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William Lionel Wyllie (British, 1851-1931) - 'Loch Fyne, Fishing Boats'Pencil signed etching, bears label verso 'From Robert Dunthorn The Rembrandt Gallery, 28 Castle Street, Liverpool, presentation copy from The Collection of the late F. Goulding of London', approx 22x30cm, mounted and framed.
Sarondi?? Unclear, 18th C, view of a hilltop town and buildings with river to foreground, 32 x 27cm, Max Zimmermann etching (18)44, pond landscape with deer, 13 x 18cm, 18th C watercolour study of a cuckoo, continental signed lakeside study of boats, oil on card, c. 1900, 18 x 28cm, and a gold leaf abstract geometric composition, 46 x 60cm (5)
THE DAVID BOWIE ARCHIVE - An incredible selection of 18 x LPs and 1 x 12" presented in wonderful condition. Titles include Low (PL12030 original stickered track listing - archive vinyl appears unplayed/Ex+ sleeve with insert), Diamond Dogs (UK APLI-0576 A-1owy/B-1owy - archive vinyl without spindle markings indicated this is an unplayed copy/Ex+ gatefold), Heroes (1st UK PL 12522 'DAVES RCA' etching A-3E/B-5E, archive vinyl that looks like it has just come off the pressing plant with 'excess' vinyl on the outer rim/Ex+ or archive sleeve, incredible copy with insert), The Man Who Sold The World (LSP-4816 1E/2E original UK - archive vinyl with poster/Ex+ sleeve very clean indeed), Space Oddity (RCA issue UK LSP 4813 A-4E/3E archive vinyl that appears unplayed with lack of spindle wear/Ex+ immaculate with poster), Ziggy (Mainman sleeve SF 8287 archive copy with lyric inner), Let's Dance (AML 3029 printed inner factory sample sticker on sleeve and picture disc AMLP 3029), Hunky Dory (SF 8244 5E/3E, archive vinyl that once again appears to be unplayed without markings/Ex+ sleeve with insert), Young Americans (RS 1006 6E/3E - archive/strong Ex), Pinups (RS1003 3E/3E, similar 'untouched' archive vinyl/Ex+ sleeve, fold on insert), Changes One (RS1055 3E/5E) and Scary Monsters (BOWLP2 still in shrink). Condition of the records is Ex+ or archive with the sleeves Ex to Ex+/archive. This won't be seen again.( VINYL RECORDS )
A Vic 1845 pattern officer’s sword of The 85th (The King’s L. Infantry) Regt, slightly curved, fullered blade 32½”, faintly etched with crowned VR cypher on both sides with strung bugle and “85” on one side and “85 Regt” on the other, in scrolled panels, with maker’s name “Tatham 37 Charing Cross” and “Warranted Proved” in scrolls at forte, regulation brass hilt with turn down inner portion, stepped pommel, ornamental backstrap, wirebound grip, in steel scabbard with 2 rings. Basically GC (blade worn and cleaned, much of the etching unclear).
A 20th century drawing of female nude figures carrying hoops, with initials J.C.G, 42 by 56cm, together with 'Jean de Gale', a head and shoulder portrait, chalk and pastel, 24 by 16cm, B. Johnson: 'St. Paul's Cathedral, acrylic on paper, signed lower left, 16 by 23cm, and Maurice Moeri: an artist's proof coloured etching of a bird, in tropical coastal scene, titled 'New World', signed Moeri, 20 by 22cm. (4)
A selection of pictures including JW King: The Castle Hill, Scarborough, a print signed to the plate, a watercolour of a couple boating in the English countryside; a second similar with mountains to the background, an etching of a market town clock tower, and a map of Africa,44 by 34cm, and smaller (5)
Sir Frank Short R.A., P.R.E., (1857-1945), "Kinver Edge and Black Country", signed lower right, watercolour framed. 20.5cm by 27cm. Note: Short originally trained as an engineer before pursuing a career as an artist after studying in London at South Kensington and the Westminster Schools of Art. He is best known as a master print maker specialising in mezzotint, aquatint and etching. He was however a gifted watercolourist, particularly later in life and the subject work probably dates from the period 1920-30. He exhibited at the Royal Academy between 1885 and 1904. He won two gold medals for engraving at the Paris Salon in 1889 and 1900. Soon after this he became a teacher of etching and was professor of engraving at the Royal College of Art between 1913 and 1924. He was elected a member of the Royal Society of Painter-Etchers and Engravers (now the Royal Society of Painter-Printmakers) in 1885, becoming its President between 1910 and 1938. Short was Master of the Art Workers' Guild in 1901and an Associate Member of the Royal Academy in 1906, where he became Treasurer in 1919 until 1932. He was knighted in 1911 and was elected a member of the Royal Institute of Painters in Watercolours in 1917.
Continental School in the style of N Poussin, Diana the huntress and other mythological figures in an Arcadian landscape, oil on canvas, together with a further oil on canvas landscape fragment and an etching depicting the Loggia della Signoria, Florence signed Hedley Fitton, 62cm by 88cm, 92cm by 71cm & 54cm by 35cm respectively (3)
Percy Robertson ARE (1868-1934) ''Brasenose...Oxford'' Inscribed with title in pencil, etching together with five etchings by the same artist ''St Martins Church'', ''The portico, St Martin in the Fields'', ''Hyde park Corner'', a further view of St Martin in the Fields and a view of a statue before a building in a park 25cm by 39cm, 28cm by 23cm, 31.5cm by 24cm, 22.5cm by 29cm, 21cm by 26cm and 21cm by 26cm respectively (sh) unframed (6)
Percy Robertson ARE (1868-1934) ''Magdalen Bridge, Oxford'', signed and inscribed in pencil, etching, together with a further five unframed etchings by the same artist including: ''Gloucester Cathedral'', two views entitled ''Rye, Sussex'' depicting The estuary at low tide and The harbour at low tide and ''Yarmouth'', 26cm by 34cm, 23cm by 29cm, 28cm by 38.5cm, 24.5cm by 34cm and 18.5cm by 32cm (sh) (5)
~ Lionel Townsend Crawshaw BA, LLM, RSW (1864-1949) ''Toilers of the Sea'', signed and inscribed in pencil, etching, together with a further signed example by the same hand, depicting children frolicking in the sea, possibly before Whitby Pier, together with two further etchings by J.Barrie Robinson ''A Corner of Runswick'' ''Staithes Yorkshire'' and a further signed and inscribed etching by John Atkinson, ''Ugthorpe Mill'', 8cm by 12cm, 6.5cm by 11cm, 19cm by 12cm, 22.5cm by 16cm and 20cm by 30cm respectively (5)
~ William Lionel Wyllie RA (1851-1931) ''Whitby, North Yorkshire'' Inscribed in pencil ''Trial Proof'', an etching, together with a further signed etching by the same hand ''Whitby'', 15cm by 19.5cm and 10.5cm by 32cm respectively (2) Provenance: For ''Whitby, North Yorkshire'', Chris Beetles Ltd. London. For ''Whitby'', The Horner Galleries, Sheffield
Gerald Leslie Brockhurst RA, RE (1890-1978) signed in pencil, etching, 14.5cm by 8cm The image depicts Anais Folin, the artist's first wife holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time.

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78388 item(s)/page