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Lot 413
George Vertue, British 1684-1756- "Henry Prince of Wales, Eldest Son of King James I" after Isaac Oliver in the collection of R. Meade MD; copper engraving, 30x19cm: George Vertue, British 1684-1756- "The Hon. Robert Boyle", After Johan Kerseboom; copper engraving, 38.5x24cm: Jacobus Houbracken, Dutch 1698-1780- "Sir Edward Coke, Lord Chief Justice" 1741; copper engraving, 39x24.2cm: Jacobus Houbracken, Dutch 1698-1780- "George Lord Digby, Earl of Bristol" After Van Dyck, 1738; copper engraving, 38x23.3cm: Edward Scriven, British 1775-1841- "The King of Rome", Publ. by John Murray London Feb. 1829; engraving, 14x19.5cm: Henri Charles Guerard, French 1846-1897- "Philippe Burty"; etching, 16x11cm: together with a quantity of other engravings by various hands, (a lot) (unframed) CONDITION REPORT: All prints are unframed most of the prints are suffering from discolouration either through staining, fadiing or being stuck down on wood backed boards. Some have creasing and insriptions on them Some have suffered from surface dirt round the edges Several have margins cut off None are in perfect condition
Lot 415
Giovanni Maria Cassini, Italian 1745-1820, after Vincenzo Brenna- 'Novus thesaurus gemmarum veterum ex Insignioribus Dactyliothecis Selectarum Cum Explicationibus ' Vol. II, 1797; etching, 40x28cm: together with 10 plates and one table of contents from the same series; etchings, 47x33cm (sheet) ea., (unframed) (11) CONDITION REPORT: Unframed and unbound. Frayed edges in accordance with being taken out of its binding Staining and tonal discolouration round edges of all plates. Handling marks Surface dirt visible on most plates. Inscibed in pencil recto on many of the plates. Some minor tears also present on a few sheets.
Lot 442
Sir David Young Cameron RA RE ROI RSA HRSW RWS, Scottish 1865-1945- "Stonehenge" 1928; etching, signed in pencil, 12.5x20cm: Sir Leslie Matthew Ward, Spy, British 1851-1922- "Rhinology" & "Larynology"; chromolithograph in colours, 37.5x25cm: together with a hand-coloured engraving of "St Thomas's Hospital", 17x21.5cm., (4) (may be subject to Droit de Suite) CONDITION REPORT: David Young Cameron in a silver on wood, glazed frame with cream mount. unexamined out of frame signed lower right - also printed signature in plate frame has sufrace dirt Otherwise print in very good condition Spy prints in black and gilded, glazed frames (dusty) unexamined out of frame possible time fading of colours otherwise in good condition St Thomas Hospital print in black and gilded, glazed frame with with cream mount and line details uhexamined out of frame hand-coloured some time fading discolouration/faint stainging of paper otherwise in good general condition
Lot 468
Donald Wilkinson, British b.1937- "Venice- Moorings towards San Giorgio"; etching and aquatint in colours, signed, titled and numbered 1/75, 52x48cm: together with four other prints by the same artist- "Venice towards the Salute", "Burgandy Landscape/Autumn", "Sunlight After Rain", "Edge of the Sunflower Field- Provence"; etching and aquatint in colours, signed, titled and numbered 2/75, 22/90, 56/90, 59/90, 52.5x48cm, 61x48cm, 50x48cm & 48x63cm respectively, (5) (in matching frames) (may be subject to Droit de Suite)
Lot 475
C R Stock, British 19th/20th century, After T N H Walsh- "We Shall do it Easily" publ. by R Dodson's Fine Art Gallery, 145 The Strand 1881; hand-coloured etching with aquatint, 47x83cm: together with one other hand-coloured etching with aquatint by the same hand after T N H Walsh entitled "The Last Change In", publ by R Dodson's Fine Art Gallery, 145 The Strand 1883, 47x83cm, (2) (in matching frames) CONDITION REPORT: In wooden with mottling, gilt edged, glazed frames with cream mounts and green detailing Unexamined out of frames a few minor scrates and scuffs on the frames prints might be slightly faded from light exposure round the edges hand-painted work has brightened the images considerably Otherwise in very good condition
Lot 519
Brenda Harthill, British b. 1943- "Elements XII"; etching and aquatint printed in colours on handmade paper, titled, signed and inscribed 'AP' in pencil, 30x21cm (may be subject to Droit de Suite) CONDITION REPORT: In a pale wooden glazed frame with floating mount No discernable defects In very good condition.
Lot 619
G Sibelius, late 18th century- "Acacia Legnota Pedley" from The Endeavour Botanical Illustrations, 1781, plate 89; hand-coloured etching in colours, 46x29.5cm: Len Tabner, British b.1946- "Lindisfarne- Dusk, From the Links Ridge"; lithograph, signed, numbered 11/12 and dated 1977 in pencil, 34.7x47.8cm, (2)
Lot 643
Ian Wilkinson, British b.1962- "Silent Passage"; etching and screenprint in colours, signed and dated 05, titled and numbered 2/8 in pencil, 64x61cm: together with three other etchings and screenprints in colours by the same artist- "Enclosure" & "Enemy of the the Night" and one untitled abstract, all signed and dated 05 & 07, two numbered 2/8 in pencil and one 10/25., 64x61cm, 58x58cm & 74x55.5cm., (4) (may be subject to Droit de Suite) CONDITION REPORT: Two larger prints in matching wooden, glazed frames with white mounts unexamined out of frame no discernable defects in very good condition Smaller print in black wooden frame (scratched), and glazed floating mount unexamined out of frame no discernable defects in very good condition In wooden, glazed frame with white mount unexamined out of framed signed lower left No discernable defects In very good condition
Lot 321
Graham Clarke, British b.1941- "Tour de France"; etching with aquatint and hand colouring, signed and numbered 299/300 in pencil, 17x13.5cm: together with two other etchings with aquatint and hand colouring by the same hand entitled "Nice Frame?" and "Aperitifs", both signed and numbered 20/75 and 21/75 in pencil, 14x10cm and 17.5x21cm, (3) (unframed) (may be subject to Droit de Suite)
Lot 363
Alison Neville, British b.1945- "The Ashmolean Museum" and "Magdalen Quad Oxford"; etching and aquatint in colours, two, both signed and titled, one numbered 14/50 and the other inscribed 'A/P' in pencil, 55.5x36.7cm: Brenda Hartill, British b.1943 - "Elemental Icon II", "Elemental Icon II", "Elemental Icon III" and "Elemental Icon IV"; collaged etching, four, ea. signed, titled and dated '95, and numbered 61/100, 98/100, 89/100, and 54/100 in pencil, 40.3x50.3cm: together with four screenprints in colour by Stephen Bartlett, British b.1942, and one etching and aquatint in colours by Mark Andrew Godwin, British b.1957, all depicting abstract compositions, various sizes, (11) (may be subject to Droit de Suite)
Lot 389
After Cecil Charles Windsor Aldin RBA, British 1870-1935- "The Huntsman", publ. Richard Wyman & Co, Bedford St, London, printer Goffart, Brussels; chromolithograph, signed within the plate, 26.8x69.8cm: John Brandard, British 1812-1863- "Lucile Grahn in Monsieur Perrot's Ballet of Catarina, Ou La Fille du Bandit" printed by M & N Hanhart, publ. Messrs Fores, 41 Piccadilly, London, April 21st 1846; hand coloured lithograph, 45.5x29.7cm: After Henry Thomas Alken, British 1785-1851- "The Meeting", publ. I W Laird, 1 Leadenhall St, London, 1841; hand coloured etching, 22.8x28cm (plate): together with a group of unframed newspaper clippings, printed with reproductions of works by Théophile Steinlen (1859-1923), and a reproduction of a work by Paul Balluriau (1860-1917), (a lot) (part unframed)
Lot 398
James Basire Snr, British 1730-1802- "Lyons of Africa", after Peter Paul Rubens, plate 160 from Thomas Astley, A New and General Collection of Voyages and Travels; engraving, 15.8x21.3cm: John Hamilton Mortimer ARA, British 1740-1779- "Sleeping Monsters", publ. Jane Mortimer, Norfolk St, Strand, London, 1780; etching, 15.3x21.5cm, (2) CONDITION REPORT: Lyons of Africa- in a glazed early 19th century parcel gilt and ebonised frame recently retaped on reverse of frame may or may not be stuck down as unexamined out of frame visible margins 1.7cm left, 0.5cm top, 2cm right, 0.1cm bottom significant brown spot lower centre minor creasing lower right corner Sleeping Monsters- in a glazed Hogarth frame, circa early 20th century recently retaped on reverse of frame may or may not be stuck down as unexamined out of frame trimmed within plate mark lower left and right corners cut diagonally scattered light spotting across the sheet with loss to word 'Sculpt'
Lot 266
CLAUDE H. ROWBOTHAM (CONTINENTIAL EARLY 20TH CENTURY SCHOOL), OLD CHELSEA and ST PAULS FROM SOUTHWARK colour lithographs with plate marks, each signed in pencil each image 17cm x 21.5cm Each mounted, framed and under glass; together with a Dorothy Woodland etching of 'Ye Olde Curiosity Shop', mounted, framed and under glass
Lot 1959
George Grainger Smith (British 1892 to 1961) the artist's pallet etching pens and pictures From the studio of George Grainger Smith including a portrait of Mrs Grainger Smith seated reading a book oil, 21cm x 27cm, a second portrait study 26cm x 22cm 'Broad Oak Inn' signed watercolour 24cm x 33cm mounted and two other watercolours by the same hand (7)
Lot 1011
Dublin Printing: After George Cruikshank (British, 1792-1878), Early 19th Century - Coloured Caricature Etching. 'An Interesting Scene, on Board an East - Indiaman, showing the Effects of a Heavy Lurch.' Published by. J. Le Petit, 20 Capel St, Dublin. In an eglomise mount. 39 x 49cm total size.
![Wilfred Crawford Appleby [ARR]/Edinburgh University Quadrangle/signed/ etching, 35cm x 28.5cm Condition Report: Note: Artist'](https://cdn.globalauctionplatform.com/21677206-61bb-45f9-a1ad-a4c901141d7a/d68099a0-58b0-4a8f-9970-e5151d6193da/468x382.jpg)
![Roderick Bar-Jones [ARR]/Phoenix/dated 76/limited edition 41/50/etching, 29cm x 20cm/Note: Artist's Resale Right ("Droit de S](https://cdn.globalauctionplatform.com/21677206-61bb-45f9-a1ad-a4c901141d7a/4f2321db-b61a-4680-dd75-6088ed2008ea/468x382.jpg)
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71174 item(s)/page