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Lot 801

John Guille Millais, British 1865-1931- "Burdett`s Zebras leaving a Pan after drinking"; scraperboard, brush and black ink, pencil, original artwork for illustration, signed and inscribed with title in pencil, 26.5x44.7cm: After Rembrandt van Rijn, Dutch 1606-1669- "The Flight into Egypt: Crossing a Brook"; etching, restrike after the original, signed and dated 1654 within the plate 9x14cm: W H Emett, British, mid-late 19th century- "The Queen and Princess Beatrice with their faithful friends Waldman, Fern, Sharp and Noble, 1876"; lithograph, 56.2x63.5cm: Achille Jacques-Jean-Marie Devéria, French 1800-1857- Portrait of the poet Alfred de Vigny, publ Paris rue St Honoré no 290 London publ by Chas Motte 23 Leicester Square 15th May 1831; lithograph, 35x27cm: Paul Gavarni, French 1804-1866- Portrait of the poet Alfred de Musset, publ by Lemercier & Cie, Paris; lithograph, dated 1824-4 within the plate, 37x25cm: Paul Gavarni, French 1804-1866- Portrait of the artist Eugène Isabey, publ by Lemercier & Cie, Paris; lithograph, arched mount, 36.5x23cm: After Charles Burton Barber, British 1845-1894- "Yorkshire Terrier Dog, Italian Greyhound Pug", publ by Vincent Brooks Day & Son; chromolithograph, 21x26.5cm., (7)

Lot 802

Victor Pasmore, British 1908-1998- "Print H", 1991; etching with aquatint printed in colours, signed with monogram, numbered 21/50 and dated 92 in pencil, 30x30cm (may be subject to Droit de Suite) Provenance: with Long & Ryle Art International, London, according to label attached to the reverse of the frame

Lot 804

Sir Terry Frost RA, British 1915-2003- "Untitled (Celebration)", DK118; screenprint in colours, signed, numbered 17/25 and dated 90 in pencil, 28.2x16.5cm: Hubert Andrew Freeth, British 1912-1986- "Ozymandias"; etching with aquatint, signed, titled and numbered 14/20 in pencil, 53x60cm., (2) (may be subject to Droit de Suite)

Lot 815

Barbara Rae RA, Scottish b.1943- "Winter Plateau"; etching with aquatint printed in colours, signed, titled, dated `88 and numbered 30/30 in pencil, 48.5x65.5cm: together with another etching with aquatint printed in colours by the same artist entitled, "Winter Hillside, Kylesku", signed, titled, dated `88 and numbered 28/30 in pencil, 48.5x65.5cm, (2), (may be subject to Droit de Suite)

Lot 2137

LOUIS ICART, ETCHING, 15.5" X 25", "COURSING III": Pencil signed. Copyright 1930. Overall foxing. Fixed to cardboard by masking tape at borders.

Lot 2278

AFTER SALVADOR DALI [SPANISH 1904-1989], COLOR LITHOGRAPH WITH ETCHING, 22" X 16", "LE PECHEUR": #248/350; pencil signed; framed. C.W. Driggett Gallery, Grand Blanc, MI label.

Lot 2279

ALBERTO GIACOMETTI [SWISS, 1901-1966], ETCHING, 10" X 7 3/4" [PLATE], `THE SEARCH`: Under glass and framed. Includes a seal of authentication from the Collector`s Guild Ltd., NY, adhered to the back.

Lot 1555

"After Graham Evernden - `Home Field`, etching with aquatint, signed limited edition, 29 x 39cm"

Lot 1556

"After Graham Evernden - `Hunter`s Crossing`, etching with aquatint, signed limited edition, 29 x 39cm"

Lot 168

A carved panel, 30 x 22 cm, and an etching of a tavern scene, signed in pencil to the margin (2)

Lot 98

*Biblical. Joseph telleth his Dreams to his Bretheren, late 18th c., folding paper fan, the leaf a hand-coloured etching illustrating the story of Joseph and his brothers, sl. dusty and toned, one section a little frayed to lower edge, mounted on wooden sticks, guardsticks with painted floral sprays, 29cm (11.5ins). Not in the Schreiber Collection. (1)

Lot 99

*Biblical. Moses striking the Rock, publish`d by M. Gamble, according to the late Act, 1740, folding paper fan, the leaf a hand-coloured etching showing Moses in the centre standing by a rock from which a stream of water issues, while various figures and animals drink or draw water from it, mounted on pierced ivory sticks (one with v. sl. damage), with carved guardsticks, 27.5cm (10.5ins), contained in 18th c. embossed paper-covered cardboard fan box with pull-off lid. Schreiber Collection 20, p.6. (1)

Lot 105

*Cartography. The Ladies Travelling Fann, of England and Wales; Exhibiting all the Principal Roads, Rivers, Market & Post Towns; with their distances from London, Pubd Sepr. 13; 1788, by T. Balster, folding paper fan, the obverse with hand-coloured etching of the southern part of England, the verso with hand-coloured etching of `North Part of England and Wales. Continued from the other Side`, both sides with title cartouche and winged figures, and with References to the Counties, one or two small expert repairs, mounted on alternating pairs of pierced ivory and wooden sticks, ivory guardsticks with pierced and carved floral decoration, 24cm (9.5ins), mounted in perspex display case. Schreiber Collection, 193 & 194, p.96 (two fan leaves, unmounted). A rare example of cartographic ephemera, and a form of travelling map, unusually, intended for ladies rather than gentlemen, presumably to facilitate conversation about places visited or to be visited. (1)

Lot 140

*Peninsular War. Dia Dos de Mayo de 1808, en Madrid. Asesinan los franceses a los Patriotas en el Prado, [London, Behrmann & Collmann, 1808], folding paper fan, the leaf with a hand-coloured etching on the obverse depicting the massacre of the Spanish by the French in Madrid on 2nd May 1808, verso ornamented with cartouches, birds, and foliate sprays in gilt and colours, mounted on pierced ivory sticks, 25.5cm (10ins). Schreiber Collection 41, p.72 (unmounted). Printed in England for the Spanish market as anti-French propaganda. Examples are held in The Fitzwilliam Museum, Cambridge, and The Fan Museum, Greenwich. (1)

Lot 286

Slocombe, a gilt framed and glazed etching of a farmer and two cattle on a country path, together with a framed and glazed scratching out picture of a farmer and heavy horse, signed Pitchford.

Lot 307A

An 18th century coloured engraving after J R Smith, together with a 20th century framed and glazed tapestry fragment of figures fishing in a river before a castle and a pine framed and glazed etching of a Cathedral.

Lot 347

After Miles Birket Foster : Children playing by a bridge, etching by Walter Cox, signed, with etched remarque, 18 cm x 25 cm, together with the companion piece depicting a lady resting in a chair, framed. (2) CONDITION REPORT: Good condition, unexamined out of the frames.

Lot 766

After EDWARD BOREIN (1872-1945); a black and white etching "Arizona Cowpunchers", signed, inscribed on J. Davey & Sons label verso, 26 x 30cm, framed and glazed.

Lot 770

After M HUTCHINSON; a large black and white etching, rural landscape with cathedral, signed to margin, 46 x 30cm, framed and glazed.

Lot 783

After HERBERT DICKSEE; a large black and white etching, a young woman pensively looking at a pot boiling on a fire in a woodland with dog by her side, signed to mount and published by Frost & Reed in 1903, 49 x 59cm, framed and glazed.

Lot 784

After HERBERT DICKSEE; a large black and white etching, a shepherd leading a flock an a country path with dog by his side, signed to margin, 49 x 63cm, framed and glazed.

Lot 788

After CHARLES FREDERICK TUNNICLIFFE; black and white etching, study of a bull, signed to margin, 15 x 22.5cm, framed and glazed.

Lot 789

After CHARLES FREDERICK TUNNICLIFFE; black and white etching, study of a swan, signed to margin, 21 x 15cm, framed and glazed.

Lot 880

J ALPHEGE BREEWER; a drypoint etching "Venice (The Bridge of the Rialto)", signed and inscribed to margin, inscribed on labels verso, also a quantity of decorative prints.

Lot 331

*Salisbury. Hollar (Wenceslaus), Ecclesiae Cathedralis Sarisburiensis ab Euroaquilone prospectus, c.1672, uncoloured etching, closed tear affecting image professionally repaired on verso, trimmed to neat line, 260 x 325mm. An intermediate state between states 1 & 2 from Pennington 1060. (1)

Lot 350

*Farre (Henri, 1871-1934). Portrait of French WWI ace Georges Guinemer (1858-1917), 20 February 1917, half-length, in profile, etching in red ink with blue highlights, vignette of biplane and burning plane, Musee de Armee stamp lower right, signed presentation inscription from the artist in pencil for Mdlle. G. Fischer to lower margin, numbered 9/70, a little spotting, plate impression 34.5 x 23.5cm, framed and glazed. Georges Guinemer shot down fifty-three German airplanes during the three years he was engaged in action. He is memorialised in the Pantheon in Paris. French-born painter Henri Farre resided in Chicago and was appointed by the French government to paint and draw airplane fighting scenes. (1)

Lot 523

Menpes (Mortimer). Whistler As I Knew Him, A & C Black, 1904, 125 colour and b & w plates, a few spots and marginal toning, library stamp to title verso, presentation inscription, t.e.g., modern vellum-backed boards, 4to. Edition de Luxe, 332/500 signed by the artist, with an original etching of the Menpes children. -1

Lot 355

Kees Van Dongen (Dutch, 1877-1968) Place Vendome, Paris signed within the plate, eau forte etching 13 1/2" x 10 1/4".

Lot 361

Clifford Hall (British, 1904-1973) Three ladies 1/20, signed and numbered in pencil, etching 5" x 7", unframed.

Lot 362

Frederick Austin (British, 1902-1990) Fishing from the bridge, 1927 signed and dated in pencil, etching 3 1/2" x 4 3/4".

Lot 375

George Marples (British, 1869-1939) `sauve qui peut` (Every man for himself), circa 1930 signed in pencil, etching 9 1/4" x 13" and another of Fish being chased, 4/75, 8" x 11 3/4" (2).

Lot 394

Frederick Landseer Griggs (British, 1876-1938) The Ford (Comstock 9) sixth state, signed in pencil, etching 5 3/4" x 9 1/2". Provenance: New Dover`s Court, Chipping Campden, the former Arts & Crafts home of F. L Griggs where the current vendor`s family lived from the 1950s to the 1970s.

Lot 399

Robert Graham (American, 1938-2008) Untitled, 1969 63/65, signed, dated and numbered in pencil, etching in colour 17" x 23 ½", unframed.

Lot 420

Walter Richard Sickert (British, 1860-1942) Mon Bon Dodo, circa 1915 unsigned, etching, published by Carfax & Co. 3 1/2" x 4 1/2".

Lot 422

Anthony Gross (British, 1905-1984) Chasteaux Correze 244/500, numbered in pencil in the margin, etching 6" x 9", unframed.

Lot 442

Francis R. Kelly (British, b.1927) Yorkshire artist`s proof, signed, titled and dated in pencil in the margin, etching in colour 20" x 24".

Lot 1512

William Walcot, etching, `Pool of London`, 7" x 12"

Lot 595

Tanaka (Ryohei) - limited edition etching of thatched roofs, signed in pencil, 89/100, dated 75,

Lot 597

Tanaka (Ryohei) - limited edition etching of a thatched roof, signed in pencil, 58/100 and dated 75,

Lot 149

A gold on sterling silver silhouette of the Golden Hind sailing ship, produced by The Royal Geographical Society, 24 x 32cm, and another plaque with etching of a leaping fish, Rainbow Rising, produced by Franklin Mint, 28 x 18cm.

Lot 209

A box of assorted copper etching plates.

Lot 420

R.A. Thomas, etching, sailing ships and steam boat off the Round Tower, entrance to Portsmouth Harbour, signed in pencil, 11 x 27cm.

Lot 488

WILLIAM LIONEL WYLLIE R.A. R.E. (1851-1931), The Clyde at Govan, etching, signed in pencil, publisher`s label verso, plate size 7 3/4" x 19 1/4", stained frame

Lot 489

FRANK HARDING (exh.1885-90), Tower Bridge, etching, signed and inscribed in pencil, plate size 5 3/4" x 13 1/2", ebonised frame

Lot 490

ELYSE ANN LORD (1900-1971), Bird and Cherry Blossom, coloured etching, signed in pencil and inscribed "Chinese", label verso for D C Brown Gallery, Glasgow, plate size 9 3/4" x 11 1/2", framed (AR)

Lot 492

ANNA SOBOL-WEJMAN (Contemporary), "Kobiety W Oknach II" (woman in window), etching and aquatint, signed and dated (19)96 in pencil, Fraser Gallery label verso, 39" x 27" (thirty small panels), framed (V) (AR)

Lot 499

WILLIAM LIONEL WYLLIE (1851-1931), View of the Thames with Barges to the Foreground and Houses of Parliament in the Distance, etching signed in pencil, plate size 4 1/2" x 13", card mount, unframed

Lot 506

JACEK SROKA (1957 - ), The Magnificent Seven, colour etching and aquatint, signed, titled and dated 1999 in pencil, limited edition 32/100, Fraser Gallery label verso, 31" x 25 1/2", framed (V) (AR)

Lot 515

HENRYK OZOG (1956 - ), The Room with a Big Table, etching and aquatint, signed in pencil and dated 1991, 25" x 39", framed (V) (AR)

Lot 516

HENRY OZOG (1956 - ), "Dealer" and "16 Years Later", a pair, etching and aquatint, signed in pencil and dated 1990 and 1998, 25" x 19", framed (V) (AR)

Lot 522

WILLIAM WALCOTT (1874-1943), View of the Thames, etching, signed in pencil, 4 1/2" x 12 3/4", gilt frame (AR)

Lot 524

WILLIAM DOUGLAS MACLEOD (1892-1963), Arab Story Teller, limited edition etching No. XXXVII, inscribed, signed and dated 1928 in the plate, signed in pen on margin, plate size 8 3/4" x 13 1/2", ebonised frame (AR)

Lot 526

EUGENE BEJOT R.E. (1867-1931), "Le Berge du Quay Henri IV Paris", etching, signed and inscribed in the plate, pencil signature to margin, plate size 7 3/4" x 12", ebonised frame

Lot 183

A box of old pictures, including a Herbert Dicksee etching of a puppy

Lot 610

Herbert Dicksee, black and white etching "The Last Furrow", published by Frost and Reed 1899, framed and glazed, 26cm x 56cm.

Lot 619

After Hedly Fitton, a large black and white etching, cathedral interior, signed to margin, 61x40cm, and a further similar by the same artist 44.5x29.5cm, both framed, one glazed.

Lot 436

Janet S C Simpson, etching of `water babies`

Lot 269

Ron Brooks Kitaj (1932-2007) Robert Duncan (1971) Etching, 52.1 x 39.4cm Signed and numbered 74/150

Lot 297

Alice Hanratty (b.1939) Clowns Etching, 39 x 29cm Signed, inscribed with title, dated 1978 and numbered 41/75

Lot 300

A. Schmidt (20th/21st Century) Resting Nude Etching, 26.5 x 38cm Signed

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