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Lot 143

Craigie Aitchison (1926-2009) Pink Crucifixion, 2004 44/50, signed and numbered in pencil etching and aquatint 76 x 65cm.  

Lot 147

Ronald Searle (1920-2011) Icare II, 1970 23/99, signed, dated, and numbered in pencil (in the margin) etching and aquatint 76 x 57cm, unframed.

Lot 15

David Oxtoby (b.1938) Roger Who?, 1974 28/30, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Roger Daltrey etching and aquatint 58 x 39cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Lot 156

Salvador Dali (1904-1989) Como las Gambas, 1972 20/200, signed and numbered in pencil (in the margin), titled (in the plate) etching 35 x 26cm.

Lot 158

Philip Greenwood (b.1943) Springfield, 1973 artist's proof, signed, titled, and dated in pencil (in the margin) etching and aquatint 40 x 45cm.

Lot 159

Valerie Thornton (1931-1991) Cain & Abel, St Gilles, 1980; and Bewcastle,1978 both signed, titled, and numbered in pencil etching and aquatints 27 x 38cm; and 20 x 15cm (2).

Lot 16

David Oxtoby (b.1938) Rock on J.C, 1974 24/50, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Jim Capaldi etching and aquatint 58.5 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Lot 163

George Chapman (1908-1994) Terraced Houses, Swansea, circa 1950 3/50, signed and numbered in pencil (in the margin) etching and aquatint 52 x 77cm.

Lot 2

Anthony Gross (1905-1984) Study of Waves, 1935 36/50, signed, titled, and numbered in pencil (in the margin) etching 21 x 27cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 23

Tess Jaray (b.1937) Three untitled etchings artist's proofs, each signed in pencil etching and aquatint 33 x 33cm, unframed (3).

Lot 26

Michael Fell (b.1939) Riverscape 3/100, signed, titled, and numbered in pencil (in the margin) etching 55 x 78cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 27

David Oxtoby (b.1938) The Man, 1974 24/50, signed, titled, dated, and numbered in pencil (in the margin), and signed in pencil by Steve Winwood etching and aquatint 58 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 3

Anthony Gross (1905-1984) La Foule, Praire des Filtres, Toulouse, 1957 40/40, signed, titled, and numbered in pencil (in the margin) etching 29 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.  

Lot 30

Norman Stevens (1937-1988) Mount Etna; China Wall; and Easter Island, 1974 each signed, titled, numbered, and dated in pencil etching and aquatints 38.5 x 36cm, unframed (3). Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Lot 31

David Oxtoby (b.1938) Experienced Acquaintance, 1974 28/30, signed, titled, dated, and numbered in pencil (in the margin) etching and aquatint 58 x 39cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 33

Norman Stevens (1937-1988) Square, 1973 37/50, signed, titled, numbered, and dated in pencil (in the margin) etching and aquatint 57 x 79cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 34

Richard Beer (1928-2017) Strong Ladies 1/100, signed and numbered in pencil (in the margin) etching and aquatint 77 x 58cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 36

Alfred Hrdlicka (1928-2009) Karfreitag, 1966 signed, dated, and titled in pencil (in the margin) etching and aquatint 109 x 75cm. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson. 

Lot 39

Robin Tanner (1904-1988) Wiltshire Rickyard 8/50, signed and numbered in pencil etching 21 x 23cm.

Lot 4

Anthony Gross (1905-1984) Paper Dolls - Madrid, 1925 signed, titled, and dated in pencil (in the margin) etching 31 x 40cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.

Lot 40

Robin Tanner (1904-1988) Hedge Flowers, 1936 signed and inscribed 'fec et imp.' in pencil (in the margin) etching 23 x 16cm.

Lot 41

Robin Tanner (1904-1988) The Plough 8/50, signed and numbered in pencil etching 16 x 18cm.

Lot 42

Robin Tanner (1904-1988) Flowers of May 8/50, signed and numbered in pencil etching 27 x 19cm.

Lot 43

Robin Tanner (1904-1988) Martin's Hovel, 1927 8/50, signed and numbered in pencil etching 16.5 x 21cm.

Lot 44

Robin Tanner (1904-1988) June, first printed in 1946 67/100, numbered and with blind stamp etching from the Memorial Portfolio 38 x 46cm, unframed.

Lot 46

Leonard Russell Squirrell (1893-1979) Morning at Durham, 1931 signed in pencil (in the margin), signed and dated (in the plate) etching and aquatint 27 x 34cm.

Lot 47

Richard Beer (1928-2017) Ballerina 3/30, signed and numbered in pencil (in the margin) etching 36 x 19cm.

Lot 57

Anthony Gross (1905-1984) Valentine's Fortune, 1930 73/75, signed, titled, and numbered in pencil (in the margin) etching 33 x 24cm.

Lot 572

Bernard Leach (1887-1979) Portrait of Mushanokoji Saneatsu etching 13 x 10cm.

Lot 573

Bernard Leach (1887-1979) A Watermill in Japan etching 13 x 10cm.

Lot 58

Anthony Gross (1905-1984) Vineyard, 1973 65/70, signed, titled, and numbered in pencil (in the margin) etching 26 x 34cm.

Lot 59

André Bicat (1909-1996) Goose Girl artist's proof, signed and titled in pencil (in the margin) etching 19 x 21.5cm.

Lot 60

Ronald Brooks Kitaj (1932-2007) My Mother 20/20, signed and numbered in pencil (in the margin) etching 33 x 25cm.

Lot 66

Théophile Steinlen (1859-1923) Cat, 1898 inscribed (in the plate) etching 11 x 17.5cm; with a wood engraving of Conway Castle by Charles W. Taylor (2).

Lot 70

Maurice Milliere (1871-1946) Lady holding a rose, 1913 19/125, signed, dated, and numbered in pencil (in the margin) etching 44 x 29cm.

Lot 71

Jamie Boyd (b.1948) View from Hampstead Heath 1/30, signed, numbered, and titled in pencil (in the margin) etching 33 x 26cm.

Lot 73

David Hockney (b.1937) In an old book (MCA Tokyo 52), 1966 etching on Crisbrook handmade paper from a numbered portfolio numbered 134 of 500 published by Editions Alecto, London, 1967 34.5 x 22.5cm. 

Lot 74

David Nash (b.1945) Triangle, Circle, Rectangle, 2004 103/200, signed, dated, and numbered in pencil (in the margin) etching 44 x 59cm.

Lot 88

Victor Pasmore (1908-1998) Paradox, 1986 68/200, signed, dated, and numbered in pencil (in the margin) etching and aquatint 31 x 40.5cm. Provenance: Marlborough Graphics, London.

Lot 97

John Hoyland (1934-2011) King, 1989 47/50, signed, dated, and numbered in pencil (in the margin) etching and aquatint 90 x 70cm, unframed.

Lot 99

Naomi Frears (b.1963) Summer artist's proof 1/1, signed, titled, and numbered in pencil etching 26 x 20cm.

Lot 393

Imperial German Deluxe Presentation Dragoon Sword of the Westphalian Dragoon Regiment Nr 7, good untouched example of a Imperial German dragoon pattern officers sword with pierced large steel basket hilt knuckle guard leading to pommel with relief of laurel leaves wreath. Original grip which retains the original wire binding. Slightly curved piped backed blade with watered artificial Damascus decoration and fine presentation panels which run three quarter length of the blade. Forte with makers details of J A Henckels Solingen. Blade decorated with figure of a dragoon officer on horseback, trophy of arms, Imperial eagle, foliage and dedication in gothic script “Seinem scheidenden Kameraden dem Rittmeister de Terra des Offizier Corps des Westfalischen Dragoner Regiment No.7.” The reverse of the blade has etching of a dragoon officer in combat with the battle honours “1864.Gegen Danemarck;Gefecht bei Milsunde; Belagerung der duppeler Schanzen;1866 gegen Osterreich ; Gefecht bei Munchengraz; Schlacht bei Koniggratz;1870-71 Gegen Frankreich ; Beschiessung von Toul; Schlacht bei Beaumont; Schlacht bei Sedan;Einschliessung von Paris”. This side of the blade has etched 1870 Iron Cross. The blade would have originally been blued as well as the gilt but the blued finish is all worn away, however the gilt still remains in very good bright condition showing just light wear. Blade measures 84cms, overall 102cms.

Lot 411

WW2 German Kriegsmarine Officers Dress Dagger by Carl Eickhorn Solingen, good example of the standard pattern naval officers dagger with white celluloid grip retaining the original wire binding. Eagle and swastika top pommel and brass cross guard with release button to the centre. Housed in its original scabbard with two hanging rings. The blade has standard pattern etching with foliage and fouled anchors to the centre. Carl Eickhorn makers trademark to the forte. Some light surface staining to the blade. The blade measures 25 ¼ cms, overall 42cms. Stated to have been taken from a German U-Boat commander by a British Naval officer, however no proof can accompany this claim by the vendor.

Lot 416

WW2 German Army “In Memory of my Service” Commemorative Dress Bayonet by Carl Eickhorn Solingen, fine example of a standard pattern parade pattern dress bayonet with two piece black chequered grips. Housed in the original scabbard with parade pattern leather bayonet frog attached. Blade with etching to one side of down winged German army eagles, oakleaves and scrolls with the motto “Fur Erinnerung an meine Dienstzeit”. Reverse with Carl Eickhorn makers trade mark. Blade 19 ¾ cms, overall 34 ½ cms.

Lot 246

Reginal Green, A.R.E. (1884-1971), by, The Shambles, York, signed, titled label to verso, drypoint etching, 27cm x 18.5cm, framed; another two architectural etchings, Rouen, one picked-out in colours, each signed and titled in pencil, mixed sizes, framed, (2); etc., [5]

Lot 955

A LIMITED EDITION ETCHING 22/60 BY CHRIS NOBLE

Lot 49A

A FRAMED ABSTRACT BY DOLF RESERARTISTS PROOF OF ORIGINAL, NOT PRINT ETCHING & LISTED ARTIST, HIS WORK IS IN THE V&A MUSEUM

Lot 523

SM Forster, a monochrome etching, The Old Curiosity Shop, 13 x 22 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 533

A framed and glazed etching by the Glasgow Marine Artist W Stewart Collie entitled two yachts and warships in a stiff breeze, signed to lower right. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1230

Henry G Walker – a coloured etching of fishing boats in a harbour, signed in pencil by the artist, 17cms x 29cms in gilt frame and together with a framed watercolour landscape. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

Lot 239

Richard Beer (British, 1928-2017), Horse & Carriage, etching with aquatint, signed in pencil lower right, numbered 20/50 lower left, H.42.5cm W.55cm

Lot 247

Karen Usborne (British, b.1941), Skaters, etching, signed in pencil and dated 71, numbered 10/50, H.34.5cm W.54cm

Lot 617

SIMON BRETT, PENCIL SIGNED LIMITED EDITION ETCHING OF A SLEEPING CHILD, SIGNED & NUMBERED 3/75

Lot 34

* John Brunsdon [1933-2014]-Cloudbreak over Snowdon,:-etching in colours, signed, inscribed and numbered 129/350, sheet size 54 x 67cm, together with one other by Cecily Ilbert titled January. [2]

Lot 7

* Norman Ackroyd [b.1938] - The Dovecote at Chateau Palmer,:-etching, signed, inscribed, dated '86 and numbered 69/150 in the bottom margin, plate size 50 x 35cm.* Provenance. Royal Academy Summer Exhibition, 1987.

Lot 205

* Gerard Trignac [b.1955]-La Retraite Du Vieux Grutier,:-etching, signed and dated '85inscribed and numbered 7/100image 29 x 35cm, with one volume Gerard Trignac. Gravures 1979-1990. [2]* please see www.bhandl.co.uk for further images of this lot.*Note Illustrated Gerard Trignac. Gravures 1979-1990.

Lot 207

* Philippe Mohlitz [1941-2019]-Exil,:- etching, signed and dated 1989inscribed and numbered 8/100image 23 x 30.5cm*Note Illustrated Gerard Trignac. Gravures 1979-1990.

Lot 208

* Philippe Mohlitz [1941-2019]-Le Nouveau Monde,:- etching, signed and dated 1990inscribed and numbered 1/5image 27 x 25cm, together with one other etching titled Interieur Delabre, 26 x 32.5cm. [2]* please see www.bhandl.co.uk for further images of this lot.*Note Illustrated Gerard Trignac. Gravures 1979-1990.

Lot 209

* Gerard Trignac [b.1955]-Le Defile Des Fous,:-etching, signed and dated '86inscribed and numbered 33/100image 37 x 23cm, together with two smaller etchings by the same hand titled Le Chevalier Errant & La Porte. [3]* please see www.bhandl.co.uk for further images of this lot.*Note Illustrated Gerard Trignac. Gravures 1979-1990.

Lot 210

* Philippe Mohlitz [1941-2019]-L'Atelier,:- etching, signed and dated 1989inscribed and numbered 21/100image 28 x 22cm, together with one other etching titled Batir, 24 x 31.5cm [water damage top right quarter]. [2]* please see www.bhandl.co.uk for further images of this lot.*Note Illustrated Gerard Trignac. Gravures 1979-1990.

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