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Lot 100
East Indian Company 1828 Addiscombe College Sword of Honour. Presented to later Major John Nixon Sharp Bengal Engineers served at the battle of Maharajpoor 1843 and died in India 1856. An example of the 1822 pattern Infantry sword with a piped back blade and three quarter length etched decoration, this incorporating the crest of the East India Company and presentation script "CADET JOHN NIXON SHARP. THIS SWORD PRESENTED TO HIM AT THE PUBLIC EXAMINATION ON THE 12TH DEC 1828 BY THE HONble COURT OF DIRECTORS OF THE UNITED EAST INDIA COMPANY AS A MARK OF THE COURTS APPRECIATION OF HIS GENERAL GOOD CONDUCT WHILE IN THE COMPANY'S MILITARY SEMINARY". The forte with the cutler's details of Bond of London. The fire gilt guard with the crest of the East India Company and the shagreen grip with twist wire binding. Complete with steel scabbard. Etching to the blade clear, gilt bright. Major John Nixon Sharp was born in 1811 and attended Addiscombe College between 1827-28, he also attended the Chatham Engineers school. Commissioned to Ensign he entered the Bengal Army in December 1828, arriving in India 1830. He took part in the Gwalior campaign and was awarded the Maharajpoor Star. Promoted Major 1854, two years later on the 17th August 1856 he died of Cholera at Mian Meer. PAYMENT BY BANK TRANSFER ONLY
Lot 105
1860 Warwickshire Rifle Volunteers Birmingham Presentation Sword. This example of the regulation pattern Light Infantry pattern sword bears an etched presentation script to the blade. PRESENTED BY THE NON COMMISSIONED OFFICERS OF No VI COMPY W.R.V. BIRMINGHAM BATTALION TO CAPT GEO. A EVERITT JUNE 2ND 1860. Also etched with a crowned reverse entwined VR cypher and cutlers details of Robert Mole Birmingham. Complete with original scabbard. Blade and etching near VGC, small amount of age wear to the hilt and scabbard. PAYMENT BY BANK TRANSFER ONLY
Lot 195
WW2 Important "Lord Lovat" 4 Commando Fighting Knife. An extremely rare example. Ron Flook in his excellent book "British and Commonwealth Military Knives" states he believes only 5 examples are known. 6 inch, narrow spear point, double edged blade. Cutler's device of "Wilkinson Sword & Co London" to the forte. The all alloy hilt retains most of its original blackened finish to the crossguard and now only traces to the grip. ... Accompanied by a dark brown, hand stitched leather scabbard, with leather and open pattern press stud retaining strap. Knife does not fully fit in scabbard. Knife remains in good clean condition. This pattern of fighting knife is commonly referred to as probably the rarest of the WW2 British fighting knives. Purchased by Lord Lovat in small numbers from Wilkinson and presented to his Officer?s of 4 Commando as a Christmas gift. The logo as stated in "British and Commonwealth Military Knives" was confirmed by Wilkinson, the logo is from their etching plate used in the 1930's and early 1940's, which would confirm the Lord Lovat story. PAYMENT BY BANK TRANSFER ONLY
Lot 55
Victorian Royal Navy Flag Officer's Sword 30 3/4 inch, single edged, slightly curved blade with large fuller. Traces of etching. Gilt brass guard with folding rear panel. Lion mask pommel and backstrap. Shagreen covered grip with twist wire binding. Contained in its leather scabbard with ornate gilt mounts, all with central oak leaf bands. PAYMENT BY BANK TRANSFER ONLY
Lot 84
Victorian Montgomeryshire Yeomanry Presentation Officers Sword. A superb example of a mid Victorian presentation sword given to Captain Edmond Peel of the Newtown troop. The 36 inch, straight spear point blade with etched decoration depicting St.George and the Dragon, classical ladies and floral decoration. The pierced gilt guard, incorporates a Druid?s head surrounded by floral decoration. This encloses a shagreen grip with a gilt ram's head pommel. The steel scabbard with embossed mounts of a Cavalry helmet and bugle. The steel is engraved with a presentation PRESENTED TO CAPTAIN EDMOND PEEL BY THE MEMBERS OF THE NEWTOWN TROOP OF THE MONTGOMERYSHIRE YEOMANRY CAVALRY IN HONOUR OF THE OCCASION OF THE BIRTH OF A SON AND HEIR 1ST MARCH 1872. The overall condition is near VGC, gilt bright, etching clear. Some age wear to the steel of the scabbard presentation script faint to parts. Newtown was the home to the 3rd Troop of the Montgomeryshire Yeomanry. PAYMENT BY BANK TRANSFER ONLY
Lot 93
British Cavalry Officer's Mameluke Hilted Sword. A good quality, early 19th century example, with a curved, fullered, 73 cm blade. This with 1/2 length etched decoration incorporating Trophies of Arms. The hilt with an ornate floral embossed, fire gilt cross guard with flower bud ends. Complete with black leather and gilt mounted scabbard. These again with deep embossed floral decoration. Overall GC, etching clear, gilt bright. PAYMENT BY BANK TRANSFER ONLY
Lot 97
1847 Presentation Sword From the King of Hanover to the Duke of Beaufort An impressive Light Cavalry style sword, with a 81 cm piped back blade, with an etched presentation script "THE GIFT OF ERNEST AUGUSTUS KING OF HANOVER TO HENRY 7TH DUKE OF BEAUFORT KG 30TH OCTOBER 1847" to each side. The hilt with a gilt, single bar guard, lion head pommel and shagreen grip with twist wire binding. Complete with original steel ring, with two loose rings. Blade near VGC etching clear. Ernest Augustus was King of Hanover and was the fifth son of King George III. Major Henry Somerset, 7th Duke of Beaufort, KG had served with both the 14th Light Dragoons and the 10th Hussars. He also served as ADC to the Duke of Wellington during the campaigns in Portugal and Spain between 1812 and 1814. He died age 61 in 1853 PAYMENT BY BANK TRANSFER ONLY
Lot 678
FROM DUSK TILL DAWN SOUNDTRACK 2xLP (20TH ANNIVERSARY COLLECTORS EDITION). A fantastic copy of the soundtrack to Robert Rodriguez's classic cult hit 'From Dusk Till Dawn'. Features custom gatefold jacket art made for a limited edition run of 5500 copies. Number 691 of 5000. Features laser etching artwork on Side D of the release. (2016, Brookvale Records, BRK-267). The LP is in Ex+/'as new' condition.
Lot 231
* TOM MACKENZIE (SCOTTISH 1947 - 2018),HOAN ISLAND coloured etching on paper, signed, titled and numbered 15/75image size 30cm x 45cm, overall size 49cm x 62cmMounted, framed and under glass.Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, MacKenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. During 2021 we accepted a private collection of fifteen Tom MacKenzie etchings which were split between several auctions. New UK auction records were achieved with several individual etchings selling for in excess of £300 each and the highest price and current UK record price was achieved on 23rd January 2022 when lot 224 "Loch Hasco, Quirange" a 20 x 27.5cm etching sold for £410 (hammer).
Lot 325
* JOHN BRUNSDON (BRITISH 1933 - 2014),DURDLE DOORlimited edition coloured etching, signed, titled and numbered 97/100, dated '82 label verso image size 45cm x 60cm, overall size 69cm x 83cm Mounted, framed and under glass.Label verso: Attic Gallery, Swansea.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Lot 67
ERIK DESMAZIÈRES (MORROCCAN b. 1948),DES AMATEURS PERPLEXESetching on paper, signed, titled, dated 1993 and numbered 44/90image size 41cm x 59cm, overall size 75cm x 91cm Mounted, framed and under glass.Note: French printmaker Erik Desmaziéres is known for his fantastical images that bring to mind works created by Hieronymus Bosch (1450-1516) and Giovanni Battista Piranesi (1720-1778), but yet are thoroughly modern. Born in Rabat, Morocco in 1948 where his father served as a diplomat, Desmaziéres grew up in Morocco and Portugal. After graduating from the Institut des Études Politiques, Paris, in 1971 he studied briefly at the L’École Spéciale d’Architecture, Paris, but decided to pursue art instead of politics or architecture. He took night classes in printmaking at the Cours du Soir de la Ville de Paris under the painter and printmaker Jean Delpech (1916-1988) and from 1972 received encouragement from Philippe Mohlitz (b. 1941) and other French printmakers. Desmaziéres received recognition early in his career when he was awarded the Grand Prix des Arts de la Ville de Paris in 1978. In 1981 New York City’s Fitch-Febvrel Gallery gave him a retrospective exhibition of his prints from 1972 to 1981, followed up by exhibitions in 1991, 2001 and 2012 surveying his works from the previous decade and each accompanied by a catalogue that together constitutes the catalog raisonné of his prints. Exhibitions of his work have been mounted in museums in Europe, the United States, Canada and Japan, notably at Amsterdam’s Rembrandthuis Museum (2004), the Musée Carnavalet (Paris, 2006), Fondazione Il Bisonte (Florence, 2009), Telfair Museum (Savannah, 2010),Musée des Beaux-Arts (Montreal, 2009) and the Bibliothèque national de France (Paris, 2012). Elected a member of the French Académie des Beaux-Arts in 2008, he served as president of the Académie in 2016. Desmaziéres is a past president of the Societe des Peintres Graveurs Francais, a Chevalier de la Legion d’Honner, an Officier des Arts et Lettres and a Chevalier des Palmes Académiques. He lives and works in Paris. Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
Lot 21
Paul Scheurich (1883-1945): Portfolio de gravures à l'eau forte 'Studien und Skizzen', 1922, numéroté VII sur une édition de 100 Paul Scheurich (1883-1945): Folio of lithographs 'Studien und Skizzen', 1922In a folder published by Fritz Gurlitt Verlag, Berlin, no. VII from an edition of 100, comprising cover page and 16 lithographs, partly coloured by hand and signed in pencil; together with a signed etching for 'Das Huendchen der Marquise', 1919, 36 x 30cmFor further information on this lot please visit Bonhams.com
Lot 108
William Lionel Wyllie R.A. (1851-1931) "Lobster Fishers", signed in pencil in the margin, titled on gallery label - 'Robert Dunthorne, The Rembrandt Gallery, Liverpool' verso, etching, together with "Wyllie's Marine Painting in Water-Colour", with twenty-four examples by the artist printed in colour, published in 1901 by Cassell and Company, Limited.plate size 18.5cm x 23.5cm (7.25in x 9.25in)Qty: 2Condition report:The print is in good, original condition. There are some minor spots of foxing across the paper and the mount. The print is framed and glazed. The frame has some knocks and losses.
Lot 228
William Lee Hankey RWS, RI, ROI, RE, NS (British, 1869-1952), girl herding geese in a field, etching on paper, signed 'W Lee Hankey' (lower centre), 29 x 21cm; 48 x 38cmCondition report: Overall, the paper seems in good condition minor undulation under the glaze. Discolouration to the edges of the plate and debris on the mount under the glaze.
Lot 339
DOVER - A set of four William Heath aquatints published by Thomas Rigden of Dover, depicting white cliffs and coastal scenes, including South Foreland, and other scenes near Dover, 20 x 30.5cm plate, framed 37 x 47cm; together with Niels M Lund (1863-1916) Killin, Perthshire, etching, 25.5 x 36cm (5)
Lot 104
Hubert von Herkomer - Portrait of a Gentleman, etching on laid paper, circa 1891, signed in pencil, sheet size 34cm x 21cm, together with a pencil signed engraving by John Everett Millais, and a small quantity of other etchings.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 24
Anne Wienholt - 'Crucifixion', 20th century etching with hand-colouring, signed, titled and dated '48, 12.5cm x 13.5cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 74
Salvador Dali - Don Quixote, etching on wove paper, label verso, published by the Collectors Guild circa 1966, 25cm x 20cm, within an oak frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 36
Geoffrey Sparrow - 'Crawley & Horsham Foot Followers' (Fox Hunting Scene), 20th century etching, signed, inscribed and dated '55, 20cm x 21cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 101
Noel Spencer - 'Bankside', 20th century etching, signed, titled and dated '26 in pencil, 30cm x 22cm, within an ebonized frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 37
After John Emms - Hours of Idleness (Foxhounds and Terrier in a Stable), 20th century etching with later hand-colouring, 43.5cm x 55cm, within a gilt frame, together with a hand-coloured engraving after Henry Alken, 'An Awkward Corner'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 91
Louis Icart - Pink Slip/L'Essayage, colour etching with aquatint circa 1939, signed in pencil and with publisher's blindstamp, 50cm x 30cm, within a gilt frame. Reference: Holland, Catonia & Isen, Fig. 479.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
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71174 item(s)/page