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Lot 86

PAUL MANSARD, 19TH-20TH CENTURYBATAILLE DE LA SOMME-BOIS DE THIEPVAL; BASILIQUE D'ALBERT, SOMME; ARRASeach signed and titled and one dated: Paul Mansard / Bataille De la Somme-Bois de Thiepval; Paul Mansard / Albert; Paul Mansard / Arras / 1917 lower margincoloured etchingimage: 14.5 x 18.5cm; 5 3/4 x 7 1/4inframe: 24.5 x 29.5cm; 9 3/4 x 11 1/2intogether with watercolours by W. Hills (20th Century), Study of a barn and English School (20th Century), Rocks with sea beyond; M Oliver Rae (1868-1956) Polperro; Paul Mansard (19th-20th Century), Cathedral, and a poster of the Derryard Action, signed by David Rowlands (8)Paul Mansard was a pseudonym of the French artist H. Dupont who also went by the name of Marcel Augis.*sold without reserve

Lot 40

AFTER JEAN-ANTOINE WATTEAU (1684-1721)SEATED LADYinscribed Gravé par Boucher d'apres Watteau / Efr de 1er tirage to mountetchingimage: 17.5 x 13cm; 7 x 5inframed: 37 x 26.5cm; 14 1/2 x 10 1/2intogether with two pen and ink and wash by Isobel (20th Century), A pair of costume designs (framed as one) and Isabella M (20th Century), Figure study on sheet music(3)*sold without reserve

Lot 93

CRISPIJN I DE PASSE (1564-1637) ACADEMY OF THE SWORDetching with engravingimage: 49.5 x 68cm; 19 1/2 x 26 3/4inframe: 63.5 x 84cm; 25 x 33in*sold without reserve

Lot 88

AFTER G.J. CASSE (19TH CENTURY) PORTRAIT OF ADMIRAL LORD NELSONetching by J.Piersonimage: 39 x 28cm; 15 1/4 x 11inframe: 53 x 42.5cm; 21 x 16 3/4intogether with four other prints: After R.Evans (19th Century) Sir Thomas Masterman; After J.Chapman (act.1792-1823), Admiral Sir Hyde Parker; After W.Evans (act. 1797-1856), Rear Admiral Sir Hyde Parker; English School (19th Century) Admiral Sir Hyde Parker Bart.(5)*sold without reserve

Lot 28

ARR Property from a Private Collection LEONARD JOHN PEARCE (1931-2018)A THREE MASTED BARQUE UNDER FULL SAILsigned John Bower lower rightoil on panelimage: 22.5 x 35cm; 8 1/2 x 13 3/4inframed: 26 x 40cm; 10 1/4 x 15 3/4intogether with an etching of another Three masted barque under full sail on the high seas by the same hand(2)Pearce trained at City and Guilds, had a fascination with typography and pursued an early career in graphic design, becoming a member of the Royal Society of Industrial Artists and Designers. His interest in marine painting developed in the 1970s, signing his early work with the pseudonym John Bower as in the present example. His marines were especially prized by collectors of the genre in the USA, where he had a succession of one-man shows in Connecticut at the Seaport Museum, Mystic, and Workshop Gallery, Greenwich; in New York at Kennedy Galleries and the Incurable Collector, and on Long Island in Horton Point Lighthouse Museum. In 1982 Pearce was a medallist at the International Maritime Art Exhibition, and the following year was elected a member of the Royal Society of Marine Artists.

Lot 90

Property from a London CollectionAFTER BENJAMIN WEST (1738-1820)THE BATTLE AT LA HOGUEetching and engraving, hand coloured, printed by William Woollettimage: 49 x 61.5cm; 19 1/4 x 24inframe: 69 x 81cm; 27 x 32intogether with: After William and Henry Barrud (19th Century) The Meet at Badminton and After E Dayes (19th Century) The Court of Alderman and Common Council of the City of London(3)*sold without reserve

Lot 578

John Atkinson [Staithes group](1863-1924)"Ploughing",pencil signed to the margin, further annotated in pen and ink verso "Exhibited at artist's studio May 1920 / etcher John Atkinson / Ploughing / original proof etching",etching,17.5 x 25.5cms (plate), framed. Provenance: Bearing original Henry Whitley & Son printsellers label verso, hand-annotated in ink; "Ex Artist's studio, May 1920".

Lot 574

George Soper RE(1870-1942)"Burning Twitch",pencil signed to the margin, and titled to the mount,etching,14.5 x 20cms (plate), framed.

Lot 588

Sir Frank William Brangwyn RA RWS RBA(1867-1956)"Sisteron",pencil signed to the margin,etching,17 x 13cms, framed.Provenance: Mawson, Swan and Morgan.

Lot 582

William Lee Hankey RWS, RI, ROI, RE, NS(1869-1952)"La Mechante",signed with a monogram within the plate, pencil signed to the margin, and artist's blindstamp,etching,29 x 23.5cms, framed.Provenance: Mawson, Swan and Morgan, stock No.836, 8th June 1921.

Lot 589

Sir Frank William Brangwyn RA RWS RBA(1867-1956)"A Street in Puy",pencil signed to the margin,etching, circa 1913,42.5 x 32cms, framed.Provenance: George Hughes, Fine Art Dealer, Pilgrim Street.

Lot 575

Eileen Alice Soper(1905-1990)"Tiddlers"; depicting children fishing from a stone packhorse bridge,pencil signed to the margin, and titled to the mount,etching,10 x 15cms (plate), framed.

Lot 592

William Lionel Wyllie(1851-1931)H.M.S. Britannia Anchored off Dartmouth,pencil signed to the margin,etching,21 x 26cms, framed.

Lot 532

Tom McGuinness(1926-2006)"Old Man on the Heap",signed, titled, numbered, and dated,limited-edition etching, 50/50,14 x 12cms, framed.

Lot 584

Ernest Stephen Lumsden(1883-1948)"Jodhpur",signed in ink to the margin, titled in pencil to the mount,etching,29 x 39.5cms, framed.

Lot 591

William Walcot RE(1874-1943)"Whitehall",pencil signed to the margin, titled to the mount,etching,12.5 x 15.5cms, framed.Provenance: Mawson, Swan and Morgan, stock No.265, 24th March 1924.

Lot 590

William Walcot RE(1874-1943)"Lower Broadway",pencil signed to the margin, titled to the mount,etching,17 x 12cms, framed.Provenance: Mawson, Swan and Morgan, stock No. 733, 11th October 1927.

Lot 586

Ernest Stephen Lumsden(1883-1948)"A Toledo Inn",signed in ink to the margin, titled to the mount,etching,32.5 x 18.5cms, framed.Provenance: Mawson, Swan and Morgan, stock No.869, 4th November 1924.

Lot 581

Gerald Leslie Brockhurst RA, RE(1890-1978)"The Two Melisandes"; portrait of Anaïs Folin, the artist's first wife and baby daughter,pencil signed to the margin, titled to the mount,etching,17.5 x 11cms, framed.

Lot 13

Van Ostade (1610-1685), figures in an interior, etching, signed in plate, 4.25" x 3.25" (10.5 x 8cm).

Lot 11

Albany Howarth (1972-1936) A view of Stirling Castle, etching, signed in pencil, plate size 10" x 13.5" (25.5 x 34.5cm).

Lot 9

Leonard Robert Brightwell (1889-1983) British, 'The Gatecrashers', etching, signed and inscribed in pencil, plate size 6.75" x 8.75" (17.5 x 22.5cm).

Lot 14

Rowland Hilder (1905-1993) British, a rural landscape, etching, signed in pencil and inscribed 'Hand Coloured Artist's Proof', plate size 9" x 12.5" (23 x 32cm).

Lot 7

William Lionel Wyllie (1851-1931) British, 'Waterloo Bridge', etching, signed in pencil, 7.5" x 13.75" (19 x 35cm).

Lot 29

Degas (1834-1917), a ballet dancer adjusting her shoe, etching and aquatint, 10.25" x 8" (26 x 19.5cm).

Lot 20

John Sell Cotman (1782-1842), 'The East View of the Gateway of St. Bennets Abbey' with a dedication to Mrs Dawson Turner, etching, plate size, 10.75" x 15", mounted but unframed.

Lot 6

William Lionel Wyllie (1851-1931) British, 'Southwark Bridge', etching, signed in pencil, plate size 5" x 12.75" (13 x 32cm).

Lot 17

Pierre Bonnard (1867-1947) French, 'La Toilette', etching, plate size 8.5" x 6.5" (21.5 x 16.5cm), (unframed).

Lot 10

Henry Wilkinson (1921-2011) British, figures on horseback hunting, etching in colours, signed in pencil and numbered 15/100, plate size 11" x 15.75" (28 x 40cm), mounted but unframed.

Lot 8

Eileen Alice Soper (1905-1990), children playing marbles, etching, signed in pencil, plate size 5" x 6.75" (12.5 x 17cm).

Lot 34

Herbert Dicksee print after an etching titled, 'Footsteps', two terriers in an interior, published by Frost & Reed Ltd, 14.75"x 21.5", (37x54.5cm).

Lot 298

Robert William Arthur Rouse (1867–1951), by and after, No. 1, old cottages, Long Crendon, Buckinghamshire, signed in pencil to margin, dry point etching, 23.5cm x 32cm frame size; another by the same artist; Henry G. Walker, by and after, Babbacombe Beach, coloured engraving, etc, (4).

Lot 72

A Collection of Items Relating to Lord Kitchener, comprising a bronze roundel cast with his bust head, mounted on an oak plaque,39cm square; a portrait etching in an oak frame; a wood plaque pierced and carved with the hull of a boat and inscribed IN MEMORY OF LORD KITCHENER H.M.S HAMPSHIRE 1916, 18cm by 24cm, together with a 1926 published Admiralty Official White Paper describing the loss of H.M.S. Hampshire on 5th June 1916 and the death by drowning of Lord Kitchener; two pottery plaques printed with Lord Kitchener, one titled The Sirdar; a Carters of Poole pottery portrait plaque; a green pottery tile portrait plaque; and four related books

Lot 702

William Lionel Wylie (1851-1931), "Victory Celebrating Ascension of George V", signed lower left in pencil in the margin, etching, issued 1st September 1910 by The Art Union of London, 112 Strand, copyright registered, printed by G Welsh. 41 x 76 cm (PL).

Lot 680

Salvador Dali "The Fight with Marhoult", limited edition etching, signed lower right and numbered lower left in the margin. 39 cm x 26 cm (PL). ARR

Lot 687

Elizabeth Blackadder (Scottish born 1931), Irises, signed lower right and numbered 3/5, artists proof in the margin, etching. 50 x 32 cm (PL) (see illustration). ARR

Lot 80

After Francis Barlow Chickens in a farmyard, with a hog looking out through the door of the sty; and A cock, hen and three chicksplates 42 & 44 from Birds & Fowles of Various Species Drawn after the Life in their Natural Attitudes, published by John Bowles in 1755 one with an armorial watermarkengraving and etching on laid paper14.5 x 18cm; 11 x 17cm (2)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshire20.5 x 24.5cm; 16.5 x 22.5cm framed

Lot 81

Wenceslaus Hollar (1607-1677) after Francis Cleyn Putti crowning a lionetching on paper4.5 x 18.5cm; together with two other putti prints by other hands10 x 19.5cm; 8.5 x 27cm (3)Provenance:Collection of Mike Handford, 'Hillsleigh', Burford, OxfordshireFramed 14.5 x 28.5cm; 25 x 34.5cm; 23.5 x 39.5cm

Lot 362

Edward Bawden CBE RA, (1903-1989)The Pagoda (Kew Gardens), etching on paper, unframed, 'Southcliff Beach' by Edward Bawden, and a collection of prints by various artists including; 'Near Ullswater' by James Bostock, 'Canada Family and Perch' by Colin See-Paynton, Spring Morning by Marcus Bowen, 'West Highland Breakfast' by Sue Scullard, 'Storm Landscape' by George Tute, 'Low Tide Maine Coast' by Herbert Waters,main signed in the print E.Bawden, Southcliff Beach unsigned.37.7 x 28.3cm (Bawden print), (8) Catalogue notesThis print, The Pagoda at Kew, originally etched in 1927-1929 was reprinted in 1988 to celebrate Bawden's 85th Birthday.

Lot 173

A coloured lithographic limited edition print by John Tennent of peregrine falcon, signed and numbered in pencil, 30cm x 41cm together with a signed limited edition coloured etching of snowy owls by T J Greenwood, 29cm x 20.5cm

Lot 245

ELYSE ASHE LORD (1900-1971), 'The Concert', coloured etching, pl. 9 x 16in. Provenance: formerly with Wenlock Fine Art; thence to the present vendor

Lot 253

Theodor Eduard Scharf (1899-1987) A Folio containing unframed etchings, a full set of the 'Night in the City' series and a near set (17/20) titles include Saturday Evening; Prize Fight; Dusk; Promenade; Railway Station; Restaurant; Cinema; Music Lovers; Theatre; all signed, and inscribed, some numbered, varying plate sizes, a number c,12 x 17cm; and smaller; and one other unframed etching by the artist titled 'Rainy Day'; thirty eight (38 total )Theo Scharf was born in Melbourne, Australia in 1899, the son of a concert pianist. From an early age he was encouraged to become an artist.In 1914 he travelled with his mother to Munich where he enrolled in the Academy of Fine Arts. After the end of The Great War, in the following years Scharf eked out a precarious existence living in Schwabing, the city's lively artistic and intellectual quarter. It was at this time that he produced some of his most interesting work, including his 'Night in the City' series of prints, which depicted City Llfe in the early 1920s. The prints are etchings on paper, unframed within a folio. They have full sheets and margins, with pencil signatures and hand-written titles and numbers. They are in generally good condition, with visible plate marks and no losses or major evidence for deterioration to the plates. There is some general ageing/yellowing to the sheets, including some around the edges from handling. A few sheets have creasing to the edges, two examples have some minor faint foxing which does not extend into the plates. One example of the Street Girl has a tear to the left edge, one has a stain to the upper-right margin. some of the plates have some cockling including Closing time, restaurant 1 x1, restaurant 2 x1, Cabaret x1, after the concert x 1, restaurant III x 1Titles of the prints are as follows: no 1 - Dusk (1), no 2 - Saturday Evening (2), no 3- Promenade (2), no 4 - Closing Time (1), no 5 - Railway station (2), no 6 - Restaurant 1 (2), no 7 Restaurant 2 (2), no 8 - Cinema (2), no 9 - Music lovers (2), no 10 (1), no 11 Prize Fight (2), no 12 - Theatre (2), no 13 - Burglars (2), no 14 - Cabaret (2), no 15 - After the Concert (2), no 16 - Restaurant III (2), no 17 - Street Girl (2), No 18 - Lovers (2), No 19 - Revellers (2), No 20 - Dawn (2). Plus Rainy Day (1) (total 38)

Lot 443

RICHARD SPARE (b.1951) "Campanula", etching in colours, limited edition 9/150, signed and inscribed in pencil, plate size 13 1/4" x 13", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Lot 444

RICHARD SPARE (b.1951) "Honeysuckle", etching in colours, limited edition 42/125, signed and inscribed in pencil, plate size 14 1/4" x 14 1/4", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Lot 445

RICHARD SPARE (b.1951) "Fuchsia Frond", etching in colours, limited edition 64/150, signed and inscribed in pencil, plate size 11 3/4" x 10 1/4", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Lot 448

REMBRANDT VAN RIJN (Dutch 1606-1669) Bust Portrait of an Elderly Bearded Man, etching, signed and dated 1636, Basan edition, 2 1/2" x 2 1/2", ebonised frame (Est. plus 21% premium inc. VAT)Good, minor fox spot/stain to lower edge

Lot 288

A T. LANE MUSKET, the 40" barrel octagonal at the breech, with foliate etching and grotesque mask front sight, signed action converted from flintlock to percussion, rear barrel tang with sight groove, walnut stock with brass furniture, shell carving to the tang rear and wood ram, 55 1/2" long (Est. plus 21% premium inc. VAT)Trigger guard broken and loose (parts all present), Cracks to stock. General wear throughout. Very interesting piece, has been very high quality

Lot 306

AN 1897 PATTERN INFANTRY OFFICER'S SWORD, the 32 1/4" blade etched with ER cypher amid foliage, maker's mark for G. Parker & Co. Birmingham, typical hilt with VR cypher, shagreen grip and leather scabbard, 40 1/2" long (Est. plus 21% premium inc. VAT)Generally good, oxidation staining to blade and wear to etching

Lot 440

WILLIAM LIONEL WYLLIE RA (1851-1931) "Liverpool from Cammell Lairds", first state drypoint etching, signed in pencil, Robert Dunthorne label to reverse inscribed and dated April 1941, 9 1/2" x 15 1/4", oak frame (Est. plus 21% premium inc. VAT)Very minor foxing otherwise very good with probably its original frame

Lot 972

Salvador DALI (1904-1989) 'Don Quichote' an etching. 48/145. Dimensions:(W:15,5 x H:21 cm)

Lot 717

After Harry Becker, etching depicting a harvesting scene with figures loading haycart, 6cm x 32cm overall

Lot 748

D Y Cameron, signed etching, "Amsterdam" plate 40 by 28cm, unframed

Lot 744

Dorothy Willard, pencil signed, etching of a tavern and R B Woodhouse, pencil signed, etching, University College scene

Lot 718

After Harry Becker, etching depicting a figure loading a tumbrel, 11cm x 21cm

Lot 94

Jim Dine (American, b. 1935). Lithograph and etching titled "The Sky in Madison, Wisconsin" depicting tools detailed and outlined in black with splashes of blue above them, 2004. On two sheets of paper. Pencil signed, numbered 13/22, and dated along the lower margin across both sheets.Dine is often associated with the Neo-Dada, Abstract Expressionism, and Pop Art movements. His works are held in the collections of prestigious institutions such as the Art Institute of Chicago, the Fogg Art Museum, the Museum of Modern Art (MoMA), the Minneapolis Institute of Arts, the Guggenheim, the Tate Gallery, the Whitney, and the Stedelijk Museum.Unframed, each; height: 43 in x width: 30 1/2 in. Framed; height: 49 in x width: 67 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Lot 209

Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica of St. Paul Outside the Walls and its vicinity from Mount Aventino and the River Tiber)" depicting a grand view of Rome, ca. 1771. It shows the magnificence of both ancient (Campo Vaccino) and modern (the Vatican) Rome.Literature: Harper, James G., and James Tice. "Giuseppe Vasi's Rome: Lasting Impressions from the Age of the Grand Tour." (Eugene, Oregon: University of Oregon Press, 2010) page 103.Height:42 1/2 in x width: 30 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Lot 58

Ryohei Tanaka (Japanese, b. 1933). Etching print on paper depicting a scene of a harbor lined with houses. Pencil signed and dated 1989 along the lower right; numbered 34/150 along the lower left.Sight; height: 9 in x width: 10 in. Framed; height: 15 in x width: 15 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper is lightly toned. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.

Lot 70

Richard Smith (British, 1931-2016). Color etching on two sheets of paper titled "Large Blue," each sheet depicting half of a blue rectangle, 1977. The sheets are stapled together - one staple on the top and one staple on the bottom - original to the artistic process. The work is pencil signed, dated, and numbered 42/60 along the lower left.Height: 27 1/2 in x width: 28 in.Condition: The item is in good condition with no visible tears or losses, or major creases. No visible sign of restoration under UV light. The color is bold and bright. Light creases throughout, particularly along the right margin. There is very light foxing along the upper left quadrant and to the upper left corner. Very light wear along the four margins; however, it appears that it is original to the artistic practice. Along the verso, there are a few scattered light handling marks; there is light skimming to the upper right corner; along the upper left corner, there are light brown accretions, possibly from old framer's tape.

Lot 208

Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "The Descent from the Cross" depicting Christ being lowered from the cross after his crucifixion, 1633. Second plate, sixth state printing.Literature: Hollstein, B.81 II, pg. 46-47 (text), 79 (plate); New Hollstein, plate 119, pg. 189-191 (text), 217 (plate).Provenance: Titus Fine Art, Beverly Hills, California; Private Minnesota Collection.Unframed; height: 22 in x width: 16 in. Framed; height: 33 in x width: 28 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Lot 107

Mimmo Paladino (Italian, b. 1948). Etching, aquatint, and chine colle titled "Con Musica (With Music)," depicting an abstract composition, 1980. Pencil signed along the lower right; numbered 11/35 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 2421 3/4 in. Framed; height: 33 3/4 in x width: 31 3/4 in.Condition: The artwork is in great condition with no visible tears, creases, or losses. All four margins are visible; the paper is floating in the frame. There is light undulation along the upper margin. The paper is very lightly toned. No visible sign of restoration. Not inspected out of frame; framed under plexiglass. Very light wear to the frame.

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