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![John Speed (1552-1629), by and after, a two-page map, Darbieshire defcribed (sic, Derbyshire), London: [...] [A]re to be fold](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/81d7a927-7b32-4ca6-bed2-ab2700fb589e/468x382.jpg)
Lot 4001
John Speed (1552-1629), by and after, a two-page map, Darbieshire defcribed (sic, Derbyshire), London: [...] [A]re to be fold by Thomas Bafsett [...], [...] Richard Chifwell [...], Now Sold by Henry Overton [...], dated 1666 within the plate but 1713-1743, hand-coloured etching and engraving, 44cm x 55cm, Hogarth-type frame
Lot 3993
William Heath (1794-1840), by and after, royal caricature, Packing Up!!, [the Conyngham family plundering the goods of the Late George IV], Pub July 1st 1830 by T[homas] McLean, 26 Haymarket, [London], monochrome etching, trimmed to platemark, 23.5cm x 34cm; another satire by and after Heath, The Cad to the Man Wot Drives the Sovereign, [Sir Robert Peel is tout or handyman-conductor to the coach driven by Wellington. For Peel as rat-catcher, i.e. inducer of M.P.s to abandon their convictions], Pub April 1829 by T[homas] McLean, 26 Haymarket [...], [London], hand-coloured etching, 33cm x 23cm; John Doyle (1797-1868), by and after, political caricature, Leap Frog, Down Constitution Hill, [Grey's Reform Act of 1832], London: Published by Thoms. McLean: 26, Haymarket April 13th 1831, hand-coloured etching, cropped to platemark, 28.2cm x 39.2cm, [3]
Lot 4167
Browne (James, LL.D., Advocate), A History of the Highlands and of the Highland Clans; with an Extensive Selection from the Hitherto Inedited Stuart Papers [...], Numerous Illustrative Engravings, four-volume set, London, Edinburgh, and Dublin: A. Fullarton and Co., 1852, contemporary three-quarter calf over cloth, 8vo, (4); Douglas (Sir Robert), The Baronage of Scotland, or an Account of the Gentry, &c., Edinburgh: Bell & Bradfute, 1789, lacking title-page and prelims, early 19th century ink MS index, no plates, early 19th century half-calf over marbled boards, folio; Bone (James), Edinburgh Revisited, [Illustrated] with LXXV Drawings by Hanslip Fletcher, London: Sidgwick & Jackson, Ltd., 1911, frontispiece etching of the city, tipped-in colour plates and some b/w illustrations, contemporary cloth gilt, 4to; Speedy (Thomas), Sport in the Highlands and Lowlands of Scotland, With Rod and Gun, With Illustrations, Edinburgh and London: William Blackwood and Sons, 1884, contemporary green cloth, pictorial gilt upper-cover, 8vo, [7]
![Robert Morden (c. 1650-1703), by and after: a set of three maps, The North, East and West Ridings of Yorskhire, [London]: Sol](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/526c1175-30ce-45c6-a506-ab280122c706/468x382.jpg)
Lot 4004
Robert Morden (c. 1650-1703), by and after: a set of three maps, The North, East and West Ridings of Yorskhire, [London]: Sold by Sold by Abel Swale, Awnfham (sic) and John Churchill, [n.d., 1695], monochrome etchings and engravings, 49.5cm x 40.5cm, (3); another, two-fold map, Darby Shire (sic, Derbyshire), [London]: Sold by Sold by Abel Swale, Awnfham (sic) and John Churchill, [n.d., 1695], monochrome etching and engraving, 39cm x 44.5cm, (1); Richard Blome (1635-1705), by and after, A Mapp (sic) of Nottingham Shire, upper-lefthand margin with armorial dedication cartouche to the Earl of Chesterfield, two-fold etching, 33.5cm x 28cm, (1), each map mounted and framed en suite, [5]
Lot 3961
A folio of 17th & 18th century Old Master and other engravings, French School (fourth-quarter 17th century), after Jean Lepautre (1618-1682), Baroque Auricular Ewer with Apples, the sides with Classical figures, [Paris, n.d., c. 1675], copperplate etching, 24cm x 17cm, connoisseur's mount; another, Urn Ornamented with Figures, Swags and a Medallion, Supported by Cherubs, [Paris: Jean II Le Blond (c. 1635-1709), n.d., c. 1675], copperplate etching, 28cm x 20cm, mounted en suite; James Gillray (1756-1815), by and after, caricature, Patriots amusing themselves;_or_ Swedes practising at a Post, [London]: Hannah Humphrey, April 19th 1792, monochrome etching, numbered 74 within the platemark, 26cm x 34.5cm; Edward Bell (late 18th century), by, [...] Portrait of Captain George Westcott, who fell on Board [...] the Majestic [...] in the ever memorable Victory of the Nile [...] 1798; [...] Inscribed to [...] Admiral Lord Nelson [...] London: Published by George Riley, May 12, 1790, mezzotint engraving, 27.2cm x 22.6cm, trimmed and mounted; Continental School (early 19th century), a regiment of Russian Cossacks in a Town Square, two-page aquatint, 51cm x 67cm, Provenance: Koenigl. Palais Bibliothek, stamped, Deutsche Heeresbücheret Berlin, stamped; Rinaldo in the Garden of Armida, fan design, printed in polychrome on silk, early 20th century, 25cm x 38.5cm; 19th century French portrait etchings, after Maurice Quentin de La Tour (1704-1788), (2); Portraits of the British and Their Allies, [London]: Published by R. Bowyer, June 1, 1816, copperplate engraving, 46cm x 32cm; Holbein; named-view and topographical engravings, various; (collection)
![John Ogilby (1600-1676), by and after, two-page map, The Road from London to Flamborough Head [...] [Yorkshire], the whole su](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/3c21ab04-ea5b-4b87-a1b0-ab2700fb5700/468x382.jpg)
Lot 3977
Henry Wilkinson (1921-2011), by, Bait Fishing, signed and numbered 64/75 by the artist in pencil, signed within the platemark, titled to verso, etching hand-coloured with wash, 24cm x 36cm, (1); Tom Carr (1912-1977), by, a pair of hunting prints, Breaking Corner and Out of the Plough, signed, titled and numbered 8/75 and 34/75 by the artist in pencil, signed within the platemark, etchings hand-coloured with wash, 27cm x 36cm, (2); [3]
Lot 3986
Mona Alizon Edmonds (exh. 1934), by, The Children of Spinalunga: Then the throng of singing children and shining spirits lead by Brother Agnolo moved from Spinangula together down the rough slope towards the besieging Free Lances of Pisa, possibly inspired or designed to illustrate an edition of William Caton's children's book 'A Child's Book of Saints', signed and dated 1935 by the artist in pencil, titled within the platemark, etching, 32cm x 22cm, ink MS labels to versoMiss Mona Alizon Edmonds exhibited one work at The Royal Academy in 1934, an etching entitled 'That Half-holiday', catalogue no. 1279
Lot 3960
A collection of late 18th century and later engravings and prints, including William Davison (1781-1858), by, Hop and Stage Doctor, Printed and Published by W. Davison Alnwick [n.d. 1812-1817], etching, 16.5cm x 23.5cm; 19th century restrikes of Hogarth engravings, various; two copies, The Illustrated London News: No. 1027, Vol. XXXVI, April 21, 1860 & No. 2712, Vol. XCVIII, April 11, 1891, (2); medical and anatomical chromolithographic book illustrations and diagrams, various; 18th century and 19th century engravings after Old Masters; 18th and early 19th century antiquarian and architectural engravings, various; early 19th century steel engravings of earlier British portraits of statesman and illustrious figures; defences, copperplate engravings, Engraved for Ancell's Monthly Military Companion, various, 1801-1802, (5); architecture; coaching print; steam locomotive diagrams; further railway interest; various subjects, media and sizes; (qty)
![Gaston Hoffman (French, 1883 - 1960), by, Feu d'artifice [Fireworks at the Dentist], signed and numbered in pencil 02/10 by t](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/6066e466-d8e4-4144-8da8-ab2700fb4560/468x382.jpg)
Lot 3966
An interesting portfolio of 18th and 19th century Old Master prints and engravings, including Giuseppe Maria Mitelli (1634-1718), after Paolo Veronese (1528-1588), The Martyrdom of St. Sebastian, Bologna? 1666], etching, 34.5cm x 51cm; Captain William Baillie (1723-1810): after Gerrit Dou, A Sleeping Woman Being Provoked by Two Men with Tobacco Pipes, [1774], mezzotint, 34.5cm x 25.5cm, cropped with loss of lettering and publication details, &, after Jan van Wyck(1652-1702), James Scott, Duke of Monmouth and Buccleuch, [1774], mezzotint, 35cm x 42cm, cropped with loss of all lettering and publication details, (2); William Dickinson, by, Catherine the Great, Empress of Russia, [London 1773], mezzotint, 41cm x 32.5cm, cropped with loss of all lettering and publication details; Simon François Ravenet (1706- c. 1764), after Richard Dalton (1715-1791), Servus cultellum acuens et auscultans, [London 1745], etching and engraving, 33cm x 37.5cm, cropped with some loss of lettering and publication details; others, including further Old Masters, anatomical studies, portraits, architecture, antiquities; etc., [collection]
Lot 525
WILLIAM LEE HANKEY WRS WI WOI RE NS (1869-1952); a signed dry point etching, 'Consolation', bears blind stamp with Wendy J Levy label verso, 16.4 x 21cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 176
Raymond Pettibon (American B.1957) We are drawn . . . , 1992 Signed, numbered 62/80 and dated '92 in pencil to margin, etching and aquatint (Dimensions: 64.5cm x 39.5cm (25.5in x 19.5in))(64.5cm x 39.5cm (25.5in x 19.5in))Footnote: Provenance: Galerie Krinzinger , Vienna. From a private collection of Contemporary Art & Photography. This artwork is sold with accompanying certificate from the gallery.
Lot 185
§ Eliza Kopec (Dutch Contemporary) Infante Margaret's Difficult Choice Mixed print (etching, aquatint, woodcut), 1993, 6/20, signed, numbered, titled and dated in pencil to margin (Dimensions: 82cm x 52cm (32.25in x 20.5in) and another, a signed etching and aquatint by Leyender Kuss (2))(82cm x 52cm (32.25in x 20.5in) and another, a signed etching and aquatint by Leyender Kuss (2))Footnote: Provenance: ING Art Collection From a private collection of Contemporary Art & Photography.
Lot 20
§ Henry Moore O.M., C.H (British 1898-1986) MOTHER AND CHILD XVII, FROM MOTHER AND CHILD Etching and aquatint with roulette, 52/65, signed in plate, signed, numbered and inscribed 'Pl XVII' in pencil to margin (Dimensions: 51cm x 43cm (20in x 16.75in), full sheet)(51cm x 43cm (20in x 16.75in), full sheet)
Lot 75
§ Kerstin Heymann (German Contemporary) Against All Odds Etching and aquatint, 3/10, signed, dated '99 and inscribed in pencil to margin (Dimensions: 77cm x 96cm (30.25in x 37.75in))(77cm x 96cm (30.25in x 37.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 79
Seiko Kawachi (Japanese B.1948) Untitled Etching and aquatint, 1980, 24/30, signed, dated, inscribed and numbered in pencil to margin (Dimensions: 66cm x 96cm (26in x 37.75in), full sheet)(66cm x 96cm (26in x 37.75in), full sheet)Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 82
§ Dominic Willsdon (British Contemporary) I miss the light northern rain, i miss the seasons Etching and aquatint, 4th state, signed and inscribed 14.1.92 in pencil to margin (Dimensions: 81cm x 60.5cm (31.75in x 23.75in))(81cm x 60.5cm (31.75in x 23.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
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71174 item(s)/page