Henry Moore O.M., C.H. (British, 1898-1986)Plate IV, from 'Mother and Child' (Cramer 674) Etching and aquatint with roulette printed in colours, 1983, on wove, signed and inscribed 'B.A.T.' in pencil, a bon à tirer impression before the numbered edition of 65, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full margins, 318 x 244mm (12 1/2 x 9 5/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
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Victor Pasmore R.A. (British, 1908-1998)Senza Titolo 9 (Lynton 61) Etching and aquatint printed in colours, 1989, on wove, signed, dated and numbered 85/90 in pencil, printed by Vigna Antoniniana Stamperia d'Arte, Rome, published by Stamperia d'Arte 2RC, Rome, with their blindstamps, 2160 x 1228mm (85 x 43 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Victor Pasmore R.A. (British, 1908-1998)The Space Within Etching and aquatint printed in colours, 1982, on Magnani, signed with the initials, dated numbered V/XV in pencil, one of 15 artist's proof aside from the numbered edition 90, printed by Vigna Antoniniana, Rome, co-published by 2RC Edizioni d'Arte, Rome and Marlborough Fine Art Ltd., London, with the printer's and publisher's blindstamp, with full margins, 1190 x 2475mm (46 7/8 x 97 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Collection of early-19th century and later prints, including four caricatures after Rowlandson, Gillray, Dighton, HB; an etching of Lord Lovat after Hogarth; four chromolithographs of sporting scenes (such as otter spearing) after Henry Alken; an aquatint of Camel (racehorse) after Herring, and an etching of a Suffolk church, some restrikes, all framed (11)
A quantity of hardback books to include three copies of Little Lord Fauntleroy, illus, pub. Warne & Co and The Deserted Village by Oliver Goldsmith, illus by the etching club, pub. London 1862, Berkshire. Historical, Biographical and Pictorial, Ed. John Grant, illus, pub. The London and Provincial Publishing Co Ltd
Spare, Austin Osman, editor Form: A Quarterly of the Arts London: John Lane, April 1916. No.1, Vol.1, folio, original wrappers, with an enclosed ALS from Osman Spare thanking Norman Stuourock Esq. for his subscription including a receipt for the subscription, signed by Spare, also with a loose etching by Frederick Carter and a loose letter from S. Gayle[?] at the New Statesman declaring that he is, "...in no way responsible for the contents of no.2", dated 1917; [Idem] No.2, Vol.1, April 1917; No.1, Vol.1 [New Series], October 1921; No.2 Vol.1, November & December 1921; No.3 Vol.1, January 1922; all in original wrappers, a little foxing, slight tears and chipping to initial volume (5)
Hamerton, Philip Gilbert Etching & Etchers London: Macmillan & Co., 1880. Third edition, 4to, woodcut portrait of Rembrandt to title-page and 48 plates after Rembrandt, Ostade, Bergham, Potter, du Jardin, A. Vandevelde, Ruysdael, Vandyke, Zeeman, Primaticcio, Israels, Unger, Beyer, Claude, Méryon, Lalanne, Jacquemart, Jacque, Appian, Lalauze, Martial, Veyrassat, Soumy, Legros, Billet, Turner, Whistler, Haden, Palmer, Chattock, George, Herkomer, Hole & Rajon, contemporary brown quarter morocco, spine peeling a little, occasional slight offsetting
*FRANCOIS-CHARLES CECILE (1766-1840), JEAN BAPTISTE LIENARD (1782-1857) AND LOUIS ST ANGE DESMAISONS (1780-1853): THEBES KARNAK VUE GENERALE DES PROPYLEES ET DES RUINES DU PALAIS PRISE DU NORD-EST, original etching, untrimmed [circa 1809], plate 43 from the "Imperial" edition of THE DESCRIPTION OF EGYPT or COLLECTION OF OBSERVATIONS AND RESEARCH MADE IN EGYPT DURING THE FRENCH EXPEDITION, published by the orders of His Majesty the Emperor Napoleon the Great
Nat (Late 20th century British school) - Study of a champion racing pigeon, Ancient S F Tumbler Red, 94, FR426, oil on board, signed and with National Pigeon Association certificate verso, dated 1996, 27 x 32cm approx, together with a signed limited edition monochrome etching of pigs, signed RA Le Bos, edition 35/75, 19 x 26cm approx visible sheet size, together with a 19th century black and white engraving of a terrier, 54 x 40cm and a pair of coloured photographic prints of kittens after A Augusta Talboys (5) all framed
A signed monochrome etching of the of the submarine Oxley, indistinctly signed in pencil, with details of the submarine applied verso, 16 x 21cm approx visible sheet size, together with an 18th century black and white topographical engraving of Sandywell Park, by T Bonner, 32 x 39.5cm approx, both framed (2)
A collection of late 19th century watercolours of landscape subjects including highland landscape with cattle watering, indistinctly signed MaClean, river landscape with fishermen, inscribed verso Thomas Collier (British 1840-91) 16.5 x 26.5cm, a cottage exterior signed M.I. Slocock, dated 1904, a coastal scene inscribed Pendennis Point, Falmouth, etc, together with an oil painting on board of still life with fruit, a black and white etching of a baby with initials GCP, etc, various sizes, all framed (12)
GEOFFREY GARNIER. A signed etching, 'The Sand Cart', by Geoffrey Garnier. Artist's label to the reverse. 21 x 24cm.WE CANNOT SHIP THIS ITEM… Due to fragility, size or weight this lot is unsuitable for our in-house postal shipping service.Our recommended carrier for this lot is MBE (Plymouth) telephone +44 (0)1752 257224.
A pair of believed 19th century Chinese silk panels with needle worked scenes in relief of floral sprays. Set into circular mounts being framed and glazed together with a 19th century coloured etching of the Great exhibition having smaller etchings to include Royal Castles, Osbourne House, Windsor from the River, Shipping etc.
Nathaniel Sparks 1880-1956 - An etching after Nathaniel Sparks depicting a Violin repairer in Bristol (signed in pencil), together with a collection of interesting ephemera related to the artist including a request from Bristol workhouse for the vaccination of Sparks dated 1880, and a selection of 1930's handwritten letters from a J Sparks including one with a bookmark enclosed. Together with another Nathaniel Sparks Bristol related print.
PAINTINGS AND DRY POINT ETCHING, to include 'Clay-Next-The-Sea, Norfolk' by James Priddey, signed and titled to lower margin, watercolours of Houses of Parliament, landscapes and riverscape, indistinct signature with paintings by Grace Scurlock, various subjects, nude female study initialled R.J and a map of the World, published by James Galt, 1966 (all framed)
A 19th Century Colonial wars Queen Victoria 1845 / 54 pattern officers infantry sword having a pierced and folding half basket hilt with VR cypher, shagreen and wire wrapped grip, domed pommel, decorated backstrap, fullered curved single edged blade with faint etching for Jones Of Regent Street. Measures; 97cm overall.

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