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Lot 246
Johan Balthasar Probst (1673-1748), Vue du Pont Neuf, vers le Louvre, Paris, hand-coloured engraving, 32 x 42.5cm; 51 x 62cm framed; together with François Xavier Habermann after Wilhelm Baur, Vue du Pallais du l'Empereur de Perse avec la Mosquée, ou Eglise à Ispahan, hand-coloured engraving, 43 x 47cm, 38 x 51cm framed; and 2 engravings by Tardieu after David Teniers, La Vie sans chagrin and La Vieillesse Rajeunie, 15 x 11cm; 40 x 36cm framed and and etching of A Veduta Generale delle gran Mole Adriana, e Ponte Elio, by Rossini, 37 x 55cm. framed (5)
Lot 37
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
Lot 217
§ PETER DOIG (SCOTTISH 1959-) DRIFTER - 2001 Etching and aquatint, 20/46, from 100 Years Ago, published by The Paragon Press, London, signed and numbered in pencil(the sheet 112.5cm x 167.5cm (44.25in x 66in)) Peter Doig is one of the most renowned contemporary figurative painters and for a while held the record for most expensive artwork sold at auction by a living artist. Based across New York, Dusseldorf and Trinidad, his large-scale works often have a dreamy, imaginative quality. Doig uses found photography and other existing imagery such as film stills, newspaper cuttings and art historical references as a basis for work, then painting expressively in response to them – this approach and his particular painterly technique often generate a sense of slipping and emergence, of things evolving and receding, memory, sensation and remembering. In ‘Drifter,’ there is a sense of the found photograph, with the focal light source bleaching out some of the details. In this haziness, we feel we know this figure but in this moment we can’t remember him, we are overcome with the reaching, the heat and the light.
Lot 431
* Nixon (Kay, 1895-1988). Birds in Durata Erecta, watercolour on paper, signed twice lower right, 52 x 33cm, framed and glazed, together with a collection of watercolours and prints including "Nazareth", indistinctly signed WJ?, 27.5 x 39cm, framed and glazed, an art deco mixed media watercolour on silk showing a dancing couple, 53 x 32, framed and glazed, Margaret Whitaker, "Fantasia", 1965, textured etching, signed and dated lower right, 45.5 x 30cm, David Birtwhistle, "Susanna", trial proof etching, showing a large pig, image size 20 x 30cm, unframed, other artists include Rod Hamer, Doris Ann Goodchild and others plus various oriental art including 4 Japanese woodblock prints, circa 1900, showing chickens, flowers etc, 2 Mughal gouache an others (mostly unframed)Qty: (35)
Lot 448
* Van Dyck (Anthony). The Five Eldest Children of Charles I, London: sold by E. Cooper at ye Pigeon in Bedford Street, c.1680, mezzotint after Van Dyck on laid paper, the third state of three (with E. Cooper's imprint replacing Alexander Browne's), British Museum catalogue number BM 1902-10-11-372, a few chips and creases, narrow margins, sheet size 32.9 x 41.4 cm, together with approximately 60 other engravings, etchings and mezzotints, nearly all late-17th or 18th century, including John Smith after Nicolas de Largillierre, 'Le Prince de Galles et la Princesse sa Soeur' (mezzotint, toned and chipped), 3 oval aquatints of Louis XVI, Louis XVII and Elisabeth de Bourbon (backed on card), numerous portraits of British and European aristocrats after Kneller, Lely, van der Werff and others (a few trimmed to image in oval form), an etching of leopards by Richard Gaywood after Francis Barlow, and similarQty: (approx. 60)
Lot 451
* Ballooning. Vue d'optique, Expérience de la Machine Aréostatique de Mrs de Montgolfier d'Anonoai en Vivarais..., circa 1783, hand-coloured engraving, title repeated in German, some spotting and soiling to margins, margins frayed, 290 x 410 mm, mounted, together with Havell (Robert & Son). The Descent of Mr Livingston on the Coast of Baldoyle County of Dublin on Thursday the 27th June 1822 on which day he ascended from Porto Bello Barracks for the benefit of the suffering poor of the South & South West of Ireland, R. Havell, Oct. 1832, uncoloured aquatint after T. J. Mulvany, central fold, repaired closed tears affecting image, slight dust soiling and staining, 370 x 440 mm, mounted, with Le Noir (publisher). Expérience de la Machine Aréostatique de Mrs de Montgolfier d'Anonai en Vivarais..., Paris, 1783, uncoloured engraving, slight creasing and dust soiling, occasional repaired marginal closed tears, 400 x 290 mm, mounted, plus Continental School. Aerostat D'Aix, circa 1784, unattributed (possibly amateur) uncoloured etching on laid of the first manned balloon flight, title in ink manuscript, old folds, occasional marginal closed tears, 340 x 410 mm, and An exact representation of the first Aerial Ship "The Eagle" now exhibiting in the grounds of the Aeronautical Society, Victoria Road, facing Kensington Gardens, circa 1835, unattributed uncoloured lithograph with the dimensions below the image (the airship never flew as it was too heavy), dust-soiled and creased, 225 x 255 mm, mounted, framed and glazed, with Fournisseur (M. publisher). A Monsieur de Faujace de St Fond de Plusiers Accademies. Experience Aerostatique faite à Versailles le 19 Septembre 1783, en présence de leurs Majestés de la Famille Royale et de la plus de 130 milles spectateurs par Mrs. Montgolfier avec un Ballon de 57 pied de hauteur sur 41 de diamêtre..., 1874 but early 20th century impression, hand coloured print, 250 x 310 mm, framed and glazedQty: (6)
Lot 477
* Van der Aa (Pieter, 1659–1733). Volo, Fuochi, Artificiali, et altri Givochi nel Giovedi grasso, from Splendor Magnificentissimae Urbis Venetiarum Clarissimus [Magnificent Illuminations of the Illustrious City of Venice], published by Pieter van der Aa, Leiden, circa 1720, copper engraving on two conjoined sheets of laid paper, caption title in Italian, Latin and French, plate size 32 x 41.5 cm, sheet size 39.5 x 50.5 cm, loose in window mount, together with Anonymous. Des Waereld doen en doolen, Is maar een Mallemoolen, fom the series Het Groote Tafereel der Dwaasheid, [1720-1721], etching on two conjoined sheets of laid paper, a closed tear to both left and right margins, not affecting image (the left hand side repaired to verso), plate size 31.5 x 44 cm, sheet size 39 x 47 cm, hinge-mounted in modern card window-mountQty: (2)NOTESThe second work is a satire on the financial crisis of 1720 (more commonly known in England as the South Sea Bubble), which had serious repercussions in England, France, Holland, and elsewhere across Europe. The poem in Dutch in four columns below the image is signed 'Philadelphus', nom de plume of Gysbert Tyssens (1693-1732), who also wrote six plays concerning the Wind Trade.
Lot 451
Victorian 1831 Pattern Royal Navy Officer's Sword 30 inch, single edged, slightly curved blade with large fuller. Traces of foliage and crowned anchor etching. Brass guard with Victorian crowned anchor cartouche and folding rear section. Quillon absent. Brass lion mask pommel and backstrap. Shagreen covered grip with twist wire binding. Now contained in a steel scabbard with two loose hanging rings.
Lot 470
1897 Pattern Infantry Officer's Sword 33 inch, single edged blade with large fuller. Foliage etching and field gun. Together with owner's intertwined initials. The forte with maker Hobson & Son London. White metal, foliage scroll, pierced guard with GRV cypher. White metal, checkered backstrap. Shagreen covered grip with twist wire binding. Contained in its leather covered, field scabbard.
Lot 527
Rare Springfield Arms Warner Belt Model Percussion Revolver 31 cal, 5 inch barrel with white metal stud foresight. Six shot percussion cylinder with scroll foliage etching. Top frame flat with floral engraving and maker Springfield Arms Co. Steel body, grip frame and trigger guard with scroll foliage engraving. Offset percussion hammer with foliage engraving. Polished wooden slab grips. According to various records, only approx 100 of this pattern were made.
Lot 609
Imperial German M1871 Dress Bayonet Sidearm 19 1/4 inch, single edged, narrow blade. Traces of foliage scroll etching. The forte with maker W.K & C with trade mark. White metal muzzle ring with downswept quillon. Turn up quillon crossguard. Brass grip with bird beak pommel. One side with grooved panel. False spring absent. Blade with minor pitting.
Lot 1015
Michael Atkin (British Contemporary): 'Farm at Glaisdale', artist's proof etching with aquatint signed and titled in pencil 18cm x 22cm; David Morris (British Contemporary): 'Grape Lane Whitby', artist's proof etching with aquatint signed and titled in pencil 16cm x 20cm (2)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 1016
Michael Atkin (Northern Contemporary): 'It's a Bit of a Climb', limited edition hand coloured etching with aquatint signed titled and numbered 4/60 in pencil, original title label verso 38cm x 28cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
Lot 1081
James Alphege Brewer (British 1909-1938): 'Mercery Lane Canterbury', coloured etching signed in pencil 27cm x 14cm; R Houck (20th century): 'La Dordogne', oil on canvas signed, titled on the stretcher verso (a/f) 65cm x 100cm; together with a mezzotint after Thomas Lawrence and five Le Blond prints, max 34cm x 28cm (8)Click here to view further images, condition reports, sale times & delivery costs for this lot.
![Graham Clarke Limited edition 75/100 Etching- hand coloured on handmade paper [by artist] titled "Porth St Ruan". Dated March](https://cdn.globalauctionplatform.com/3202eced-311f-4ebd-9e33-acfa00ed9850/9694829f-59e1-4cc9-84b3-acfb0084a99d/468x382.jpg)
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71174 item(s)/page