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Lot 424

W L WYLIE RA How the Fleet Came to its Moorings original etching

Lot 434

HERBERT DICKSEE Hope (Cairn Terriers) etching

Lot 756

A Trevor Southey etching 98/100 1985 entitled "Morning and Torso with blue line signed M.Mc 85

Lot 794

A framed Victor Pasmore metamorphosis (Linear motifs) etching 1976 380 mm x 380 mm

Lot 804

A framed etching `Stag` signed THOMAS NEWBOLT 2000 2/15 265 x 380 mm

Lot 275

A 19th Century Sword, in the style of a British `Gothic Hilt` infantry sword but with a Mexican eagle and snake crest in place of normal royal cypher, the 32.5" (83cms) single edged straight blade discoloured but showing extensive etching

Lot 1

Craigie Aitchison (1926-2009) Still Life with Birds and Berries, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 280 x 340 mm (11 x 131/4 in)

Lot 2

Cragie Aicthison (1926-2009) Goatfell Isle of Arran, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 500 x 450 mm (193/4 x 171/4 in)

Lot 3

Craigie Aitchison (1926-2009) Holy Island, etching with aquatint and carborundum printed in colours, 2001, signed in black ink, numbered 32/60, on wove paper, with full margins, in good condition, 500 x 450 mm (193/4 x 171/4 in)

Lot 9

DDS. Elizabeth Violet Blackadder (b.1931) Red Still Life, etching with aquatint printed in colours, 1989, signed in pencil, numbered 24/50, on wove paper, with full margins, in good condition, 200 x 250 mm (8 x 91/2 in)

Lot 26

Elisabeth Frink (1930-1993) Bull (W.136) etching with aquatint, 1986, signed in pencil, numbered 30/100, printed by Kelpra studios, London, with their blindstamp, on wove paper, with full margins, in good condition, 300 275 mm (12 x 103/4 in)

Lot 29

Stanley William Hayter (1901-1988) Cinq Personnages (B.M.168) the rare engraving with soft-ground etching and silkscreen printed in colours, 1946, signed, titled, dated and inscribed 4th State colour trial, in pencil, a unique colour trial proof, on japan paper, with full margins, in good condition (handling marks and some stray printing ink in margins as is common in working proofs), 376 x 600 mm (143/4 x 231/2 in)

Lot 30

Stanley William Hayter (1901-1988) Scrap Book (B&M.421) etching and aquatint printed in colours, 1982, signed, titled and dated in pencil, numbered 9/100, published by Ediciones Poilgrafa S.A., Barcelona, on wove paper, with full margins, in good condition, 595 x 490 mm (231/2 x 191/2 in)

Lot 32

DDS. John Hoyland (b.1934) Vigil, etching with aquatint printed in colours, 1980, signed in pencil, numbered 3/60, published by Kelpra Studios, London, on wove paper, with full margins, in good condition, 675 x 900 mm (261/2 x 351/2 in)

Lot 37

Henry Moore (1898-1986) Mother and Child XII (C.682) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)

Lot 38

Henry Moore (1898-1986) Mother and Child XXIX (C.699) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)

Lot 40

Henry Moore (1898-1986) Mother and Child XVII (C.887) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 515 x 435 mm (201/4 x 17 in)

Lot 41

Henry Moore (1898-1986) Mother and Child XIX (C.689) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, 515 x 620 mm (201/4 x 241/4 in)

Lot 58

Julian Trevelyan (1910-1988) Harbour, soft-ground etching with aquatint printed in colours, signed and titled in pencil, numbered 41/50, on wove paper, with full margins, in good condition, 350 x 475 mm (133/4 x 183/4 in)

Lot 59

Julian Trevelyan (1910-1988) Etruia, etching with aquatint printed in colours, signed and titled in pencil, numbered 49/50, on wove paper, with full margins, in good condition, 350 x 475 mm (133/4 x 183/4 in)

Lot 62

Julian Trevelyan (1910-1988) Broadway, etching with aquatint printed in colours, signed and titled in pencil, inscribed an artist’s proof aside from the edition of 50, on wove paper, with full margins, in good condition, 220 x 320 mm (83/4 x 121/2 in)

Lot 63

Julian Trevelyan (1910-1988) Adultery and Secretaries, etching and aquatint printed in colours, signed and titled in pencil, numbered 15/50, on wove paper, with full margins, in good condition, 220 x 230 mm (83/4 x 9 in)

Lot 64

Julian Trevelyan (1910-1988) Farnham, etching with aquatint printed in colours, signed and titled in pencil, numbered 31/50, on wove paper, with full margins, in good condition, 470 x 350 mm (181/2 x 133/4 in)

Lot 65

Julian Trevelyan (1910-1988) Birds, etching with aquatint, signed and titled in pencil, numbered 47/75, on wove paper, with full margins, in good condition, 220 x 470 mm (83/4 x 181/2 in)

Lot 96

* Georges Braque (1882-1963) Milarepa. Oiseau (V.63) etching with aquatint, 1950, signed and inscribed Epreuve d’essai in pencil, an artist’s proof aside from the edition of 100, on Auvergne ? la cuve wove paper, with full margins, in good condition, 230 x 325 mm (9 x 123/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 110

Antoni Clave (1913-2005) Point Vert (P.279) etching printed in colours with carborundum, 1972, signed in pencil, an unnumbered impression aside from the edition of 75, published by Vision Nouvelles, Paris, on Arches paper, the full sheet printed to the edges, in good condition, sheet 760 x 560 mm (30 x 22 in)

Lot 114

Salvador Dali (1904-1989) Cracking Petroleum (m.l.808) etching with aquatint printed in colours, 1975, signed in pencil, numbered 214/350, on wove paper, with full margins, in good condition, 365 x 500 mm (141/4 x 193/4 in)

Lot 115

Salvador Dali (1904-1989) Electronics (m.l.809) etching and aquatint printed in colours, 1975, signed in pencil, numbered 218/350, on wove paper, with full margins, in good condition, 365 x 500 mm (141/4 x 193/4 in)

Lot 117

* Salvador Dali (1904-1989) Papillons de l’anti-mati?re (m.l.641) etching with aquatint, embossing and lithograph printed in colours, 1974, signed and inscribed E.A., an artist’s proof aside from the edition of 195, on wove paper, with full margins, in good condition, 750 x 550 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 128

Otto Dix (1891-1969) Soldatengrab zwischen den Linien (from Der Krieg) (K.A70) etching with aquatint, 1924, as included as plate 1 in the portfolio Derkreig, signed in pencil, inscribed I, numbered 24/70, on wove paper, with full margins, in good condition, 190 x 285 mm (71/2 x 111/4 in)

Lot 130

Raoul Dufy (1877-1953) Femme Nue Alongee, etching, signed in pencil, inscribed H.C. on wove paper, with full margins, in good condition, 330 x 490 mm (13 x 191/4 in)

Lot 132

* Alberto Giacometti (1901-1966) Atelier a la Sellette et Verre (Not in L.) the rare etching, circa 1964, signed and inscribed Epreuve d’essai, in pencil, on Arches paper, with full margins, in good condition, 359 x 258 mm (141/8 x 101/8 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 141

* Marino Marini (1901-1980) Marino from Shakespeare I (G.A.193) etching with drypoint and aquatint printed in colours, 1977, signed in pencil, numbered 26/75, on BFK Rives paper, with full margins, in good condition, 475 x 382 mm (183/4 x 15 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 144

* Marino Marini (1901-1980) Giocolieri (G.A.136) etching with aquatint printed in colours, 1971, signed and inscribed H.C. G/L, an hors commerce impression, aside from the edition of 75, on wove paper, with full margins, in good condition, 300 x 245 mm (113/4 x 91/2in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 147

* Henri Matisse (1869-1954) Herodiade (see.DBK.5) the rare etching, 1932, signed and inscribed Planche refusee, in pencil, there was no edition, on wove paper, with full margins, in good condition, 330 x 252 mm (13 x 10 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 149

* Henri Matisse (1869-1954) Une Négresse par le Démon (see.DBK.5) etching, 1932, from the edition of 30 printed with remarques, as included in Mallarmé, Poésies, on imperial japan paper, with full margins, in good condition, 330 x 250 mm (127/8 x 93/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 152

* Joan Miró (1893-1983) From. Saccades (see C.77) etching with aquatint printed in colours, 1962, signed and inscribed épreuve d’artiste in pencil, an artist’s proof aside from the edition, printed by Lacouri?re et Frélaut, published by Maeght Editeur, Paris, on wove paper, with full margins, in good condition, 95 x 130 mm (33/4 x 5 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 153

* Joan Miró (1893-1983) L’Antit?te (D.60) etching, 1947-48, a rare, possibly unique proof without the pochoir in colours, signed and inscribed epreuve d’essai in pencil, on Van Gelder laid paper, with full margins, in good condition, 140 x 105 mm (55/8 x 41/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 157

* Joan Miró (1893-1983) Llibre dels sis sentits, V (D.1169) etching with aquatint printed in colours, 1981, signed in pencil, numbered 28/50, published by Sala Gaspar, Barcelona, with his blindstamp, on Guarro wove paper, with full margins, in good condition, 720 x 545 mm (281/2 x 211/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 158

* Joan Miró (1893-1983) Llibre dels sis sentits, VI (D.1170) etching with aquatint, 1981, signed in pencil, inscribed H.C., an hors commerce impression, aside from the edition of 50, published by Sala Gaspar, Barcelona, with his blindstamp, on Guarro wove paper, with full margins, in good condition, 720 x 545 mm (281/4 x 211/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 159

* Joan Miró (1893-1983) Llibre dels sis sentits, III (D.1167) etching with aquatint printed in colours, 1981, signed in pencil, inscribed H.C., an hors commerce impression, aside from the edition of 50, published by Sala Gaspar, Barcelona, with his blindstamp, on wove paper, with full margins, in good condition, 710 x 545mm, 281/2 x 211/2 in. * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 160

* Joan Miró (1893-1983) Le matador (D.510) etching with aquatint, drypoint and carborundum printed in colours, 1969, signed in pencil, numbered 17/75, printed by Morsang, published by Maeght Éditeur, Paris, on Arches paper, with full margins, in good condition, 1060 x 733mm (413/4 x 283/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 164

Joan Miro (1893-1983) Untitled from Oiseau Solaire, L’Oiseau Lunaire, Etincelles (D.447) a rare group of fifteen progressive proofs of this etching with carborundum and aquatint, 1967, one with extensive additions in encre de chiné, seven printed in colours, either in unique colour separations or in unique combinations of colours, five signed in pencil, two initialled in pencil, each impression inscribed with the state, tirage number and signed by the printer, all on wove paper, with full margins, in generally good condition, each circa 732 x 335 mm (283/4 x 131/4 in)

Lot 167

Pablo Picasso (1881-1973) From six contes fantasques (b.363) etching, 1944, signed in red and blue crayon, numbered 7/30, on wove paper, with full margins, in good condition, 350 x 265 mm (133/4 x 101/2 in)

Lot 174

* Pablo Picasso (1881-1973) Fumeur (B.1167) soft-ground etching printed in colours, 1964, signed in pencil, numbered 25/50, on Richard de Bas laid paper, with full margins, in good condition, 420 x 320 mm (161/2 x 121/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 182

Pablo Picasso (1881-1973) After. Vollard et son Chat, etching with aquatint printed in colours, circa 1960, signed in pencil, numbered 145/200, publshed by L’ Atelier Lacouri?re, Paris, on Arches paper, with full margins, folded under on 4 sides, otherwise in good condition, 605 x 450 mm (233/4 x 173/4 in)

Lot 183

* Pablo Picasso (1881-1973) After. La Cr?ne de Ch?vre, etching with aquatint printed in colours, c.1950, signed in pencil, numbered 66/150, published by Lacouiere, Paris, on wove paper, with full margins, in good condition, 510 x 705 mm (20 x 273/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 192

DDS. Frank Auerbach (b.1931) Portrait of David Landau, etching with aquantint, 2007, signed and titled in pencil, numbered 16/40, published by Marlborough Graphics, London, on wove paper, with full margins, in good condition, 640 x 500 mm (251/4 x 193/4 in)

Lot 199

DDS. Lucian Freud (B. 1922) Head of a Man (H.46) etching printed with delicate plate tone, 1992, inscribed Leigh with Love from L.F., in pencil, an artist’s proof aside from the edition of 20, printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, on BFK Rives paper, with full margins, in good condition, 222 x 203 mm (83/4 x 8 in) The present work was a gift from the artist to the sitter Leigh Bowery (1961-1994) Leigh Bowery was the subject of four etchings by Freud, and a number of paintings. He was one of the great avant-garde figures of London in the 80’s and early 90’s. A performance artist, fashion icon, fashion designer, actor and pop star, his influence still resonates today and can be seen in the work of designers such as John Galliano, and the late Alexander McQueen, the styling of Boy George, and in the vibrant club scene of London and New York. Provenance: Ex Coll. Leigh Bowery, thence by descent

Lot 201

DDS. Lucian Freud (b.1922) Bella (H.30) etching, 1987, initialled in pencil, numbered 46/50, printed by Marc Balakjian at Studio Prints, published by James Kirkman, London and Brooke Alexander, New York, on BFK Rives paper, with full margins, in good condition, 415 x 345 mm (161/4 x 131/2 in)

Lot 202

DDS. * Lucian Freud (b.1922) The Painter’s Garden, etching, 2003-04, initialled and dated in pencil, numbered 35/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 635 x 868mm (25 x 341/4in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 203

DDS. * Lucian Freud (b.1922) Portrait Head, etching, 2005, initialled and dated in pencil, numbered 35/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 400 x 318mm (153/4 x 121/2) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Lot 204

DDS. Lucian Freud (b.1992) Girl with Fuzzy Hair (H.61) etching, 2004, initialled and dated in pencil, numbered 5/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 315 x 295 mm (121/4 x 111/2 in)

Lot 205

DDS. Lucian Freud (b.1922) Before the Fourth, etching, 2004, initialled and dated in pencil, numbered 35/46, printed by Marc Balakji an at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 343 x 429 mm (131/2 x 17 in)

Lot 210

DDS. Howard Hodgkin (b.1932) In a Public Garden (H.99) etching with aquatint, carborundum and extensively hand-coloured, in ultramarine, titanium white and green acrylic, paint, 1997-98, initialled and dated in pencil, inscribed AP, numbered 20/20, published by the Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, on handmade wove paper, the full sheet printed to the edges, in good condition, sheet 240 x 280mm (91/2 x 11 in)

Lot 230

DDS. Jake and Dinos Chapman, The Sleep of Reason, etching, with extensive additions in water-colour, circa 2005, signed in pencil, inscribed A/P, on wove paper, with full margins, in good condition, sheet 390m x 290 mm (151/4 x 111/2 in)

Lot 235

DDS. Peter Doig (b.1959) Alpiniste, etching, 2007, signed in pencil, numbered 30/60, published by Salon Verlag, Cologne, on wove paper, with full margins, in good condition, 535 x 395 mm (21 x 151/2 in) Contained in the original portfolio with the book: The Wonders of Ski-ing, by Hannes Schneider and Arnold Fanck, and a printed bookplate, signed in pencil and numbered 30/60

Lot 240

DDS. Tracey Emin (b.1963) Bird on Branch, etching, 2002, initialled in pencil, on wove paper, with full margins, in good condition, 130 x 195 mm (5 x 73/4 in)

Lot 241

DDS. Tracey Emin (b.1963) You Said, etching with aquatint, 2009, signed, titled an dated in pencil, numbered 289/300, published by the Tate Gallery, London, on wove paper, with full margins, in good condition, 240 x 330 mm (91/2 x 13 in)

Lot 244A

Lucio Fontana (1899-1968) Concetto Spaziale (r.e6) etching with aquatint, with punched holes by the artist, 1962 signed in pencil, numbered 3/75, on wove paper, with full margins, in good condition, 248 x 205 mm (93/4 x 8 in

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