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Lot 142

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dock Scene, 13” x 10”, unframed.

Lot 147

ALFRED BENTLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Mouth of the Highlands, 9 ½” x 18”.

Lot 148

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “A Dutch Mill”, 11 ½” x 9 ½”, unframed.

Lot 149

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Chelsea Old Church”, 3 ½” x 6”, unframed.

Lot 149A

DAME LAURA KNIGHT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Bare Back Riding”, 10” x 5”.

Lot 150

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Albi”, 9” x 14”, mounted but unframed.

Lot 151

E S LUMSDEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Lamayuru” 8” x 12”, mounted but unframed (A/F).

Lot 152

JOHN TAYLOR ARMS, ARE, SIGNED AND DATED 1937 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (EDITION OF 109), “Oviedo, The Holy”, 12” x 4”, mounted but unframed.

Lot 153

PAUL DRURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), Head of a Young Woman, 6” x 4 ½”, mounted but unframed.

Lot 154

L C ROSENBERG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE DRY POINT ETCHING, “Rue du Pont Vieux, Nice”, 8 ½” x 5”, mounted but unframed.

Lot 155

C W TAYLOR, ARE, SIGNED IN PENCIL TO MARGIN, LINE ENGRAVING AND ETCHING (FOR THE PRINT COLLECTORS CLUB), “Before Burford”, 8” x 6”, mounted but unframed.

Lot 160

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The White Mill, Canterbury”, 5 ½” x 7 ½”; together with SIR FRANK SHORT, SIGNED AND DATED 1883 IN PLATE, BLACK AND WHITE ETCHING, “Venetian Lamp”, 9” x 5” (2).

Lot 161

LEONARD RUSSELL SQUIRRELL, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Footbridge at Blakeney”, 6 ½” x 10 ½”, mounted but unframed.

Lot 163

STANLEY ANDERSON, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FROM AN EDITION OF 109 FOR THE PRINT COLLECTORS CLUB), “The National Gallery”, 8 ½” x 11”.

Lot 164

EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene, 5” x 3 ½”; together with three further ETCHINGS by different hands (4)

Lot 165

F L GRIGGS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “Laneham”, 5” x 4 ½”.

Lot 166

SIR WILLIAM RUSSELL FLINT, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, “A Venetian Brazier”, 4 ½” x 8”.

Lot 167

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Blakeney Quay”, 6 ½” x 10”.

Lot 168

ANDREW A AFFLECK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Venetian Waterway, 8” x 12”.

Lot 186

ONE VOLUME: MASTERS OF ETCHING – ARTHUR BRISCOE, PUBLISHED 1930 BY THE STUDIO LIMITED, featuring 23 black and white plates, overall size 9 ½” x 12 ½”.

Lot 200

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Right of Way” (1903), 14 ½” x 19”; together with WALTER DENDY SADLER, ENGRAVED BY W BOUCHER, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Hearts are Trumps” (1892), 14 ½” x 20” (both mounted but unframed) (2).

Lot 201

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Joy in Remembrance” (1912), 15” x 11”; together with WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “From Overseas” (1919) (2).

Lot 202

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO THE MARGIN, TWO BLACK AND WHITE ETCHINGS, “Memories Garden” (1911) and “The Moon is not Seen when the Sun is Up (1921); together with WALTER DENDY SADLER, ENGRAVED BY WALLACE HESTER, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Boon Companions” (1920), assorted sizes (3).

Lot 203

E BUCKMAN, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, Inscribed “A Tug of War – English V Scotch”, 6” x 31”, rolled, unframed (A/F)

Lot 204

ROBERT WALKER MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Fisherfolk on a Pier, 13” x 19” and TWO FURTHER SIGNED SEPIA ENGRAVINGS, various sizes, unframed, rolled (3)

Lot 250

RICHARD FOSTER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (33/75) BLACK AND WHITE ETCHING, Inscribed “Castle Acre”, 3” x 9”; plus two further PRINTS (3)

Lot 256

DOROTHY BORDASS, SIGNED AND DATED ’73 IN PENCIL TO MARGIN, TWO LIMITED EDITION (5/7 OF 50), ETCHING AND AQUATINTS, “Persian Peacock I” and Persian Peacock II”, 5” x 10”, unframed (2).

Lot 276

VALERIE THORNTON, SIGNED AND DATED ’82 IN PENCIL TO MARGIN, LIMITED EDITION (35/50), COLOURED ETCHING, “Blythburgh”, 8” x 14”.

Lot 277

JOHN BRUNSDON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/175) COLOURED ETCHING, Inscribed “Castle Howard Temple of the Four Winds”, 4 ½” x 11”; together with BEVERLEY KIBBEL HORNER, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Inscribed “Helston Estuary”, 5” x 5” (2).

Lot 303

M A JEFFRIES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/4) COLOURED ARTIST’S PROOF ETCHING, “Joe”, 10” x 14”

Lot 319

CECILIA EVANS, SIGNED AND DATED 2007, LIMITED EDITION (1/5) COLOURED ETCHING, “Entropy No 2”, 18” x 16”.

Lot 332

AFTER H ALKEN, ENGRAVED BY I CLARK, SET OF FOUR HAND COLOURED ENGRAVINGS (ORIGINALLY PUBLISHED 1820), “Fox Hunting”; together with AFTER J BARRENGER, ENGRAVED BY J SCOTT, SET OF FOUR HAND COLOURED ENGRAVINGS (ORIGINALLY PUBLISHED 1817/18), “Breaking Cover”; “The Chase”, “The Death” and “Going into Cover”; plus ONE FURTHER ETCHING AFTER ALKEN, assorted sized (9).

Lot 357

LUCY KEMP-WELCH AND M KEMP-WELCH, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (PUBLISHED 1907 BY THE FINE ART SOCIETY), Farmworker with Horses, 14” x 18” .

Lot 1376

A 19thC coloured aquatint of Grantham published circa 1804 by Woodfall together with a coloured etching after Charles Rowbotham - gathering seaweed and an early 20thC landscape signed with monogram, framed and glazed (3)

Lot 605

JEAN-EMILE LABOUREUR (French, 1877-1943) `L`Attente` Waiting, 1st state etching, on cream laid paper, signed in ink and dated 1914 in plate, 16cm x 16.5cm

Lot 295

Maer Hall home of Josiah Wedgwood 19th Century English school oil on panel 9cm x 14cm also Emile Lessore self portrait etching, also a naive oil on canvas `Birth place of Josiah Wedgwood Churchyard house Burslem, also nine watercolours by B.J Hodgkiss of the Wedgwood factory. (12)

Lot 737

Hendrik Goltzius (1558-1617), Pietà, engraving, 1596, a fine impression of the second, final state, displaying brilliant contrasts, the proliferation of lines at the top well defined and clearly printed, inscribed `Proof Etching 96` in pencil within the bottom margin, with `Robert Balmanno F.S.A. London 1828` written in ink on verso, plate size 19 x 13cm.; 7.5 x 5.25in.

Lot 739

After William Hogarth (1697-1764), "A Midnight Modern Conversation", 1732-33, hand coloured etching with engraving, with margins, plate size 34.5 x 47cm.; 13.5 x 18.5in, together with another, after Thomas Rowlandson (1756-1827), "Lord Barrymore`s Four-in-Hand", hand tinted aquatint, plate size 17 x 22.5cm.; 6.75 x 9in (2).

Lot 429

After Piranesi. Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori, etching, 17cm x 29cm, framed and glazed.

Lot 452

Ed Burrow - Old School Building, Grantham, drypoint etching, framed and glazed, 36cm x 32cm.

Lot 1198

A framed Mirror with horse and carriage Etching

Lot 2001

Three Pictures, one a Seascape, one of boats in a harbour and the other an etching of London

Lot 2143

A signed Etching by L. Russell Conway 1927

Lot 2144

A signed Etching `King Charles Tower - Chester`

Lot 2156

A framed and mounted etching "The unbirthday present" by Ernest Howard Shepherd.

Lot 71

JOSEPH.F. PIMM. Seven signed in pencil limited edition etching and aquatints on paper. Various Birmingham scenes, all numbered and inscribed in margins (7). 5" x 7" average.

Lot 139

ARCHIBALD STANDISH HARTRICK. Unframed, signed in pencil lithograph on paper, "Alms, Giving the Cart Bread, St Peter`s, Dunstable" together with JOHN FREDERICK GREENWOOD. Unframed, signed in pencil limited edition etching on paper 3/50, deer in a highland landscape "The Challenge" (2) 17" 11 1/4" and 10 1/2" x 16 3/4"

Lot 240

Various framed picture and prints, including a W.F.Crittall etching and plan of his house

Lot 82

W DOUGLAS MACLEOD Fisher Folk -Dunure Etching 17cm x31cm

Lot 86

ROWLAND LANGMAID Thames Shipping Scene Etching 19cm x 30cm

Lot 281

ARTHUR BRISCOE Dunkerque Etching, signed and dated `37, 16cm x 27.5cm

Lot 285

MUIRHEAD BONE Dancing at the Apoiles Fiesta Santiago Etching, signed in pencil, 16cm x 19.5cm

Lot 300

After Percy Kelly, Landscape with Houses, signed in pencil, Artist`s proof etching, 21cm by 39cm

Lot 307

After Valerie Thornton, Estella, etching and aquatint, signed in pencil, titled and numbered 52/70, 48cm by 31.7cm

Lot 517

Hugh Hughes `The pleasures of the rail-road - caught in the railway!`, hand coloured etching, published London 1831, 22.5cm x 33.5cm

Lot 314

A set of 8 green wine goblets with delicate vine leaf etching on flared and ribbed bases with a narrow ribboned band, 3 other small green glass cordials and a decanter (as viewed, severely damaged)

Lot 340

An etching of The Landgate, Rye, Sussex, and further pictures and prints

Lot 361

WINIFRED AUSTEN. Woodcock, original etching, pencil signed, with paper damage in top right margin corner, Pl. 10 x 8 in; and three other etchings by the same engraver depicting Mallard, Red Grouse and Goldeneye (4)

Lot 409

E Sharland - `The Rose Window of Rheims` - artist proof etching - 52x31cm - signed in pencil to the mount.

Lot 1303

WILLIAM BLAKE ETCHING. "The Life, and Posthumous Writings of William Cowper..." Vol 2 with etched portrait of Cowper by Blake cont cf det, 4to, Chichester, 1803 clean good condition; plus other antiquarian. TWO BOXES.

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