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Lot 439
Strang, William Spanish Etchings Glasgow: James Maclehose and T. & R. Annan & Sons, 1892. First edition, large folio, title etching and 6 etchings signed by the artist, all loosely hinged onto thick card, loose as issued in original brown half cloth and brown board portfolio, lettered panel to upper cover, light spotting to printed title, the board portfolio, slightly wornCondition report: plates clean, gouge to upper cover, lower portfolio edges somewhat worn
Lot 9
Frink, Elizabeth The Art of Elizabeth Frink London: Lund Humphries, 1972. First edition, 4to, number 44 of 75 copies containing at etching signed by the artist, original cloth, dustwrapper lightly soiled, with small tearCondition report: etching very clean, and signed in pencil, Horse Lying Down, numbered 44/75
Lot 69
Rops, Félicien - Gustave Guiches 3 works, comprising La Pudeur de Sodome Paris: Maison Quantin, 1888. 4to, number 309 of 325 copies on Papier de Hollande, engraved frontispiece by Rops, contemporary tan quarter morocco, spine lettered in gilt, t.e.g.; Alexandre, A., & others. Félicien Rops et son Oeuvre. Brussels: E. Deman, 1897. 4to, limited to 366 copies, one of 310 on paper velin fort, plates, original wrappers bound in, blue half morocco by Ch. de Samblani, coloured onlays to spine, t.e.g., lightly rubbed at head of spine; Ramiro, Erastène. L'oeuvre lithographié de Félicien Rops. Paris: L. Conquet, 1891. 4to, plates, original wrappers (3)Condition report: a few light spots to extreme fore-edge of etching. 2 small spots to title, one or two light marks to cloth.Quant
Lot 342
AFTER MARK ANDREWS (GODWIN) (b. 1957) "Metropolis II" etching and aquatint in colours, signed lower right, titled centre and No'd 107/150 lower left together with DAVID TRACEY "Ties and sofa" colour print signed and dated 1981 lower right, Artist's Proof and F.G. DAVISON "Alverstoke" study of lake and church, pastel, signed lower left, titled lower right
Lot 397
AFTER JOSEPH WOLF (1820-1899) "Santa Maria della Salute, Venice" coloured lithograph, signed in pencil lower right together with AFTER DOUGLAS PORTWAY (1922-1993) limited edition etching of a woman wearing a hat No'd 2/30, signed in pencil lower right and a further etching AFTER M OLIVER RAE "Christ's College Cambridge (Entrance Gate)"
Lot 344
HAROLD CHEESEMAN "Landscape with yellow trees" watercolour, unsigned, inscribed on label verso together with SUSAN HORSFIELD "Coastal buildings and boat with figures and bike in background" mixed media, signed and dated 1959 lower right and AFTER VALERIE THORNTON "Stonehenge" coloured etching, limited edition 30/35, signed in pencil and a monochrome portrait print AFTER BERYL CHAPPLE signed in pencil and dated '59 top left
Lot 758
Rowland Langmaid (British, 1897-1956), Ryde; Britannia, White Heather and Shamrock, signed and inscribed in pencil 'Rowland Langmaid, Ryde' (in lower margin), and bears The Rembrandt Gallery label, and a further label with title and artist's name (verso), etching, 9 x 33cm. May be subject to ARR.
Lot 2
Rembrandt van Rijn (Dutch, 1606-1669)Saskia with Pearls in Her Hair1634. Etching on laid paper, New Hollstein's first state (of two), a very fine early impression with the finest lines printing very clearly, with good contrasts and trimmed marginsImage size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)Sheet size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)[Bartsch 347; Hind 112; Hollstein 347; New Hollstein 136]PROVENANCE:Collection of Viscount Fitz-Harris, Earl of Malmesbury (per pencil-inscribed name verso, not in Lugt).Private Collection, Maryland.NOTE:The subject of the present etching is Saskia Uylenburgh, daughter of a wealthy Leeuwarden burgomaster. Orphaned, she went on to live with her relative, the art dealer Hendrick Uylenburgh, who introduced her to Rembrandt-whom she married in 1634. Saskia with Pearls in Her Hair was executed during the couple's first year of marriage, hence her outfit, which may be bridal attire as she is depicted here with pearls woven into her hair and hanging from her neck and ears, along with a gown and stylish lace kerchief.
Lot 570
A COLLECTION OF ETCHINGS AND ENGRAVING PRINTS to include Sir Joshua Reynolds P.R.A. Self portrait, published 1795, William Hogarth portrait of Daniel Lock Esq, portrait of Isaac De Benserade by Gerard I Edelinck, Madame De Miramion also by Edelinck, etching of a Goat Herd at Night and a landscape watercolour by Capt R Duncan dated 1842?
Lot 268
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: Minotaur Caressing a Woman" 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 36cm x 29cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Lot 262
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Nude Male Stabbing The Neck of The Minotaur In An Arena Watched By Spectators". 29th May 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper and one other. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 26.5cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Lot 265
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Minotaure Mourante" - the Minotaur dying in an arena reaching out to Marie Therese for aid, forgiveness, pity. 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Suite Vollard watermark to paper. Published by Ambroise Vollard, Paris 1939. Sheet size: 45cm x 34cm. Image size: 26.5cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
Lot 277
Pablo Picasso (1881-1973) etching from the Suite Vollard. From 100 etchings created between 1930 and 1937 in the Neo Classical style. Title: "Les Repos Du Sclpteur Devant Le Petit Torse". 1933. Edition of 260 (unnumbered). Signed in pencil bottom right. With Picasso watermark to paper and one other. Published by Ambroise Vollard, Paris 1939. Sheet size: 44.5cm x 34cm. Image size: 26cm x 19cm. Unframed. Provenance: From The Casa D'Arte Bragaglia. Sold by the owner Anton Guilio Bragaglia in October 1948 to Mr Arturo Tonnarelli Grassetti now forming part of his estate. Subject to ARR.
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