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Lot 1064

Gertrude Keeling [19/20th Century]-London Bridge & Southwark Cathedral,:- hand coloured etching, plate size 9.5 x 13.5cm, together with a collection of 11 similar small etchings including The Broad Walk Kensington Gardens, The Orangery Kensington Gardens. St Paul's from Ludgate Hill, The Coolings from Braccadale, Christmas Greetings, Cloisters St. Trophime Arles, Corsica Pine Trees, etc. [12]

Lot 1126

* Edward Julius Detmold [1883-1957]-The Morning Ride,:-etching, signed in the margin bottom rightplate size 26.5 x 42.5cm.* Provenance. S. Fletcher, Fine Art Dealer, Fountain Street & King Cross.

Lot 347

Herbert Thomas Dicksee,The Old Hound,signed, etching,mounted within the platemark, visible 41 x 40cm.

Lot 1015

Cock Fighting interest, William Hogarth hand coloured etching - Pit Ticket, 24cm x 34cm, another similar titled Westminster Pit, 33cm x 49cm, also an early 20th century framed black and white photograph depicting cock fighters, 53cm x 61cm overall framed size (3)

Lot 1028

Three sporting prints, including large etching and aquatint after J Loader, 'William Long'. Image 47cm x 66cm, glazed frame, another after H Hall, The Merry Beagles, and Fly Fishing, all framed. (3)

Lot 1136

*Richard Bawden (b.1936) signed limited edition etching and aquatint, "The Glade", 37/75, 40cm x 50cm, framed and glazed

Lot 1141

*Charles Bartlett (1921-2014) signed limited edition etching and aquatint - Evening Tide, 3/60, 42cm x 57cm, in glazed frame

Lot 1194

*Charles Bartlett (1921-2014) etching - 'The Quay, Ramsholt', signed and numbered 30/60, 35cm x 29.5cm

Lot 1195

*Charles Bartlett (1921-2014) etching - 'Teasels', signed and numbered 34/60, 43cm x 33cm

Lot 753

Abdul Rahman Chughtai (1894-1975) etching, portrait of a young woman in a landscape, signed, plate 24.5 x 14cm, glazed frameCondition report: Provenance: local collection for 20 years. Framed and glazed and not viewed outside frame. Paper has browned somewhat but otherwise appears in good order. Tiny abrasion to the foreground on the right mentioned for accuracy.

Lot 480

Avishai Russell (Contemporary)/Frog/signed and dated '97; inscribed and numbered 1/10/drypoint etching, plate size 14cm x 15cm, paper size 30.5cm x 30cm/Provenance: label verso for Royal Scottish Academy CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 579

Jack Coutu (born 1924)/Grasshopper/inscribed, signed and dated Coutu 54 and numbered 5/25 to margin/etching and aquatint, plate size 37cm x 29.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 587

Wilfred H Frank/Cornish Harbour/drypoint etching, 11.5cm x 17cm/another of Lilies and a pencil sketch by the same CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Lot 589

Andy Lovell (20th Century)/Sunset Swifts Hill II/signed, inscribed and numbered 2/65/photo polymer gravure etching, 24.5cm x 49cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 596

Christopher Richard Wynne Nevinson (1889-1946)/Any London Street/signed in pencil, circa 1922/etching, 13.5cm x 17.5cm CONDITION REPORT: Paper possibly slightly browned, the large mount has some small gashes and one small foxing mark to border left of signature, would benefit from re-framingCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 600

William Monk (1863-1937)/The War Office/etching, 18cm x 35cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 608

John Kiki (born 1943)/Aeroplane/limited edition 3/15/etching, 30cm x 30cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 612

John Kiki (born 1943)/Man and Dog/limited edition 4/15, signed and dated 90/etching, 30cm x 20cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Lot 215

A MIDSHIPMAN'S DIRK OF THE ROYAL NAVY, CIRCA 18009¼in. steel blade with simple etching, circular gilt brass guard with turned ivory grip and brass end cap pommel, contained within brass-mounted leather scabbard -- 13¼ (33.5cm.) longChip to underside of pommel, otherwise wear commensurate with age.

Lot 227

A GEORGE V REGULATION DIRK FOR THE ROYAL NAVY17½in. etched steel blade, acorn quillons, wire-bound grip with lion's head pommel, contained in leather scabbard with sprung lock -- 23½in. (60cm.) overallEtching some what worn, scabbard possibly replaced.

Lot 228

A GEORGE V 1827 PATTERN HALF-BASKET HILT OFFICER'S SWORD FOR THE ROYAL NAVYthe 31in. blade numbered '15366', hilt with hinged thumbpiece, wire-bound shagreen grip, lion's head pommel and bullion loop, contained within brass-mounted leather scabbard of issue --38in. 96.5cm.) overallEtching worn on blade, sword loop frayed

Lot 58

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931)Rochester CastleSigned in pencil ‘W.L. Wyllie’ (lower left)Etching10½ x 18½in. (27 x 47cm.)

Lot 70

AFTER CHARLES NAPIER HEMYYouthEngraving etched by Victor Focillon16 x 28¼in. (40.5 x 71.5cm.); together with an etching after Whistler, Black Lion Wharf; Regatta signed print by Fritz Neumann and Baxter print The wreck of the Reliance(4)

Lot 1112

Modern aboriginal painting, 11.5ins x 8.5ins, framed together with a humorous French etching of dogs and cats and another small framed coloured engraving

Lot 67

JULIAN TREVELYAN, RA (British, 1910-1988) 'Banana Girl', aquatint and etching, signed, titled and numbered by the artist, published in 1966, 51cm x 38cm, framed. (Subject to ARR - see Buyers Conditions)

Lot 28

The dinghy original etching by Jackson Simpson signed limited edition with blind stamp

Lot 655

PICTURES AND PRINTS ETC, to include a Peter Johnson etching 'Peter Pan, Kensington Gardens', approximate size 23cm x 18cm, still life flower study by Susan Benvegnin dated 1964, oil on board, a still life flower study signed Jensen-Paris, oil on board, Clement Flower golfing print, print of Ironbridge, Sidney Rowe print 'Cowgrove', unframed Cafieri landscape oil on canvas, and two distressed landscape oils (9)

Lot 769

PICTURES AND PRINTS ETC, to comprising Mark Gordon signed limited edition print 'Ulster Cottage' 1/25, mounted framed and glazes, approximate size 50cm x 66cm, together with a Marcia Paul pastel landscape, two Dorothy Bruce watercolour over printed pen and ink outline pictures, Roger Hebbelink mezzotint etching of Brugge, Alan Fearnley 'Lords' cricket print signed by Dennis Compton with certificate and Rosemary H Coates limited edition hunting print (7)

Lot 670

Nelson Dawson (1859-1941), etchings and a drawing;1. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.2. 'Even Numbers Deal with the Enemy in Rear...Capt Neville; 3rd Dragoon Guards...', 16 x 12cm.3. Coloured etching, Military trophies, 20 x 24cm.4. Pen and ink, 'Vessels ...awaiting convoy - from an aeroplane Mar 17, 1918', 20 x 26cm.5. Coloured etching, 'U.S and British Admirals at Ostende bombardment', signed, 19 x 23cm.6. Etching, bi-plane ditched beside HMS Leven, 15 x 23cm.All unframed - the last of lot of the collection that we have been selling in recent months.

Lot 225

Eileen A Soper (1905-1990) a charming etching titled 'The Stray', signed in pencil, measures approx. 15cm x 21cm; together with two engravings entitled 'St Andrews Harbour and University Chapel St Andrews, both signed in pencil in the lower right margin, framed and glazed, approx.25.5cm x 35cm.

Lot 230

Graham Stephenson etching entitled 'The George Inn' dated 1997, approx 42 x 25.5 cms, framed and glazed. The George is a early coaching inn and ale house which has now been converted into several residential properties but retaining many of the original features.  *Donated in aid of the Winchcombe Museum Charity 'Raise The Roof' Appeal

Lot 327

Etching - St Dunstan's Fleet Street by Dorothy Street

Lot 1045

Mary Annie Sloane (1867-1961) - Young Dutch boy, etching, signed in pencil to the margin, 17 x 11.5cm; and four other etchings by the artist, each being figure studies to include a shepherd, all signed to the margins (5)

Lot 1046

Mary Annie Sloane (1867-1961) - Street scene, etching, 19 x 11.5cm; together with a figure study by the artist; and five etchings by unknown hands (7)

Lot 1047

Mary Annie Sloane (1867-1961) - Interior scene with lone woman at the spinning wheel, etching, signed in pencil to the margin, 25.5 x 31cm

Lot 1048

Mary Annie Sloane (1867-1961) - The Acropolis, Athens, etching, 11 x 23cm; together with two others being Southgate Leicester and untitled harvest scene (3)

Lot 1049

E M Wilson - A timbered barn, etching, signed and dedicated to Mary Sloane in pencil to the margin, 20 x 20cm; together with three other etchings by different hands, all dedicated to Mary Sloane (4)

Lot 1123

Leonard Russell Squirrell - The Guild Hall, Lavenham, Suffolk, etching signed & titled in pencil to the margin 17.5x21.5cm

Lot 1128

Dandy Comic cover, issue No. 341, April 1947, set of three Fairyland prints and a continental etching (5)

Lot 536

Paula McArdle, Signed Artists Proof Etching titled ' Walking the Dog ', image 53cm x 34cm together with Limited Edition Signed Coloured Etching titled ' Memories VIII ' and a Signed Black and White Picture titled ' Art '

Lot 154

Sir David Muirhead Bone HRSA, HRSW, HRWS, HRIBA, IS, NEAC (1876-1953) Scottish "Hampstead Heath"Signed in pencil, etching, together with two further etchings by the same artist "Zattere, Venice" & "Gateway - Choizzia", a further etching by Seymour Haden "Thames Fishermen" and a mezzotint after JMW Turner "Scene in the Campagna", 14.5cm by 19.5cm, 17cm by 22.5cm, 15.5cm by 17cm, 14cm by 21cm & 18cm by 26cm respectively (5)

Lot 181

William Lee-Hankey RWS, RI, RE (1869-1952)"Sur le Terrain"Signed, etching, 46.5cm by 57cm Provenance: Phillips Auctioneers, Anonymous sale

Lot 191

Herbert Dicksee (1862-1942)"Maternal Care"Signed in pencil, etching, 39.5cm by 64.5cmExhibited; The Royal Academy 1899 according to label to reverse

Lot 1805

HOLLENBERG, FELIX (1868-1945), 5 Graphiken: Landschaft und Ex Libris, je Radierung, davon 3x mit Bleistift von Hand signiert und 1x num. 26/60, 2x Ex Libris, je in der Platte monogrammiert FH, HxB: Platte bis ca.14,5x17,5 cm, Außenmaße bis ca. 26x32 cm. Je gebräunt, part. fleckig. Je im Passepartout hinter Glas gerahmt (tlw. leicht beschädigt).| HOLLENBERG, FELIX (1868-1945), 5 graphics: landscape and ex libris, each etching, of which 3x signed by hand in pencil and 1x num. 26/60, 2x ex libris, each monogrammed FH in the plate, HxW: plate up to approx. 14.5x17.5 cm, external dimensions up to approx. 26x32 cm. Ever tanned, part. blotchy. Each framed behind glass in a passe-partout (partially slightly damaged).

Lot 355

Wiener Aktionismus - - Günter Brus. (1938 Ardning). o.T. Aus der Mappe "Liebeslächeln und Hohngelächter". 1991. Kaltnadelradierung auf chamoisfarbenem Fabriano. 32,5 x 24,2 cm (70,5 x 49,8 cm). Signiert und nummeriert. Punktuell auf Unterlage montiert. - Partiell mit wenigen, zarten Anschmutzungen. Insgesamt in gutem Zustand. Haubenhofer, 107. - Eines von 30 Exemplaren. - Hrsg. von der Galerie H. Curtze, Wien. Drypoint etching on buff fabriano. Signed and numbered. Mounted on a backing in spots. - Partially with a few, delicate smudges. Overall in good condition. - From the portfolio "Liebeslächeln und Hohngelächter" from 1991. - One of 30 copies. - Published by Galerie Curtze, Wien.

Lot 046392

Salvador Dali, 1904-1989, 'L' Academie de Paris' (1971), Ed. 139/250, rechts unten signiert, Farbradierung auf Bütten, Verlag Amiel, Alterssp., ca. 42,5x59,5 / 77x90 cm, Lit. Michler/Löpsinger 1994, S. 200, Nr. 514Salvador Dali, 1904-1989, #'L#'Academie de Paris#' (1971), ed. 139/250, signed lower right, color etching on handmade paper, VerlagAmiel, age, approx. 42.5x59.5 / 77x90 cm, lit.Michler/Löpsinger 1994, p. 200, no. 514

Lot 046486

Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen u.a. Tate Modern (2001); Vertreter einer dekolonisierten, unabhängigen afrikanischen Kunst; verhandelt im Bewusstsein westlicher Prägung traditionell westafrikanischer Themen, hier: 'Apenerive' aus der Serie 'The Mask and the Cross' in Auseinandersetzung mit dem christlichen Glauben aus einem nigerianisch-folkoristischenStandpunkt heraus; Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren: in Metallfolie graviertes Motiv, verso mit Harz gefüllt u. auf Trägerplatte befestigt, Ed. 9/30, betitelt, signiert u. datiert 'Dec. 1974', ca. 61x47, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized, independent African art; negotiates traditional West African topics in the awareness of western influences, here: # 'Apenerive #' from the series # 'The Mask and the Cross #' dealing with the Christian faith from a Nigerian-folk point of view; Metal Foil Deep Etching: plastographic process developed by the artist:motif engraved in metal foil, filled with resin on the reverse and attached to a carrierplate, Ed. 9/30, titled, signed and dated # 'Dec. 1974 #', approx. 61x47, from private ownership after purchase from the artist

Lot 046487

Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Call for Prayers II', Darstellung von Yoruba in höfischem Ornat, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metall Foil Deep Etching, plastographisches Verfahren mit gravierter u. bronzierter Metallfolie, Reliefstruktur, Ed. 1/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African topics in a western style, here: # 'Call for Prayers II #', representation of Yoruba in courtly regalia, from a phase of processing, especially historical personalities, metal foil deep etching, plastic graphics Process with engraved and bronzed metal foil, relief structure, Ed. 1/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist

Lot 046512

Rainer Fetting, geb. 1949 Wilhelmshaven, Studium an der HBK Berlin, 'Shower' (1989), Farbradierung, signiert, betitelt u. datiert, Ed. 5/60, Platte ca. 60x90, unter Glas gerahmt88x115 cmRainer Fetting, born 1949 Wilhelmshaven, studied at the HBK Berlin, #'Shower#' (1989), color etching, signed, titled and dated, Ed. 5/60, plate approx. 60x90, framed under glass 88x115 cm

Lot 046520

Salvador Dali, 1904 - 1989, Combat de cavalier (1975), aus der Serie Calderón, Das Leben ein Traum, Farbradierung mit Aquatinta, Auflage 250 auf Richard de Bas, Trockenstempel Editeuropa ...., erschienen im gleichnamigen Mappenwerk, Plattenmaß ca. 33 x 52 cm, leicht gebräunt, unter Glas, Rahmen: 63 x 84 cm, WVZ Michler/Löpsinger, Das druckgraphische Werk 1924-1980,Nr. 516Salvador Dali, 1904 - 1989, Combat de cavalier(1975), from the series Calderón, Life is a dream, color etching with aquatint, edition of250 on Richard de Bas, dry stamp Editeuropa ...., published in the portfolio of the same name, plate size approx. 33 x 52 cm, slightly browned, under glass, frame: 63 x 84 cm, WVZ Michler/Löpsinger, The graphic work 1924-1980,no. 516

Lot 108

Esme Currey (British, 20th Century), Off Ebony Square, etching on paper, signed, 5x7ins, framed and glazed.

Lot 36

Herbert Dicksee (British, 1862-1942), A pair of lion and lioness prints entitled 'Maternal Care' and 'Raiders', monochrome etching (17x26.5ins., approx). Framed and glazed.

Lot 90

William Lionel Wyllie, RA (1851-1931), 'The President lying on her permanent mooring on the Thames', black and white etching, signed to lower left margin, 12 x 8.5ins, unframed.Qty: 1

Lot 97

Ludovico R. Pissarro, 'The Mall, Hammersmith', etching and aquatint, 5x3ins, mounted, unframed.

Lot 126

WALTER SICKERT (BRITISH 1860-1942) THE OLD FIDDLER (SMALL PLATE) (BROMBERG 187) Etching with drypoint, c. 1919, the small plate Signed in pencil 14.5 x 11cm (5½ x 4¼ in.) Condition Report: Examined out of the frame. The sheet is attached to the mount along the top and bottom edges with acid free mounting tape. There is dark discolouration to the extreme edges of the reverse of the sheet and general light time staining. Condition Report Disclaimer

Lot 202

λ ALISTAIR GRANT (BRITISH 1925-1997) UNTITLED (FISHING) Etching Signed in pencil and inscribed AP 30 x 40cm (11¾ x 15½ in.) Unframed

Lot 203

λ ALISTAIR GRANT (BRITISH 1925-1997) UNTITLED (CYCLING) Etching Signed in pencil and inscribed AP 12.5 x 17.5cm (4¾ x 6¾ in.) Unframed

Lot 278

SIDNEY MACKENZIE LITTEN (1887-1949): A framed and glazed etching, Venice canal scene with gondola and ladies. Signed in pencil. Image size 27cm x 38cm

Lot 337

GEORGE HOUSTON RSA RSW (Scottish 1869-1947)Braes O'Ballochnyle, etching, signed to mount, 14cm x 19cm

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