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Lot 87

Herbert Thomas Dicksee (1862-1942) Study of a male lion at rest Signed Etching unframed 19 x 49cm; 7½ x 19¼in (plate size) Provenance: By descent from the artist ++Good condition

Lot 88

Herbert Thomas Dicksee (1862-1942) Study of a lioness Signed Etching published by Frost & Reed 1914 unframed 19 x 48cm; 11½ x 19in (plate size) Provenance: By descent from the artist ++Good condition

Lot 89

Herbert Thomas Dicksee (1862-1942) The jungle pool Signed Etching unframed 20 x 30.5cm; 8 x 11¾in (plate size) Provenance: By descent from the artist ++Good condition

Lot 90

Herbert Thomas Dicksee (1862-1942) The ambush 1926 Signed Etching published by Frost & Reed 1926 unframed 34 x 56cm; 13¼ x 22in (plate size) Provenance: By descent from the artist ++Good condition

Lot 91

Herbert Thomas Dicksee (1862-1942) Idlers Signed Etching unframed 23 x 53.5cm; 9 x 21 (plate size) Provenance: By descent from the artist ++Pin holes to right and left outer margins good condition

Lot 92

Herbert Thomas Dicksee (1862-1942) Study of a tiger eating Signed Etching unframed 19 x 45cm; 7½ x 17¾in (plate size) Provenance: By descent from the artist ++Stains upper corners (of paper not image) and creasing upper right corner (paper) image good condition

Lot 93

Herbert Thomas Dicksee (1862-1942) Suspense 1920 Signed Etching unframed 45.5 x 68.5cm; 18 x 27in (plate size) Provenance: By descent from the artist ++Some discolouration to outer right margin good condition

Lot 94

Herbert Thomas Dicksee (1862-1942) A Siesta Signed Etching unframed 18 x 28cm; 7 x 11in (plate size) Provenance: By descent from the artist ++Good condition

Lot 95

Herbert Thomas Dicksee (1862-1942) Along the ridge 1927 Signed Etching unframed 26.5 x 45cm; 10½ x 17¾in (plate size) Provenance: By descent from the artist ++A few pinholes left outer margin good condition

Lot 96

Herbert Thomas Dicksee (1862-1942) A place in the sun 1924 Signed Etching on vellum published by Frost & Reed 1924 unframed 36.5 x 56cm; 14¼ x 22in (plate size) Provenance: By descent from the artist ++Some pin marks to outer margins good condition

Lot 97

Herbert Thomas Dicksee (1862-1942) Patience 1922 Signed Etching on vellum published by Frost & Reed 1922 unframed 39 x 64cm; 15¼ x 25½in (plate size) Provenance: By descent from the artist ++A few pinholes to outer margins vellum slightly rippled right side some bloom to surface

Lot 98

Herbert Thomas Dicksee (1862-1942) Comrades 1928 Signed Etching published by Frost & Reed 1928 unframed 33 x 46cm; 13 x 22in (plate size) Provenance: By descent from the artist ++Good condition

Lot 99

Herbert Thomas Dicksee (1862-1942) Deerhound on the moors Signed Etching unframed 24 x 26.5cm; 9½ x 10½in (plate size) Provenance: By descent from the artist ++One or two small fox marks to outer edge of margin good condition

Lot 100

Herbert Thomas Dicksee (1862-1942) The prodigal 1926 Signed Etching on vellum published by Frost & Reed 1926 unframed 47 x 36cm; 18½ x 14in (plate size) Provenance: By descent from the artist ++Some glue stains to outer margins margins a little discoloured image good condition

Lot 101

Herbert Thomas Dicksee (1862-1942) Footsteps 1925 Signed Etching on vellum unframed 37.5 x 55.5cm; 14¾ x 22in (plate size) Provenance: By descent from the artist ++Pinholes to outer margins some surface dirt to margins good condition

Lot 102

Herbert Thomas Dicksee (1862-1942) Ready 1928 Signed Etching published by Frost & Reed 1928 unframed 34 x 54cm; 13¼ x 21in (plate size) Provenance: By descent from the artist ++Some discolouration to outer right margin one small mark lower right plate edge a light abrasion to background to left of head

Lot 103

Herbert Thomas Dicksee (1862-1942) Hope 1929 Signed Etching published by Frost & Reed 1929 unframed 29 x 41.5cm; 11½ x 16¼in (plate size) Provenance: By descent from the artist ++Good condition

Lot 104

Herbert Thomas Dicksee (1862-1942) Forgotten Signed Etching unframed 29 x 40cm; 11½ x 15¾in (plate size) Provenance: By descent from the artist ++Pin holes and a little surface dirt to outer margins good condition

Lot 106

Herbert Thomas Dicksee (1862-1942) Onward Signed Etching unframed 27.5 x 51cm; 11 x 20in (plate size) Provenance: By descent from the artist ++A little surface dirt to margins good condition

Lot 107

Herbert Thomas Dicksee (1862-1942) Two tigers at a pool 1930 Signed Etching unframed 21.5 x 40cm; 9½ x 15¾in (plate size) Provenance: By descent from the artist ++A crease lower margin image good condition

Lot 108

Herbert Thomas Dicksee (1862-1942) Jaguar in moonlight Etching unframed 18 x 28cm; 7 x 11in (plate size) Provenance: By descent from the artist ++Pinholes to corners and one or two to outer margins good condition

Lot 109

Herbert Thomas Dicksee (1862-1942) Play 1907 Signed Etching on vellum published by Frost & Reed 1907 unframed 53.5 x 69cm; 21 x 27in (plate size) Provenance: By descent from the artist ++Light ripples to vellum good condition

Lot 110

Herbert Thomas Dicksee (1862-1942) A Bengal tiger Signed Etching published Frost & Reed 1915 unframed 19 x 35.5cm; 7½ x 14in (plate size) Provenance: By descent from the artist ++Good condition

Lot 111

Herbert Thomas Dicksee (1862-1942) Lioness on a rocky outcrop Signed Etching unframed 16 x 25cm; 6¼ x 9¾in (plate size) Provenance: By descent from the artist ++Good condition

Lot 112

Herbert Thomas Dicksee (1862-1942) Leopard and jungle-fowl 1920 Signed Etching unframed 20 x 42.5cm; 8 x 16¾in (plate size) Provenance: By descent from the artist ++Good condition

Lot 113

Herbert Thomas Dicksee (1862-1942) Against the sky 1928 Signed Etching unframed 21 x 40cm; 8¼ x 15¾in (plate size) Provenance: By descent from the artist ++Pinholes to lower margin good condition

Lot 115

Herbert Thomas Dicksee (1862-1942) On the threshold Signed Etching unframed 45.5 x 32xm; 18 x 12½in (plate size) Provenance: By descent from the artist ++Some tears wear and surface dirt to outer margins image good

Lot 118

Thomas Francis Dicksee (1819-1895) Head of a child Etching Circular 36cm; 14in diameter ++Some foxing and a little bloom

Lot 612

J G Simpson [early 20th Century]- Souvenir of Kensington:- woodblock, signed and dated `35 in pencil in the margin, image size 17.5 x 12.5cm, together with another etching titled Sodom & Gomorrah by the same hand and a small loose folio group of etchings and prints by Percy Smith, W A Cuthbertson, Sheila Stafford, J A Jago & Bunday [?].

Lot 641

William Douglas McLeod [early 20th Century]- Gelcoe:- etching, signed and inscribed in pencil image size 22 x 27cm, together with a small folio group of etchings by Gertrude Hayes, Harold Thornton, Hester Frood

Lot 642

* William Lee Hankey [1869-1952]- Landscape with hay cart and barns:- aquatint etching signed in pencil in the margin plate size 22 x 17cm, unframed.

Lot 352

HENRY WILKINSON - GUN DOGS, COLOURED ETCHING WITH DRYPOINT, SIGNED BY THE ARTIST IN PENCIL AND A SMALL QUANTITY OF OTHER PRINTS, MAPS, PAPYRUS PICTURES ETC

Lot 353

A 19TH C COLOURED ETCHING OF GEORGE III ENTITLED JUBILEE, A QUANTITY OF VICTORIAN PRINTS INCLUDING TWO AFTER GEORGE MORLAND IN GRAINED ROSEWOOD FRAMES, MAPS ETC

Lot 383

RACHEL HELLER - MALE MODEL 1997, ETCHING, SIGNED BY THE ARTIST IN PENCIL, DATED 1997 AND INSCRIBED WITH THE TITLE AND NUMBERED 1/10 AND A PAIR OF PRINTS AFTER ERIC GILL, INDENT BENEATH THAT, PROVENANCE (HELLER) FLOWERS EAST, LONDON

Lot 1

JOHN SHIRLOW (Australian 1869-1936) Sunset, River Yarra etching pencil signed (lower right) on mount, and numbered ‘1/150’Pl. 6 1/2 x 12in (16.5 x 30.4cm)sold with an etching by Stephen Parrish depicting Hastings (1884); and a dry point etching by J. V. Glarp (?) titled ’Surrey Meadows’; together with an oil sketch by Grace Butler depicting Lake Kanieri (N.Z.); four (4)

Lot 2

‡FRANK BRANGWYN, R.A., R.W.S., R.B.A. (1867-1956) At a Riverside etching, pencil signed Pl. 6 x 4in (15.3 x 10.3cm)and a small selection of four other framed etchings by William Walcot, Gyrth Russell, Marius Bauer, and J. Eisenberg; five (5)

Lot 8

JOHN PHILLIPS (fl. c.1820-1831) ’Anticipation - Bringing them to the Scratch-Hercules in the Church; or the tithes in danger’ hand coloured etching, published by S.W. Fores, Piccadilly, 1829 Pl. 9 x 13 1/2in (48.1 x 33.6cm) two other satirical cartoons titled ’English Discipline for Meddleings’; Throwing a Light on the Dark deeds of the Pensioners’; and three Baxter Prints of mountaineering interest, one titled ‘ The Ascent of Mont Blanc’; all unframed; six (6) In Phillip’s satirical print Wellington in civilian dress stands between two bloated and mitred Bishops. Taking each by the ear, he forces them to disgorge sovereigns into a big tub, ’receptacle for the poor Curates, repairs of Churches and support of Paupers’.

Lot 10

EUGENE BEJOT (1867-1931)Moulin de la Galette, Montmartre original proof etching, pencil signed in lower margin ‘Eug Bejot’ and further signed, inscribed and dated 1915 within plate 7 x 9 1/2in (17.8 x 24.1cm); and an artist’s proof engraving by Malcolm Osborne titled ‘The Quarry’; two (2)

Lot 11

‡ERIC HESKETH HUBBARD, P.R.B.A., R.O.I. (1892-1957) Barge repairing Yard, Delft, pencil signed (lower right margin)and inscribed as title, further signed with initials within plate. Pl. 5 x 8 1/2in (12.7 x 21.6cm); and an etching by Alan B. Thompson depicting a Scottish street scene with Figures; two (2)

Lot 13

AFTER GEORGE MOUTARD WOODWARD (1760-1809) The Stock Jobber’s Prayer!!’ Adorable and ancient Lady of Thread-Needle Street have pity on thy admirer, bless him with thy solid charms in Bullion or stamped Gold...... and animate him to pursue the path that leads to riches...’ letter press and hand coloured etching , published August 1st 1801 by Rudolph Ackermann No 101 Strand (London), etching by Thomas Rowlandson, I. 17 x 10in (43.2 x 25.4); and two other coloured etchings by Rowlandson after Woodward titled ‘The Miser’s Prayer’ and ‘The Old Maid’s Prayer’, three (3)

Lot 15

‡SIR TERRY FROST, R.A. (1915-2003)Blue Madron I colour etching, with aquatint signed and dated in lower margin’ Terry Frost 97’, numbered 3/20Pl 11 1/2 x 11 1/2in (29.5 x 29.5cm)

Lot 116

Graham Clark, etching, 30/200 entitled `Romans Do`, 46cm x 35cm, framed and mounted

Lot 142

Heidi Koenig, etching, 47/75, entitled `Manpara`, framed and mounted, 53cm x 53cm

Lot 145

Graham Clark, etching, 30./200, entitled `Steamers`, 47cm x 37cm, framed and mounted

Lot 300

A pair of bulbous shaped cut glass decanters with hobnail design and floral etching to the centre with stoppers

Lot 303

A set of six Royal Brierley cut glass champagne flutes, together with six Royal Brierley liqueur glasses, both with floral and foliate etching (12)

Lot 250

Gaston de Latenay, Beach scene, etching, signed in pencil and numbered 20/50, 31 x 15cm, a print `The Graves at the Head of the Harbour of Balaklava`, a print of a girl with wheatsheaf, another of Shakespeare scene, one of `A Garden House`, and a Scottish print

Lot 261

William Lionel Wyllie, The Thames, etching, and a Baxter print

Lot 519

After George Morland. Country folk and a dog, a soft ground etching, republished by Orme Conduit Street, 54cm x 40cm.

Lot 321

Dorsey Potter Tyson (20th century American school), polychromatic drypoint etching on paper, 'The Sword Dance', signed in pencil to margin and numbered 3/100, H. 30 cm, W. 25 cm.

Lot 445

After Gainsborough R.A., a 19th century monochrome etching, study of pastoral children in a romantic landscape, with verre eglomise mount, H. 9.5 cm, W. 8 cm.

Lot 809

A gouache study of a gazebo at Bradley Court, Wotton-under-Edge by George Melly (jazz musician), signed bottom right George, dated 71, with presentation inscription, 60 x 45 cm together with a pen and ink drawing of the porch at Bradley Court, signed Taggart, a gouache study, still life with fruit, signed bottom right Sue Wales and a signed limited edition etching of Valterra, an Italian village, signed bottom left Briat

Lot 815

A large early 20th century continental coloured etching by Henri Jourdain showing a water mill, signed in pencil bottom right with watercolour remarque study of a water mill to the lower margin, edition number 21 and embossed blind stamp - Cercle Librairie, with Frost & Reed label verso Original Coloured Etching Henri Jourdain, The Fairy Mill, limited to 25 remarque artist`s proof impressions, with date 12 2 13, 71 x 85 cm in wide gilt frame

Lot 834

An early 20th century coloured etching by Emil Singer showing an Austrian street scene, signed bottom right Emil Singer and dated 1917, inscribed Wien - Kirche bei der Alten Universitat 221, 44 x 56 cm in gilt frame

Lot 721

A Geo V 1897 pattern infantry officer’s sword, blade 32” etched with GVR cypher and foliate panels, engraved “W A Smith”, in its steel dress scabbard GC (slight wear to scabbard plating and blade etching, light pitting to hilt)

Lot 736

An Ed VII 1897 pattern infantry officer’s sword, 32½” blade, etching worn away, surface pitting on guard, in its leather FS scabbard (leather mostly removed)

Lot 748

An 1821 pattern light cavalry officer’s prize sword, slightly curved, fullered blade 34½” by Reeves, Maker, Birmingham, etched with crowned VR cypher, trophy and “Presented by B. Watson Esq to. (unclear) Wainwright Kitson of Captain Taylor’s, or H Troop, 1st W.Y.Y.C, as the best swordsman at the competition held at Doncaster, 16th May 1878”, regulation triple bar steel hilt with sideloop, stepped pommel, plain backstrap, wirebound fishskin grip, in its steel scabbard with 2 rings. Basically GC with a dark patina to hilt and scabbard (blade worn and pitted, the etching generally faint)

Lot 755

A Vic 1827 pattern Rifle officer’s sword, faint etching with “London Rifle Brigade” to blade 32”, regulation hilt; an Austrian M1861 infantry officer’s sword, blade 34”; 3 infantry sword blades. FC to QGC (5)

Lot 1181

1845 Pattern Infantry Officers sword by C. Webb, 23 Old Bond St. London, VR cypher. Blade 33"" with faint etching visible. Wirebound fishskin grip (G.C.) blade stained but not pitted. No Scabbard

Lot 2200

SALVADOR DALI [1904-1989], ETCHING & MIXED MEDIA, #193/250, 16" X 10" IMAGE, `UNIVERSE OF MAN`: Pencil signed lower right, under glass and framed, with a Park West Galleries certificate on the reverse [see additional photo].

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