurich 1987, ill. p. 178-179.Christine Wippermann (ed.), Österreich Bilder. Malerei und Grafik von 1960 bis 1995 aus der Sammlung Brunner, exhibition catalogue, Galerie Markt Bruckmühl, Bruckmühl, 20 June to 19 July 1998, ill. without p.

Lot 14

Alfred Cohen, American/British 1920-2001 - Flowers; ink and watercolour on paper, signed lower right 'Alfred Cohen', 25 x 20 cm: together with another etching on paper by the same artist 'Jack', 10 x 7.5 cm (2) (ARR) Provenance: the Collection of Bernard Sheridan (1927-2007) and thence by descent 

Lot 63

David Oxtoby, British b.1938 - Ziggy, 1974; etching in colours on paper, signed, titled, dated and numbered along lower edge 'David J G Oxtoby Ziggy 74 24/50', image: 21.7 x 13.9 cm: together with 2 etchings by the same artist of Elvis 60/100 and Jagger 17/50 (3) (ARR) Provenance: the Collection of Paul Clarke and thence by descent 

Lot 190

Attributed to Valentin Lefèvre (Flemish 1637-1677) after Jacopo Robusti called Tintoretto (Italian, 1518-1594) Piscina Probatica (or The Probatic Pool)oil on canvasthe original painted for the Church of San Rocco, Venice, 1559,32 x 43cm, sold with a copy of the engraving by Lefevre A copy of the etching is in the library of the Museo Correr, Venice, and is inscribed: ‘Iacobus Robusti. Dictus Tintorettus In Et Pinx. / V. lefebre del. Et sculp. / J. Van Campen F. Venetijs’ (see U. Ruggeri, Valentin Lefèvre 1637-1677, Reggio Emilia 2001, pp. 137-226). The ionic capitals and the projecting brackets appear in the engraving as do the dangling legs of the ailing man at lower left.Lefèvre made study-copies after the works of sixteenth-century Venetian painters, and especially those of Paulo Veronese and Tintoretto. Lefèvre also executed another version of the Piscina probatica by Tintoretto, although this reveals numerous variant details (Musée des Beaux-Arts, Poitiers, inv. no. 948.52.1).***CONDITION REPORT***Oil on canvas relined many years ago, canvas a little saggy with signs of a U shaped tear showing just to the right and through the central figures, otherwise a fine but stable craquelure throughout, housed in probably the original 18th century gilt frame which is now rather dull and dusty, no labels verso, comes with the engraving Iacabus Robusti Dictus Tintorettus in & Pinx, V Lefevre Del et Sculp, J Van Campin F Venetys, 29.5 x 48cm - ground paper discoloured and ink inscriptions to the lower corners along with some rubbing and creasing, under glass in an old gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 313

§ § Pablo Picasso (Spanish, 1881-1973) Minotaure caressant une femme, from: La Suite Vollardetching1933, on Montval laid paper, watermark Picasso, signed in pencil, from the edition of 260 (there was also an edition of fifty with wider margins), published by A. Vollard, Paris, 1939,29 x 36cm***CONDITION REPORT***Some slight discolouration of the paper, particularly down the left and right side, along with some slight undulation of the paper, otherwise good order, sheet overall 34.5 x 44.5cm, not framed or mounted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 250

James Jacques Tissot (French, 1836-1902) 'A la fenêtre [At the Window]', [Wentworth 9]drypoint etching on laid paper, 1877signed in the plate with artist's stamp, label verso for the Arthur Jeffress Gallery of Davies Street, London, catalogue number 2719 x 10.75cm***CONDITION REPORT***Honest slightly neglected condition, paper looks flat and undamaged albeit evenly discoloured with scattered small fox marks and acid staining around the mount, a fair strength of impression, old card mount and slim glazed gilt frame which is a little rubbed, Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 297

Norman Ackroyd (English, b.1938) ‘Dock’ (East India Dock) 1962etching and aquatint printed in colours, on wovesigned in pencil, titled and numbered 19/7545 x 59.5cm***CONDITION REPORT***In good untouched condition, even colour to the outer margin, colours to the image strong, no faults noted, overall visible sheet 48 x 62cm, plain card mount and under cellophane but not framed, looks like full sheet is present.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 472

Jackson Simpson, Etching, Canongate Toolbooth Edinburgh

Lot 264

Henry Wilkinson Coloured Etching of a Game Shoot, along with Perth and Dundee Engravings

Lot 496

Lionel Lindsay, 1874-1961, Etching, The Barber of Bossada

Lot 657

HARRY GOFFEY, 1871-1951: 'THE SPORTSMAN', A RETRIEVER etching, signed and titled in pencil to the margin, framed 55 x 42cm

Lot 662

JUNE BERRY: 'EARLY ONE MORNING' composite multi-plate etching, 68 x 86cm framed (foxed), with three modern abstract canvases, and other items

Lot 118

CLASSIC ROCK - LP PACK. A broad genre-spanning selection of 16 'rock' LPs. Artists/ titles include Joni Mitchell - Blue (K44128, UK original pressing without the WB logo on the label rim text. Blue inner. Record VG+/ textured sleeve VG+), Kathe Green - Run The Length Of Your Wildness (DML 1039, VG+/ VG+), Elton John - Goodbye Yellow Brick Road (DJE 29001, yellow vinyl), De La Soul - 3 Feet High And Rising (DLSLP 1, UK original press with Adrenalin matrix etching and printed inner. Ex/ VG+), The Damned - Damned Damned Damned (SEEZ1), King Crimson - The Young Guide To. Hunter Muskett, The Beatles inc Sgt Peppers, Magical Mystery Tour. Kenny G, Queen, Dire Straits, Supertramp, Nanci Griffith & Richard & Linda Thompson. Condition is generally VG to Ex+.

Lot 1074

Unframed Piranesi etching ' Veduta Del Parthanon D'Agrippa ', 49 x 70cm, including some margin with plate indentationColour and paper look very uniform. Has been stuck to backing board.

Lot 1143

Oil on canvas, alpine landscape, indistinctly signed, 49 x 58cm, together with a small oil on canvas, cottage in a landscape, signed Fullmen and an etching, canal scene

Lot 1180

Dame Laura Knight, DBE RA RWS signed etching, ' A Chorus ', 17 x 25cm gilt framed

Lot 1181

Henry Rushbury signed etching, a Venetian bridge, 23 x 27.5cm, framedHas been somewhat recently framed and does not appear to be stuck down. Has no foxing damage or staining and it retains a good quarter of an inch margin around the plate mark. There is one small stain to bottom of picture outside the plate mark (see photo). Is signed in pencil by the artist.

Lot 1182

Kenneth Steel signed etching, Durham cathedral and castle, 30 x 35cm, framed

Lot 1203

Edward Bouverie Hoyton artist signed etching, ' Down Alonge Newlyn ', 30 x 44cm, framedslight marks to the left margin from being unframed but no foxing. Slight crease to bottom right hand corner

Lot 1205

C. Hall artist signed etching, figures on a bridge, dated 1925, together with two other signed etchings and an engraving view of Amsterdam (at fault)

Lot 938

Etching, girls decorating bonnets, inscribed to the plate ' Renoir ', 11 x 8cm and another framed etching, head and shoulder portrait of lady, 11 x 8cm

Lot 952

Fred Daaman-Goldberg, signed etching, study of two monkeys, 32 x 44cm

Lot 985

Carel Le Dake, signed etching, portrait of Ludwig Van Beethoven, 47 x 37cm, gilt framed

Lot 385

Etching of the Cathedral of Antwerp, indistinctly signed, 46x30cm; and other watercolours, prints, including a study of two Pheasants by E J Hoy, 1938, 44x38cm; Fishing boats on a stormy sea by A Flowers, 19x32cm; a small early 19th century cross-stich panel depicting a castle turret and oak trees with sea in the distance, 23x24cm, etc.Qty: 10

Lot 450

Venetian wall mirror, scrolled pediment, rectangular glass, engraved side panels, 190x99cm.Condition report:Yes it certainly has age - late 19th/ very early 20th century. Good quality cutting and etching throughout. The pediment is presently detached and the lower right hand scroll is loose from the main pediment. On the main mirror, one75cm length of border is loose and broken in two main parts but each of those lengths are further fracture. Other leaf-shaped mounts are loose from the corners, with subsequent damages to the loose aspects. The ebonised frame could be improved aesethically. Some speckling and blistering to the mirrored plates. The measurements are accurate - it is a large mirror. 190cm high includes the pediment if attached, the main rectangular aspect measures 154xm x 99cm.

Loading...Loading...
  • 78388 item(s)
    /page

Recently Viewed Lots