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Tennants Auctioneers
Lot 32

Milton (John) Paradise Lost, 1906, Lyceum Press, 12 plates by William Blake, original cloth-backed boards; [Whistler, Tenniel, Millais, et al.], Passages from Modern English Poets illustrated by the Junior Etching Club, nd., 47 etchings on 45 plates, a.e.g., original cloth (lacking front endpaper); Cescinsky (Herbert) & Webster (Malcolm R.), English Domestic Clocks, nd., t.e.g., half morocco (rubbed); Philip (George), Philips` New Handy General Atlas & Gazetteer, 1926, folio, a.e.g., half morocco (4)

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Tennants Auctioneers
Lot 34

Gillray (James) Le Baiser a la Wirtembourg .., 1797, hand-coloured satirical etching, 360m x 257mm, [BMSat 9006], mounted framed and glazed

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Tennants Auctioneers
Lot 38

Piranesi [Francesco] Piramide di C. Cestio [The Pyramid of Gaius Cestius] , nd., etching, 385mm x 530mm, from Giovanni Battista Piranesi`s Vedute di Roma, 1778 or later, un-numbered, mounted, framed and glazed (Ficacci, L., Giovanni Battista Piranesi, The Complete Etchings # 928)

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Tennants Auctioneers
Lot 42

Piranesi [Francesco] Avanzi degl`Aquedotti Neroniani .., [Remains of the Aqueduct of Nero], nd., etching, 484mm x 706mm, from Giovanni Battista Piranesi`s Vedute di Roma, 1778 or later, numbered, framed and glazed (glazing cracked) (Ficacci, L., Giovanni Battista Piranesi, The Complete Etchings # 989)

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Mallams Ltd. - Oxford
Lot 110

GLYNN BOYD HARTE (b. 1948) - `Mr. Dodd`s Auricula`, lithograph, pencil signed and numbered 111/125, 23" x 30"; two further by the same hand to include a champagne bottle upon a table and a shop front; an artist proof etching with aquatint, indistinctly signed and dated 1979; and a print after Arnost Paderlik (5).

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Mallams Ltd. - Oxford
Lot 117

ANTHONY GROSS (1921-1988) - `Little Serignac Landscape`, etching, pencil signed in the margin, titled and numbered 33/75, 9" x 14 1/2" (see illustration).

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Mallams Ltd. - Oxford
Lot 118

ANTHONY GROSS (1921-1988) - `Cote de la Vierge` - Fecamps, etching, pencil signed, dated 1924 and titled in the margin, 5 1/2" x 14".

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Mallams Ltd. - Oxford
Lot 119

ANTHONY GROSS (1921-1988) - `Rue de Brutus` - Rouen, etching, pencil signed, dated 1924 and titled in the margin, 12" x 5 3/4", mounted but unframed.

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Mallams Ltd. - Oxford
Lot 120

JULIAN TREVELYAN (1910-1988) - `Taj Mahal`, etching with aquatint, pencil signed, titled and numbered 24/75 in the margin, 13 3/4" x 18 1/2", mounted but unframed (see illustration).

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Mallams Ltd. - Oxford
Lot 123

STANLEY WILLIAM HAYTER (1901-1988) - `Horizon Bars`, 1932/1973, etching, signed and numbered from the second edition of 100, published by Associated American Artists, New York (Black and Moorhead Cat No. 56), 5 3/4" x 4 1/4" (see illustration).

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Mallams Ltd. - Oxford
Lot 125

JOSEPH PENNELL (1858-1926) - St. Paul`s Cathedral, etching, pencil signed in the margin, 11" x 8".

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Mallams Ltd. - Oxford
Lot 126

JOSEPH PENNELL (1858-1926) - Leadenhall Market, etching, pencil signed in the margin, 11" x 8 1/4".

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Mallams Ltd. - Oxford
Lot 129

LEWIS BAUMER (1870-1963) - `The Bather`, etching, pencil signed in the margin, 9" x 4".

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Mallams Ltd. - Oxford
Lot 145

GRAHAM CLARKE (b. 1941) - `The Wooden `O`, etching with aquatint, pencil signed in the margin, titled and numbered 146/200, 17" x 13 1/2".

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Lyon & Turnbull
Lot 244

AFTER CANALETTO A CELEBRATION AT STA MARIA DELLA SALUTE engraving, together with: A View of St Mark`s Square, Venice with a crowd; The Senate Room in the Doge`s Palace, Venice, framed and glazed, each 38cm x 55cm; and an etching of the Siennese Celebrations, framed and glazed, 46cm x 66cm (4) Provenance: Brockwood Park School, Hampshire.

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Ewbank Clarke Gammon Wellers Auctioneers
Lot 810

P Leterrie 19th century dry point etching, landscape with cows 9 x 11in. (22.86 x 27.94cm)

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Ewbank Clarke Gammon Wellers Auctioneers
Lot 895

Arthur Paunzen - Dry point etching, portrait of Nietzche, signed and titled in pencil 13 x 10in. (33.02 x 25.40cm)

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Jefferys
Lot 778

Signed limited edition coloured etching "african wild flowers "9.5" x 12"

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Brightwells
Lot 631

ALPHONSE LEGROS. `Paysan Breton`, original etching and drypoint,signed in plate, 8 1/2 6 3/4 in; and one other print by Legros depicting `The Aged Spaniard` (2)

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Brightwells
Lot 632

JANET McCALL: Street Scene, pencil signed etching, two others, Kensington Palace, etc and Print "Sisters"

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Holloways Auctioneers
Lot 212

Ana Maria Pacheco (Brazilian, b. 1943), `Follies of a guardian angel`, etching, signed, inscribed and dated `93, 12 x11 cm (4 3/4 x 4 1/4 in)

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Holloways Auctioneers
Lot 213

William Lionel Wyllie RA RE (1851-1931), Shipping on the River Tyne at Newcastle, etching with drypoint, signed in pencil lower left, 22 x 38 cm (8 1/2 x 14 3/4 in)

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Cotswold Auction Company
Lot 246

Early 19th century hand-coloured etching of political satire by S W Fines, entitled "A Council in Confusion" or "Principle of Democracy too Prevalent", published by S W Fores

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Cotswold Auction Company
Lot 248

Hand-coloured etching "Settling Day, All Right!!! All Wrong!!!" together with a silk Terrey`s Theatre, Strand, London poster for the 100th performance "Jedbury Junr, Thursday May 14th, 1896 (2)

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Lots Road Auctions
Lot 353A

EDMUND BLAMPIED (1886-1966), `En pension`, etching, 20.5cm x 30cm, signed, framed.

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McTear's
Lot 424

W L WYLIE RA How the Fleet Came to its Moorings original etching

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McTear's
Lot 434

HERBERT DICKSEE Hope (Cairn Terriers) etching

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Willingham Auctions
Lot 756

A Trevor Southey etching 98/100 1985 entitled "Morning and Torso with blue line signed M.Mc 85

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Willingham Auctions
Lot 794

A framed Victor Pasmore metamorphosis (Linear motifs) etching 1976 380 mm x 380 mm

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Willingham Auctions
Lot 804

A framed etching `Stag` signed THOMAS NEWBOLT 2000 2/15 265 x 380 mm

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Jacobs & Hunt
Lot 275

A 19th Century Sword, in the style of a British `Gothic Hilt` infantry sword but with a Mexican eagle and snake crest in place of normal royal cypher, the 32.5" (83cms) single edged straight blade discoloured but showing extensive etching

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Bloomsbury Auctions (London)
Lot 1

Craigie Aitchison (1926-2009) Still Life with Birds and Berries, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 280 x 340 mm (11 x 131/4 in)

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Bloomsbury Auctions (London)
Lot 2

Cragie Aicthison (1926-2009) Goatfell Isle of Arran, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 500 x 450 mm (193/4 x 171/4 in)

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Bloomsbury Auctions (London)
Lot 3

Craigie Aitchison (1926-2009) Holy Island, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 500 x 450 mm (193/4 x 171/4 in)

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Bloomsbury Auctions (London)
Lot 9

DDS. Elizabeth Violet Blackadder (b.1931) Red Still Life, etching with aquatint printed in colours, 1989, signed in pencil, numbered 24/50, on wove paper, with full margins, in good condition, 200 x 250 mm (8 x 91/2 in)

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Bloomsbury Auctions (London)
Lot 26

Elisabeth Frink (1930-1993) Bull (W.136) etching with aquatint, 1986, signed in pencil, numbered 30/100, printed by Kelpra studios, London, with their blindstamp, on wove paper, with full margins, in good condition, 300 275 mm (12 x 103/4 in)

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Bloomsbury Auctions (London)
Lot 29

Stanley William Hayter (1901-1988) Cinq Personnages (B.M.168) the rare engraving with soft-ground etching and silkscreen printed in colours, 1946, signed, titled, dated and inscribed 4th State colour trial, in pencil, a unique colour trial proof, on japan paper, with full margins, in good condition (handling marks and some stray printing ink in margins as is common in working proofs), 376 x 600 mm (143/4 x 231/2 in)

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Bloomsbury Auctions (London)
Lot 30

Stanley William Hayter (1901-1988) Scrap Book (B&M.421) etching and aquatint printed in colours, 1982, signed, titled and dated in pencil, numbered 9/100, published by Ediciones Poilgrafa S.A., Barcelona, on wove paper, with full margins, in good condition, 595 x 490 mm (231/2 x 191/2 in)

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Bloomsbury Auctions (London)
Lot 32

DDS. John Hoyland (b.1934) Vigil, etching with aquatint printed in colours, 1980, signed in pencil, numbered 3/60, published by Kelpra Studios, London, on wove paper, with full margins, in good condition, 675 x 900 mm (261/2 x 351/2 in)

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Bloomsbury Auctions (London)
Lot 37

Henry Moore (1898-1986) Mother and Child XII (C.682) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)

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Bloomsbury Auctions (London)
Lot 38

Henry Moore (1898-1986) Mother and Child XXIX (C.699) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)

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Bloomsbury Auctions (London)
Lot 40

Henry Moore (1898-1986) Mother and Child XVII (C.887) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 515 x 435 mm (201/4 x 17 in)

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Bloomsbury Auctions (London)
Lot 41

Henry Moore (1898-1986) Mother and Child XIX (C.689) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, 515 x 620 mm (201/4 x 241/4 in)

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Bloomsbury Auctions (London)
Lot 58

Julian Trevelyan (1910-1988) Harbour, soft-ground etching with aquatint printed in colours, signed and titled in pencil, numbered 41/50, on wove paper, with full margins, in good condition, 350 x 475 mm (133/4 x 183/4 in)

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Bloomsbury Auctions (London)
Lot 59

Julian Trevelyan (1910-1988) Etruia, etching with aquatint printed in colours, signed and titled in pencil, numbered 49/50, on wove paper, with full margins, in good condition, 350 x 475 mm (133/4 x 183/4 in)

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Bloomsbury Auctions (London)
Lot 62

Julian Trevelyan (1910-1988) Broadway, etching with aquatint printed in colours, signed and titled in pencil, inscribed an artist’s proof aside from the edition of 50, on wove paper, with full margins, in good condition, 220 x 320 mm (83/4 x 121/2 in)

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Bloomsbury Auctions (London)
Lot 63

Julian Trevelyan (1910-1988) Adultery and Secretaries, etching and aquatint printed in colours, signed and titled in pencil, numbered 15/50, on wove paper, with full margins, in good condition, 220 x 230 mm (83/4 x 9 in)

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Bloomsbury Auctions (London)
Lot 64

Julian Trevelyan (1910-1988) Farnham, etching with aquatint printed in colours, signed and titled in pencil, numbered 31/50, on wove paper, with full margins, in good condition, 470 x 350 mm (181/2 x 133/4 in)

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Bloomsbury Auctions (London)
Lot 65

Julian Trevelyan (1910-1988) Birds, etching with aquatint, signed and titled in pencil, numbered 47/75, on wove paper, with full margins, in good condition, 220 x 470 mm (83/4 x 181/2 in)

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Bloomsbury Auctions (London)
Lot 96

* Georges Braque (1882-1963) Milarepa. Oiseau (V.63) etching with aquatint, 1950, signed and inscribed Epreuve d’essai in pencil, an artist’s proof aside from the edition of 100, on Auvergne ? la cuve wove paper, with full margins, in good condition, 230 x 325 mm (9 x 123/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

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Bloomsbury Auctions (London)
Lot 110

Antoni Clave (1913-2005) Point Vert (P.279) etching printed in colours with carborundum, 1972, signed in pencil, an unnumbered impression aside from the edition of 75, published by Vision Nouvelles, Paris, on Arches paper, the full sheet printed to the edges, in good condition, sheet 760 x 560 mm (30 x 22 in)

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Bloomsbury Auctions (London)
Lot 114

Salvador Dali (1904-1989) Cracking Petroleum (m.l.808) etching with aquatint printed in colours, 1975, signed in pencil, numbered 214/350, on wove paper, with full margins, in good condition, 365 x 500 mm (141/4 x 193/4 in)

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Bloomsbury Auctions (London)
Lot 115

Salvador Dali (1904-1989) Electronics (m.l.809) etching and aquatint printed in colours, 1975, signed in pencil, numbered 218/350, on wove paper, with full margins, in good condition, 365 x 500 mm (141/4 x 193/4 in)

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Bloomsbury Auctions (London)
Lot 117

* Salvador Dali (1904-1989) Papillons de l’anti-mati?re (m.l.641) etching with aquatint, embossing and lithograph printed in colours, 1974, signed and inscribed E.A., an artist’s proof aside from the edition of 195, on wove paper, with full margins, in good condition, 750 x 550 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

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Bloomsbury Auctions (London)
Lot 128

Otto Dix (1891-1969) Soldatengrab zwischen den Linien (from Der Krieg) (K.A70) etching with aquatint, 1924, as included as plate 1 in the portfolio Derkreig, signed in pencil, inscribed I, numbered 24/70, on wove paper, with full margins, in good condition, 190 x 285 mm (71/2 x 111/4 in)

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Bloomsbury Auctions (London)
Lot 130

Raoul Dufy (1877-1953) Femme Nue Alongee, etching, signed in pencil, inscribed H.C. on wove paper, with full margins, in good condition, 330 x 490 mm (13 x 191/4 in)

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Bloomsbury Auctions (London)
Lot 132

* Alberto Giacometti (1901-1966) Atelier a la Sellette et Verre (Not in L.) the rare etching, circa 1964, signed and inscribed Epreuve d’essai, in pencil, on Arches paper, with full margins, in good condition, 359 x 258 mm (141/8 x 101/8 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

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Bloomsbury Auctions (London)
Lot 141

* Marino Marini (1901-1980) Marino from Shakespeare I (G.A.193) etching with drypoint and aquatint printed in colours, 1977, signed in pencil, numbered 26/75, on BFK Rives paper, with full margins, in good condition, 475 x 382 mm (183/4 x 15 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

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Bloomsbury Auctions (London)
Lot 144

* Marino Marini (1901-1980) Giocolieri (G.A.136) etching with aquatint printed in colours, 1971, signed and inscribed H.C. G/L, an hors commerce impression, aside from the edition of 75, on wove paper, with full margins, in good condition, 300 x 245 mm (113/4 x 91/2in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

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