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Herbert Thomas Dicksee (1862-1942) Head of a Siberian Tiger Signed Etching unframed 21.5 x 28cm; 8½ x 11in (plate size) Provenance: By descent from the artist ++Some very faint creasing to margins a little very light staining to lower margin including a small amount within plate mark but none visible to image drawing pin marks lower right margin - image good condition
Herbert Thomas Dicksee (1862-1942) Ready 1928 Signed Etching published by Frost & Reed 1928 unframed 34 x 54cm; 13¼ x 21in (plate size) Provenance: By descent from the artist ++Some discolouration to outer right margin one small mark lower right plate edge a light abrasion to background to left of head
J G Simpson [early 20th Century]- Souvenir of Kensington:- woodblock, signed and dated `35 in pencil in the margin, image size 17.5 x 12.5cm, together with another etching titled Sodom & Gomorrah by the same hand and a small loose folio group of etchings and prints by Percy Smith, W A Cuthbertson, Sheila Stafford, J A Jago & Bunday [?].
JOHN SHIRLOW (Australian 1869-1936) Sunset, River Yarra etching pencil signed (lower right) on mount, and numbered ‘1/150’Pl. 6 1/2 x 12in (16.5 x 30.4cm)sold with an etching by Stephen Parrish depicting Hastings (1884); and a dry point etching by J. V. Glarp (?) titled ’Surrey Meadows’; together with an oil sketch by Grace Butler depicting Lake Kanieri (N.Z.); four (4)
JOHN PHILLIPS (fl. c.1820-1831) ’Anticipation - Bringing them to the Scratch-Hercules in the Church; or the tithes in danger’ hand coloured etching, published by S.W. Fores, Piccadilly, 1829 Pl. 9 x 13 1/2in (48.1 x 33.6cm) two other satirical cartoons titled ’English Discipline for Meddleings’; Throwing a Light on the Dark deeds of the Pensioners’; and three Baxter Prints of mountaineering interest, one titled ‘ The Ascent of Mont Blanc’; all unframed; six (6) In Phillip’s satirical print Wellington in civilian dress stands between two bloated and mitred Bishops. Taking each by the ear, he forces them to disgorge sovereigns into a big tub, ’receptacle for the poor Curates, repairs of Churches and support of Paupers’.
EUGENE BEJOT (1867-1931)Moulin de la Galette, Montmartre original proof etching, pencil signed in lower margin ‘Eug Bejot’ and further signed, inscribed and dated 1915 within plate 7 x 9 1/2in (17.8 x 24.1cm); and an artist’s proof engraving by Malcolm Osborne titled ‘The Quarry’; two (2)
‡ERIC HESKETH HUBBARD, P.R.B.A., R.O.I. (1892-1957) Barge repairing Yard, Delft, pencil signed (lower right margin)and inscribed as title, further signed with initials within plate. Pl. 5 x 8 1/2in (12.7 x 21.6cm); and an etching by Alan B. Thompson depicting a Scottish street scene with Figures; two (2)
AFTER GEORGE MOUTARD WOODWARD (1760-1809) The Stock Jobber’s Prayer!!’ Adorable and ancient Lady of Thread-Needle Street have pity on thy admirer, bless him with thy solid charms in Bullion or stamped Gold...... and animate him to pursue the path that leads to riches...’ letter press and hand coloured etching , published August 1st 1801 by Rudolph Ackermann No 101 Strand (London), etching by Thomas Rowlandson, I. 17 x 10in (43.2 x 25.4); and two other coloured etchings by Rowlandson after Woodward titled ‘The Miser’s Prayer’ and ‘The Old Maid’s Prayer’, three (3)

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78388 item(s)/page