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Click here to subscribe‡ EDGAR HOLLOWAY limited edition (3/50) etching - self portrait no. 24:Profile, 2nd state, after a 1937 etching, signed 'Edgar Holloway 1994', and written in pencil 'for Robert Meyrick - Christmas '94' Dimensions: 20 x 20cmsProvenance:private collection mid Wales, consigned via our Carmarthen officeCondition Report:framed and glazed
‡ DAVID CARPANINI limited edition (11/40) monochrome etching - lozenge shaped entitled verso on The Discerning Eye Gallery label 'Lightning, Nant-y-Moel', signed in pencilDimensions: 19 x 19cmsProvenance:private collection Bridgend County Borough, consigned via our Cardiff officeCondition Report:framed and glazed
Gillray (James) The Friend of the People, etching with hand-colouring on wove paper without watermark, sheet 350 x 247 mm (13 3/4 x 9 3/4 in), trimmed to or just within the platemark, two carefully repaired tears to left edge of sheet, some surface dirt, surface abrasions, and handling creases, unframed, [BM Satires 10571], Hannah Humphrey, 1806; together with an uncoloured impression of Gillray's 'Patriotic Regeneration,-viz.-Parliament Reform'd, a la Françoise, -that is-Honest Men (I.E.-Opposition.) In the Seat of Justice', [BM 8624], and Thomas Rowlandson's etching after Woodward 'Volunteer Wit or not enough for a Prime', [BM 11136], various sizes, unframed, 1795-1808 (3)
Gillray (James) The Introduction of the Pope to the Convocation at Oxford, by the Cardinal broad-bottom, etching with hand-colouring on wove paper without watermark, platemark 270 x 375 mm (10 5/8 x 14 3/4 in), sheet 283 x 390 mm (11 1/8 x 15 1/4 in), handling creases, minor surface dirt, unframed, [BM Satires 11384], Hannah Humphrey, 1809.
Cawse (John) The Great Swallow all!!!Disgorging, or French Bullie too hot for the Bears Stomach, satire depicting the French commander Massena consoling the giant-headed Suvoroff, disgorging the troops whose numbers eventually overwhelmed the Austro-Russian alliance in Switzerland, etching with hand-colouring, 275 x 380 mm (10 3/4 x 15 in), minor repairs to upper edge strengthened verso, minor handling creases, unframed, [BM Satires 9422], S.W. Fores, 1799; together with a good mixed collection of 27 caricatures, including George Cruikshank's 'The Head of the Great Nation, in a Queer Situation!', [BM 12120], Thomas Rowlandson's 'The wooden leg - or careful landlady', [BM 11466], Charles Williams' 'New reading- or- Shakespeare improved' showing one of the earliest depictions of a velocipede or "dandy horse", [BM 13366], and others by or published by S.W. Fores, George Cruikshank, Woodward, Rowlandson, Bunbury, Thomas McLean, and others, various sizes, all unframed, 18th and 19th century (28)Provenance:[Cawse only] James Ludovic Lindsay, 26th Earl of Crawford and 9th Earl of Balcarres (1847-1913) [Lugt 1685c]
Mounted 1806 etching of goods being recovered from wreck of Abergavenny by Tonkin's diving machine - 44cm x 56cm ~ Earl of Abergavenny (East India Company ship built 1796) sunk on 5-Feb-1805 in Weymouth Bay with the loss of 263 lives (â…” of passengers) inc Captain John Wordsworth Jnr (the brother of William Wordsworth) ~ the diving machine & print is by Ralph Tonkin (Penzance) - the print has obvious damage but RARE
Terry FROST (1915-2003) Red & Black Sunburst etching & book 'Terry Frost Prints: A Catalogue Raisonne' by Dominic Kemp, Special Edition including 'Red & Black Sunburst' etching, Published by Lund Humphries, 2010. Hardback, original slip.Red & Black Sunburst, 2010 (Kamp 261)Etching and aquatintTerry Frost Estate stamp and countersigned by Anthony Frost to versoImage size 22.4 x 24.7cmSheet size 24.9 x 27cm Note - Originally proofed by Terry in 2003 and printed by Hugh Stoneman and Mary Crockett at Stoneman Graphics, Cornwall. This edition has been printed posthumously to accompany the Special Edition of 'Terry Frost Prints - A Catalogue Raisonne'.
Four prints from The Porthmeor Portfolio, St Ives, 2006 Each work is signed, titled and numbered 33/50John EMANUEL - 'Whispering' - Etching - Plate size 20 x 28cmRalph FREEMAN - 'Twist of Fate' - Etching - Plate size 20 x 24cmRichard NOTT - 'Blueprint' - Relief print - Image size 8 x 26cmStephen DOVE - 'Figure' - Etching - Plate size 20.5 x 15.5cm
William Lionel WYLLIE (1851-1931) Tower bridge, London Etching, signed, plate size 16.5 x 37.5cm.There is a tear to the top right hand corner of the piece (please see additional image). Along with this, there are glue marks located on the surrouding area of the work (please see additional images).
John WELLS (1907-2000) Untitled (1951) Etching, signed and dated 1951, plate size 23 x 15cm.Purchased by the vendor from the estate of Breon O'Casey.This has not been examined out of the frame but it appears to be in excellent clean condition but for a single foxing spot on the extreme lower margin.
Four prints from The Porthmeor Portfolio, St Ives, 2006 Each signed, titled and numbered 33/50Naomi FREARS - 'Only You' - Etching - Plate size 28 x 20cm Sax IMPEY - 'Sea State' - Etching - Plate size 18 x 18cm Roy CONN - 'Untitled' - Etching - Plate size 20.5 x 28cm THE FISHERMAN - 'Sweet Promise' - Photoetching - Plate size 20 x 25cm Together with the original folder and frontispiece
Walter Richard Sickert (1860 - 1942), 'The Mogul Tavern, Drury Lane', etching/aquatint, signed, dated & titled within the plate, 1908, inscribed in pencil Sickert lower right in the margins, plate 25cm x 17.5cmFramed and glazed, print has not been removed for inspection. Signs of acidic browning around the edge at the mount aperture, and some spots of rubbing to the paper on the balcony (see image), otherwise appears to be in good condition, with no visible signs of tears, holes or foxing.
After Anders Leonard Zorn (1860 - 1920) 'Rosita Mauri', etching, signed and dated 89 within the plate, 24cm x 16cm; After Jean Louis Forain (1852 - 1931), women in corset, etching, signed in the plate, 16cm x 11.5cm; and After Rudolphe Piguet (1840 - 1915), a society beauty with flowers, etching, signed and dated 1898 within the plate, 30.5cm x 23cmThe work after Piquet has a puncture lower right.The other works appear to be in good order
Johnny Friedlaender (1912 - 1992) German/French, 'Composition au Point Noir', signed in pencil and numbered 23/95, inscribed verso, etching and aquatint, 49 x 39, framed and glazed, frame 89 x 73 cm, and another by the same artist, 'Bleu Rouge Noir', signed in pencil and numbered 58/65, inscribed verso, etching and aquatint, 57.5 x 44 cm, framed and glazed, frame 89 x 73 cmQty: 2
Tracey Emin (b. 1963), Sam and Jay's birds, initialled in pencil, stamped verso 'Joy Jopling and Sam Taylor-Wood Christmas Edition Tracey Emin 2004', etching on wove paper, unframed, plate 13.5 x 20 cm, paper 21 x 26.5 cmOverall good condition, paper edges uncut. Has been stored in a card folder.
Meister der rheinischen oder niederländischen Schule des 15. JahrhundertsAUFERSTEHUNG CHRISTIÖl auf Holz. Parkettiert.89 x 62,5 cm.Ungerahmt.Die Altartafel zeigt Jesus, der dem Sarkophag entsteigt, während die geharnischten Wächter schlafen. Die Grablege als Steinsarkophag wiedergegeben, auf dessen beiseite geschobenen Deckel ein Engel betet. Im landschaftlichen Hintergrund links ein hochziehender, grün bewachsener Berg mit bekrönender Burg. Rechts hinten ein gotischer Turm mit Fialen, nach damaliger Vorstellung der Tempel von Jerusalem. Dem kräftigen Rot in Schild und Gewändern der Wächter steht ein zartes Rot im Umhang Jesu gegenüber, das Haupt von einer goldenen Nimbusscheibe hinterfangen.Der Bildtypus mit Darstellung von Sarkophag, des bereits heraustretenden rechten Fußes, der Felserhöhung links sowie Kreuzstab mit Fahne findet sich ebenso in einem Kupferstich von Martin Schongauer (1430-1491). So dürfte das vorliegende Gemälde unter dem Einfluss dieser Grafik stehen. (11506016) (11)Rhine or Dutch School, 15th centuryTHE RESURRECTION OF CHRISTOil on panel. Parquetted.89 x 62.5 cm.Unframed.The altar panel shows Jesus stepping out of the sarcophagus while the armour-clad guards are sleeping. An etching by Martin Schongauer (1430-1491) also shows this image type and the painting on offer for sale in this lot may be influenced by it.
Harland Miller (British 1964-), 'In Shadows I Boogie', 2019, etching with relief printing on wove paper, signed in pencil recto, numbered from an edition of 75 in pencil verso, published by Manifold Editions; sheet: 149 x 90cmARRsheet: 149 x 90cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Christian Rex van Minnen (American 1980-), 'Parallax', 2022, Archival pigment print on matte 350gsm Hahnemühle Museum Etching paper, signed, dated, and numbered from an edition of 606, published by Avant Arte; sheet: 75 x 51.3cmsheet: 75 x 51.3cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.
Damien Hirst (British 1965-), 'My Way', 2002, coloured etching on 350gsm Hahnemuhle paper, from the 2002 Portfolio 'In a spin: the Action of the World on Things, Volume I', signed in pencil recto, from an edition of 68, published by Paragon Press; 100 x 79cm inc frameARR100 x 79cm inc frameIn very good conditionNo visible knocks, tears or creases to the sheetDeckled edges in good condition This work has been framed in a white frame with UV protection glass and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
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![Kurt Meyer-Eberhardt (1895-1977)Original etching titled 'Fawn'[41x35cm]](https://cdn.globalauctionplatform.com/1676e14a-5de3-4967-b620-afd100a842e8/6d84bae2-5636-4004-89a8-afd201437835/468x382.jpg)
