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Lot 509
* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.
Lot 622
* RICHARD "TURNERAMON" TURNER ARCA (BRITISH 1930 - 2013), A DAUGHTER OF BABYLON oil on canvas, signed 76cm x 120cm Unframed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
Lot 647
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.
Lot 905
Chodowiecki, Daniel Nikolaus. 1726 Danzig - 1801 Berlin "Mein Gärtchen ist nur klein (...)" (Mann und zwei Kinder in Garten). Radierung/ Bütten, gestochener Reim unter der Darstellung. Aus: Königl. Grossbr. Genealogischer Kalender auf das 1780. Beschnitten, 9 x 5 cm, hinter Glas gerahmt. Daniel Nikolaus Chodowiecki (1726 Danzig-1801 Berlin): my little garden, etching, illustration from Königl. Grossbr. Genealogischer Kalender, 1780. 9 x 5 cm. Framed with glass.
Lot 907
Ende, Hans am. 1864 Trier - 1918 Stettin Sommerliche Landschaft: Getreidepuppen auf Feld. Radierung, i. d. Pl. sign., PA gebräunt mit Lichtrand, 11 x 17,5 cm (D), hinter Glas mit Pp. gerahmt. Rahmenmaß: 24 x 29,5 cm Hans am Ende: summerly landscape with grainfield, etching, signed in plate, 13 x 19,5 cm (passepartout cutout), framed with glass, frame size: 24 x 29,5 cm
Lot 912
Scholz, Willy. 1899 Heilbronn-1965 München Ansicht von Bremen: Rathaus und Dom. Farbradierung, sign., bezeichnet, Blattrand wasserfleckig. 23,5 x 18,7 cm (Pl)/ 36,5 x 29 cm (Bl), hinter Glas gerahmt. Willy Scholz: view of the city of Bremen, colour etching, signed, enscribed. Water stains at margin. Framed with glass.
Lot 915
Wedepohl, Gerhard. 1893 Schönebeck b. Bremen-1930 Bremen Norddeutsche Landschaft mit Bauernhäusern. Radierung, i. d. Pl. sign. und dat. (19)20, 14 x 26 cm (Pl)/ 25 x 36 cm (Bl), hinter Glas gerahmt. Gerhard Wedepohl: landscape in northern Germany, etching, dated 1920, signed. 25 x 36 cm, framed with glass.
Lot 916
Wedepohl, Gerhard "Bauernhaus auf Föhr". Radierung, sign., betitelt, zusätzl. i. d. Pl. sign. und dat. (19)20. Stockflecken, 17,5 x 20,5 cm (Pl)/ 29 x 36,5 cm (Bl). Hinter Glas gerahmt. Gerhard Wedepohl: cottage at Föhr, etching, signed, entitled, dated (plate) 1920. Stains. 29 x 36,5 cm. Framed with glass.
Lot 380
Falkeisen (Falckeisen), Theodor. 1768 Basel-1814 "The death of General Wolfe" (Der Tod des General Wolfe). Kupferstich nach Woollet nach Benjamin West, im unteren Plattenrand ausführl. gestoch. Titel und Bezeichnungen, im Randbereich (außerhalb Darstellung) partiell Schadstellen. Blattrand beschn., 42,5 x 58,5 cm (D)/ 48 x 62 cm (Bl). Hinter Glas gerahmt. Theodor Falckeisen (1768 Basel-1814): The death of General Wolfe, copper etching after a painting by Benjamin West, margin defects. Ca. 48 x 62 cm, framed with glass.
Lot 384
Piranesi, Giovanni-Battista. 1720 Mogliano bei Mestre - 1778 Rom Grabmal der Cecilia Metella/ Sepolcro di Cecilia Metella. Aus: Vedute die Roma. Radierung, Trockenstempel Regia Calcografia, Rom (1870-1945). Angestaubt, partiell Stockflecken. 45,5 x 64 cm (Pl), hinter Glas gerahmt. Giovanni-Battista Piranesi: Sepolcro di Cecilia Metella. Etching, published by Calcografia Regia, Rom, 1870-1945. 45,5 x 64 cm (plate), framed with glass. Dusty, stains.
Lot 385
Unbekannt, um 1830 Der Königstein in der Sächsischen Schweiz von der Neuen Schänke im Westen. Umrissradierung, kol., im unteren Plattenrand gestoch. Bez. in dt./ frz., 8,5 x 13,8 cm (Einfassung). Hinter Glas gerahmt. View of Königstein fortress in Saxon Switzerland, ca. 1830, etching, coloured. Framed with glass. 8,5 x 13,8 cm (passepartout cutout)
Lot 386
Unbekannt, um 1820 Blick über die Elbe nach Westen auf Briesnitz bei Dresden mit dem Belvedere und der Kirche. Umrissradierung, kol., 8,7 x 13,5 cm (PA). Hinter Glas mit Pp. gerahmt. View of Briesnitz at the river Elbe, ca. 1820, etching, coloured, framed with glass. 8,7 x 13,5 cm (passepartout cutout).
Lot 389
Grass, Günther. 1927 Danzig - 2015 Lübeck. "David als Oskar II", 1979. Radierung, am rechten Rand signiert und datiert, "Künstlerexemplar", Läsionen am rechten und linken Rand, 49,5 x 40 cm (Pl), 65 x 50 cm (Bl) Grass, Günther: "David as Oskar II", 1979 etching, signed and dated, lesions on the right and left edge, artist's copy,
Lot 400
Janssen, Horst. Hamburg 1929 - 1995 "Bis dass der Tod uns vereint", 1984, Radierung, rechts im Bild signiert, außerhalb der Grafik rechts: Auflage 118/150 und signiert, Randläsionen am unteren Rand, 21 x 29,5 cm (Pl), 33 x 44,5 cm (Bl) Jannsen, Horst: "until death unites us", 1984, etching, signed on the right in the graphic, Edition 118/150, marginal lesions at the lower edge
Lot 403
Morgner, Michael. Geb. 1942 Dittersdorf bei Chemnitz, lebt und arbeitet in Einsiedel b. Chemnitz. "Mann und Frau am Windschutz". 1987. Radierung/ Prägedruck auf Bütten, sign., dat., betitelt, Trockenstempel "Grafik Edition", num. Ex. 55/ 100. Leicht eselsohrig. 64 x 49 cm (Pl)/ 70 x 53 cm (Bl) Michael Morgner: Man and woman at the beach, etching/ relief print, signed, entitled, 1989, copy no. 55 of 100. 70 x 53 cm
Lot 429
Voll, Christoph. 1897 München - 1939 Karlsruhe. "Der Tote". 1919/20. Radierung. In der Platte unten rechts monogrammiert CV, unterhalb der Darstellung in Blei signiert. Betitelt unten Mitte, bezeichnet unten links "Radierung". Im Passepartout hinter Glas gerahmt. 15,2 x 14 cm (Pl). 36,5 x 32,5 cm (Ra). Dezent wellig. WVZ Weber 21. In ihrer linearen Reduktion besonders ausdrucksstarke Radierung der frühen, stark vom Todesthema bestimmten Schaffensjahre. Vgl hierz: Stephan Weber, Christoph Voll. Arbeiten auf Papier [...], Köln (VSW): 1997, Kapitel II 2.1. Kaltnadelradierungen, S. 169 ff. Abbildung in: Erhard Frommhold / Galleria del Levante (Hrsg.), Christoph Voll. Druckgrafik aus der Dresdner Zeit 1919-1923, München 1981, S. 20. Provenienz: Nachlass des Künstlers (Galleria del Levante); Kunsthandel Saarbrücken The deceased. 1919/20, etching. Monogrammed in the plate bottom right; below handsigned in pencil. Titled below middle, denoted left. Framed behind glass. A bit wavy. CR Weber 21. Provenance: Estate of the artist (Galleria del Levante); Fine Art Trade Saarbruecken (Germany)
Lot 444
Voll, Christoph. 1897 München - 1939 Karlsruhe. Waisenhaus (Schwester beim Wickeln eines Babys). 1921/22. Radierung. Unsigniert (Rahmung nicht geöffnet). Rückseitig mit Nachlassstempel und Nummerierung "26". Im Passepartout hinter Glas gerahmt. 29,3 x 24,5 cm (Pl). 55 x 49 cm (Ra). Außerhalb der Darstellung minimal stockfleckig. WVZ Weber 55. Zu den stärker veristischen Druckgrafiken vgl.: Stephan Weber, Christoph Voll. Arbeiten auf Papier [...], Köln (VSW): 1997, Kapitel II 3.1., S. 180 ff. Provenienz: Nachlass des Künstlers (Galleria del Levante); Kunsthandel Saarbrücken In the orphany (Religious sister changing dipers). 1921/22, etching. Unsigned (frame not opened). Backside with stamp of the artist's estate, numbered 26. Framed behind glass. Very small foxing around the motif. Provenance: Estate of the artist (Galleria del Levante); Fine Art Trade Saarbruecken (Germany)
Lot 226
Jiri Anderle (1936 in Palikov bei Benesov, Tschechien)"Wonne und Weite", 1966/67, Kaltnadelradierung/Mezzotinto, Ex. "e.a.", u. handsign., dat. u. bet., ca. 41,5x64cm, ungerahmt (ca. 52,5x74cm), lichtrandig, stockfleckig Jiri Anderle (1936, Palikov near Benesov, Czech Republic)"Wonne und Weite", 1966/67, dry-point etching/mezzotinto, Ex. "e.a.", signed, dated a. titled, ca. 41,5x64cm, unframed (ca. 52,5x74cm), faded, foxing
Lot 231
Willi Kissmer (1951 in Duisburg - 2018 ebda)Frau im Seidenkleid, Mezzotintoradierung, u.r. unl. bleistiftsign., Ex. 323/999, ca. 42,5x30,56cm, gerahmt (ca. 50x37,5cm) Woman in silk dressUnkown artist, Mezzotinto etching, signed in pencil bottom right, Ex. 323/999, ca. 42,5x30,56cm, framed (ca. 50x37,5cm)
Lot 232
Die Kunst der GraphikSammelmappe der Edition Volker Huber/Offenbach am Main, mit 6 von 7 Graphiken: Esteban Fekete, "La Poule", Farbholzschnitt, Ernst Fuchs, "Flora Okuli", Aquatintaradierung, Rudolf Hausner, "Adams Lebensbaum", Farb-Serigraphie, Horst Janssen, "Selbstporträt", Kaltnadelradierung, Karl Rössing, "Toskanische Landschaft", Farb-Linolschnitt u. Paul Wunderlich, "Kleiner Steindruck", Farblithographie, alle Graphiken von 1975 u. Ex 8417/10000 sowie handsign., Blattgröße ca. 41,5x30cm, min. Gebrauchsspuren Die Kunst der Graphikfolio edition Volker Huber/Offenbach am Main, containind 6 of 7 prints: Esteban Fekete, "La Poule", woodcut in colours, Ernst Fuchs, "Flora Okuli", aquatinta, Rudolf Hausner, "Adams Lebensbaum", colour-serigraph, Horst Janssen, "Selbstporträt", drypoint etching, Karl Rössing, "Toskanische Landschaft", colour linolcut a. Paul Wunderlich, "Kleiner Steindruck", colour-lithograph, each 1975 a. Ex 8417/10000, each signed, sheet ca. 41,5x30cm, min. signs of age
Lot 255
Salvador Dali (1904 in Figueres - 1989 ebenda)3 Radierungen aus der Serie "Cantique des Cantiques - Das Hohelied Salomons""Pferd mit Reiterin", "Schafherde" und "Kehr zurück, Sulamit", Kaltnadelradierung mit Pochoir u. Goldhöhung, u.r. bleistiftsign. "Dali", Ex. 236/250, je ca. 41,5x25,5cm, gerahmt (ca. 61x46cm), letzteres part. fleckigSalvador Dali (1904, Figueres - 1989 ibid)horse and rider, from the series "Cantique des Cantiques", drypoint etching with pochoir and heightened in gold, signed in pencil "Dali"bottom right, Ex. 236/250, approx. 41.5x25.5cm, framed (approx. 61x46cm)
Lot 1804
KLINGER, MAX (1857-1920), "Die Toteninsel" nach Arnold Böcklin, Aquatintaradierung/Papier, in der Platte u.li bezeichnet 'Arnold Böcklin pinx' und u.re. 'Max Klinger sculp.', in der Platte Fußtitel und Verlagsangabe: Fritz Gurlitt in Berlin, HxB: Platte ca. 60,5x77,5 cm, Blatt ca. 68x89 cm, Außenmaße Rahmen ca. 84x106 cm. Gewellt, gebräunt, fleckig. Mit verglastem Jugendstilrahmen (beschädigt und restaurierungsbedürftig). LITERATUR: WVZ Singer, Nr. 327 IX. | KLINGER, MAX (1857-1920), "Die Toteninsel" after Arnold Böcklin, aquatint etching / paper, inscribed 'Arnold Böcklin pinx' on the plate below and below right. 'Max Klinger sculp.', In the plate footer title and publisher's information: Fritz Gurlitt in Berlin, HxW: plate approx. 60.5x77.5 cm, sheet approx. 68x89 cm, external dimensions frame approx. 84x106 cm. Wavy, browned, stained. With glazed Art Nouveau frame (damaged and in need of restoration).
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