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Lot 500A
WATERCOLOUR, PRINTS AND EPHEMERA, comprising an unsigned watercolour of Scotney Castle, approximate size 18cm x 27cm, a steel point engraving of Scotney castle published 1786, signed etching of Christs Hospital School Hertford by A. E. Wardle, antique book plate engraving, book 'Blue skirts into blue stockings' by Louie Angus, booklet, postcards and tea towel all relating to Christs Hospital School
Lot 118
Goltzsche, Dieter - - Novalis. Heinrich von Ofterdingen. Ein Roman. Nachw. von H. Czechowski und 21 Wiedergaben nach Kaltnadelradierung von D. Goltzsche. Berlin, Der Morgen, 1986. 203 S. OLwd. im ill. OUmschlag u. Pp.-Schuber Eins von 100 num. Exempl. der Vorzugsausgabe mit 1 beigelegten sign., bezeichn. u. numer. Original-Radierung "Sitzende" von Goltzsche. - Beigegeben: Paul Éluard. Ich bin nicht allein. Gedichte. Auswahl und Schriftgrafik Irmgard Horlbeck-Kappler. Mit Lithographien von Gunter Horlbeck. Leipzig, Seemann, 1965. 17 Bll. in Blockheftung. 2°. Ill. OBrosch. in ill. OPp.-Schuber. Eins von 1000 Exemplaren. Im Druckvermerk von den Künstlern signiert. - Süßer als Liebe ist nichts. Gedanken und Gefühle griechischer Frauen. Mit 1 sign. u. num. Offsetlithographie von Inge Jastram. Leipzig, Teubner, 1988. 4°. 79 S. Frz. Broschur in ill. OPp-Schuber. Afterw. by H. Czechowski and 21 reproductions after drypoint etching by D. Goltzsche. Berlin, Der Morgen, 1986. 203 p. - One of 100 num. Copy of the special edition with 1 enclosed signed, inscribed and numbered original etching "Sitzende" by Goltzsche. original etching "Sitzende" by Goltzsche.
Lot 166
Konkrete und visuelle Poesie - - Heinz Gappmayr. Opus 2. Gesamtverzeichnis der visuellen und theoretischen Texte 1991-1996. / Catalogue raisonne of the visual and theoretical texts 1991-1996. Mit 1 num., sign. u. dat. OGrafik von H. Gappmayr und mehr als 1000 schwarz-weiß Abbildungen. Mainz und München, Chorus-Verlag, 1997. 287 S. 4°. OLwd. im OSchutzumschalg (minimal angeschmutzt). Eins von 60 Exemplaren der Vorzugsausgabe (GA 1500) mit einer num. u. sign. ORadierung. Concrete and visual poetry - With 1 numb., signed and dated original graphic by H. Gappmayr and more than 1000 b/w illustrations. - One of 60 copies of the de luxe edition (full ed. 1500) with a numb. and signed etching. - Original cloth in orig. typographic wrapper (minimally stained).
Lot 2129
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Sur la plage, a berneval". Medium: Original etching. Date: Composed c1892. Printed later. Dimensions: Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm).Lot Note(s): Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [1398-2-225]
Lot 1555
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Baigneuse debout, a Mi-Jambes". Medium: Original etching. Date: Composed c1906. Printed later. Dimensions: Overall size: 14 13/16 x 11 3/8 in. (376 x 289 mm). Image size: 6 3/4 x 4 5/16 in. (171 x 110 mm).Lot Note(s): Cream wove paper. Full margins. Very good impression. Fine condition. Literature/catalogue raisonne: Delteil 23; Stella 23. Comment(s): During the second half of the nineteenth century, France was experiencing a printmaking renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plein air. However, Renoir learned the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Impressively, he was able to develop his own style of etching independent of his development as a painter [courtesy Masterworks Fine Art]. [2646-3-300]
Lot 1699
Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue couchee, tournee a droite, 2e Planche". Medium: Original etching. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 11 1/8 x 14 7/8 in. (283 x 378 mm). Image size: 5 5/16 x 7 11/16 in. (135 x 195 mm).Lot Note(s): Cream wove Arches paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 14; Stella 14. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. According to "Gordon's Art Reference" the auction record is $3,450 at Swann Galleries (Works of Art on Paper, Sale #1877) - 11/09/2000 - lot #376. Image copyright © Artists Rights Society (ARS), New York. [2648-3-300]
Lot 1442
Artist: Lucian Freud (German/English, 1922-2011). Title: "Triple Portrait". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 10 1/8 x 11 1/2 in. (257 x 292 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29184-2-800]
Lot 1021
Artist: Lucian Freud (German/English, 1922-2011). Title: "Head of a Man". Medium: Offset lithograph [following the original etching]. Date: Composed 1987. Printed 1993. Dimensions: Overall size: 11 11/16 x 9 9/16 in. (297 x 243 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29180-2-600]
Lot 99
Militaria Ausland - Frankreich : Frankreich: Säbel der Garde Nationale, 1830. Vergoldetes Bügelgefäß mit Dekor von Lorbeerblättern. Griff mit etwas gelockerter Drahtwickelung. Prächtige gekehlte Rückenklinge, die obere Hälfte fein gebläut und vergoldet und mit vergoldeter Zierätzung. Terzseitig "GARDE NATIONALE" , darüber der Lorbeerumflorte Gallische Hahn und die Inschrift "LIBERTE". Quartseitig die vergoldete Inschrift: "ORDRE PUBLIC", darüber widerum der von Lorbeerzweigen bekrönte Gallische Hahn, Symbol des Bürgerkönigtums, und die Inschrift: "FRATERNITÈ". Auf den Fehlschärfen Herstellergravur: "Coulaux Frères à Klingenthal". Auf dem Rücken: "Juillet 1830". Originale schwarze Lederscheide mit vergoldeten Beschlägen mit graviertem Dekor von Waffentrophäen und Arabesken. An Trageknopf. Lnge: 90 cm. Klinge: 75 cm. Prächtige, besonders fein ausgeführte Blankwaffe, die den Beginn des Bürgerkönigtums (Monarchie de Juillet), bzw. die Juli - Revolution im Jahr 1830 verkörpert.Foreign Militaria - France : Frankreich: Säbel der Garde Nationale, 1830. Gilt hilt with decoration of laurel leaves. Handle with somewhat loosened wire wrapping. Magnificent fullered single-edged blade, the upper half finely blued and gilded and with gilded decorative etching. On the reverse "GARDE NATIONALE", above the laurel-wreathed Gallic cock and the inscription "LIBERTE". On the obverse side the gilt inscription: "ORDRE PUBLIC", above it the Gallic cock crowned with laurel branches, symbol of civic royalty, and the inscription: "FRATERNITÈ". On the ricasso engraved: "Coulaux Frères à Klingenthal". On the back: "Juillet 1830". Original black leather scabbard with gilded fittings with engraved decoration of weapon trophies and arabesques. On carrying knob. Length: 90 cm. Blade: 75 cm. Magnificent, particularly finely executed edged weapon, which embodies the beginning Monarchie de Juillet and the July Revolution in 1830.
Lot 304
Ansicht von Augsburg: Weinmarkt mit Merkurbrunnen, um 1750.Guckkastenblatt von B. F. Leizel. Kupferstich auf Bütten, altkol., von B. F. Leizel. Gestoch. Schritrand mit ausführl. zweisprachiger Bez. "Prospect des Mercurius Brunnen auf dem Weinmarck Plaz (...), Titel seitenverkehrt. Im unt. Blattrand Einrisse und Knitterfalten. 29,5 x 40,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45 x 54,5 cm View of the city of Augsburg: Weinmarkt, optical print, ca. 1750. Copper etching, coloured, condition lacks in lower margin. Framed with glass and passepartout. Frame: 45 x 54,5 cm
Lot 771
Hachulla, Ulrich. Geb. 1943 Heydebreck/ Oberschlesien, lebt und arbeitet in Leipzig."Jüdischer Friedhof in Prag", 1977. Radierung/ Bütten, sign., dat., betitelt und num. Ex. 83/ 150. Gegilbt mit einzelnen Stockflecken. 20 x 19,5 cm (Pl)/ 42 x 29 cm (Bl). Hinter Glas gerahmt. Ra. 44 x 31,5 cm Ulrich Hachulla, born 1943: Jewish cemetery in Prague, 1977, etching, signed, dated, numbered copy 83 of 150. 44 x 31,5 cm incl. frame.
Lot 321
Karte von Ostholstein, um 1650Kupferstichkarte auf Bütten, kol., dekorative Titelkartusche mit gestoch. Bez. "Nordertheill. Von Wageren/ worinnen auch die ämpter Cißmar und Oldenborg/ Anno 1649". A. L. Rothgiesser n. J. Meyer. Hinter Glas mit Pp. gerahmt. PA 42,5 x 61 cm, 56 x 75 cm (Ra.) Dekorative Karte, an Rand Stadtpläne von Lütjenburg, Heiligenhafen u. Neustadt. Am linken Rand 2 weitere Grundrisse von Preetz und Plön. Zeigt das östl. Holstein mit Probstei, Holsteinische Seenplatte und Kreis Oldenburg. Map of Holstein, copper etching, coloured, including maps of five cities. By A. L. Rothgiesser after J. Meyer. Ca. 1650. Framed with glass and passepartout. Frame 56 x 75 cm
Lot 307
Ansicht von St. Petersburg: Blick auf die Akademie der Wissenschaften mit der von Schiffenbelebten Newa, im Hintergrund die Peter und Paul-Festung, ca. 1760 Seltenes Guckkastenblatt, Kupferstich auf Bütten, altkol., verlegt bei Daumont in Paris. Gestoch. Schriftrand, hier Einrisse. PA lichtgebräunt. 25,5 x 39,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45,5 x 54,5 cm View of Saint Petersburg, optical view, copper etching, coloured, ca. 1760. Editor: Daumont Paris. Tear in lower margin, tanned. Framed with glass and passepartout. Frame 45,5 x 54,5 cm
Lot 311
Aranjuez (Spanien): Ansicht des Palacio Real bei Madrid, ca. 1770Guckkastenblatt. Kupferstich auf Bütten, altkol., im Schriftrand gestoch. zweisprachige Bezeichnung mit fälschlicher Ortsangabe (Wien), gestoch. Titel seitenverkehrt. Verlegt bei Basset in Paris. Blattrand v. Passepartout verdeckt. Unausgerahmt katalogisiert. 26 x 40 cm, hinter Glas gerahmt. Ra. 47 x 57 cm View of the Royal Palace in Aranjuez near Madrid in Spain, optical print, copper etching, coloured. Editor: Basset in Paris. Ca. 1770. Framed with passepartout and glass. 47 x 57 cm (frame)
Lot 320
Landkarte von Südfrankreich/ Provence, um 1720Kupferstichkarte auf Bütten, grenz-und flächenkoloriert, li. u. interessante figürl. Kartusche mit einer Illustration der Spanischen Erbfolgekriege: Adlige mit Edelmetall vor General Villars, gestoch. Titel "Provincia Indigenis dicta La Provence". Re. u. Schlachtplan der Schlacht von Toulon 1707. Verlag J. B. Homann Nürnberg. Re. unt. Ecke kl. Ausriss. 48,5 x 57 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 64,5 x 72 cm Die Karte erstreckt sich über die Region von Arles bis Monaco. Map of Southern France, copper etching, coloured, editor: J. B. Homann Nürnberg. Ca. 1720. Slight damage lower right corner. Framed with glass and passepartout. 64,5 x 72 cm (size incl. frame)
![The Gilly, Drypoint etching signed in pencil by Norman Wilkinson (British 1878-1971) [Frame 45x36cm]](https://cdn.globalauctionplatform.com/ebf2418a-bd2a-4e4d-94d2-aeb700a80a9a/abbdc6ab-9483-4ee8-93ba-aeb700dcf0e8/468x382.jpg)
![John BurtOriginal etching 'Springtime' Dunfermline Abbey. [43x34cm]](https://cdn.globalauctionplatform.com/ebf2418a-bd2a-4e4d-94d2-aeb700a80a9a/7956e47c-f48e-495f-8641-aeb700dd3a0b/468x382.jpg)
Lot 190
Artists portfolio containing various original etchings and artworks includes Andrew Samuel original etchings, R. Douglas Bart Original Etchings, 1912 art class artworks, John Burt original etching titled 'Old Gateway- Queen Anne St. Church, Dunfermline, David Duncan original etching, Saying by Robert Louis Stevenson and Robert Browning.
![Original Etching titled 'The Watcher on the Hill' by Herbert Dicksee- Tiger etching [81x104cm]](https://cdn.globalauctionplatform.com/ebf2418a-bd2a-4e4d-94d2-aeb700a80a9a/3272b88f-6407-4734-b630-aeb700e4b9a7/468x382.jpg)
Lot 065183
Große Enghalsvase, 'Colchiques', 20er Jahre, umlaufender Herbstzeitlosendekor, farbloses Glas, orangerote und gelbe Pulvereinschmelzungen, rotbrauner Überfang, Hoch- und Stichätzung mit Binnenzeichnung, signiert, H. ca. 44.5 cmLarge narrow-necked vase, 'Colchiques', 1920s, surrounding autumn crocus decor, colorless glass, orange-red and yellow powder inclusions, red-brown overlay, high and engraving etching with internal drawing, signed, H. approx. 44.5 cm
Lot 065200
Enghalsvase, Emile Gallé, um 1900, farbloses Glas, orangegelblicher Innenüberfang, roter Außenüberfang, Hagebuttendekor, Hoch- und Nadelätzung mit Binnenzeichnung, H. ca. 16 cm, seitlich signiertNarrow-necked vase, Emile Gallé, around 1900, colorless glass, orange-yellow interior overlay, red exterior overlay, rosehip decor, high and needle etching with internal drawing, H. approx. 16 cm, signed on the side
Lot 065214
Große Enghalsvase, Gallé, um 1904-06, farbloses Glas, lachsfarbener partieller Innenüberfang, dreifacher Außenüberfang in Grün, Weiß und Violett, Hortensiendekor, Hoch- und Nadelätzung, signiert mit Stern, H. ca. 38 cmLarge narrow-necked vase, Gallé, around 1904- 06, colorless glass, salmon-colored partial interior overlay, triple exterior overlay in green, white and violet, hydrangea decoration,high and needle etching, signed with a star, H. approx. 38 cm
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78408 item(s)/page