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RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Trooper Road - Aldbury', aquatint and etching, limited edition 20/100, titled lower left, signed lower right, 24.5cm x 40.5cm; together with 'Dunster Castle & Park', aquatint and etching, limited edition 51/100, titled lower left, signed lower right, 27cm x 49cm; 'Cothelstone Manor', aquatint and etching, limited edition 74/75, titled lower left, signed lower right, 26cm x 49cm; and 'Misty Willows', aquatint and etching, limited edition 74/75, titled lower left, signed lower right, 35.5cm x 45.5cm, all unframed, (4). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Some marginal creasing, not affecting images or immediate surrounds. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Littoral Patterns', relief etching, limited edition 2/50 (so labelled verso), titled lower left, signed lower right, exhibition label verso, undated (No.37), 45cm x 18.5cm, framed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Some foxing to mount and reverse of glass. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Leafy Impressions', aquatint and etching, titled lower left, signed lower right, 37cm x 15.5cm; together with 'Hedgerow Pieces', aquatint and etching, titled lower left, signed lower right, 37cm x 15cm, both mounted but unframed, (2). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Imperial Flight', aquatint and etching, limited edition 3/75, titled lower left, signed lower right, 55.5cm x 27cm, mounted but unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Fine Feathers', aquatint and etching, artist's proof, titled lower left, signed lower right, 44.5cm x 52.5cm; together with 'Pheasant Finery', aquatint and etching, limited edition 4/75, titled lower left, signed lower right, 37cm x 47cm; and 'Vacant Accommodation', aquatint and etching, titled lower left, signed lower right, 35.5cm x 54cm, all unframed, (3). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. Some marginal creasing, not affecting images or immediate surrounds. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Dunster Castle & Park', aquatint and etching, limited edition 52/100, titled lower left, signed lower right, 27cm x 49cm; together with 'Trooper Road - Aldbury', aquatint and etching, limited edition 17/100, titled lower left, signed lower right, 24.5cm x 40.5cm; 'Cothelstone Manor', aquatint and etching, limited edition 75/75, titled lower left, signed lower right, 26cm x 49cm; 'Misty Willows', aquatint and etching, limited edition 75/75, titled lower left, signed lower right, 35.5cm x 45.5cm; and 'Side Street Steps - Assisi', aquatint and etching, limited edition 9/75, titled lower left, signed lower right, 26cm x 17.5cm, all unframed, (5). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition. 'Misty Willows' creased to upper right margin, not affecting image or immediate surround. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Gone Fishing - Sunday - Pont Aven', aquatint and etching, limited edition 33/75, titled lower left, signed lower right, 26.5cm x 36.5cm; together with 'Hotel Backyard - Cahors', aquatint and etching, limited edition 19/75, titled lower left, signed lower right, 27.5cm x 19.5cm; 'A Steep Street in Orta', aquatint and etching, limited edition 11/75, titled lower left, signed lower right, 27.5cm x 21cm; 'Side Street Steps - Assisi', aquatint and etching, limited edition 14/75, titled lower left, signed lower right, 26cm x 18cm; 'Gozo Fishermen', aquatint and etching, limited edition 18/75, titled lower left, signed lower right, 21cm x 17cm; and 'Grape Harvest, Provence', aquatint and etching, limited edition 14/75, titled lower left, signed lower right, 20cm x 17cm, all unframed, (6). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Mediterranean Sea-bed Scape', aquatint and etching, limited edition 4/75, titled lower left, signed lower right, 39cm x 51.5cm, mounted but unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Woodland Patterns', aquatint and etching, limited edition 2/50, titled lower left, signed lower right, 36.5cm x 45cm; together with 'Leaf Relief', aquatint and etching, limited edition 4/75, titled lower left, signed lower right, 29cm x 16.5cm, both mounted but unframed, (2). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Quarry Ash', aquatint and etching, limited edition 5/50, titled lower left, signed lower right, 32.5cm x 39.5cm; together with 'Shrubs in Autumn', aquatint and etching, limited edition 4/75, titled lower left, signed lower right, 29.5cm x 36.5cm, both mounted but unframed, (2). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Space Wings', aquatint and etching, limited edition 14/75, titled lower left, signed lower right, 42.5cm x 52cm; together with 'Moth Flame', aquatint and etching, limited edition 5/75, titled lower left, signed lower right, 52.5cm x 40.5cm, both mounted but unframed. Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

RACHEL ANN LE BAS, N.E.A.C., R.E. (ENGLISH, 1923-2020) 'Birch Bark Patterns', aquatint and etching, limited edition 2/50, titled lower left, signed lower right, 54cm x 43cm; together with 'Japanese Maple', aquatint and etching, limited edition 23/75, titled lower left, signed lower right, 37cm x 46cm; and 'Shrubs in Autumn', aquatint and etching, limited edition 5/75, titled lower left, signed lower right, 30cm x 36.5cm, all unframed, (3). Provenance: The studio of the artist. *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

NORMAN JANES, R.W.S., N.E.A.C., R.E. (ENGLISH, 1892-1980) Santa Maria della Salute, Venice, etching, limited edition 3/50, signed lower right, 32cm x 25cm, framed and glazed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

ARTHUR RALPH MIDDLETON TOOD, R.A., R.W.S., N.E.A.C., R.E. (ENGLISH, 1923-2020) Portrait of an Elderly Man, etching (first state), signed lower right, remnants of Royal Society of Painter-Etchers & Engravers label verso, 17cm x 15cm, framed and glazed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

HILARY ADAIR, R.E. (ENGLISH, B.1943) 'Nightfall', coloured etching, artist's proof, signed and dated [19]78 lower right, inscribed lower right 'To Ann, with thanks and best wishes, / from Hilary', 68cm x 52.5cm (overall sheet size), unframed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Generally good condition; lightly foxed to upper right corner of margin. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

HILARY ADAIR, R.E. (ENGLISH, B.1943) 'Aginares', coloured etching, artist's proof, signed and dated [19]79 lower right, 38.5cm x 46cm, unframed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Some marginal creasing, not affecting image or immediate surround. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

Herbert Dicksee Re Original Etching - Titled ' The Sentinel ' Published by Frost and Reed Bristol on April 2nd 1913. Artist Signed Pencil Signed Lower Left Margin, Mounted and Framed Behind Glass. All Aspects of Condition are Excellent, Including Original Frame. Size of Etching Only 14.5 x 25.25 Inches - 36.25 x 63.25 cms. Size Including Frame 28 x 39 Inches - 70 x 97.5 cms.

A Hand Coloured Etching of a Spanish Lady engraved by John Miller and signed by Fildes 1902. Framed and glazed, overall size 30 x 24 inches.

A set of thirteen floral-etched champagne saucers, to/w seven somewhat similar glasses with foliate and star etching (20)

William Lionel Wyllie (1851-1931) - 'National Dinghy Race', sea scouts, drypoint etching, signed in pencil to lower left, 15 x 25 cm, typewritten letter to reverse reads 'To commemorate the twenty first anniversary of the departure of the Pilgrim Sister Miss Hilda Kelly, from the shores of Portsmouth to carve out a career in London AD Febryary (sic) 1st 1906 from a Portsmouth Admirer'Somewhat grubby

ROLAND GREEN Mallard coming to feed and Evening Flight, signed, etching, 32 x 18cm and three others (5) Condition Report: Available upon request

JAMES CADZOW - Near Haddington, etching, another of figures before a fruit shop and a print of Glasgow (3) Condition Report: Available upon request

James ScraseCastle Near St MartinPastelsSigned Together with an etching of SS Great Britain

A George V Royal Artillery Officer's Sword, 87.5cm single edge fullered steel blade etched with Royal cypher and Royal Artillery badge, with Proved poincon, the nickel plated steel three bar hilt with wire bound fishskin grip, leather sword knot and service scabbard, 107cm. Minor black patches to blade with wear to the etching. Some patching to hilt. Scabbard seams coming unstitched in places, with scuffing.

After Vineta Dzervite: a limited edition print of an etching, "Early in the Morning 1", 25/150, in gilt strip frame, two mezzotints of seated women with dogs, in gilt strip frames, and a watercolour landscape of a stream with distant mountains, 9" x 8 1/2", in gilt frame

James McBey (British 1883-1959) Ras-el-Ain Etching, signed and dated July 1918-1919 in the plate, signed in pen bottom right, numbered XVII bottom left, measurements 20.3 x 33 cm (PL), frame 42.5 x 53 cmCondition report: the etching is framed under glazing, not examined external to the frame. Signed in the plate and in pen bottom right, numbered XVII bottom left. There is some foxing in the centre of the plate, bottom left corner below the platemark and around the upper right area. Some ageing to the paper. No obvious rips, tears or creases.

Ethel King Martyn, 'The travellers companion', a fairy scene, etching, titled in pencil in the margin, initialled within the plate, drypoint, 15cm x 22.4cm (I) Footnote: Ethel King Martyn was a portrait painter and etcher of fairy subjects, being elected member of The Royal Society of Painter-Etchers and Engravers. She exhibited at the Royal Academy and some of her works, including a smaller example of this drypoint, are held by The British Museum (museum number:- 1930.0221.3). She studied at the Slade under Legros' tutellage and later was an illustrator for books such as 'Fables', by Robert Louis Stevenson, published in 1902. The British Museum entry states that this image was used for Hans Christian Anderson (dimensions 76mm x 150mm).Condition report: Generally ok. Some staining on the margin. Some small 2-3cm horizontal creases (possibly tears) lower left corner, above and below initials.

Pieter Boddingh van Laer (Dutch 1599-c.1642) Spinnende Vrouw, Zwijnen en Ezels, etching, 1636, measurements 11.5 x 16.5 cm, frame 30 x 36 cmNote: Misidentified as Ostade on the mount

Percy Kelly (1918-1993), a watercolour illustrated letter, "Glen Cottage, Allonby, Maryport, Cumberland", 25 cm x 20 cm. Saturday 15th September 1967 and a collection of notes, memos and greeting card etching. ARR (see illustration).

A FRAMED ETCHING OF 'THE TOWER OF LONDON' BY CLEMENT OF PARIS, A FRAMED 'AT THE OPERA' REPRODUCTION PHOTOGRAPH BY RICHARDS AND CO, BALLARAT AND A PEN AND INK PRINT OF THE GRAND CANAL

The Queen’s South Africa Medal awarded to ‘painter, etcher, raconteur and rifle-shot’, Mortimer Menpes, who accompanied the City of London Imperial Volunteers to the front during the Boer War as war artist for Black & White illustrated weekly magazine Queen’s South Africa 1899-1902, no clasp, (Mr. M. Menpes “Black & White.”) very fine £1,400-£1,800 --- Mortimer Luddington Menpes was born in 1855 at Port Adelaide, South Australia, the son of property developer James Menpes and was educated at John L. Young’s Adelaide Educational Institution, although his formal art training began at the School of Art in London in 1878 after his family had moved back to England in 1875 and settled in Chelsea. He first exhibited at the Royal Academy in 1880, and, over the following 20 years, 35 of his paintings and etchings were shown at the Academy. He met James McNeil Whistler on a sketching tour of Brittany in 1880 and became Whistler’s pupil, learning the etching techniques that were to become evident in much of his later work. In 1886 he stood as godfather to Oscar Wilde’s son and the following year, a visit to Japan led to his first one-man exhibition at Dowdeswell’s Gallery in London. In 1900, following the outbreak of war in the Transvaal, Menpes sailed to South Africa as a war artist for the weekly illustrated magazine Black & White, in which, on 3 February 1900, the following appeared: ‘Accompanying the City of London Imperial Volunteers to the front is an artist whose name is known the whole world over, because he is first of all an artist, and secondly a reporter of events. This is Mr. Mortimer Menpes, who is entitled to tag after his name a list of honours and titles of which few artists can boast. Mr. Menpes is the inventor of a process of colour etching, in which, to the sharpness and definition attained by the tools of the etcher, he has added the softness and brilliance of all the rich colours that may be laid on the painter’s palette. Mr Menpes will be able to send us from the front portraits of all the principal Generals and notabilities of the war.’ Menpes’ sketches from the campaign were subsequently transcribed by his daughter Dorothy Menpes and published by Charles Black of Soho Square in 1901 under the title ‘War Impressions, being a record in colour by Mortimer Menpes’. After the war Menpes travelled widely and and many of his illustrations were published in books again accompanied by text written by Dorothy. He painted in oil and watercolour as well as being a prolific printmaker, producing over 700 etchings and drypoints during his career to great acclaim. A definitive catalog raisonné of his printed works was published in 2012 which also included an extensive biography and his exhibition history. He died at Pangbourne in 1938. ‘Menpes, Mortimer, F.R.G.S.; painter, etcher, raconteur, and rifle-shot; inartistically born in Australia; war artist for Black and White in South Africa, 1900. Educ.: nominally at a grammar school in Port Adelaide, but really on a life scheme of his own. His career as a painter began when he was one year old; he is still a painter. He had held more one-man exhibitions in London than any other living painter: viz Japan, India, Mexico, Burmah, Cashmere, France, Spain, Morocco, Egypt, Venice, Beautiful Women, Beautiful Children, The War in South Africa, Venice, exhibitions of Black and White, and of Etchings in colour, thereby reviving a lost art. Publications: a whole series of etchings at different periods; Essays (one called the Actualists, a skit on the Impressionists); War Impressions, 1901; Japan 1901; World Pictures, 1902; World’s Children, 1903; The Durbar, 1903; Venice, 1904; Whistler as I knew Him, 1904; Brittany, 1905; Rembrandt, 1905; India, 1905; Thames, 1906; Sir Henry Irving, 1906; Portrait Biographies, Lord Roberts and Lord Kitchener. In the preparation of World Pictures he did the world in record time, being unsurpassed even by Jules Verne. Founder of the Menpes Press; Founder of the Menpes Great Masters, which are reproduced under his direction; Founder and Managing Director of the Menpes Fruit Farms, Pangboume.’ (Who’s Who, 1932) Sold together with a copy of Black & White magazine (cover loose), dated 3 February 1900, containing the above quoted reference to Menpes and his portrait picture; copy of Black & White magazine, dated 5 May 1900, cover loose; a quantity of copies of Menpes’ illustrations and sketches appearing in Black & White magazine during 1900; a letter from Menpes to a Mr Head, written from the Vicarage, Gorelstone in 1902, regarding a sold painting; other copied research and the following 8 hardback books: Deluxe Edition (No 86 of 350 copies and signed by Mortimer Menpes) of War Impressions, being a record in colour by Mortimer Menpes transcribed by Dorothy Menpes published by Adam & Charles Black Soho Square, London 1901, very good condition; another, standard 1901 edition, binding loose; Japan a record in colour by Mortimer Menpes transcribed by Dorothy Menpes published by Adam & Charles Black , Soho Square, London 1901, binding loose; World Pictures by Mortimer Menpes text by Dorothy Menpes published by A. & C. Black Soho Square London 1902; World’s Children by Mortimer Menpes text by Dorothy Menpes, published by Adam and Charles Black, London, 1903, 1st edition, Westbourne School Sheffield 1908 prize label inside front cover - awarded to Dorothy A. Nash, cover of spine weak; India by Mortimer Menpes text by Flora Annie Steel published by Charles Black Soho Square London, 1912 edition, ex public library, spine sun faded; Paris by Mortimer Menpes text by Dorothy Menpes published by Adam and Charles Black 1909, with partially torn dust jacket, inscribed inside front cover ‘with love and good wishes from all at Netherley, Xmas 1909’ Venice by Lonsdale and Laura Ragg illustrated by Mortimer Menpes, published by A. & C. Black Ltd. 4,5 & 6 Soho Square, London, 1916.

Hubert Von Herkomer [1849-1914]-Summer; a young woman on a garden path,:-etching, inscribed in pencil on the mount 'To Mrs Hill from Hubert Herkomer Oct 11 1892', 27 x 20cm.

Continental 19thC sword with stirrup guard and wooden grip, the 67cm double edged blade with some crude etching, complete with steel scabbard. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

British 1803 pattern Flank Officer's sword with family/personal monogram to cartouche over GR cypher, chequered ivory grip, F Runkel Solingen maker's mark to the 75cm blade, which retains some etching. PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECK ON COLLECTION OR DELIVERY

Two items to include an indistinctly signed framed oil of the Sacre Coeur & a Venice scene etching signed in pencil P Snow (2)

John Sell COTMAN (1782-1842) unsigned, etching "Cader Idris", framed,The etching measures 13 x 18 cm

Indistinctly signed, 1973 coloured etching, modernist landscape, glazed (glass cracked) & framed,The etching measures 23 x 24 cm

Robert C Robertson etching "Auld Reekie showing the Royal Mile, Edinburgh", signed in pencil, framed,The etching measures 20 x 30 cm

LARGE FOLIO OF ETCHING DRAWINGS PHOTOGRAPH'S ETC., DATED 1831

PENCIL SIGNED ETCHING INSCRIBED THE COMING STORM, WITH FIGURE LEADING A GOAT, SIGNED E POPPLE. LABEL'S TO THE REVERSE.

Henry Rayner, 'The Bullock Plough', uncoloured etching, signed in pencil. 18 x 21cm approx. (B.P. 21% + VAT)

Louis Icart (1888-1950), Hand coloured etching on paper, Two ladies with a Pierrot glove puppet, Signed in pencil to lower margin, published by l'Estampe Moderne, Paris 1922, copyright F.H. Bresler & Co, Milwaukee 1922, 42cm x 53cm, Oval mounted, Framed and glazed (at fault) For condition information please view this lot on our website HERE.Please note: We do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view at trevanion.com once a request has been submitted.Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.

HEDLEY FITTON 1859-1929: 'PONT ST. ETIENNE', ETCHING signed to the margin

WILLIAM WALKER 1878-1961: THE WEST FRONT OF WESTMINSTER ABBEY Etching (with old mount burn visible) and a print by C F Allbon; 'San Giorgio, Venice' (2)

PIRANESI: 'ROVINE DELLA TERME ANTONINIANE', ETCHING

PIRANESI: 'VEDUTA DEL TEMPIO DELLA TOSSE....' , ETCHING

J Jackson Curnock, 'Leigh Woods', a signed and titled watercolour, 35.5 x 53.5cm, together with an etching after O V Daunce?, 'Alleyn's School', 20.5 x 27cm and one other, (3).

Collection of seven various pictures including floral watercolours, Teesdale etching, etc.

FOLIO SOCIETY; DUMAS (A), THE COUNT OF MONTE CRISTO, limited edition illustrated by Roman Pisarev, with a signed etching numbered 132/500, printed by Memminger and bound in full leather with pictorial boards by Lachenmaier, 2017, with slip case (1).Additional InformationFootnote: This lot forms part of The Library of a Cheshire Gentleman collection, see lot 2317for more details.

CAMILLE FONCE; etching with aquatint, 'The River Vesle, Rheims', signed, titled with R. Jackson & Sons of Liverpool label verso, 45.3 x 60cm, framed and glazed.Additional InformationSome dirt and marks to the mount, slight yellowing to the slip, scuffs and scrapes to the frame.

W. COLENSO; a pair of oils on board depicting monks and a priest and interior tavern scenes, signed and dated 1876 lower right, 41 x 30cm, watercolour depicting horse and cart, landscape scene, indistinctly signed Cowdsy Puck, 17 x 25cm, together with three further watercolours, pencil signed etching depicting tugs and sailing vessels, etc (8).

A Framed Limited Edition Hard Ground Etching, "The Ingomar" by Roland Hilder, no.38/84, Signed in Pencil

A Framed American Etching After Meissonier 1864, Signed in Pencil by William Schauss, 23x30cm

A box of assorted pictures and prints, framed photograph of Bamburgh Castle, etched panel of Durham in 1832, colour etching of Newcastle, framed watercolour of cottages on a beach signed Howell, etc

Prints to include, 'The Dormitory, Chethams College', pencil signed, together with, Charles Ripper, pencil signed etching of Lancaster Castle gateway, a coloured print of a Parisian street scene, T.S. Allan, two etchings of the Bridge at Bradford-on-Avon and Anne Hathaways Cottage, two etchings by Adrian Hill of Holy Trinity Church and Canterbury Cathedral, an etching by James Lunn etc., (qty)

J Hoffmann, coloured etching, Atelier de Reparation, plate size 28cm x 36cm, framed

Patrick Woodroffe - "Chewing the Cud" and "Just Before Milking Time", signed and dated June 1985, etching, printed from two plates on one sheet, numbered 16/24cms and 15.5 x 17cms (visible), in black-and-gilt frame.

WITSEN WILLEM (1860-1923), signed l.r., Amsterdam canal in winter, etching No72 40 x 50 cm.WITSEN, WILLEM (1860-1923), ges. r.o., Amsterdamse gracht in de winter, ets No72 40 x 50 cm.

Brandenburg, Cornelis, signed, Prins Hendrikkade Amsterdam, etching 41 x 71 cm.BRANDENBURG, CORNELIS (1884-1954), ges. r.o., Prins Hendrikkade, Amsterdam, kleurets 41 x 71 cm.

Corneille (1922-2010), signed and dated 1943, dune landscape, etching (e.a.) 11 x 17 cm.CORNEILLE (1922-2010), ges. en gedat. 1943 r.o., duinlandschap, ets (epreuve d'artiste no.1) 11 x 17 cm.