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Stanley William Hayter (1901-1988) Cinq Personnages (B.M.168) the rare engraving with soft-ground etching and silkscreen printed in colours, 1946, signed, titled, dated and inscribed 4th State colour trial, in pencil, a unique colour trial proof, on japan paper, with full margins, in good condition (handling marks and some stray printing ink in margins as is common in working proofs), 376 x 600 mm (143/4 x 231/2 in)
Henry Moore (1898-1986) Mother and Child XII (C.682) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)
Henry Moore (1898-1986) Mother and Child XXIX (C.699) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 440 x 520 mm (171/4 x 201/2 in)
Henry Moore (1898-1986) Mother and Child XVII (C.887) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, sheet 515 x 435 mm (201/4 x 17 in)
Henry Moore (1898-1986) Mother and Child XIX (C.689) etching and aquatint printed in colours, 1983, signed and titled in pencil, numbered 52/65, published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, in good, fresh condition, 515 x 620 mm (201/4 x 241/4 in)
* Georges Braque (1882-1963) Milarepa. Oiseau (V.63) etching with aquatint, 1950, signed and inscribed Epreuve d’essai in pencil, an artist’s proof aside from the edition of 100, on Auvergne ? la cuve wove paper, with full margins, in good condition, 230 x 325 mm (9 x 123/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Antoni Clave (1913-2005) Point Vert (P.279) etching printed in colours with carborundum, 1972, signed in pencil, an unnumbered impression aside from the edition of 75, published by Vision Nouvelles, Paris, on Arches paper, the full sheet printed to the edges, in good condition, sheet 760 x 560 mm (30 x 22 in)
* Salvador Dali (1904-1989) Papillons de l’anti-mati?re (m.l.641) etching with aquatint, embossing and lithograph printed in colours, 1974, signed and inscribed E.A., an artist’s proof aside from the edition of 195, on wove paper, with full margins, in good condition, 750 x 550 mm (291/2 x 213/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Alberto Giacometti (1901-1966) Atelier a la Sellette et Verre (Not in L.) the rare etching, circa 1964, signed and inscribed Epreuve d’essai, in pencil, on Arches paper, with full margins, in good condition, 359 x 258 mm (141/8 x 101/8 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Marino Marini (1901-1980) Marino from Shakespeare I (G.A.193) etching with drypoint and aquatint printed in colours, 1977, signed in pencil, numbered 26/75, on BFK Rives paper, with full margins, in good condition, 475 x 382 mm (183/4 x 15 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Marino Marini (1901-1980) Giocolieri (G.A.136) etching with aquatint printed in colours, 1971, signed and inscribed H.C. G/L, an hors commerce impression, aside from the edition of 75, on wove paper, with full margins, in good condition, 300 x 245 mm (113/4 x 91/2in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Henri Matisse (1869-1954) Herodiade (see.DBK.5) the rare etching, 1932, signed and inscribed Planche refusee, in pencil, there was no edition, on wove paper, with full margins, in good condition, 330 x 252 mm (13 x 10 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Henri Matisse (1869-1954) Une Négresse par le Démon (see.DBK.5) etching, 1932, from the edition of 30 printed with remarques, as included in Mallarmé, Poésies, on imperial japan paper, with full margins, in good condition, 330 x 250 mm (127/8 x 93/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) From. Saccades (see C.77) etching with aquatint printed in colours, 1962, signed and inscribed épreuve d’artiste in pencil, an artist’s proof aside from the edition, printed by Lacouri?re et Frélaut, published by Maeght Editeur, Paris, on wove paper, with full margins, in good condition, 95 x 130 mm (33/4 x 5 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) L’Antit?te (D.60) etching, 1947-48, a rare, possibly unique proof without the pochoir in colours, signed and inscribed epreuve d’essai in pencil, on Van Gelder laid paper, with full margins, in good condition, 140 x 105 mm (55/8 x 41/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) Llibre dels sis sentits, V (D.1169) etching with aquatint printed in colours, 1981, signed in pencil, numbered 28/50, published by Sala Gaspar, Barcelona, with his blindstamp, on Guarro wove paper, with full margins, in good condition, 720 x 545 mm (281/2 x 211/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) Llibre dels sis sentits, VI (D.1170) etching with aquatint, 1981, signed in pencil, inscribed H.C., an hors commerce impression, aside from the edition of 50, published by Sala Gaspar, Barcelona, with his blindstamp, on Guarro wove paper, with full margins, in good condition, 720 x 545 mm (281/4 x 211/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) Llibre dels sis sentits, III (D.1167) etching with aquatint printed in colours, 1981, signed in pencil, inscribed H.C., an hors commerce impression, aside from the edition of 50, published by Sala Gaspar, Barcelona, with his blindstamp, on wove paper, with full margins, in good condition, 710 x 545mm, 281/2 x 211/2 in. * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
* Joan Miró (1893-1983) Le matador (D.510) etching with aquatint, drypoint and carborundum printed in colours, 1969, signed in pencil, numbered 17/75, printed by Morsang, published by Maeght Éditeur, Paris, on Arches paper, with full margins, in good condition, 1060 x 733mm (413/4 x 283/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Joan Miro (1893-1983) Untitled from Oiseau Solaire, L’Oiseau Lunaire, Etincelles (D.447) a rare group of fifteen progressive proofs of this etching with carborundum and aquatint, 1967, one with extensive additions in encre de chiné, seven printed in colours, either in unique colour separations or in unique combinations of colours, five signed in pencil, two initialled in pencil, each impression inscribed with the state, tirage number and signed by the printer, all on wove paper, with full margins, in generally good condition, each circa 732 x 335 mm (283/4 x 131/4 in)
* Pablo Picasso (1881-1973) Fumeur (B.1167) soft-ground etching printed in colours, 1964, signed in pencil, numbered 25/50, on Richard de Bas laid paper, with full margins, in good condition, 420 x 320 mm (161/2 x 121/2 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
Pablo Picasso (1881-1973) After. Vollard et son Chat, etching with aquatint printed in colours, circa 1960, signed in pencil, numbered 145/200, publshed by L’ Atelier Lacouri?re, Paris, on Arches paper, with full margins, folded under on 4 sides, otherwise in good condition, 605 x 450 mm (233/4 x 173/4 in)
* Pablo Picasso (1881-1973) After. La Cr?ne de Ch?vre, etching with aquatint printed in colours, c.1950, signed in pencil, numbered 66/150, published by Lacouiere, Paris, on wove paper, with full margins, in good condition, 510 x 705 mm (20 x 273/4 in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
DDS. Lucian Freud (B. 1922) Head of a Man (H.46) etching printed with delicate plate tone, 1992, inscribed Leigh with Love from L.F., in pencil, an artist’s proof aside from the edition of 20, printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, on BFK Rives paper, with full margins, in good condition, 222 x 203 mm (83/4 x 8 in) The present work was a gift from the artist to the sitter Leigh Bowery (1961-1994) Leigh Bowery was the subject of four etchings by Freud, and a number of paintings. He was one of the great avant-garde figures of London in the 80’s and early 90’s. A performance artist, fashion icon, fashion designer, actor and pop star, his influence still resonates today and can be seen in the work of designers such as John Galliano, and the late Alexander McQueen, the styling of Boy George, and in the vibrant club scene of London and New York. Provenance: Ex Coll. Leigh Bowery, thence by descent
DDS. Lucian Freud (b.1922) Bella (H.30) etching, 1987, initialled in pencil, numbered 46/50, printed by Marc Balakjian at Studio Prints, published by James Kirkman, London and Brooke Alexander, New York, on BFK Rives paper, with full margins, in good condition, 415 x 345 mm (161/4 x 131/2 in)
DDS. * Lucian Freud (b.1922) The Painter’s Garden, etching, 2003-04, initialled and dated in pencil, numbered 35/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 635 x 868mm (25 x 341/4in) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
DDS. * Lucian Freud (b.1922) Portrait Head, etching, 2005, initialled and dated in pencil, numbered 35/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 400 x 318mm (153/4 x 121/2) * This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.
DDS. Lucian Freud (b.1992) Girl with Fuzzy Hair (H.61) etching, 2004, initialled and dated in pencil, numbered 5/46, printed by Marc Balakjian at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 315 x 295 mm (121/4 x 111/2 in)
DDS. Lucian Freud (b.1922) Before the Fourth, etching, 2004, initialled and dated in pencil, numbered 35/46, printed by Marc Balakji an at Studio Prints, London, published by Aquavella Gallery, New York, on Somerset wove paper, with full margins, in good condition, 343 x 429 mm (131/2 x 17 in)
DDS. Howard Hodgkin (b.1932) In a Public Garden (H.99) etching with aquatint, carborundum and extensively hand-coloured, in ultramarine, titanium white and green acrylic, paint, 1997-98, initialled and dated in pencil, inscribed AP, numbered 20/20, published by the Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, on handmade wove paper, the full sheet printed to the edges, in good condition, sheet 240 x 280mm (91/2 x 11 in)
DDS. Peter Doig (b.1959) Alpiniste, etching, 2007, signed in pencil, numbered 30/60, published by Salon Verlag, Cologne, on wove paper, with full margins, in good condition, 535 x 395 mm (21 x 151/2 in) Contained in the original portfolio with the book: The Wonders of Ski-ing, by Hannes Schneider and Arnold Fanck, and a printed bookplate, signed in pencil and numbered 30/60

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78408 item(s)/page