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Lot 1

H.R.H. PRINCE ALBERT . (AFTER H.M. QUEEN VICTORIA). Islay, with date 11/9 1840, etching, trimmed at edges , laid down, 6 x 4 in; and three unframed drawings by an unknown mid 19th century hand ( in the past incorrectly ascribed to H.M. Queen Victoria) (4)

Lot 1

An Ethiopian sword shotel, curved English made blade 30” with broad fuller, by Henry Wilkinson, Maker to KGV, floral etching for half its length on both sides, flared wooden grip, with flattened shield shape and domed pommel. GC (piece of hilt flange missing)

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A Belgian nickel plated 6 shot 9mm open frame DA PF revolver, 10½” overall, round barrel 5¾”, Liege proved, scroll engraved decoration to frame and cylinder, plain ebony grips, lanyard ring to butt cap. GC (action requires attention, loading gate and ejector rod missing), with an ingenious and well made later knife/bayonet which fits over the muzzle and clips onto a lug beneath the barrel, blade 6½”, with ebony grips to match the butt. GC (some artificial etching to blade) Plate 6

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A Corsican Vendetta knife, folding blade 8” etched with scrolls and “Vendetta Corsa che la ..... mortale”, stained bone grips decorated with negro’s head. GC (etching faint)

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OTTO QUANTE A dry point etching of horse and rider in a wooded country lane, 15" x 12"

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A MONOCHROME ETCHING of Lower Argyllshire by L A Farrell, 10" x 16" and another of Towy at Carmarthen by James McBey, 6 1/2" x 8 1/2" both signed on the mount

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Jean HARPER, signed etching dated 1946 'The Practice', 6" x 8_"

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* Piranesi (Francesco). Avanzi degl' aquedotti Neroniani che si volevano distruggere per la loro vecchiezza, ma per ordine di Nro. Sigre. Papa Clemente XIV. sono restati in pieti, b&w etching, small circular calcografia stamp to lower right-hand corner, image size approx. 49 x 70,5cms., framed and glazed. (1)

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* Rossini (Giacchino). Veduta di porzione degli avanzi dell'Ambulacro del piano terra nel Colosseo, Rome, 1821, b&w etching, image size approx. 36.5 x 39 cm, with margins, together with Terza Veduta della rovima della gran Basilica di S. Paolo fuori le mura, e principalmente del muro della gran mave di mezzo quasi tutto atterrato dalle fiamme, dell'incendio accaduto li 15 luglio 1823, Rome, 1823, b&w etching, trimmed to top and bottom margins (just touching image at top), approx. 49 x 56.5 cm, plus two large etched plates of Piranesi's Carceri d'Invenzione, bears initials E. D. (?), prob. early to mid- 20th-c., image size approx. 42 x 54.5 cm. (4)

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* Barker (K.F., fl. 1920-40). (Otter-hunting) "Yoi over, over!", etching with drypoint, approx. 240 x 310 mm, signed and titled in pencil, framed and glazed. (1)

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* Bawden (Richard, b.1936). Sezincote House, colour etching, signed and titled to lower margin, limited edition 23/70, approx. 470 x 600 mm. (1)

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* Fitton (Hedley, R.E., 1859-1929). La Porte de la Cadenne, St. Emilion, 1924, uncol. etching, signed in pencil by the artist, approx. 36 x 19 cm., framed and glazed. (1)

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* Fitton (Hedley, R.E., 1859-1929). Continental Street Scene with Figures and Buildings, 1919, uncol. etching, signed in pencil by the artist, approx. 48 x 31 cm., gilt framed, glazed. (1)

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* Fitton (Hedley, R.E., 1859-1929). Little Market, Vicenza, 1918, uncol. etching, signed in pencil by the artist, approx. 42 x 30 cm., period wood frame, glazed, with label to reverse 'Robert Dunthorne, the Rembrandt Gallery, 28 Castle Street, Liverpool'. (1)

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* Freeth (H. A.). Gardener and Tortoise, b&w etching, signed, titled, and numbered 31/40, image size approx. 28 x 22 cm, with margins, framed and glazed. (1)

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* Law (David, 1831-1901). St Pauls Cathedral from the River Thames, b & w etching, signed in pencil to lower margin, approx. 290 x 415mm, framed & glazed. (1)

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* Lovegrove (James William, 1922-). Sailor hauling ropes on a ship's deck, b & w etching, signed to lower margin in pencil, approx. 250 x 175 mm, framed. (1)

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* McBey (James 1883-1959). Benachie, 1911, b&w etching, signed in ink, and numbered 38 [from an edition of 40], image size approx. 12 x 16 cm, mounted. Hardie 90. (1)

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* McBey (James 1883-1959). Tangier, 1913, b&w etching, signed in ink, and numbered 27 [from an edition of 50], image size approx. 16.5 x 19 cm, mounted. Hardie 141. (1)

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* Orsi (Alex, 20th-c.). Siamese Cat, sepia etching, signed, image size approx. 32 x 28 cm, framed and glazed. (1)

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* Osborne (Malcolm, 1880-1963). Portrait of A.E. Gray, Potter of Stoke-on-Trent, 1943, uncol. etching, titled in the plt., signed in pencil by the artist, approx. 27 x 21 cm., framed and glazed. (1)

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* Palmer (Samuel, 1805-1888). Sunset, or The Herdsman's Cottage, b&w etching, The Published State, image size approx. 10 x 7.7 cm, wide margins, together with The Willow Tree, b&w etching, early 20th c. edition of The Published State, by Frank Short, Martin Hardie and F. L. Griggs, signed with the initials of all three, impression size approx. 11.5 x 8 cm, with margins. (2)

Lot 1

* Pissarro (Orovida, 1893-1968). Cat and Mouse, 1948, original etching in black ink on cream laid paper, titled, signed ('Orovida') and dated by the artist to lower margin, plate impression 312 x 186 mm, framed and glazed. (1)

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Russell (Gyrth, 1892-1970). Boats Moored by the Quay & Drying Nets in the Back Yard, together two etchings, each signed in pencil, approx. 13 x 21 cm and 16 x 18.5 cm respec., mounted on card, together with Osborne (Malcolm), Walter Hargreaves Brown, 1926, etching, signed in pencil, image size approx. 30 x 25 cm, plus a mezzotint portrait of Francis Pember by Glyn Philpot, signed in pencil. (4)

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* Short (Sir Frank, 1857-1945). Gathering in the Corn, 1904, uncol. mezzotint, signed in pencil by the artist, approx. 21 x 30 cm., together with Macleod (W. Douglas), 'Sunset North Mist', sepia etching, signed in pen by the artist, approx. 23 x 38 cm., framed and glazed, plus Govier (James Henry), Portrait of a Young Woman, 1936, uncol. etching, signed and dated in pencil by the artist, approx. 10 x 8 cm., framed and glazed, with five other framed etchings, by S. Tushingham, Ian Fleming, A.H. Haig, Kenneth Steel and Marmaduke Miller. (8)

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* Story (E.J., 20th-c.). Picadilly Circus and the Statue of Eros, uncol. etching, signed in pencil by the artist, approx. 28.5 x 25.5 cm., framed and glazed. (1)

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* Whydale (Ernest Herbert, 1886-1952). Gypsies, b&w etching, signed in pencil, image size approx. 30.5 x 25.3 cm, with margins, mounted on card. (1)

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* Wilkinson (Norman, 1878-1971). A single-funnel steamship coming into port, uncol. etching, signed and inscribed in the plate 'With best wishes for the New Year..', image size approx. 16 x 22.5cms., with margins, oak frame, glazed. (1)

Lot 1

* Wilkinson (Henry, b.1921). Six etchings of dogs, including Labrador with Pheasant, Cocker Spaniels, Golden Setter with Teal (hand coloured), English Setter with Pigeon, Cocker and Woodcock, Lurcher and Rabbit, each approx. 110 x 95 mm, all signed in pencil and limited to 250 copies, together with Janes (John C.), Boxer, etching, approx. 205 x 150 mm, and others including a pencil drawing of Deer by Beresford Hill and colour botanical prints, mostly framed and glazed. (12)

Lot 1

* Woollard (Dorothy E.G.). St. Mary Redcliffe, Bristol, early 20th c. uncol. etching, signed, approx. 30 x 16 cm., together with Popple (C.), Langdale Pikes, uncol. drypoint etching, signed and titled by the artist, approx. 15 x 20 cm., framed and glazed, (no. 42/150 copies), with two other signed etchings. (4)

Lot 1

* Wyllie (C. W.). Shipping on The Thames, pub. J. P. Mendoza, St. James's Gallery, 28th January 1888, b&w etching by A. Masse after C. W. Wyllie, image size approx. 37 x 66 cm, black and gilt frame, glazed. (1)

Lot 1

* Lord (Elyse Ashe, 1900-1971). Chinese Gentleman and Lady examining silks, col. etching, signed, and numbered 42/75, image size approx. 38 x 50 cm, framed and glazed. (1)

Lot 1

LOUIS WHIRTER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING 'Edinburgh - White Horse Close', 6" x 8"and GRAHAM CLIVERD, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, Christ on the Cross, 8" x 6", (2)

Lot 1

FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, Figures and animals before a continental gateway, 7" x 5"

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SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE MEZZOTINT, 'Old Gravel Pits, Moseley, Nr Birmingham', 4" x 8", H GOFFEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION DRYPOINT ETCHING, 'Alert' (Alsatian), 11" x 8" and 2 further early 20th Century coloured etchings, various sizes, (4)

Lot 1

MORTIMER MENPES, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, An ancient gateway, 15" x 8" and INDISTINCTLY SIGNED TO MARGIN, BLACK & WHITE ETCHING, The Ballet Class, 12" x 8", (2)

Lot 1

AFTER REMBRANDT, INDISTINCTLY SIGNED BY THE ENGRAVER TO THE MARGIN, BLACK & WHITE ETCHING, DATED 1896, Portrait of Rembrandt, 19" x 15" and an INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, Portrait of a Lady, 20" x 16"

Lot 1

CATHERINE MAUD NICHOLS R E, SIGNED IN PENCIL TO MARGIN, BLACK & WHTIE ETCHING, A Norwich View (exhibited at the R A 1909), 12" x 7"

Lot 1

ALFRED R BLUNDELL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION DRY POINT ETCHING (OF 80), 'The Wood at Swainsthorpe, Norfolk', 10" x 14" and PERCIVAL GASKELL, LIMITED EDITION BLACK & WHITE AQUATINT (OF 100), 'San Georgio Maggiore, Venice', 7" x 11", (2)

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HANS THOMA, SIGNED BY ENGRAVER TO MARGIN, BLACK & WHITE ETCHING, Pastoral scene of a young man reclining under a tree, 10" x 9"

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STANLEY AUGOS, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING WITH DRY POINT, 'Bamburgh Castle' (Northumberland), 9" x 15"

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HENRY WILKINSON, SIGNED LIMITED EDITION TINTED ETCHING (15/75), The Angler, 8" x 13"

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SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING AND MEZZOTINT 'Lowtide, The Evening Star and Rye's Long Pier Deserted' and 'Mildmay Seapiece', (see further details verso), (2)

Lot 1

HESTER FROOD, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE ETCHING, A Church (indistinctly inscribed verso) and 19th CENTURY FRENCH COLOURED LITHOGRAPH, The Cavalry at Full Charge, 5" x 5", (2)

Lot 1

CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK & WHITE ETCHING (8 OF 20), A Wherry on the Norfolk Broads and G HORSLEY, SIGNED AND DATED 1931, BLACK & WHITE WOOD BLOCK PRINT, Fisherfolk, 7" x 5", (2)

Lot 1

DOROTHY WOOLARD R E, SIGNED IN PENCIL TO MARGIN, BLACK & WHITE DRY POINT ETCHING, 'Kew Bridge from Strand on the Green', 8" x 9"

Lot 1

SYDNEY LEE, SIGNED BLACK AND WHITE ETCHING, 'The Cowshed', 7" x 9", unframed

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JOHN CROME AND HENRY NINHAM, PACKET OF FIVE ASSORTED NORWICH SCHOOL ETCHINGS AND ONE OTHER NORWICH SCHOOL ETCHING, various sizes, unframed, (6)

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MORTIMER MENPES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, figures before a Tudor building, 15" x 9", mounted but unframed

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HENRY NINHAM, BLACK AND WHITE DRYPOINT ETCHING, 'Composition - Bridge and Mill' (see Gallery label verso), 1 3/4" x 3 1/2", mounted but unframed

Lot 1

EARLY 20TH CENTURY BLACK AND WHITE ETCHING, busy street scene with figures, 7" x 10" and one other, (2)

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ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (65/75), Canada Geese (in flight), 11" x 13"

Lot 1

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (4/20), 'Avocets', 6" x 6"

Lot 1

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Curlew' (landing), 6" x 10"

Lot 1

STANLEY ANDERSON, SIGNED LIMITED EDITION BLACK AND WHITE ETCHING, (NUMBER 70), 'The Blacksmith', 7" x 6"

Lot 1

REMBRANDT VAN RIJN, ETCHING, The Crucifixion, (laid down), 3 1/2" x 2 3/4"

Lot 1

A fine English sabre,Birmingham or Woodstock, circa 1780 with slender curved fullered blade double-edged towards the point and retaining traces of etching at the forte (pitted, rubbed), burnished steel hilt, incorporating a slotted guard, faceted globular pommel with prominent tang button, and spirally fluted ivory grip bound with patterned iron ribband, in its original leather scabbard, the outer face tooled, and fitted with reeded steel mounts, the locket incorporating a button applied with faceted studs in imitation of brilliants and with matching belt hook on its original suspension chain of burnished large decorative links 66cm; 26in blade

Lot 1

A German etched partizan,mid-18th century with small head formed with a central blade reinforced at the point, the base widening to a pair of up-turned flukes, and moulded neck with a pair of short straps, the blade decorated on each face with an etched panel of strapwork foliage, a trophy-of-arms on a faux-damascus ground, and with traces of gilding (haft replaced); another, mid-18th century, the etched decoration involving a double-eagle on one face, an allegorical figure on the other and trophies at the base (patches of pitting, haft replaced); another, mid-18th century (the fluke chipped, etching rubbed, haft replaced); and an Officer's undecorated partizan, late 17th/early 18th century (the haft replaced) the first: 29.3cm; 11.5in head (4)

Lot 1

An officer's regulation spontoon, Hesse-Kassel,circa 1760-85 with leaf-shaped head etched with the cypher of Landgrave Friedrich II von Hessen-Kassel, on a moulded neck fitted with cross-guard, and extending to a pair of straps (light wear, the haft replaced); another, of the battalion hanau (sic), circa 1785-1802, the head etched with the battalion title and the cypher of Landgrave Wilhelm IX (etching rubbed, the haft replaced); and two German military partizans, late 17th century/early 18th century, each very similar, one on an early haft with iron shoe (worn, one strap incomplete, the other straps shortened) the first: 37.5cm; 14.75in head (4)

Lot 1

A rare German etched vamplate,circa 1560, probably from the workshop of Wolfgang and Franz Grosschedel of landshut of characteristic convex form, pierced with a pair of holes at the outer rim, etched with three broad radiating panels filled with differing arrangements of trophies-of-war, including armour, artillery and the abbreviated classical inscription 'SPQR', etched around the base and at top with an elaborate band of scrolling foliage, tendrils and flowers incorporating a cornucopia at the outer rim, all within distinctive plain grouped linear borders, and in fine condition throughout 30.5cm; 12 in diameterThe general character of the etching is very similar to the pattern on an armour made for the Imperial family by the celebrated Landshut armourers Wolfgang and Franz Grosschedel and now preserved in the Hofjagd-und Rustkammer, Vienna (inv. no. A1052).

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