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Lot 407

CLAUDE ROWBOTHAM, Purple and gold. Etching aquatint. Signed. Original mount and label. 3 1/2 x 2 1/2ins. Together with a similar etching aquatint, "In Plymouth Sound". Each unframed.

Lot 274

EDMUND BLAMPIED (1886-1966), THE THUNDERSTORM, 1920. Etching, signed, 25 x 33cm

Lot 276

EDMUND BLAMPIED (1886-1966), THE LUMBERMEN, 1923. Etching, signed, 22.5 x 30cm

Lot 278

EDMUND BLAMPIED (1886-1966), BIRTHS, MARRIAGES AND DEATHS, Etching, signed and dated Oct 1929 on the plate, 20 x 26cm

Lot 281

EILEEN ALICE SOPER (1905-1990), WET SANDS, 1924. Etching, signed, 14.5 x 20cm

Lot 284

ROBERT HOUSTON RSW (1891-1942), THE BRUCE MONUMENT, STIRLING, Etching, signed, 13.5 x 25.5cm;, and another by the same hand, INVERARY CASTLE (2)

Lot 285

WILLIAM LIONEL WYLLIE (1851-1931), LEAVING PORT, Etching, signed, 20 x 50cm

Lot 286

WILLIAM LIONEL WYLLIE (1851-1931), GREENWICH REACH, Etching, signed, 16 x 37.5cm

Lot 617

Hannes Postma, German b.1933- Untitled; etching printed in colours, signed and inscribed 'Gravure' in pencil, 27.7x18cm: Andrew Ingamells b.1956- The Monument, London; hand-coloured aquatint, signed, numbered 103/150 and dated 1994 in pencil, 75x20cm., (2) (may be subject to Droit de Suite)

Lot 618

John Walker b.1939- "Prahan 5"; etching, signed, titled, numbered 4/25 and dated 81 in pencil, 44.3x59.7cm. Provenance: Nigel Greenwood Gallery, London: Stephen McKenna b.1939- "Garden and Terrace"; lithograph, signed and numbered 17/40 in pencil: together with three other lithographs by the same hand from the same suite, titled "Snake Column", "Black Diamond and Figures", "Fountain Enclave", all in colours, each signed and numbered 17/40 in pencil: David Hepher b.1935- Flats; etching with aquatint, signed, numbered 6/25 and dated 82 in pencil: Mikey Cuddihy b.1952- "Three Strange Vessels"; linocut, signed, titled, inscribed 'A/P' and dated 86 in pencil: Johannes Dörflinger b.1941- "Resolution December 1981"; lithograph in colours, signed and numbered 18/40 in pencil: Stanley Jones b.1927- "Dofras"; lithograph in colours, signed, inscribed 'A/P' and dated 80 in white crayon within the plate, (9) (may be subject to Droit de Suite)

Lot 659

* David Allan 1744-1796- "Black Stool"; published 1784, etching with aquatint, 27x32cm: together with two other 18/19th century engravings depicting a mythical scene and race day, (3) (unframed) (a/f)

Lot 666

Jean Lurçat, French 1892-1966- Fishermen unloading nets on a shore viewed through foliage; lithograph printed in colours, signed and numbered 191/200 in pencil, 55.7x74.5cm., (unframed). After Louis Valtat 1869-1952- Portrait of a lady seated half-length turned to the right; etching, 17x12cm: After Maurice de Vlaminck 1876-1958- Still life with a hat, book, bottle and a pipe; lithograph printed in colours, signed within the plate and bears tamped signature, 28x35.7cm: together with a small quantity of 20th century prints by different/unidentified hands, (a lot), (unframed)

Lot 740

Robert Sayer act.1750-1780- Map of England, hand-coloured engraved map, with inset for the Isles of Scilly, various maritime and naval depictions: publ. for Robert Sayer, at the golden Buck in Fleet Street, on laid paper, 63x100cm: After Captain Bethune RNCB, mid 19th century- "Jungle View, Sarawak"; crayon manner lithograph, by J W Giles: Cornelis Apostool 1762-1844- Tranquil river scene; etching with aquatint, published, May 1793, after C Deeker: Alfred Edouard A. Lepere 1827-1904- Busy river scene; dry point etching, signed and dated within the plate: Robert Havell I 1793-1878- "Pheasant Shooting"; hand-coloured aquatint printed in colours: together with other 18/19th and 20th century topographical lithographs, etchings engravings and maps by and after various hands to include "Mevagissy", "London Bridge" and others, ( unframed) (a lot)

Lot 419

A Steve Winward poster, framed, together with a colour etching of Steve Winward.

Lot 2

ERNEST PARTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE, A Tranquil River Landscape, 18" x 12" (A/F); and ARTHUR VEREY, SIGNED IN PENCIL TO MARTIN, BLACK AND WHITE ETCHING, Lady in a Rowing Boat on a River by a Mill, 16" x 21" (A/F) (2)

Lot 52

ROSENBERG (INDISTINCTLY SIGNED TO MARGIN BOTTOM LEFT), BLACK AND WHITE ETCHING, Coastal View with Boat and Cottages in Distance, 8" x 11" (A/F)

Lot 82

FRANK MOLE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Country Church, 5" x 3"; and JOSEPH KIRKPATRICK, SIGNED, BLACK AND WHITE AQUATINT, "Netley Abbey", 7" x 6" (2)

Lot 84

GERTRUDE HAYES (NORWICH ART CIRCLE), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Woodlands", 7" x 11", mounted but unframed; ARCHIBALD WARD, SIGNED PENCIL DRAWING, Inscribed "The Docks, Ipswich", 7" x 10"; together with an etching by the same artist of a Suffolk Farm; and two others (6)

Lot 85

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING, (1/75), A Sportsman with Dog in Landscape, 4 ½" x 3"; and PAIR OF COLOURED ENGRAVINGS, "Pheasant in Stubble"; and "Red-Legged Partridges", 7" x 9" (3)

Lot 88

JOSEPH SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Portrait of an Old Lady", 10" x 7", unframed

Lot 93

HENRY ROBERT ROBERTSON, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, Female Head and Shoulders Portrait, 4" x 2 ½"

Lot 94

ROWLAND LANGMAID, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "St Paul's from Bankside" (see label verso), 9 ½" x 7"

Lot 95

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Naval Review, 9" x 14"

Lot 96

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Boats by a Continental Fortress, 7" x 15"

Lot 97

CECIL CHARLES WINDSOR ALDIN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (22/150), Portrait of a Scottie Dog, 6" x 8"

Lot 98

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Barton Broad", 8" x 11"

Lot 101

STEPHEN GOODEN, SIGNED AND DATED 1925 TO MARGIN, BLACK AND WHITE ETCHING, Landscape with Trumpeter astride a Lion, 6" diameter circular

Lot 104

HEDLEY FITTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Juliet's House, Verona" (see labels verso), 14" x 9"

Lot 105

HEDLEY FITTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "The Little Market Place Vicenza, Near Venice" (see label verso), 16" x 11"

Lot 106

WILLIAM RENISON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A York Gate with the Minster in background, 17" x 12"

Lot 108

VICTORIA HINE, ONE MONOTONE WATERCOLOUR AND TWO ETCHINGS IN TWO FRAMES, View of Norwich and the Cathedral; and ATTRIUTED TO SIR ALFRED JAMES MUNNINGS, (BEARS INITIALS), BLACK AND WHITE ETCHING, Ploughing Scene, (see inscriptions front and verso), 2" x 4 ½" (3)

Lot 114

CATHERINE MAUD NICHOLS, RE (NORWICH ART CIRCLE), SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, PUBLISHED 1912, Norwich Cathedral, 19" x 14"

Lot 116

SIR FRANK SHORT. SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Village Scene with Windmill in Foreground, 7 ½" x 12", mounted but unframed

Lot 119

WILLIAM PALMER ROBINS, SIGNED AND DATED 1920 TO MARGIN, BLACK AND WHITE ETCHING, "The White Mill" (see label verso), 9" x 13"

Lot 120

WILLIAM LEE HANKEY, SIGNED IN PENCIL TO MARGIN, AND ALSO WITH EMBOSSED INITIALLED STAMP, BLACK AND WHITE ETCHING, In The Harvest Field, 6" x 8"

Lot 122

EVEREST LUMINAIS, BLACK AND WHITE ETCHING, Norse Equestrian Figures, 10 ¾" x 7 ½"

Lot 124

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING, (31/75), Pointer Dogs on the Scent, 8" x 10"

Lot 151

JOSEPH STANNARD, MONOGRAMMED AND DATED 1827 TO THE IMAGE, BLACK AND WHITE ETCHING, Fishermen with Dog on a Beach, 4" x 6"

Lot 156

SUTTON PALMER, ENGRAVED BY DAVID LAW, BLACK AND WHITE ETCHING, dated 1892, Extensive River Landscape with Cattle Watering, Castle in Distance, 20" x 14", mounted but unframed (A/F)

Lot 165

ROBERT WALKER MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 887, Ploughing Scene in Olden Times, 23" x 33" (A/F), unframed

Lot 167

AFTER SIR JOHN EVERETT MILLAIS, ENGRAVED BY HERBERT THOMAS DICKSEE, BLACK AND WHITE ETCHING, PUBLISHED 1901, "Boyhood of Raleigh", 22" x 26", unframed

Lot 169

HERBERT THOMAS DICKSEE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1909, "The Ruined Temple", 17" x 25", unframed

Lot 171

HERBERT THOMAS DICKSEE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1900, "In Enemy's Country", 19" x 27", laid-down (A/F)

Lot 172

HERBERT THOMAS DICKSEE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (UNDATED), "Against the Wind and Open Sky", 10" x 23 ½"

Lot 173

HERBERT THOMAS DICKSEE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1890, "A Wanderer", laid-down, 12" x 18" (A/F)

Lot 248

VICTOR MIGNOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Dancers, 13" x 10"

Lot 256

A COLLECTION OF WORKS BY TEACHERS AND STUDENTS OF THE WORKING MEN'S COLLEGE, MORNINGTON CRESCENT, LONDON, IN 1954 FOR THE CENTENNIAL CELEBRATION OF THE FOUNDING OF THE COLLEGE BY WILLIAM MAURICE AND OTHER PHILANTHROPISTS: CROMWELL COOKE, SIGNED SILK SCREEN, "Back Yard"; ALFRED HARRIS, SIGNED LINO CUT, "Rocks Italy"; DANIEL BURDEN, SIGNED LINO CUT, Still Life; ANTHONY YOUNGS, SIGNED LITHOGRAPH, "St Ives"; IVOR FOX, LIMITED EDITION (4/25) ETCHING, Maritime Landscape; DONALD MELBOURNE, SIGNED WOOD ENGRAVING, "Dawn"; JOHN GRIFFITHS, LINO CUT, "Signals, Wandsworth Road"; JOHN ELGAR, SIGNED SILK SCREEN, "Paddington Basin"; BRUCE LACEY, SIGNED ETCHING, "Vultures"; GEOFFREY WICKHAM, SIGNED LITHOGRAPH, "The Curraghs"; plus two unsigned pen and wash drawings, assorted sizes (some framed and unframed)

Lot 260

MAURICE MILLIERE, SIGNED AND DATED 13 IN PENCIL TO MARGIN, LIMITED EDITION (91/100), COLOURED ETCHING, Study of an Elegant Lady Seated in a Chair, 14" x 11"

Lot 261

LOUIS ICART, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (13/100), BLACK AND WHITE ETCHING WITH BLIND STAMP, Elegant Lady Wearing Fur holding a Hat Box, 14 ½" x 10"

Lot 179

A Geo V 1897 pattern infantry officer's sword, straight, fullered blade 33", with traces of etching, regulation plated hilt incorporating crowned GVR cypher, diced backstrap, wirebound fishskin grip, with leather knot (AF) in its leather FS scabbard. Basically GC (blade rusted)

Lot 879

Frank Martin - 'Norma Talmadge', 20th Century sepia etching with additional watercolour, signed, titled and editioned 62/100, together with a 20th Century watercolour; 'St Paul de Vence', signed, inscribed and dated 1974.

Lot 926

Mortimer Menpes - Three Women on a Terrace looking at a Young Woman below, hand-coloured etching, signed in pencil, approx 27.5cm x 20cm, within a gilt frame.

Lot 931

After Lowes Dalbiac Luard - 'Race-Horses', monochrome etching, signed in pencil and editioned '16/60', approx 13cm x 18cm.

Lot 960

Renee Lubarrow - 'Jeux Derisores' (Study of a Lizard at a Plant), colour etching, signed, titled and editioned 34/120 in pencil, recto, labels verso.

Lot 381

19th century etching continental river scene 8" by 9" and two other similar prints

Lot 23

CLAUDE GELLEE (Dit 'Le Lorrain') - Figures in a boat in choppy seas, etching, 5" x 7"; another of the same subject and three further (5).

Lot 24

JEAN-BAPTISTE MARIE PIERRE (1713-1789) - A biblical scene, etching, 15 1/4" x 14 1/4". P.D. Colnaghi & Co. Ltd label verso.

Lot 31

JACQUES CALLOT - 'The Little Fair of Nancy', etching, 7 1/4" x 12 1/2" and mixed other unframed old master etchings and engravings, etc., all unframed.

Lot 46

ALBANY E. HOWARTH (1872-1936) - 'West Door, Rochester', etching, pencil signed and titled in the margin, 13" x 7 3/4"; and one further etching - A cathedral doorway, signed 'Arthur J. Towell', 10" x 11" (2).

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