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Lot 366

* Read (David Charles, 1790-1851). A group of four landscape etchings,. unsigned, various sizes (plate size approx. 100 x 235 mm and smaller), each mounted, together with Gavarni. Les Parens Terribles, plate 18 (Masques et Visages), c. 1850, hand-coloured lithograph, sheet size approx. 375 x 260 mm, mounted, plus Eeckhout (Gerbrandt van den, 1621-1674), Examining Botanical Specimens, hand-coloured etching, trimmed to margins, approx. 90 x 127 mm, mounted, and six other uncoloured continental landscape etchings, late 17th/early 18th c., including views after Ruisdael, Stefano della Bella, Zeeman, etc. (12)

Lot 541

Rome, etc. An album of fifty-eight various engraved views of Rome and elsewhere, 18th-early 19th c.,. consisting of three large etched views by Giuseppe Varsi (Prospetto principale del celebre Palazzo di Caprarola Fontana della celebre acqua Vergine, volgarmente detta di Trevi & Fontana dellAcqua Paola sul Monte Gianicolo, 1746, stained with some spotting), eight large engraved views by Andrea Gasparini of Greek ruins, 1842-43, an unidentified view of the Villa Pamphili (stained and some minor marginal paper repairs), four engraved views near Como by G. Maritelli, a small etched view by Rossini, etching by Paoletti Veneto of the New Bridge under construction by the Palazzo Salviati, 1827, an etched view of the Colosseum by Paolo Barbazza, two tinted litho. views of church interiors in Rome by Chapuy, two proof etchings before letters of a classical landscape (the second by P. Parboni, dated 1835), an etched view of the Interno dellArco di Settimio Severo by Rossini, 1833, ten etched views by C. Piccoli, including the Pantheon, Tempio Antonino, Piazza e Basilica Vaticana porta Maggiore Interno del Pantheon etc., plus twenty-three b&w etched views by Carlo Labruzzi [from the Via Appia Illustrata], with title by Gaetano Cottafavi, each with title in Italian and French, approx. 540 x 760 mm and smaller, all bound in mid-19th c. cloth-backed marbled boards, some wear to extrems., with hand written list of titles at front, large folio (1)

Lot 1

F.V.W. Sedgley, various unframed pencil sketches dated from the 1930's and depicting areas around Southend; an etching by B.T. Brown, "The Mill at Stock"; and a collection of various sketches, unframed engravings, prints etc., (a lot)

Lot 1

A Bartolozzi sepia etching of a gentleman in a turban.

Lot 1

After J Aberli, Dessine sur les Remparts a Berne, hand coloured etching, 21 x 34.5cm. (in original gilt and glazed frame).

Lot 1

Lucy Willis (b. 1954), Sleeping Child, Limited edition etching, Signed and dated 1986 within the margin lower right, Inscribed 1/100 lower left, P. 15.5cm x 14cm, Lucy Willis studied at Ruskin School of Drawing and Fine Art, Oxford. She gained first prize for her picture Her Majesty's Pleasure in 1992, in the BP Portrait Award at the National Portrait Gallery. Provenance: Chris Beetles Ltd, Exhibition No. 84

Lot 1

Valerie Thornton (1931-1991), 'Cley Hall Farm'; 'Bishops Palace, St. Davids', Each limited edition etching and aquatint, The first signed and dated 77 lower right, inscribed with title lower centre, and 43/70 lower left, The second signed and dated 79 lower right, inscribed with title lower centre, and 36/75 lower left, The first p. 40cm x 57cm, The second p. 43cm x 65cm (2)

Lot 1

Valerie Thornton (1931-1991), 'Southwold', Limited edition etching and aquatint, Signed in pencil within the margin and dated 84 lower right, Inscribed with title lower centre and inscribed 29/70 lower left, 52cm x 34cm

Lot 1

P. Bisson (Contemporary), 'The Wharfe', Limited edition etching and aquatint, Signed in pencil within the margin lower right, Inscribed with title and 81/350 lower left, P. 37.5cm x 51.5cm, four other prints by the same artist, and two watercolours, all unframed (7)

Lot 1

P. Bisson (Contemporary), 'Mustard Hill', Limited edition etching and aquatint, Signed in pencil within the margin lower right, Inscribed with title and 148/200 lower left, P. 32.5cm x 48cm, five other landscape etchings and two others all by the same artist, all unframed (8)

Lot 1

Freya Payne (b. 1968), The Continuing Fall IX; The Continuing Fall XII, Etching with collage, The first p.19.5cm x 19.5cm.; The second s.27.5cm x 38cm (2)

Lot 1

John Brunsdon (b. 1923), 'Pennard Cliffs', Limited edition aquatint, Signed in pencil lower right, Inscribed with title lower left and 136/150 lower centre, P. 45cm x 60cm, Graham Evernden (?) (Contemporary), 'Hayfield'; 'Cloud Lilies', Each etching and aquatint, Each signed indistinctly in pencil within the margin lower right, The first inscribed with title and 179/350 lower left, The second inscribed with title and 214/350 lower left, The first p. 30cm x 24cm, The second p. 30cm x 40cm and four other prints by various artists, all unframed (7), (see illustration on our website), Brunsdon attended the Royal College of Art 1955-58, and worked under Julian Trevelyan. He is best known as the author of the standard textbook 'The Technique of Etching and Engraving', published 1965.

Lot 1

Simon Bull (b. 1958), 'Arncliffe in Littledale', Etching and aquatint, Signed in pencil within margin lower right, Inscribed with title lower centre, and 50/200 lower left, P. 30cm x 40cm, three other limited edition prints by other artists, and eleven screenprints by D. Bart, all unframed (15), Simon Bull's work particularly features Lake District and Yorkshire views, and he is best known as a etcher and illustrator.

Lot 1

Rowland Hilder (1905-1993), Beached vessel, Limited edition etching, Signed in pencil within the margin lower right, Inscribed 56/84 lower left, P. 16.5cm x 18.5cm, and Rachel Anne LeBas (Contemporary), 'Farm Buildings and Fallen Elms - Fyfield, Cotswolds', Limited edition etching, Signed in pencil within the margin lower right, Inscribed with title lower left and 26/75 lower centre P. 14cm x 37cm (2),

Lot 1

Andre Masson (1896-1987), Horse's heads, Etching, Signed in pencil lower right, 30cm x 23cm

Lot 1

Julian Williams (Contemporary), Heron on a tree, Limited edition etching and aquatint, Signed lower right, Inscribed 56/150 lower left, S. 68cm x 93.5cm, Unframed, and four others by the same artist (5)

Lot 1

Fritz Thaulow (Norwegian 1847-1906), Vaskekoner i Quimperl' - Washerwomen in Quimperl', Brittany, Etching and aquatint, Signed, numbered 144 and stamped, S. 44.5cm x 57cm

Lot 1

Catherine Grubb (Contemporary), 'Lady, weeping at the crossroads', Limited edition etching and aquatint, Signed and dated 1972 lower right, Inscribed with title lower centre, Inscribed 18/30 lower left, P. 45cm x 60cm, Unframed, and a quantity of other unframed prints (qty), (see illustration on our website),

Lot 1

A XX century etching "Magdalen Tower"; another "Christchurch Oxford"; John Hall watercolour - town scape and a print after J Clark (4)

Lot 1

Leuaguay? signed continental school etching low flying birds before town 13cm x 18.5cm

Lot 1

WILLIAM WALCOT. Signed in pencil etching on paper "The Temple of Romulus", see label verso. 17 1/2" x 21 3/4".

Lot 1

B.W. LEADER & CAMILLE FONCE. Signed in pencil etching on vellum ( badly wrinkled), wooded river scene together with; after Meissonier, two engravings, signed in pencil by the engravers, interior scenes with figures in period dress. (3)

Lot 1

ROBERT WALKER MACBETH. Signed in pencil, etching on paper, from the fable of Arachne, 'The Spinners', (see label verso). 26" x 34"

Lot 1

Glynn Thomas - 'Lullington Church', 20th Century colour etching, signed, titled and editioned 78/150, together with a print by Jo Barry and two other prints.

Lot 1

Richard Bawden - 'The White Jug', 20th Century colour etching, artist's proof, together with three other similar prints.

Lot 1

After Geoffrey Sparrow - Caricatures of Gentlemen seated on a Horse, monochrome etching.

Lot 1

Norman Ackroyd - Coastal View, late 20th Century aquatint, indistinctly signed, titled and dated '91, together with a wood engraving by George Tute and a colour etching by Jo Barry.

Lot 1

William Selby - 'Inner Harbour - Brixham', 20th Century watercolour, signed, approx 24.5cm x 36.5cm, together with an etching, 'Harbour Steps' by Michael Chaplin.

Lot 1

After William Miller. Edinburgh Castle etching, 8¼" x 14".

Lot 1

R. T. Cowern, 'A Lane near Toscanella', etching, signed, titled, dated 1939 and numbered 7/50.

Lot 330

Jackson Simpson Ellen's Isle Loch Katrine limited edition etching 17cm x 22.5cm

Lot 353

Freda Marston Ullswater etching 22cm x 40cm

Lot 354

William Walcot Hadrian Visiting Salonica etching, signed 11.5cm x 13.5cm

Lot 1

William Lionel Wyllie 1851-1931 black and white etching signed in pencil 10in x 15in

Lot 1

William Lionel Wyllie 1851-1931 black and white etching signed in pencil 7in x 15in

Lot 1

William Lionel Wyllie 1851-1931 black and white etching signed in pencil 5in x 13in

Lot 1

Miranda Phillimore, etching Sintra Portugal, signed in pencil

Lot 1

After Nada Ziljak, etching of two women, signed and dated 1996

Lot 1

After Frederick Arthur Farrell, etching, Blackfriar's bridge with view to St Paul's, signed in pencil, 23 x 37cm

Lot 1

After Frederick Arthur Farrell, etching, London's historic buildings, signed in pencil

Lot 1

After Kurt Heyer, Eberhardt, "A terrier pup and kitten", coloured etching inscribed in pencil

Lot 1

After CJ Bauer German 1895-1964, a portrait of a nude female in recline, etching inscribed in pencil

Lot 1

A 19th century maple framed sampler, damaged, together with a pair of 19th century framed prints after Pug, a framed etching and a Dutch watercolour.

Lot 1

aFTER ROBERT MACBETH an etching of boy and girl carrying a pail of milk with calves following an etching 16 1/2 x 27 inches plate size and an engraving of the young princes (2)

Lot 1

aFTER EBERHARDT my dogs, Xmas 1929 etching 8 x 22 1/2 inches

Lot 1

w LUBE an etching of an old woman 7 1/2 x 5 1/2 inches another engraving and a head and shoulders pencil drawing (A/F) (3)

Lot 1

mARY A SLOAN a figure reading a scroll parchment an etching signed in the margin 10 3/4 x 5 1/2 plate size and a quantity of etchings by Pehr Blom of Paris and other scenes

Lot 1

aFTER WILLIAM ORPEN the draughtsman and his model a drypoint etching inscribed and dated in the margin 1910 (printed) 8 1/2 x 10 1/2 inches

Lot 1

*** Lindsay (?) - Australian 'Lengthening Shadows' an etching, no. 5 of 40 signed in pencil at bottom with title and 'Proof on old brown Whatman', 16.5cm by 22cm

Lot 1

William Lionel Wyllie (1851-1931), Port Scene With Sail And Steam, crews embarking, Etching, Signed in pencil, 15cm x 25cm

Lot 1

George Vernon Stokes (1873-1954), Pointers In A Landscape, Etching with watercolour, Signed in the plate, signed in pencil, 24cm x 31cm

Lot 1

George Vernon Stokes (1873-1954), Pointers In A Landscape, Etching with watercolour, Signed in the plate, signed in pencil and numbered 37/75, 33.5cm x 29cm

Lot 1

Leon Danchin (1887-1939), Pointers In A Landscape, Etching, Signed in pencil, 33cm x 65cm

Lot 1

Peter Carreras, On the Beach, colour etching, signed, initialed and numbered 6/30, 21 cm x 45 cm.

Lot 1

Peter Carreras, Sardines, colour etching, signed, initialed and numbered 15/50, 20 cm x 24 cm.

Lot 1

Peter Carreras, Gondolier, colour etching, signed, initialed and numbered 6/25, 18.5 cm x 25 cm.

Lot 1

John G. Mathieson, Edinburgh University, etching, signed to margin and Highland Loch, oil on board, 32 x 64 cm.

Lot 1

A group of three, including; an oil of La Madelaine, Paris, by A. Lambert, a watercolour of St. Roy la Grande, Dordogne by John Leith and a colour etching of the Church of St. Jacques by J. Alphege Brewer (3).

Lot 1

C.F. Tunnicliffe, Adam and Eve, etching Charles Frederick Tunnicliffe (1901-1979), "Adam and Eve", signed in pencil in the margin, etching, 27.5 x 20.5cm.; 11 x 8in.

Lot 1

Piers Browne, three coloured aquatints Piers Browne (1942-), "And overhead the aspen leaves...", signed, inscribed and numbered 73/100 in pencil in the margin, etching with coloured aquatint, 29.5 x 23cm.; 11.5 x 9in; "Semer water from Bardale, Raydale", signed, inscribed and numbered 3/60 in pencil in the margin, coloured aquatint, 20.5 x 39.5cm.; 8 x 15.5in; together with, "Gillfoot, Raydale", signed, inscribed and dated '86 in pencil in the margin, 13 x 24cm.; 5 x 9.5in (3).

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