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Lot 962A
Valerie Thornton (1931-1991) - Cordova Mosque 1957 (Cordoba) – A retro vintage mid 20th Century signed and numbered limited edition etching painting depicting the grand halls within the Mosque. Signed by the artist to the bottom right and numbered 13/50. Set with a white painted frame and being glazed. Measures approx; 65cm x 78cm.
Lot 270
A Ubanof (Contemp) Lady with fish headpiece, Handcoloured etching Signed, dated 90 16 x 14cm (6¼ x 5½ in.) Framed, label for Wooley & Wallis Provenance: Property from The Manor House, Stanford in the Vale Condition Report: Fairly fresh- probably slightly lighter than photo suggests- slight paper cockling Condition Report Disclaimer
Lot 137
Pat Mallinson (British, b.1930), 'Rocquaine Bay', coloured etching, signed, titled and numbered 10/100 in pencil, unframed. * Good condition overall - sheet has been rolled but should correct once framed. Tiny tea stain spot above image in margin. Two small creases from handling to sheet edges.
Lot 529
Gilou (Gilberte) Brillant (French, b.1935), Porte Autheme etching, signed and dated '75 in pencil lower right, titled lower centre and numbered 17 of an edition of 99 lower left, metal frame, 26 x 19¾in. (66 x 50.2cm.). * Good condition. Entire sheet visible and floated on backing card. Deckle edge. No mount.
Lot 530
Norman Ackroyd CBE, RA (British, 1938-), "Landscape with a Grey Sky" aquatint and etching printed in colours, signed and dated 1975, titled, numbered 92 of an edition of 100 in pencil lower edge, metal frame, 20½ x 18½in. (52 x 47cm.). * Provenance: The Pallas Gallery Ltd, London, 12th July 1977, with Certificate of Authentication ** Good condition. Acidic mount.
Lot 566
Patrick Procktor, RA, RWS (British, 1936-2003), View of Venice from the lagoon, etching and aquatint, signed and numbered 19/35, snake blind stamp lower right corner, 24½ x 32in. (62.25 x 81.25cm.). * Small handling crease lower left. Each corner has a rectangular patch of lighter discolouration to paper, presumably from mounting tape beneath. Some white blooming to surface of the darker blue ink to centre of image.
Lot 577
Tracey Emin (British, b.1963), You said etching, signed, dated (20)07 and numbered from the edition of 300 in pencil, 9 3/8 x 12½in. (23.8 x 31.75cm.) visible, framed and glazed. * Slight cockling to paper and faint handling creases to margins. No other visible faults. Not examined out of frame.
Lot 803
Rachel Ann Le Bas NEAC, RE (1923-2020) - 'In the Saw Yard' signed artist's proof (AP) and numbered IV/VIII, black and white etching, 8" x 11.25", unframed, also another of the same subject, numbered V/VIII also unframed, together with eight further prints including an unsigned etching of an old wooden farm cart, two prints titled 'This' a bookplate for West Heath', three prints entitled 'This' grape harvest Provence' another titled 'Hedgerow Pieces' numbered 18/75, various sizes, all unframed (9)
Lot 806
Rachel Ann Le Bas NEAC, RE (1923-2020) - a study of two beech trees with cottages in the distance, pencil drawing, together with an etching of the same subject, signed and inscribed AP (artist proof) and a further etching titled 'The Hollow Sycamore' also a pencil drawing study of plants and vegetation, 6.5" x 10", 8.75" x 14.25", 12" x 10" and 8.7" x 5.7" all unframed (4)
Lot 11
Ⓦ A RUSSIAN SILVER-MOUNTED SWORD (SHASQA)^ LATE 19TH CENTURY¦with slightly curved fullered blade double-edged towards the point (areas of pitting)^ retaining traces of etching at the forte^ silver hilt of characteristic form including eared pommel and chased with scrolls^ foliage and beadwork enriched with niello over its surface^ complete with its scabbard mounts struck with silver marks and belt (worn)¦84.5 cm; 33 ¼ in blade¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection
Lot 332
Ⓦ AN IMPORTANT SOUTH GERMAN ETCHED^ GILT AND EMBOSSED CLOSED BURGONET^ AUGSBURG^ CIRCA 1555-60^ THE ETCHING ATTRIBUTED TO JÖRG SORG THE YOUNGER¦formed of a rounded one-piece skull rising to a high notched medial comb^ pierced at the nape with five small rivet-holes for the attachment of a missing plume-holder and to either side of it with four lace-holes^ peak^ face-guard and bevor attached by common pivots with domed foliate heads^ the broad peak of ogival form^ the face-guard pierced with four large trapezoidal apertures and secured at the right by a spring-catch^ the bevor pierced at each side with a circular arrangement of seven holes^ shaped to the chin and secured to the right of the skull by a hook acting on a pierced spring-catch with push-button release^ fitted with falling buffe of three lames^ each secured by a spring-catch on the right^ the bevor flanged outwards at the base to receive a single front lame (the lowest missing)^ the nape fitted at the rear with two neck-lames^ the principle edges notched en suite with the skull^ decorated throughout with embossed^ etched and gilt designs comprising on each side of the comb^ the skull^ the peak and the gorget-plates broad bands filled with large expanded flowerheads and foliage on a blackened and stippled ground within a framework of interlace^ the latter issuant with tulip-shaped flowerheads^ the face-guard decorated with cherubic masks^ foliage and trophies-of-music on the vertical bars^ the bevor with a rosette on each side^ the secondary borders decorated with matching interlace (areas of pitting and patination)¦34.5 cm; 13 ⅝ in high¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦A private European Collection¦¦This previously unrecorded helmet belongs to an elaborate garniture including a close helmet^ gauntlet for the left hand^ breast and backplate^ now preserved in the Philadelphia Museum of Art (acc. no. 1977.167.109a-n)^ a front skirt lame preserved in the Metropolitan Museum of Art^ New York (acc. no. 04.3.278)^ a vamplate preserved in the Musée de l~ Armée^ Paris (K.Po.2341)^ and a saddle sold Christie~s London^ 18th April 1985^ lot 40.¦¦Its distinctive ornament identifies it as part of a group of at least five very closely related designs including that occurring on an armour made for Don Garcia de Toledo^ Marqués de Villafranca and Viceroy of Sicily^ by Anton Peffenhauser and decorated by Jörg Sorg. The design on the present helmet closely matches it with the added embellishment of tulip-like flowerheads emerging from its borders. The inclusion of tulips is possibly a reference to the Ottoman empire^ the flowers having been documented^ apparently for the first time^ in the spring of 1555 by the Imperial ambassador at the court of Suleyman the Magnificent. The decorative scheme is also comparable to that of the celebrated ~Flower pattern~ and ~Burgundy Cross~ armours of Philip II made in 1550 and 1551 respectively (inv. nos. A217^ A 219 and A263). See Don Juan 1898^ pp. 74-75 and pp. 86-89.¦¦Jorg Sorg^ the son of a painter of the same name^ was born in Augsburg around 1522. His mother was the daughter of the celebrated armourer Kolman Helmschmied. It is likely that he learnt his trade in his father~s studio and was received into the Augsburg Painters Guild as a master in 1548. In 1564 he is recorded living next door to the armourer Wilhelm Seusenhofer and in 1575 he became guardian of the motherless son of the armourer Matthäus Fraunpreiss II. His importance as a decorator of armour is documented by an album of his designs dating to 1548-63 in which a number of armourers and patrons for which he worked are recorded. The latter includes a number of prominent members of the Hapsburg courts in both Austria and Spain. Don Garcia de Toledo is represented by a garniture of three armours dated 1551 in the manuscript.¦¦The armour garniture reached its greatest and most elaborate extent around the middle of the 16th century. The |Eagle| garniture made for Ferdinand II^ Archduke of Tyrol^ in 1547 comprised eighty-seven interchangeable pieces that could produce twelve different armours for different forms of combat. Though clearly functional such armours had become increasingly powerful status symbols.¦¦See Becher^ Gamber and Irtenkauf 1980^ pp. 64-7^ fol. 19-20; Del Campo 2009^ pp. 228-92 cat. nos. 46-7 and pp. 239-243^ cat. no. 50; Kienbusch 1963^ pp. 37-38^ no. 23; Norman 1986^ pp. 83-86; and Tavares 2014^ p. 118. Laking^ Vol. 3^ pp. 310-17.¦
Lot 53
Ⓦ A FINE SILVER-HILTED SMALL-SWORD^ LONDON 1764¦with colichemarde blade retaining traces of etching at the forte^ silver hilt cast and chased in low relief^ comprising double shell-guard decorated with elaborate martial trophies centring on differing birds and beasts^ a pair of straight quillons with scrolling terminals^ quillon-block knuckle-guard and ovoid pommel all en suite with the shell^ and the grip with its original binding of plaited silver wire and ribband between chased silver collars^ in its original leather scabbard with silver locket and chape (leather torn at the chape)^ the former chased en suite with the guard^ incorporating a belt hook and suspension ring and signed ~Tapp Cutler^ Strand~ on the inner face¦80.2 cm; 31 5/8 in blade¦¦Property from the David Jeffcoat Collection (1945-2020)¦¦Part proceeds to benefit The Wallace Collection¦¦Provenance¦Paper label on the blade inscribed ~Property of the Marquis of Granby^ Colichemarde blade~¦¦Francis Tapp is recorded on the corner of Strand and Cecil Street 1764-89. See Southwick 2001^ p. 236.
Lot 149
AFTER GIOVANNI BATTISTA PIRANESI, A PAIR OF BRONZE CANDLESTICKS19TH CENTURYBlack patinated and of triform with rams heads and winged sphinx supports41cm high Giovanni Battista Piranesi's etching from 1773 depicts a marble candelabrum found at Hadrian's villa, Tivoli- subsequently versions of it were produced in bronze in both Italy and France. Condition Report: Lightened where rubbed to the edges and some protruding areas and the underside of the bases.Minor scuffing, scratches and wear overall consistent with age.Traces of glue where the sphinx heads meet the triform.Please refer to additional images for visual reference to images. The candlesticks are complete. The overall diameter of the bases at the widest point is 13cmCondition Report Disclaimer
Lot 1236
A George III drawing-room print, Thomas Ryder I (1746-1810) & Laurence J. Cossé (c. 1758-1838?), after Henry William Bunbury (1750-1811), Morigiani discovering the Arabian Robber through his Disguise, stabs him whilst dancing before her Master, London: Published by Simon Watts, 1790, each in Persian dress within a Classical interior, stipple engraving and etching printed in colours, mounted, contemporaneous giltwood and gesso rectangular frame, loop suspension, 38cm x 43cm
Lot 133
A Victorian 1897 Pattern Infantry Officer's Sword, the 82.5cm single edge fullered steel blade faintly etched with the royal cypher and foliage, by Hawkes & Co., Piccadilly, London, with Proved poincon, the back edge stamped 4999, with nickel plated hilt, wire bound fishskin grip and steel scabbard, 102cm, with rain slip; a George V 1897 Pattern Infantry Officer's Sword, the 82cm single edge fullered steel blade etched with royal cypher and foliage, the nickel plated hilt with wire bound fishskin grip, leather strap for a sword knot - lacking, with pigskin service scabbard and crushed leather rain slip with attached label inscribed in ink ''Major Gordon Home, c/o Westminster Bank, Berners St., London'' (2) Footnote:- Both are believed to have belonged to officers of The Buffs (Royal East Kent Regiment). The officer owning the George V example transferred to the Royal Flying Corps1 - Black patching and pitting to the blade, etching quite worn. Small areas of loss and crizzling to the nickel plated hilt. Orange rust pitting to the scabbard, no dents. 2 - Minor black patching to blade. Some rust pitting to hilt where the plate has worn off. Scabbard has a replaced repair to the chape. Rain slip with some surface scuffing.
Lot 138
A Victorian Royal Artillery Officer's Sword, the 88cm single edge fullered steel blade double edged for the last 26cm, etched with royal cypher and scrolling foliage, by J Harvey, Birmingham, with Proved poincon, the steel three bar hilt with wire bound fishskin grip, with steel two ring scabbard, 107cm. Etching to blade is quite worn, dark grey patching in places. Left side of grip with some loss of fishskin. Rust pitting to the scabbard, no dents.
Lot 68
William Holman Hunt (British, 1827-1910)'The Father's Leave-Taking', 1879 signed lower left 'W. Holman Hunt', and inscribed lower right 'Unfinished Proof' etching, ref: Hartnoll 17 21.2 x 27.5cmFootnote: Provenance: [By repute: Acquired from P & D Colnaghi, 1948] Sebastian Pearson, Cambridge, from whom acquired by the present owner in 1994
Lot 367
WW1 Battle of Jutland Signed Etching Picture William Lionel Wyllie RA A good study of a British Battleship firing all guns towards the German Fleet. Pencil signature W.L. Wyllie. Mounted into a contemporary glazed frame. The reverse with details of the Battle of Jutland 31st May 1916. Overall Size 27 x 20 1/2 inches. William Lionel Wyllie RA, RI, RE (1851-1931): Painter in oil and watercolour and etcher of marine and coastal subjects.
Lot 508
Edward VII British Army Infantry Pattern Sword. An example of the regulation pattern, retailed through J.R. Gaunt of London. The bladed with etched decoration including a Royal cypher. This cypher is repeated to the regulation guard. Complete with shagreen grip and housed in original polished brown leather field service scabbard. Etching to blade faint GC.
Lot 509
George V Great War Pattern British Army Infantry Pattern Sword. An example of the regulation pattern, retailed through Flights of London. The bladed with etched decoration including a Royal cypher. This cypher is repeated to the regulation guard. Complete with shagreen grip and housed in original metal scabbard. Etching to blade clear, the scabbard now with official post WW2 issue numbers. GC, with small amount of cleaning near parade condition.
Lot 521
WW1 Scots Guards Officer Sword. An unusual example, the straight 32 inch blade with etched decoration of a crowned GVR cypher, the Regimental device and Battle Honours the last being South Africa 1899-1902. The blade appears to have always being fitted into an Infantry pattern hilt, the guard with GVR cypher, the shagreen grip retaining twist wiring binding. Housed in polished brown leather field service scabbard. Etching clear some stain spots to the blade.
Lot 522
WW1 Period Scottish Royal Army Medical Officer Sword. A George V Period example. the straight blade with etched decoration of a crowned GVR cypher and Regimental device. To the forte the retailers details of William Anderson of Edinburgh. The hilt is the 1892 regulation pattern the open guard incorporating a GVR crowned cypher. Housed in brown leather field service scabbard. Overall GC clean condition etching clear.
Lot 523
Scots Guards Victorian Piper Broadsword. A very rare example of regimental pattern. The double edged straight blade with double fuller. Bearing etched decoration of a Crowned reversed entwined VR cypher, the regimental device of the Order of the Thistle. The hilt with special pattern Regimental basket, the central bar with a Scots Guard device. The basket retains scarlet cloth and buff leather lining and top retaining nut (Grip absent). Housed in correct black leather and steel mounted scabbard. Etching to blade remains clear, but now with grey patina. Mounts to scabbard with some rusting. PLEASE NOTE the grip is absent and the tread to the pommel nut is worn and requires attention.
Lot 528
1796 Infantry Pattern Officer Sword. A good example with a 31 1/2 inch blade with etched decoration of a Crowned GR cypher and flora. The hilt of the regulation pattern with single bar guard terminating with a bud finial and retaining folding guard. A silvered grip is surmounted by an urn pommel. Retaining some of the gilt finish, etching to blade clear Scabbard absent.
Lot 529
British Victorian Court Sword. A good clean example retailed through Cuthrie & Co. Cork Street London. The straight narrow blade with etched decoration, the gilt metal guard with single bar guard and crown pommel.€™ The shell guard mounted with a Crown VR cypher. Housed in black patent leather scabbard with gilt mounts ... Accompanied by crimson and bullion sword knot ... and velvet sword frog and web belt. Overall GC gilt and etching good.
Lot 531
Royal Navy 1827 Pattern Officer Sword by Salter of London. This example with a 31 inch piped back quill point blade. This with etched decoration of Royal Coat of Arms and crowned anchor device. The forte with cutler details. The hilt with a solid guard mounted with a Royal Navy crowned fouled anchor and lion head pommel. The shagreen grip, retaining twist wire binding. Scabbard absent. Retaining gilt finish, etching clear, but blade with some staining.
Lot 533
Victorian / Edwardian Scottish Court Sword. A good clean example retailed through J Christie & Son Edinburgh. The straight narrow blade with etched decoration, the gilt metal guard with single bar guard and classical urn pommel. Housed in black patent leather scabbard with gilt mounts ... Accompanied by bullion sword knot ... velvet sword frog and web belt. Overall GC gilt and etching good.
Lot 101
BUMPUS (Judith), Elizabeth BlackadderPhaidon Oxford, 1988, No. 105 from an edition of 120 copies specially bound by E. A. Weeks & Son for Mercury Gallerycontaining;Elizabeth Violet Blackadder (British, b. 1931)Black Cat and Lilysigned and numbered in pencil 'Elizabeth Blackadder 45/60' (in lower margin)etching with aquatint21 x 15cm(unframed)ARRCondition reportEtching appears in generally good condition.Book appears generally good.Hard case has a small nick to edge and some minor scuffs and marks.
Lot 93
Man Ray (American, 1890-1976)Electro Magiesigned and numbered in pencil 'Man Ray XVIII/XXV' (in lower margin)etching and aquatint in colours18.5 x 14cmSome very pale brown marks visible upon close inspection. Pin hole upper left. Some minor brown marks lower right corner. some minor marks to mount.Otherwise overall appearance is generally good.
Lot 94
Victor Pasmore (British, 1908-1998)Magic Eyesigned with initials, dated and numbered in pencil 'VP 95 34/35' (in lower margin) and bears Marlborough Graphics Ltd label (to backboard)etching and aquatint in colours30 x 39cmARRCondition reportThe sheet is sound. Various tiny media spots to surface; good overall condition. Framed and under glass; unexamined out of frame.The spots were caused during the printing process. They will not get worse.
Lot 444
DALI, SALVADORFigueras/Spanien 1904 - 1989 Le Géant Béliagog (Zwei Isolden um Tristan). Blatt aus der Folge "Tristan und Isolde", 1970. Kaltnadelradierung, signiert und num.: 28/125. Abbildung ca. 40x26cm, Doppelblatt mittig gefalzt mit Text ca. 44,5x65,4cm. Herausgeber Orangerie Verlag, Köln (mit Blindstempel). Wvz.: Michler / Löpsinger 421b DALI, SALVADOR Figueres/Spain 1904 - 1989 Le Geant Beliagog (two Iseults around Tristan).Sheet from the 'Tristan und Isolde' series, 1970. Drypoint etching, signed and numbered: 28/125. Image approx. 40 x 26 cm, double sheet folded in the middle with text approximately 44.5 x 65.4 cm. Published by Orangerie Verlag, Cologne (with blind stamp). Catalogue raisonne: Michler / Lopsinger 421b. Keywords: graphics, images, artworks, pictures, intaglio, prints, Spain, Spanish, espanol, Hispanic, Espana, Isolde
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71174 item(s)/page