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Lot 102
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007), NATURAL FOLLIES AT BEE JUNCTION limited edition etching on paper, signed, titled and numbered 42/50framed and under glassimage size 97cm x 69cm, overall size 131cm x 100cm Note: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale.Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. In The Scottish Contemporary Art Auction of 28th August 2022 lot 104 and untitled oil on paper laid down on linen, unframed overall size 207cm × 157cm sold for £18000 (hammer).
Lot 103
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), PERDU limited edition colour aquatint etching on paper, signed and numbered 8/50 framed and under glass image size 74cm x 55cm, overall size 116cm x 88cm Note: From "The Bellany Sextet" published in 1993 by The Berkeley Square Gallery (London) - now Osborne Samuel Gallery.Arguably the finest of all the Bellany prints. Apparently, the artist was determined that these prints were exactly as he wanted them. Numerous changes were made over a period of time and costs spiralled before the six prints were eventually completed and published. Osborne Samuel Gallery was formed in 2004 after the merger of Peter Osborne’s company Berkeley Square Gallery and the adjacent gallery, Samuel & Co. directed by Gordon Samuel.
Lot 355
Robin Tanner (British, 1904-1988) two etchings, comprising: 1. 'Aldhelmsburgh' 2. 'December: Elegy to the English Elm II' both artist's proof, in addition to an edition of 25 (artist's handwritten labels pasted verso), signed 12 5/8 x 10in. (32 x 25.5cm) * Both with water damage to one end of the frame and consequent heavy cockling to the sheet. Etching 2 has some mould spotting to the paper around the lower margin and both have damp spotting to the mount.
Lot 336
Michael Mattingley (British, contemporary) Three works - oil on board and etching, comprising: 1. 'Cotswold Barns', oil on board, signed lower left, 4¾ x 9¾in (12.1 x 24.7cm) 2. 'Grove Wood', colour etching, signed and titled in pencil, 7½ x 10¼in (19 x 26cm) 3. 'Winters Morning', colour etching, A/P, signed and titled in pencil, 11½ x 8½in (29.2 x 21.6cm)
Lot 342
Robin Tanner (British, 1904-1988) 'Wren & Primroses' etching, signed, titled and dedicated to lower margin, "This impression was printed at Kingston Langley for Ronald MacKenzie on paper made by T. Edmonds in 1825 (See watermark)", a framed letter to Ronald MacKenzie in the artist's hand mounted behind glass verso, dated 24th December 1984. 6¾ x 7 3/8in (17.1 x 18.7cm), gilt framed (28 x 28cm)
Lot 94
Tracey Emin (British 1963-), 'With You Or With Out You', 2010, soft ground etching on wove paper, signed, titled, dated, and numbered from an edition of 50 in pencil, published by the Royal Academy; sheet: 30.5 x 35.5cmARR sheet: 30.5 x 35.5cm In Very Good Condition No knocks, tears, or creases to the sheet This work has been stored flat and never been framed In very Good Condition
Lot 142
Rashid Johnson (American 1977-), 'Untitled (Anxious Man)', 2023, Soft Ground Etching Hahnemühle Copperplate on 300gsm paper, signed and numbered from an edition of 100 in pencil, published by Phaidon; sheet: 22.86 x 20.32cmsheet: 22.86 x 20.32cmIn very good conditionNo knocks, tears or creases to the sheet Deckled edges in good conditionThis work has been stored flat inside its original packaging and is accompanied by a Rashid Johnson book.
Lot 28
Damien Hirst (British 1965-), 'Ring-A-Ring Of Roses (From In a spin: the Action of the World on Things, Volume I)', 2002, etching in colours on Hahnemuhle paper, signed in pencil, from an edition of 68, published by Paragon Press; (framed)ARR In good condition No visible knocks or tears to the sheet One crease to the bottom left corner of the sheet The work is framed in a white frame and float mounted on a white board, leaving all edges visible The deckled edges are in good condition Not examined out of the frame In good condition
Lot 92
Tracey Emin (British 1963-), 'Dark Womb', 2010, soft ground etching on wove paper, signed, titled, dated, and numbered from an edition of 50 in pencil, published by the Royal Academy; sheet: 40.5 x 45.5cmARR sheet: 40.5 x 45.5cm In Very good Condition No knocks or tears to the sheet Soft crease to the bottom left corner, only visible in raking light This work has been stored flat and never been framed In Very Good Condition
Lot 93
Tracey Emin (British 1963-), 'So I Left You', 2010, soft ground etching on wove paper, signed, titled, dated, and numbered from an edition of 50 in pencil, published by the Royal Academy; sheet: 30.5 x 35.5cmARR sheet: 30.5 x 35.5cm In Very Good Condition No knocks, tears, or creases to the sheet This work has been stored flat and never been framed In very Good Condition
Lot 299
Φ Isabel Florrie Saul (1895-1982)Saint Maurice,ink and gold heightener, on paper, depicting a Roman centurion on horseback, framedsigned in ink bottom right18 x 15cm. (image) Catalogue notesSaul studied at Bournemouth Municipal School of Art and went on to specialise in watercolours, ink and etching. She exhibited at RA 1926–1966, usually portraits or flower studies, and was a fellow of the Royal Society of Arts until 1981 her work can be found in York Minster, Carlisle and Salisbury Cathedrals and in the Russell-Cotes Art Gallery, Bournemouth.
Lot 187
* Diderot (Denis). A collection of approximately 560 plates originally published in 'Recueil de Planches, sur Les Sciences' [1765-72], uncoloured engraved plates (including approximately 90 double-page), with some sections partially bound and retaining the descriptive text, including mining, painting, tool-making, metallurgy, music, etching and printmaking, wheelwrights, architecture, pneumatics, forges, heraldry, locksmiths, rope and needle making, single sheets each approximately 370 x 230 mm, double sheets 350 x 440 mmQTY: (approx. 560)
Lot 226
* Prints & Engravings. A collection of 55 prints, mostly 19th-century, engravings, lithographs, photographs and prints, including Davis (Lucien). The Christmas Hunt Ball - "The Grand Chain", supplement to The Sphere, November 30th 1901, chromolithograph, old folds, 360 x 1000 mm, together with Austin (Winifred Marie Louise, 1876-1964). Wild Boar, etching, signed by the artist in pencil to the lower left, mount stained and a little spotted, 250 x 425 mm, with Gauci (M.). The "Age". A Sketch from Castle Square, Brighton, circa 1850, lithograph after C. F. Henderson, contemporary hand colouring, toned, stained and dust-soiled, one short closed tear affecting the printed image, 320 x 500 mm, plus Leney (William). Harriers, J. & J. Boydell, March 25th 1799, mixed method engraving after James Hackert, printed in colours and finished by hand, toned overall, stuck to a near-contemporary wooden stretcher, slight marginal staining and spotting, 495 x 620 mm, and McNeil (A. J.). With Horse & Hound in Worcestershire, published by Messrs. Victor, circa 1890, decorative title page, inscribed and signed in pencil by the author, eleven etched plates heightened with silver, upper hinge split, publishers red gilt cloth, heavily water stained, rubbed and worn at extremities, oblong 4to, binding size 270 x 385 mm, with Payne (Charles Johnson, "Snaffles"). The Gunner, circa 1917, colour lithograph, with uncoloured remarques of a column of guns and a bi-plane, heavily spotted and laid on a wooden board, plus McArdell (J. M.). [The Spinning Top], circa 1760, mezzotint after P. Mercier, proof before title, contemporary hand-colouring, thread margins, 330 x 230 mm, mounted, with another forty-eight prints including topographical views, cartoons, portraits, military, classical and genre scenes, various sizes and conditionQTY: (approx. 55)
Lot 167
* Australia. Post Office George Street, Sydney, circa 1850, uncoloured etching by 'J. G.', title in pencil below image, 210 x 500 mm, together with Australian Aboriginal Native Spearing a Kangaroo, circa 1820, uncoloured aquatint, title in pencil below image, 215 x 290 mm, with Baker (W. publisher). St. Peter's Church & Parsonage Cooks River, N. S. W. printed and published by W. Baker, King Street, Sydney, circa 1860, uncoloured lithograph with pencil marginalia, 200 x 260 mmQTY: (3)
Lot 270
A Scottish sycamore snuff box, with wooden hinge, decorated in penwork, the lid with room interior and figures, 'The Twa Dogs …. Poor tenant bodies' after the etching by Anthony Stewart, sponge work sides and base in red with general wear, small nick and split to one end, foil interior 40%, 7.7 x 5.5 x 1.8cms.
Lot 249
Schwabe, Randolph (1885-1948) A collection of copper etching plates 15 copper plates with various designs by Schwabe, and possibly after others:Portrait of a gentleman, 7 x 11.5cm; Men and women working in the field, 13 x 16.5cm; Two women, 18 x 23cm; an elderly gentleman and a little girl, 15 x 20.5cm; A ruined abbey, 25 x 37cm; Portrait of a man with glasses, 25.5 x 33cm; A guitarist and group of onlookers, 13 x 21cm; A rioting crowd, 27.5 x 44cm; Female goatherd with goats, 29.5 x 39cm; Scene from Petruschka, 25.5 x 34cm; City scene with bridge, 23 x 28.5cm; City view with windmill, 35.5 x 23cm; Woman, 12.5 x 28cm; Mountain scene, 33 x 40.5cm; Coastal cliff scene, 28 x 33cm; and three others, including two in a variant metal (17)
Lot 219
Two original etchings on paper by American artist Charlotte Backer made during the Great Depression. In one etching entitled Carnival, Barker depicts an town with an empty street and Wildcat Well depicts a group of men by an oil drilling machine. Both include titles in the lower left side. Signature and date on lower right: Charlotte Backer 1932. One sheet has a tear on the lower right side below the plate. Artist: Charlotte Backer (American, 20th century)Issued: 1932Dimensions: Each sheet: 5"L x 5.50"HCountry of Origin: United StatesCondition: Age related wear.
![John Piper CH, British 1903-1992, Sunflowers [Levinson 420], 1989; etching with aquatint in colours on wove, signed and num](https://cdn.globalauctionplatform.com/824d5e63-e33b-4f61-b8f0-b1790108e26e/7e6b7ce3-1800-47aa-ab7c-b179010ca250/468x382.jpg)
Lot 66
Salvador Dalí, Spanish 1904-1989, Issachar from the Twelve tribes of Israel; original etching plus colour by stencil on Rives wove, signed in pencil and numbered 79/195, printed by Rigal, published by Transworld Art New York and Switzerland, sheet: 65 x 50 cm, (unframed) (ARR) Note: In a folder with Hebrew and English text on the front. Catalogue Raisonné: Field 72-6 - E
Lot 34
Bernard Sleigh RBSA, British 1872-1954, Monstsalvat, 1935; woodcut on wove, signed with initials and dated 1929 within the plate, signed, dedicated and dated 1935 in pencil, together with a wood engraving entitled 'Tintagel' by the same artist, and an etching entitled 'Palazzo Vecchio, Florence' by Ada Maude Parsons SWA (British 1885-1975), both signed and titled in pencil, plates: 25 x 15.5cm, 22.5 x 39cm and 20.5 x 28.5cm respectively, (all framed) (ARR) (3)
Lot 240
Bob Dylan, American b.1941- Three Chairs, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 181/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: together with certificate of authenticity issued by Washington Green Fine Art.
Lot 69
Salvador Dalí, Spanish 1904-1989, A l'eternelle Madame from les Amours Jaunes by Tristan Corbiere; drypoint etching with gold flakes on Arches wove, signed in pencil and numbered 27/300, printed by Pierre Belfond, Paris, sheet: 37.5 x 28 cm, in a branded red fabric folder, (unframed) ( ARR) Note: The work comes in its own red Dali branded flat box and is numbered 74-15 in Field's Catalog of the Graphic works of Salvador Dali.
![Salvador Dalí, Spanish 1904-1989, King of Aragon [Field 72-16], 1971; etching with mezzotint in colours](https://cdn.globalauctionplatform.com/824d5e63-e33b-4f61-b8f0-b1790108e26e/45c1201c-a27f-45f5-856f-b179010dded5/468x382.jpg)
Lot 67
Salvador Dalí, Spanish 1904-1989, King of Aragon [Field 72-16], 1971; etching with mezzotint in colours on Richard de Bas wove, signed and numbered 96/250 in pencil, published by Christie's Contemporary Art, London, with their blindstamp, sheet: 67 x 50cm, (framed) (ARR) Note: Together with a certificate of authenticity from Christie's Contemporary Art.
Lot 97
Dado, Montenegrin 1933-2010, Surealist figures, Herouval, 1974; etching on wove, signed and dated in pencil, numbered 23/75 and inscribed 'Herouval' in the plate, sheet: 76 x 56 cm, (unframed) Note: Dado Lived in Herouval in Montenegro for much of his life. Provenance: The John Richardson Collection.
Lot 6
Geoffrey Clarke RA, British 1924-2014, Death of a Flower, 1951; drypoint etching and aquatint on wove, signed, dated and numbered 5/50 in pencil, printed by the artist at the RCA, plate: 21.5 x 44cm, (framed) (ARR) Note: LeGrove 120. Examples of this work exist in the collections of The British Museum, British Council and MoMA Brazil.
Lot 385
Javier Calleja, Spanish b.1971- First Look, 2021; soft ground & etching on 300gr off-white Arches Velin paper, hand finished by the artist with watercolour, wash and pencil, signed in pencil, edition of 70, with a Gravura Taller de Grabado blind stamp, sheet: 80 x 60 cm, (unframed) (ARR)Note: in original box, together with a certificate of authenticity from Avant Arte, signed by the artist
Lot 53
Albert Hirschfeld,American 1903-2003,Lady with a Guitar; Barbra Streisand; Lena Horne; Liza Minelli and Joel Grey, 1975; Judy Garland;each etching on wove, (i) signed and numbered XII/XXX AD, image: 39 x 29 cm(ii) signed and numbered XII/X AD, image: 33 x 24 cm(iii) signed and numbered 32/100 in pencil, image: 32 x 50 cm(iv) signed and numbered AP VIII/XV, image: 35 x 35 cm(v) signed and numbered AD XIII/XXX, image: 39 x 29 cm(framed)(5)
Lot 41
Brett Whiteley, Australian 1939-1992, Self Portrait, One Of A Dozen Glimpses, from Another Way Of Looking At Vincent Van Gogh 1888 - 1889, 1983; etching with aquatint on wove, signed and numbered 1/1 PP in pencil, printer's proof aside from the edition of 100, plate: 27 x 21cm, (framed) (ARR)
![John Piper CH, British 1903-1992, Yellow Flowers [Levinson 392], 1987; etching with aquatint in colours on V&e](https://cdn.globalauctionplatform.com/824d5e63-e33b-4f61-b8f0-b1790108e26e/ba8b4ea6-2a6f-4eb8-84c6-b179010caa24/468x382.jpg)
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78411 item(s)/page