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Lot 15
A porcelain coffee cup, late 18th century, probably Chinese porcelain but European decorated, painted in polychrome with a scene of a cockerel, hen, other birds and flowers, the cup with a distinctive wishbone handle, unmarked, 6.5cm high Footnote: We believe this cup to be a Chinese-made, European decorated replacement for a missing or broken piece from a Meissen or similar service. The scene of a cockerel with a hen and flowers, is based on a print originally by Francis Barlow (1626 - 1704), an influential English painter, etcher and illustrator. See included image taken from The Online Tate Gallery; 'After Francis Barlow, 'Cock; Hen; Chicken; Dove', date not known, engraving and etching on paper' for a similar design and inspiration of the theme.
Lot 183
An unusual Caughley tea bowl, circa 1790, printed in underglaze blue with the Travellers Print, featuring a secondary print of a mother, child and dog in a landscape, below an associated double line border, unmarked, 8cm diameter See CB&W, p.63 for a discussion of this pattern, where the author notes that this print was based upon an etching by Paul Sandby RA (1731-1809). That this print is slightly unclear may be down to the re-cutting of the engraved plate.
Lot 44
J FAIRBURN (Pubs) `A Total Eclipse`, etching, hand-coloured by Marks c.1820, 33 x 23cm; and two further relating to the Queen Caroline affair (1820-1821) to include - `Bergamy Pears Prefer`d to Windsor...`, 20 x 31cm and `Moment of Recreation and Present Reflection`, 20 x 31cm, each published by Fores (3) Prov: The Rutland Gallery Exhibition `The Queen Caroline Affair 1820-1821`, 15 June to 3rd July 1970 Nos. 12, 21 and 44 and sold together with exhibition catalogue
Lot 70
ALEXANDER J. HEANEY (Exh. 1914-29) `Coach and Horses near King Street, Bristol`, etching, pencil signed in the margin and dated 1912, 28 x 33cm; and two further etchings by the same hand to include `College Green, Bristol` and `Queen Square, Bristol`, also pencil signed in the margin, 25 x 35cm and 24.5 x 35cm respectively (3)
Lot 71
ALEXANDER J. HEANEY (Exh. 1914-29) `Old Market Street, Bristol`, etching, pencil signed in the margin, 30 x 22.5cm; and two further etchings by the same hand to include - `Cabot Cafe, College Green, Bristol` and `Figures in a Street outside George`s Old Beers, Ales and Stout`, both pencil signed in the margin, 35 x 24cm and 25 x 17cm respectively (3)
Lot 277
AFTER CHRISTOPHER PENNY "St. Julitta Church with cattle in foreground", etching and aquatint, limited edition No'd. 17/150, titled and signed in pencil bottom right, bears "Christie's Contemporary Art" labels verso, together with AFTER STAN ROSENTHAL "Porthgain", seriegraph, limited edition No'd. 25/250, signed in pencil and another "Poppy Cottage", limited edition No'd. 23/250, signed in pencil (2)
Lot 300
AFTER FELIKS TOPOLSKI "Trooping the Colour", colour print, limited edition No'd. A78/100, signed in pencil, bears "Christie's Contemporary Art" label verso, together with LINDA KITSON "Card game RAF San Carlos 10-12pm June 5th 1982", mixed media, and AFTER KATHLEEN CADDICK "Snow on the Pennines", etching, limited edition No'd. 293/350, titled, numbered and signed by the artist in pencil CONDITION REPORTS Light general wear and dirt. Scratches to frames. Overall appear in reasonably good condition.
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