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Click here to subscribeAcrylic On Canvas By Pooja Shah Abstract Acrylic Painting With Texture From The Etching In Of Marks In The Under Layers On Gallery Wrapped Canvas With A Gloss Varnish 126 x 96cm Pooja Shahs Unique And Fresh Style Uses A Lot Of Colour, Silhouettes, Sometimes Geometric Designs, And A Lot Of Different Art Styles That Range From Street Art To Cubism To Create Absolutely Unique And Fresh Art Pieces
Framed Art Valerie Christmas Titled Fan Tails Limited Edition 10/200 Signed In Wood Glazed Frame 35 x 28cm Valerie Was Born In Surrey. She Studied Drawing And Book Illustration For Four Years At The Wimbledon School Of Art And Gained Entrance To The Royal College Of Art, London From Which She Graduated With An Honours Degree In Painting. After Moving With Her Family To Dorset, Valerie Began Studying Etching At The Bournemouth And Poole School Of Art And Design While Also Working As An Art Teacher. Her Work Was Exhibited At The Royal Academy Summer Exhibition And Because Of The Success She Took Up Etching Full Time.
Framed Art Valerie Christmas Titled Puffins Artist Proof In A Distressed Wood Glazed Frame 25 x 25cm Valerie Was Born In Surrey. She Studied Drawing And Book Illustration For Four Years At The Wimbledon School Of Art And Gained Entrance To The Royal College Of Art, London From Which She Graduated With An Honours Degree In Painting. After Moving With Her Family To Dorset, Valerie Began Studying Etching At The Bournemouth And Poole School Of Art And Design While Also Working As An Art Teacher. Her Work Was Exhibited At The Royal Academy Summer Exhibition And Because Of The Success She Took Up Etching Full Time.
Acrylic On Canvas By Pooja Shah Abstract Acrylic Painting With Texture From The Etching In Of Marks In The Under Layers On Gallery Wrapped Canvas With A Gloss Varnish Signed Verso 125 x 65cm Pooja Shahs Unique And Fresh Style Uses A Lot Of Colour, Silhouettes, Sometimes Geometric Designs, And A Lot Of Different Art Styles That Range From Street Art To Cubism To Create Absolutely Unique And Fresh Art Pieces
Richard Smith (British, 1931-2016)IV from Proscenium Suite, 1971 Signed, dated and inscribed 'AP 4/10, for Terence for your birthday'EtchingSheet 77.5 x 58.5cm (30 1/2 x 23 1/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)The Glass Mountain Shattered, from Illustrations for Six Fairy Tales from the Brothers Grimm (M.C.A Tokyo 98; S.A.C 101) Etching and aquatint, 1969, on Hodgkinson handmade paper, signed in pencil, a proof aside from the edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with wide margins, pale light staining, in overall good condition, framedPlate 23 x 27cm (9 x 10 5/8in.); Sheet 42.5 x 40.1cm. (16 3/4 x 15 3/4in.)Footnotes:Provenance: Christie's, 20th Century Prints, London, 15 June 2000, Lot 122.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ben Nicholson O.M. (British, 1894-1982)Still Life in Blue, 1968 Signed and dated in pencilEtching in coloursPlate 26.5 x 12.5cm (10 7/16 x 4 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Richard Smith (British, 1931-2016)VII, from 'Butterfly Suite' Etching and aquatint printed in colours, 1972, on wove paper, signed, dated and numbered 2/40 in pencil, printed by White Ink Studio, London, published by Waddingtons, London, the full sheet, 64 x 92cm (25 1/4 x 36 1/4in)(SH)(framed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
* Military Pictures & Prints. A collection of military prints and watercolours, mainly later 19th and early 20th century, including two original watercolours of WWI battle cruisers by l. Lake (H.M.S.Cameleon and H.M.S. Cochrane, the first signed to lower right corner, 12.5 x 18 cm (5 x 8 ins) and slightly smaller, both framed and glazed, a large tin advertising chromolithograph or the N.Y.K. Far East to Europe-America-Australia, chromolithograph printed on tin after Charles Dixon, printed by Sir Joseph Couston & Sons, circa 1920s, rubbed and some marks, with art deco outer border design, 72 x 96.5 cm (28 1/4 x 38 ins), Horse Artillery in Action, by W. Simpson after Captain G. F. Atkinson, circa 1850s, colour lithograph, etching with drypoint by Maurice Milliere depicting studies of the heads of Indian soldiers, signed, and numbered 36 to lower left corner (some toning), a late 19th-century oil portrait of an Officer in blue uniform (possibly painted over a photograph), three framed pictures of silk samples of orders, decorations and medals of the British Empire, early to mid-20th century, mostly framed and glazedQTY: (24)
* Duclos (Antoine Jean, 1745-1801). L’Événement au Bal (from the series Monuments du Costume Physique et Morale de la fin du dix-huitième siècle), after Sigmund Freudenberger, 1774-1776, etching, completed with the burin by Ingouf, on wove paper, laid onto a support sheet, retaining the decorative border at right and bottom, trimmed to the image at top and left; together with Le Coucher, trimmed to the subject on three sides, retaining text at bottom, plus Lingée (Charles-Louis, 1748-1819), L’Occupation, retaining a decorative border to the right and text at bottom, the latter two unexamined out of the frames, averaging sheet size 34.5 x 23.5 cm (13 1/2 x 9 1/4ins), in gilt frames, 52 x 38.5 cm, and 7 others including: two mezzotints by J.M.W. Turner, from the Liber Studiorum: Peat Bog, Scotland, & The Leader, Sea Piece (with long closed tear extending 12mm into image, neatly repaired on verso), and two modern re-strikes of etchings by Piranesi: Veduta interna della Basilica di S. Pietro in Vaticano & Veduta dell' esterno della Gran Basilica di S. Pietro in Vaticano, etc., sheet sizes 51.6 x 71.9 cm and smallerQTY: (6)
* Squirrell (Leonard Russell, 1893 - 1979). Grain Store, uncoloured etching, signed in pencil by the artist to the lower right, 280 x 280 mm, mounted, plus another etching by the same artist of a harbour scene, together with Nicolson (John, 1891 - 1951). The Retriever, uncoloured etching, signed in pencil by the artist to the lower left, and a further eight etchings by the same artist of rural scenes and domestic animals, plus one other signed marine etching, various sizes, good conditionQTY: (12)
* Havell (Daniel). Mucculla in Abyssinia [and] The Town of Abha in Abyssinia, William Miller 1809, a pair of aquatints after Henry Salt, both with contemporary hand colouring, 'The Town of Abha' mount stained and toned overall, each approximately 465 x 615 mm, together with Merke (H.). Thebet Mountains, Edward Orme, 1804, aquatint after W. Daniell with contemporary hand-colouring, some marginal staining, occasional marginal closed tears, but not affecting image, 340 x 445 mm, with Aglio (A.). Exterior View of the Two Temples at Ybsambul, John Murray, 1820, etching after G. Belzoni, with contemporary hand colouring, one long closed tear affecting the printed image, the whole laid down on to later card, slight mount staining, 430 x 560 mmQTY: (4)NOTE:The first two engravings were originally published in 'Twenty-four Views in St. Helena, The Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt'. Abbey Travel II, 515 numbers 18 & 19.
* Hogarth (William, 1697-1764). Hudibras, the full set of 12 plates, circa 1735, twelve uncoloured engraved & etched plates, the second state, published by P. Overton, near St. Dunstans Church in Fleet Street, each print laid on later card, slight staining, some restoration to the image and margins of plate 8, some restoration to the image on plate 9, some restoration to the upper right margin of plate 10, smaller plates 260 x 350 mm, larger plates 265 x 505 mm, uniformly mounted, together with Cruikshank (George). Monstrosities of 1825, Thos. McLean, August 1st 1835 [but slightly later], hand-coloured etching, 255 x 395 mm, mountedQTY: (13)NOTE:Paulson, 73 - 84, state 2. The second state of this work is identifiable by the retention of P. Overton as the publisher but the removal of J. Cooper on the publication line. A few plates show the 'ghosting' where Cooper's name has been removed.
Salvator Rosa, Italian 1615-1673- Men talking; etching, with artist's monogram within the plate, 14.8 x 19.4 cm.: After Dante Gabriel Rossetti, British 1828-1882- Study of a woman with flowers; lithograph, 33.5 x 24.5 cm.: John Cousen, British 1804-1880- Evening in the meadows, after Thomas Sidney Cooper; engraving, 18.5 x 25.3 cm.: British School, mid/late 19th century- Design for a stained glass window; pen and black ink, watercolour, and bodycolour on paper, inscribed 'Lavers Westlake / London' to the reverse of the card, 25.7 x 15.3 cm.: Italian School, 17th century- Allegorical figure; woodcut, 15.7 x 12.1 cm. (5) (part unframed) Rosa: Framed, mounted, and glazed. Unexamined out of frame. General scuffs and marks to the frame. Marks of surface dirt and possible very light foxing to the sheet. Rossetti: Browning and foxing to the sheet. Evening in the meadows: The print has been cut down and stuck onto card. Spots of foxing throughout the sheet. General dirty marks to the sheet. Stained glass window: The sheet is stuck down on card. Discolouration, foxing, and general dirty marks to the sheet. Allegorical figure: The sheet is stuck onto card at the upper corners. Discolouration to the sheet, alongside spots of foxing and possible light creasing. Otherwise in fair condition overall.
Giovanni Battista Piranesi, Italian 1720-1778- Veduta del Ponte Ferrato; etching, 39.5 x 60 cm. Framed and glazed. Unexamined out of frame. General marks and scuffs to the frame. The sheet appears to be cockling slightly within the frame. Evidence of creases and spots of foxing to the sheet in areas. A significant vertical crease in the centre of the sheet. Evidence of a possible tear to the sheet towards the upper edge. Otherwise in fair to poor condition overall.
John Sell Cotman, British 1782-1842- Part of East Barsham House; and Thorp Chapel St Michael's Church in Coslany, Norwich; etchings, 30.5 x 22.8 cm. and 30 x 43 cm. respectively: Joseph Constantine Sadler, British 1780-1812- Cambridge from the Ely Road; and Prison and Castle from the Huntingdon Road; etching and aquatints with hand-colouring, each 25 x 30 cm.: Edward Goodall, British 1795-1870- Norwich, from Butter Hills; hand-coloured engraving, 12.6 x 15.2 cm.: George Walter Hagreen, British 1811-1866- King Street Gate, Outside; hand-coloured engraving, 12.8 x 16 cm.: Paul Gauci, British c.1800-c.1855- Norwich Cathedral; hand-coloured lithograph, 31 x 22 cm.: Charles Joseph Hullmandel, British 1789-1850- Cartmel Priory; lithograph, 20 x 30.4 cm. (8) All framed and glazed, all unexamined out of frame. Chips, marks, and scuffs to the frames. East Barsham House: Significant browning to the sheet generally, alongside spots of foxing. Thorp Chapel: Discolouration/damage to the sheet - possible water damage. Evidence of light foxing. Cambridge from the Ely Road: Significant browning/discolouration to the sheet, and spots of foxing. Prison and Castle: Significant browning/discolouration to the sheet, and spots of foxing. Norwich, from Butter Hills: Evidence of discolouration/browning to the sheet, particularly towards the edges. Possible light dirty marks/spots of foxing in areas. King Street Gate: Possible very light spots of foxing in areas. Norwich Cathedral: The sheet appears to be firmly stuck down. Spots of foxing to the sheet generally. Cartmel Priory: Spots of foxing across the sheet. Evidence of water damage to the edges. Otherwise in fair to poor condition overall.
Hans am Ende, German 1864-1918- River landscape with trees; etching, signed and indistinctly inscribed in pencil, 40.7 x 57.5 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Evidence of water damage to the outer corners of the mount. Signs of browning/discolouration to the sheet. Evidence of foxing in areas across the sheet. Small areas of abrasions and very small losses in places. Marks and surface dirt generally. Otherwise in fair condition overall.
Eugene James Tily, British 1870-1937- St James's Park, after Edward King; etching printed in colours, signed by the printmaker and the artist in pencil within the plate, published in 1925 by the Museum Galleries, London, bears publisher's blindstamp, bears inscribed label from the Museum Galleries to the reverse of the frame, 27.5 x 37.5 cm Please refer to department for condition report
‡Leonard Squirrell (1893-1979) Carter's Mill, Wrentham; Young boy on a country path; Quiet Noon, Southwold; Children on the beach; Road on the Heath Five, each signed Leonard R Squirrell, two inscribed with title and one numbered 1740 (in pencil to margin) Each etching Largest 20.3 x 31.6cm; Smallest 16.4 x 21.1cm Three unframed (5)
Théo van Rysselberghe (Belgian 1862-1926) Flotille de Pêche (The Fishing Fleet) Signed with monogram and inscribed épreuve d'essai - no 1 (in red crayon to margin) Etching and aquatint, c.1984 22.7 x 28.2cm (plate) Provenance: William Weston Gallery, London, where purchased by the present private collector, 1999
‡Patrick Procktor RA (1936-2003) And ice, mast-high, came floating by, As green as emerald; The very deep did rot Two, both signed and inscribed Artist's Proof Patrick Procktor (in pencil to margin) The former aquatint, the latter etching and aquatint, 1976, from 'The Rime of the Ancient Mariner' series Each 65.5 x 49.9cm (sheet) Unframed (2)
‡Patrick Procktor RA (1936-2003) Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APIV Patrick Procktor (in pencil to margin) Two etching and aquatint, two aquatint, 1976, from 'The Rime of the Ancient Mariner' series Three approx 32 x 24cm; one 24.2 x 31.5cm (sheet) Unframed (4)
‡Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Nun's Priest's Tale (Wiseman 66) Signed, numbered and inscribed 50/50 The Nun's Priest's Tale Frink (in pencil to margin) Etching and aquatint, from 'The Canterbury Tales II' series, 1972 79.4 x 58.1cm (sheet) Provenance: Possibly Waddington & Tooth Galleries, London (their label as 'The Pardoner's Tale'); Redlynch House, Salisbury, Wiltshire
‡Annapia Antonini (Italian b.1942) Nature morte à la table Signed and inscribed E/A I/X Nature morte à la table A. Antonini (in pencil to margin) Etching and aquatint 24.9 x 32.5cm Together with F. M. Garrett Brown; Landscape with a caravan by a farm; Signed F.M. Garrett Brown (in pencil to margin); Etching; 15 x 25.4cm (plate); Unframed; British School Early 20th Century; Windmill; Indistinctly signed (in pencil to margin); Etching; 16.3 x 18.9cm (plate); Unframed; J. Willis; Windmill at Cley; Signed, inscribed and dated Cley JerWillis 34; Etching; 22.9 x 27.9cm (sheet); Unframed; and British School 1925; The Moot Hall Aldeburgh; Indistinctly signed, inscribed and dated The Moot Hall/Aldeburgh 1924/XY (in pencil); Engraving; 23.4 x 20.3cm (plate) (5)
δ Victor Pasmore (1908-1988)Blue Ocean (Lynton G.79)Etching and aquatint, 1992, signed with initials and dated in pencil, numbered from the edition of 90, printed by Vigna Antoniniana Stamperia d'arte, Rome, with their blindstamp, co-published by Marlborough Graphics Ltd, London, and 2RC Edizioni d'arte, Rome, with 2RC blindstamp, on Fabriano paper, with full margins, sheet 640 x 880mm (25 1/4 x 34 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bill Jacklin (b. 1953)Bathers IVEtching with aquatint, 1992, signed and dated in pencil, numbered from the edition of 30, with Branstead Studio blindstamp, on wove paper, with full margins, sheet 570 x 660mm (22 1/2 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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![* Havell (Daniel). Mucculla in Abyssinia [and] The Town of Abha in Abyssinia, William Miller 1809, a pair of aquatints after](https://cdn.globalauctionplatform.com/f2d55b0d-bea0-4ba1-96c5-af5f00b8a264/898f9d33-c831-4136-8493-af5f011e1c89/468x382.jpg)
