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Lot 271

Felicien Rops Etching (Namur 1833-Essonnes 1898), titled "Entracte". 20x14 cm, in frame 39x31 cm

Lot 116

Kerr Ely, An Artillery Train, original etching, label verso (a/f) (35cm x 14cm)

Lot 117

Man Holding a Coat and Cane, etching, signed bottom right, edition no. 100, ex The Modern Gallery, Edinburgh (12cm x 10cm)

Lot 119

Kerr Ely, Ciotat Harbour, original etching (18cm x 23cm)

Lot 120

Richard Toovey RE, The Sunlit Doorway, original etching, ex Taylor & Brown Gallery (a/f) (22cm x 19cm)

Lot 149

Malcolm Osbourne, original etching, St Martin's in the Fields, signed and dated 1906 bottom right (25cm x 18cm) and another etching, H. Storey, Port Glasgow, together with a watercolour, Church on the Coast, signed bottom right (3)

Lot 169

Reginald Green, The Cathedral, Quimper, etching, signed bottom right (21cm x 14cm)

Lot 170

A Palatial Building with Figures, etching, titled and signed to bottom (22cm x 29cm)

Lot 251

Robert Houston RSW (1891-1942), Iona Abbey, etching, signed bottom right, ex Iona Gallery, label verso (11cm x 15cm)

Lot 121

Jackson Simpson, 'Baited Line - Bellyhill' etching, signed in pencil and framed under glass, 21 x 16.5cm

Lot 122

DY Cameron, clock tower and street scene, etching, framed under glass, 17 x 27cm

Lot 126

Pat Crombie (Edinburgh Printmakers) 'Wild West Morningside', etching, signed in pencil and numbered 1/20, framed under glass, 19 x 12cm

Lot 129

Pat Crombie (Edinburgh Printmakers) 'Poppies', etching, signed in pencil and numbered 3/10, framed under glass, 16 x 31cm

Lot 130

Pat Crombie (Edinburgh Printmakers) 'Leda', coloured etching, signed in pencil and numbered 3/20, framed under glass, 10 x 11cm

Lot 144

Joy Gerrard, (IRISH, B. 1971), 'Golden Squares, Docklands, 1998', aquatint and etching, signed, dated and inscribed with edition number in pencil, 3/20, unframed, 101.5 x 71cm

Lot 41

Pat Crombie (Edinburgh Printmakers) 'Silver', ETCHING, signed in pencil, entitled and numbered 2/20, framed under glass, 11 x 12cm

Lot 42

Pat Crombie (Edinburgh Printmakers) 'Frog Prince' coloured etching, signed in pencil, entitled and numbered 7/20, framed under glass, 10 x 11cm

Lot 43

Pat Crombie (Edinburgh Printmakers) Birchwood' etching, signed in pencil, entitled and numbered 2/20, framed under glass, 15 x 21cm

Lot 71

Ilene Erskine, 'Spring Still Life, coloured etching, signed in pencil and numbered 14/30, framed under glass, 28 x 37cm

Lot 89

Pat Crombie (Edinburgh Printmakers) etching with chine collee, signed in pencil an d numbered 16 /20 VE, framed under glass, 27 x 23cm

Lot 90

Pat Crombie (Edinburgh Printmakers) 'Mexican Palms' Artist Proof etching, signed in pencil , frame under glass, 18 x 26cm

Lot 1805

ARETZ, GERD (geb. 1930), 2 Ansichten historische Schwebebahn, 1x "Schebebahnhof Döppersburg um 1910" UND 1x "Schwebebahn Tannenbergstraße um 1910", je Aquatintaradierung/Papier, je in der Platte Künstlerbezeichnung und datiert (19)76/I und (19)76/II, je mit Bleistift von Hand num. I/X, bezeichnet 'z. T. handcoloriert', betitelt und signiert, HxB: Platte je ca. 50x64 cm, Blatt ca. 55x74 cm und 57x76 cm, Außenmaße Rahmen ca. 67x87 cm und 70x89 cm. Je leicht gebräunt. part. minim. Flecken. Je hinter Glas gerahmt. Altersspuren. | ARETZ, GERD (born 1930), 2 views of the historic suspension railway, Aquatint etching / paper, each artist's name and dated (19) 76 / I and (19) 76 / II in the plate, each numbered in pencil by hand I / X, denotes' e.g. T. handcoloriert ', titled and signed, HxW: plate approx. 50x64 cm each, sheet approx. 55x74 cm and 57x76 cm, external dimensions frame approx. 67x87 cm and 70x89 cm. The slightly browned. part. minimal Stains. Each framed behind glass. Signs of age.

Lot 734

Dyck, Anthonis van, nach: Zwei Porträts. a) (Gaywood, Richard nach van Dyck, Anthonis): Bildnis Peter Paul Rubens. Kupferstich, vermutl. Nachdruck von orig. Platte, 23,5 x 15,5 cm (Pl)/ 27 x 19,5 cm (PA). b) Der Drucker Paulus Pontius. Kupferstich, gestoch. Schriftrand, 24,5 x 17,8 cm (PA). Jeweils hinter Glas gerahmt, unausgerahmt katalogisiert. two copper etchings: a) Richard Gaywood after Anthonis van Dyck: portrait of Peter Paul Rubens. Copper etching, reprint (?), 23,5 x 15,5 cm (plate)/ 27 x 19,5 cm (passepartout cutout). Framed with glass. b) Paulus Pontius Calcographus Antverpiae. 24,5 x 17,8 cm (passepartout cutout). Framed with glass.

Lot 736

Cars, Laurent (1699-1771) nach Hyacinthe Rigaud: Bildnis des Malers Sebastien Bourdon. Kupferstich auf Bütten, Nachdruck der orig. Platte, Trockenstempel Musée du Louvre. 38,3 x 26,5 cm (Pl). Hinter Glas mit Pp. gerahmt. Laurent Cars after Hyacinthe Rigaud: portrait of the painter Sebastien Bourdon, copper etching, reprint, dry stamp ''Musée du Louvre''. 38,3 x 26,5 cm (pl). Framed with glass.

Lot 737

Sadeler, Aegidius (1570-1629) nach Spranger, Bartholomeus (1546-1611): Memorial-Bildnis des Malers Pieter Breughel. Kupferstich, im gestoch. Schriftrand i.d. Pl. dat. ''1606''. Schmalrandig beschn., kl. Riss im ob. Rand bis in die Darst. hinein, dort ausgedünnt. Auf Träger mont., 30 x 21,3 cm (Bl). Hinter Glas gerahmt. Aegidius Sadeler after Bartholomeus Spranger: memorial portrait of the painter Pieter Breughel, 1606, copper etching, margin trimmed, mounted on backing cardboard (?), framed with glass. Margin tear upper margin. 30 x 21,3 cm ( sheet size)

Lot 738

Guttenberg, Heinrich. 1749-1818 Nürnberg nach Wouverman (Wouvermans), Philips. 1619-1668 Haarlem Reitergruppe am Waldrand. Radierung, im unteren Blattrand gestoch. bez. ''Print par Wouvermans/ Desiné par Cotteau/ Gravé par H. Guttenberg''. 24 x 29,5 cm (D), hinter Glas mit Pp. gerahmt. Außenmaß 54,5 x 59,5 cm H. Guttenberg after Ph. Wouverman (1619-1668 Haarlem): Group of huntsmen and horses, etching, 24 x 29,5 cm, framed with glass (54,5 x 59,5 cm)

Lot 739

Fischer, Otto. 1870 Leipzig-1947 Dresden Landschaft im Regen. Radierung/ Bütten, sign., re. unt. Ecke min. eingerissen. Gebräunt. 18,8 x 20 cm (Pl)/ 21,4 x 22,4 cm (Bl). Im Pp. Otto Fischer (1870 Leipzig-1947 Dresden): Rainy landscape, etching, signed, in passepartout, 21,4 x 22,4 cm

Lot 740

Langer, Theodor. 1819 Leipzig-1895 Dresden Die Tiroler Sensenschmiede vor dem Aufstand. Stahlstich nach Franz von Defregger. Kunstvereinsgabe des Sächsischen Kunstvereins 1890. Blatt angestaubt. 38 x 51 cm (Pl). Hinter Glas gerahmt. Theodor Langer (1819-1895): In the smithy in Tyrol. Etching after Franz von Defregger. Member's gift of the Saxon art association 1890. Dusty. 38 x 51 cm (pl). Framed with glass.

Lot 741

Großpietsch, Curt 1893 Leipzig - 1980 Dresden ''Der Karren''. Radierung, um 1925. Unterhalb der Darstellung in Blei signiert. Satirische Schilderung. 25 x 32,5 cm (Pl). Im Passepartout hinter Glas gerahmt. 37 x 50 cm (Ra). WVZ Söder G23. Hier mit ''Verbleib unbekannt'', abgebildet im Faltblatt Galerie Kunst der Zeit Dresden 1968. Dezent fleckig. The carriage. Etching, around 1925. Signed in pencil below the motif right. Satirical scene. Framed behind glass. CR Soeder G23. Slightly spotty.

Lot 753

Butzmann, Manfred. Geb. 1942 Potsdam, lebt und arbeitet ebd. ''D wie Dresden''. 1984. Radierung/ Aquatinta auf Bütten, sign., dat., betitelt und num. Ex. 69/ 120. Kl. Randschaden li. Blattrand. 21 x 18 cm (Pl)/ 32,5 x 26 cm (Bl) Manfred Butzmann: ''D wie Dresden'', aquatint etching, signed, dated 1984, copy 69/ 120. 21 x 18 cm/ 32,5 x 26 cm, small bruise left side

Lot 757

Gelbke, Georg. 1882 Rochlitz - 1947 Dresden Konvolut von sechs Blatt: a) Landschaft (Kärnten?), Aquarell, sign., verso bezeichnet und datiert ''1942'' von fremder Hand. 19 x 27 cm (Bl); b) ''Bogenschießen'' (männliche Akte), Radierung/ Aquatinta, sign., betitelt, num. Ex. 2/ 30, 22 x 32,5 cm (Bl); c) zwei Bl. Kompositionen mit Aktfiguren, monogr. und dat. (19)18 i. St., Lithographien (?) o. Lichtdrucke, jeweils auf Untersatz, 17 x 14 bzw. 20 x 17 cm (Bl); d) zwei Bll. Gelegenheitsgrafik, sign. bzw. monogr., dat. 1918, Kleinformate. Georg Gelbke (1882 Rochlitz-1947 Dresden): six works on paper, watercolour/ etching/ lithograph, with monogr. or signed, some dated 1918/ 1942. Different sizes.

Lot 769

Herzog, Walter. Geb. 1936 Dresden, lebt und arbeitet in Berlin ''Wasserspiegel''. 1985. Radierung mit Plattenton/ Bütten, sign., betitelt und num. Ex. 78/ 100. 15 x 15 cm (Pl)/ 28,2 x 26,5 cm (Bl) WV Walter Herzog 1998 Nr. 66. Walter Herzog: landscape, etching, 1985, signed, entitled, numbered copy 78 of 100. 28,2 x 26,5 cm

Lot 775

Kröner, Karl 1887 Zschopau (Sachsen) - 1972 Radebeul Am Kanal mit Wehr. Radierung. 1922. In Blei unterhalb der Darstellung rechts signiert und datiert. 23 x 17,5 cm (Pl). Im Passepartout hinter Glas gerahmt. 47 x 39 cm (Ra). Canal with weir. Etching 1922. Signed and dated in pencil below the motif right. Framed behind glass.

Lot 779

Müller, Wilhelm. 1928 Harzgerode - 1999 Dresden Prägedruck, 1994, Klappkarte, sign., dat., num. Ex. 240/ 400 und vom Künstler mit persönl. Widmung versehen. 21,5 x 21,5 / 43 cm. Mittelfalte unten geknickt/ Stauchfalten. Beigeg.: Hille, Horst (1941 Aussig-2015 Radebeul), ''Terrrassenufer II'', Radierung/ Aquatinta, sign., Trockenstempel, num. Ex. 8/ 25, 6,5 x 6 cm / 17 x 13,5 cm Wilhelm Müller: untitled, relief print, 1994, signed, copy 240/ 400. Given by: Horst Hille: View of Terrassenufer, Dresden. Aquatint/ etching, 17 x 13,5 cm

Lot 795

Ostdeutscher Grafiker, 2. H. 20. Jh. Ruine der Dresdner Frauenkirche. Radierung, rechts unten undeutl. signiert, Exemplar I. 5-30. Blatt oberhalb und unterhalb eingerissen, Randläsionen. 45,5 x 49,7 c, (Pl), 69,5 x 86 cm Unknown artist Ruins of the Frauenkirche church in Dresden. Etching, signed on the right, No. I. 5-30. Sheet torn above and below, marginal lesions.

Lot 146

William Lionel Wyllie, artists proof etching, "Towing up the ??", 11cm x 42cm

Lot 78

Harold Wyllie (1880-1975), etching with aquatint, "Waterside Town with Anchored Shpping" 1926, details verso, 17cm x 46cm

Lot 79

Harold Wyllie (1880-1975), etching with aquatint, "Moonlit Estuary with Anchored Shipping", details verso, 17cm x 46cm

Lot 80

Harold Wyllie (1880-1975), etching with aquatint, "Waterside Town with Anchored Shpping" 1926, details verso, 17cm x 46cm

Lot 81

Harold Wyllie (1880-1975), etching with aquatint, "Shipping in an Estuary" 1926, details verso, 17cm x 46cm

Lot 91

William Lionel Wyllie, etching, Flotilla at Sea, 10cm x 35cm

Lot 93

William Lionel Wyllie, etching, "HMS Victory", 18cm x 25cm

Lot 145

Lot to include a small watercolour landscape of a cornfield by William Roseblade, signed lower right, mounted and framed under glass, approximately 13 cm x 18.5 cm and an etching by J W King depicting the Gateway, Trinity College, Cambridge, signed and titled to the margin, mounted and framed under glass, approximately 19 cm x 19 cm. [2]

Lot 106

Robert Dighton; "A view from Magdalen College, Cambridge", hand coloured etching, 1809, framed and glazed, 29cm x 21cm

Lot 379

A framed coloured etching of "The Caricature Magazine" vol 1, front page, 24cm x 34cm

Lot 43

H.P. EVANS (XX): An etching of sailing barges in calm water, pencil signed to margin, framed and glazed, some foxing, 25cm x 35cm

Lot 44

WILLIAM.LIONEL.WYLLIE (1851-1931): An etching of battleship in dock, heavily foxed, framed and glazed, 17cm x 24cm

Lot 476

An etching "Tower of London" depicting vessels at dock beside The Tower, framed and glazed, artist name indistinct, 20cm x 28cm

Lot 197

JACKSON SIMPSON, TWO SETTERS etching, signed in pencil 15cm x 23cm Mounted, framed and under glass

Lot 35

M.E. CARNER, LANDSCAPE WITH A RIVER watercolour, signed and dated 1920 26cm x 38cm Mounted, framed and under glass, along with a scene of Paisley in 1847 after William Leitch and an etching (3)

Lot 641

S.LUMSDEN, LITTLE BENARES, etching, signed, 16cm x 12cm, mounted, framed and under glass, along with another etching and two engravings (4)

Lot 647

W.S BAGDATOPOULS, AN AFRIDI, etching, signed in pencil, 29cm x 20cm, mounted, framed and under glass

Lot 1014

A Frank Brangwyn etching and another, 14cm by 24cm and 18cm by 25cm (2)

Lot 1035

A collection of oils on canvas to include: city river views; French city views; marine oils; portraits; a mixed media contemporary still life by M Shields; and an etching by Frank H Mason, various sizes (qty)

Lot 1067

After Emilio Grau Sala (1911-1975) Spanish ''Les Saisons'' Set of prints depicting the four seasons encased in one frame, edition numbered 131/150, together with a lithograph by the artist depicting two seamstress', a further etching and a characature print after Ricard Opisso 40cm by 60cm and various other sizes (4) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 2255

Massachusetts Arms Co.-Belt-Revolver nach Wesson & Leavitt, 1851Kal. 31 Blackpowder, Nr. 985, runder, gezogener, etwas rauer Lauf, Länge 11,5 cm. Sechsschüssig. Single Action. Baujahr 1851. Neusilberkorn, V-Kimme. Originale Brünierung bräunlich patiniert, feinste Närbchen. Die Laufbrücke zweizeilig mit Herstellerdaten "MASS.ARMS CO./CHICOPEE FALLS", die Schlossplatte gemarkt "WESSON'S & LEVITT'S PATENT". Auf der Trommeltransportscheibe "WESSONS' PATENT AUG 28, 1849", darüber die Seriennummer. Auf der Rückseite der Trommel die Inschrift "LEAVITT’S PATENT APRIL 29, 1837". Die Stirnseite der Trommelachse ebenso wie der Laufhaken mit der Nummer "713" gestempelt, auf der Trommelachse noch Montagenummer "4". Die Rankenätzung auf der Trommel abgenutzt, Rahmen und Hahn mit Rankengravur. Griffrücken und Abzugsbügel aus Messing mit Resten der Versilberung. Nussholzgriffschalen mit Dellen und Kratzern, kleine Fehlstelle. Mechanisch in Ordnung. Länge ca. 27 cm.Einer von nur 1.000, da die Produktion wegen eines Patentstreits mit Colt eingestellt werden musste. Mehr dazu auf unserer Webseite.WBK: Achtung - ErlaubnispflichtigZustand: IIICondition Report:Die Massachusetts Arms Company wurde 1849 in Chicopee Falls, Massachusetts, von so prominenten Gründern wie Horace Smith, Daniel und Edwin Wesson, Joshua Stevens und Benjamin F. Warner etabliert. Die erste Produktionsstätte befand sich am Gelände der Ames Manufacturing Company, deren Eigentümer, James Ames, als Vorsitzender des Boards of Directors von Mass Arms fungierte. Die ersten Perkussionsrevolver wurden 1850 von Edwin Wesson und Thomas Warner auf Basis der Patente von Wesson und Leavitt gebaut. Dazu zählten der “Dragoon” Revolver im Kaliber .40, und der Belt Revolver im kleineren Kaliber. Nach einem verlorenen Patentprozeß gegen Colt wegen des Trommeltransports beim Spannen des Hahns mußte die Produktion nach nur 800 Dragoons und 1000 Belts eingestellt werden.A Massachusetts Arms Co. percussion revolver after Wesson & Leavitt, 1851Cal. 31 Blackpowder, SN. 985, rifled, frosted, round barrel, length 4,5". Single action. Six shots. Manufacturing date 1851. Smoky pewter-gray patina, with some surface corrosion. German silver pin front sight, V-notch rear sight on the hinged top strap. The barrel is locked by a swinging latch to the cylinder arbor pin. The rear of the back action side lock marked "WESSON'S & LEAVITT’S PATENT", the top strap "MASS ARMS CO / CHICOPEE FALLS". The cylinder rotating plate marked "WESSONS' PATENT AUG 28, 1849", the front of the recoil shield marked with serial number 782. To the rear of the cylinder inscribed "LEAVITT’S PATENT APRIL 29, 1837". Assembly number "4" on the cylinder arbor pin, the locking stud on the barrel and the front of the arbor pin marked "713". Case hardened frame, brass back strap and trigger guard with remains of silver-plating. Lock plate and hammer with crisp engraving in loose floral motifs, the acid etching on the cylinder barely visible. Smooth walnut grips in good condition, few dings, a small chip. Mechanically sound. Length 27 cm.One of only 1,000. More info on our website.WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealerCondition: IIICondition Report:The Massachusetts Arms Company was established in 1849 in Chicopee Falls, Massachusetts, by such well known figures as Horace Smith, Daniel and Edwin Wesson, Joshua Stevens and Benjamin F. Warner. Initial production started at the site of the Ames Manufacturing Company, since James Ames also was amongst the founders and served as Chairman of the board of directors. Based on a design by Edwin Wesson and Thomas Warner, using the patents of Wesson and Leavitt, the built a .40 calibre "Dragoon" revolver and the light Belt model. Production ended after only one year in 1851, when Mass Arms lost a patent infringement law suit filed by Colt against their cylinder revolving mechanism when the hammer was cocked. Only about 800 Dragoons and ~ 1,000 Belt revolvers were ever built.

Lot 1008

Michael Chaplin RE, coloured etching, Teston Bridge, signed in pencil, no. 86/200, plate 14.5" x 17.5", framed Very good condition

Lot 1011

Julian Trevelyan, coloured etching, buffaloes, signed in pencil, no. 28/75, plate 14" x 18.5", framed Very good condition

Lot 1043

Frank Dicksee, etching, harmony, image 15.5" x 9.5", and 1 other etching, unframed (2)Slight paper discolouration, the smaller image has a minor stain in the margin

Lot 1053

After Degas, coloured etching/aquatint, ballerina, plate 10.5" x 7", unframedSlight paper discolouration

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