Gertrude Keeling [19/20th Century]-London Bridge & Southwark Cathedral,:- hand coloured etching, plate size 9.5 x 13.5cm, together with a collection of 11 similar small etchings including The Broad Walk Kensington Gardens, The Orangery Kensington Gardens. St Paul's from Ludgate Hill, The Coolings from Braccadale, Christmas Greetings, Cloisters St. Trophime Arles, Corsica Pine Trees, etc. [12]
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Abdul Rahman Chughtai (1894-1975) etching, portrait of a young woman in a landscape, signed, plate 24.5 x 14cm, glazed frameCondition report: Provenance: local collection for 20 years. Framed and glazed and not viewed outside frame. Paper has browned somewhat but otherwise appears in good order. Tiny abrasion to the foreground on the right mentioned for accuracy.
Avishai Russell (Contemporary)/Frog/signed and dated '97; inscribed and numbered 1/10/drypoint etching, plate size 14cm x 15cm, paper size 30.5cm x 30cm/Provenance: label verso for Royal Scottish Academy CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Jack Coutu (born 1924)/Grasshopper/inscribed, signed and dated Coutu 54 and numbered 5/25 to margin/etching and aquatint, plate size 37cm x 29.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Wilfred H Frank/Cornish Harbour/drypoint etching, 11.5cm x 17cm/another of Lilies and a pencil sketch by the same CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Andy Lovell (20th Century)/Sunset Swifts Hill II/signed, inscribed and numbered 2/65/photo polymer gravure etching, 24.5cm x 49cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Christopher Richard Wynne Nevinson (1889-1946)/Any London Street/signed in pencil, circa 1922/etching, 13.5cm x 17.5cm CONDITION REPORT: Paper possibly slightly browned, the large mount has some small gashes and one small foxing mark to border left of signature, would benefit from re-framingCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
John Kiki (born 1943)/Aeroplane/limited edition 3/15/etching, 30cm x 30cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
John Kiki (born 1943)/Man and Dog/limited edition 4/15, signed and dated 90/etching, 30cm x 20cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A MIDSHIPMAN'S DIRK OF THE ROYAL NAVY, CIRCA 18009¼in. steel blade with simple etching, circular gilt brass guard with turned ivory grip and brass end cap pommel, contained within brass-mounted leather scabbard -- 13¼ (33.5cm.) longChip to underside of pommel, otherwise wear commensurate with age.
A GEORGE V 1827 PATTERN HALF-BASKET HILT OFFICER'S SWORD FOR THE ROYAL NAVYthe 31in. blade numbered '15366', hilt with hinged thumbpiece, wire-bound shagreen grip, lion's head pommel and bullion loop, contained within brass-mounted leather scabbard of issue --38in. 96.5cm.) overallEtching worn on blade, sword loop frayed
PICTURES AND PRINTS ETC, to include a Peter Johnson etching 'Peter Pan, Kensington Gardens', approximate size 23cm x 18cm, still life flower study by Susan Benvegnin dated 1964, oil on board, a still life flower study signed Jensen-Paris, oil on board, Clement Flower golfing print, print of Ironbridge, Sidney Rowe print 'Cowgrove', unframed Cafieri landscape oil on canvas, and two distressed landscape oils (9)
PICTURES AND PRINTS ETC, to comprising Mark Gordon signed limited edition print 'Ulster Cottage' 1/25, mounted framed and glazes, approximate size 50cm x 66cm, together with a Marcia Paul pastel landscape, two Dorothy Bruce watercolour over printed pen and ink outline pictures, Roger Hebbelink mezzotint etching of Brugge, Alan Fearnley 'Lords' cricket print signed by Dennis Compton with certificate and Rosemary H Coates limited edition hunting print (7)
Nelson Dawson (1859-1941), etchings and a drawing;1. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.2. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.3. Coloured etching, Military trophies, 20 x 24cm.4. Pen and ink, 'Vessels ...awaiting convoy - from an aeroplane Mar 17, 1918', 20 x 26cm.5. Coloured etching, 'U.S and British Admirals at Ostende bombardment', signed, 19 x 23cm.6. Etching, bi-plane ditched beside HMS Leven, 15 x 23cm.All unframed - the last of lot of the collection that we have been selling in recent months.
Eileen A Soper (1905-1990) a charming etching titled 'The Stray', signed in pencil, measures approx. 15cm x 21cm; together with two engravings entitled 'St Andrews Harbour and University Chapel St Andrews, both signed in pencil in the lower right margin, framed and glazed, approx.25.5cm x 35cm.
Graham Stephenson etching entitled 'The George Inn' dated 1997, approx 42 x 25.5 cms, framed and glazed. The George is a early coaching inn and ale house which has now been converted into several residential properties but retaining many of the original features. *Donated in aid of the Winchcombe Museum Charity 'Raise The Roof' Appeal
Sir David Muirhead Bone HRSA, HRSW, HRWS, HRIBA, IS, NEAC (1876-1953) Scottish "Hampstead Heath"Signed in pencil, etching, together with two further etchings by the same artist "Zattere, Venice" & "Gateway - Choizzia", a further etching by Seymour Haden "Thames Fishermen" and a mezzotint after JMW Turner "Scene in the Campagna", 14.5cm by 19.5cm, 17cm by 22.5cm, 15.5cm by 17cm, 14cm by 21cm & 18cm by 26cm respectively (5)
HOLLENBERG, FELIX (1868-1945), 5 Graphiken: Landschaft und Ex Libris, je Radierung, davon 3x mit Bleistift von Hand signiert und 1x num. 26/60, 2x Ex Libris, je in der Platte monogrammiert FH, HxB: Platte bis ca.14,5x17,5 cm, Außenmaße bis ca. 26x32 cm. Je gebräunt, part. fleckig. Je im Passepartout hinter Glas gerahmt (tlw. leicht beschädigt).| HOLLENBERG, FELIX (1868-1945), 5 graphics: landscape and ex libris, each etching, of which 3x signed by hand in pencil and 1x num. 26/60, 2x ex libris, each monogrammed FH in the plate, HxW: plate up to approx. 14.5x17.5 cm, external dimensions up to approx. 26x32 cm. Ever tanned, part. blotchy. Each framed behind glass in a passe-partout (partially slightly damaged).
Wiener Aktionismus - - Günter Brus. (1938 Ardning). o.T. Aus der Mappe "Liebeslächeln und Hohngelächter". 1991. Kaltnadelradierung auf chamoisfarbenem Fabriano. 32,5 x 24,2 cm (70,5 x 49,8 cm). Signiert und nummeriert. Punktuell auf Unterlage montiert. - Partiell mit wenigen, zarten Anschmutzungen. Insgesamt in gutem Zustand. Haubenhofer, 107. - Eines von 30 Exemplaren. - Hrsg. von der Galerie H. Curtze, Wien. Drypoint etching on buff fabriano. Signed and numbered. Mounted on a backing in spots. - Partially with a few, delicate smudges. Overall in good condition. - From the portfolio "Liebeslächeln und Hohngelächter" from 1991. - One of 30 copies. - Published by Galerie Curtze, Wien.
Salvador Dali, 1904-1989, 'L' Academie de Paris' (1971), Ed. 139/250, rechts unten signiert, Farbradierung auf Bütten, Verlag Amiel, Alterssp., ca. 42,5x59,5 / 77x90 cm, Lit. Michler/Löpsinger 1994, S. 200, Nr. 514Salvador Dali, 1904-1989, #'L#'Academie de Paris#' (1971), ed. 139/250, signed lower right, color etching on handmade paper, VerlagAmiel, age, approx. 42.5x59.5 / 77x90 cm, lit.Michler/Löpsinger 1994, p. 200, no. 514
Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen u.a. Tate Modern (2001); Vertreter einer dekolonisierten, unabhängigen afrikanischen Kunst; verhandelt im Bewusstsein westlicher Prägung traditionell westafrikanischer Themen, hier: 'Apenerive' aus der Serie 'The Mask and the Cross' in Auseinandersetzung mit dem christlichen Glauben aus einem nigerianisch-folkoristischenStandpunkt heraus; Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren: in Metallfolie graviertes Motiv, verso mit Harz gefüllt u. auf Trägerplatte befestigt, Ed. 9/30, betitelt, signiert u. datiert 'Dec. 1974', ca. 61x47, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized, independent African art; negotiates traditional West African topics in the awareness of western influences, here: # 'Apenerive #' from the series # 'The Mask and the Cross #' dealing with the Christian faith from a Nigerian-folk point of view; Metal Foil Deep Etching: plastographic process developed by the artist:motif engraved in metal foil, filled with resin on the reverse and attached to a carrierplate, Ed. 9/30, titled, signed and dated # 'Dec. 1974 #', approx. 61x47, from private ownership after purchase from the artist
Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Call for Prayers II', Darstellung von Yoruba in höfischem Ornat, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metall Foil Deep Etching, plastographisches Verfahren mit gravierter u. bronzierter Metallfolie, Reliefstruktur, Ed. 1/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African topics in a western style, here: # 'Call for Prayers II #', representation of Yoruba in courtly regalia, from a phase of processing, especially historical personalities, metal foil deep etching, plastic graphics Process with engraved and bronzed metal foil, relief structure, Ed. 1/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist
Rainer Fetting, geb. 1949 Wilhelmshaven, Studium an der HBK Berlin, 'Shower' (1989), Farbradierung, signiert, betitelt u. datiert, Ed. 5/60, Platte ca. 60x90, unter Glas gerahmt88x115 cmRainer Fetting, born 1949 Wilhelmshaven, studied at the HBK Berlin, #'Shower#' (1989), color etching, signed, titled and dated, Ed. 5/60, plate approx. 60x90, framed under glass 88x115 cm
Salvador Dali, 1904 - 1989, Combat de cavalier (1975), aus der Serie Calderón, Das Leben ein Traum, Farbradierung mit Aquatinta, Auflage 250 auf Richard de Bas, Trockenstempel Editeuropa ...., erschienen im gleichnamigen Mappenwerk, Plattenmaß ca. 33 x 52 cm, leicht gebräunt, unter Glas, Rahmen: 63 x 84 cm, WVZ Michler/Löpsinger, Das druckgraphische Werk 1924-1980,Nr. 516Salvador Dali, 1904 - 1989, Combat de cavalier(1975), from the series Calderón, Life is a dream, color etching with aquatint, edition of250 on Richard de Bas, dry stamp Editeuropa ...., published in the portfolio of the same name, plate size approx. 33 x 52 cm, slightly browned, under glass, frame: 63 x 84 cm, WVZ Michler/Löpsinger, The graphic work 1924-1980,no. 516
WALTER SICKERT (BRITISH 1860-1942) THE OLD FIDDLER (SMALL PLATE) (BROMBERG 187) Etching with drypoint, c. 1919, the small plate Signed in pencil 14.5 x 11cm (5½ x 4¼ in.) Condition Report: Examined out of the frame. The sheet is attached to the mount along the top and bottom edges with acid free mounting tape. There is dark discolouration to the extreme edges of the reverse of the sheet and general light time staining. Condition Report Disclaimer

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