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Buchner (Fritz). 125 Jahre Geschichte der Gutehoffnungshutte, 1935, single etching by Hermann Katelhon, three etchings by W. Cauer, two etchings by P. H. Schoedder, and three etchings by H. Prussmann, each signed in pencil, orig. full vellum gilt, with library label of the Bibliotecha Aeronautica Caproni Milan to foot of spine, with slipcase, lightly soiled, 4to. Presentation copy to Gianni Caproni, signed in ink by director Paul Reusch. A history of the celebrated G.H.H. Steelworks, generally regarded as the cradle of the Ruhr industry. (1)
* Piranesi (Giovanni Battista). Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli, A Tribunale ornato di nicchie, pub. Veduta di Roma, [c.1778], etching on laid, good dark impression, slight dust soiling largely confined to margins, 440 x 575 mm, together with Piranesi (Francesco),Veduta interna del Panteon volgarmente detto la Rotonda, [c.1800 or later],etching on laid, 475 x 665 mm (2)
Browne (Alexander). Ars Pictoria; Or an Academy Trating of Drawing, Painting, Limning and Etching, 1st ed., 1669, engraved portrait frontispiece, 30 engraved plates (complete), mostly by Arnold de Jode, small library stamps on title and each plate, some light spotting and minor marginal tears, modern calf-backed boards, joints rubbed and scuffed, folio. Alexander Browne (d. 1706) was a miniature painter and auctioneer and one of the first publishers of mezzontints. Wing B5097. (1)
Wright (Thomas). The Life of William Blake, 2 vols., pub. Olney, Bucks., 1929, col. frontis. to each, num. b & w illusts., orig. cloth gilt in frayed and torn d.j.s, 4to, together with other miscellaneous art ref., including The Studio (`Masters of Etching` series) and Print Collectors Quarterly, etc., all ex-lib. copies with usual marks (6 cartons)
Alison Neville b.1945- "Santa Maria del Carmine"; etching printed in colours, signed, titled and numbered 83/100 in pencil, 76x54cm: together with one other similar etching in colours by the same hand titled "Notre Dame", signed, titled and numbered 31/100 in pencil: Russell Baker b.1958- "Sea VIII"; mixed technique screenprint with gold, signed, titled and numbered 72/350 in pencil: together with one other similar mixed technique print by the same hand, titled "Ariel II", signed, titled and inscribed `A/P` in pencil: Mary Rose Owell, late 20th century- Untitled; mixed technique print, signed and titled in pencil: together with three other prints by the same hand from the same suite, all similarly signed and inscribed in pencil: Jo Webster, late 20th century- "Omaji 16"; mixed technique print with gold, signed and titled in pencil: Lou Neaman, late 20th century- "Motion Series Cno.2"; monoprint in colours, signed and titled in pencil, (10) (may be subject to Droit de Suite)
* Anthony Benjamin 1931-2002- "Primrose Kite"; aquatint printed in colours, signed, titled, numbered 16/21 and dated 84 in pencil, 47x40cm: Sacharov, late 20th century- Untitled; etching with aquatint printed in colours, with embossing, signed and numbered 60/75 in pencil, 59x35cm: Seguin, late 20th century- Untitled; etching printed in colours, signed, numbered 13/50 and dated 85 in pencil, 39x29cm., (3) (may be subject to Droit de Suite)
Russell Baker b.1958- "Breakthrough"; mixed technique print on paper, of irregular form, signed and titled in pencil, 47x25cm: together with one other similar mixed technique print by the same hand titled `Transfer`, signed and titled in pencil: S Stewart Liberty, late 20th century- "Sunset, Sussex"; lithograph in colours, signed, titled, numbered 1/4 and dated 91: together with three other lithographs by the same and titled "Sunset Hills", "Four Olives", "Offa`s Dyke", all signed, numbered and dated: A Wilkinson, late 20th century- "Autumn Reflections, Giverny"; photo etching, signed, titled and numbered 22/90 in pencil: together with four other similar prints by the same hand titled "Through Willow Branches, Giverny", "The Willow Tree, Autumn, Giverny" and "Sunset After Rain, Giverny", all signed, titled and numbered in pencil: together with three other prints by different hands, titled variously "Explorer XXX", "Defender VII" and "Blue Sea", all signed and numbered, late 20th century, (13) (may be subject to Droit de Suite)
* Georges Duseigneur 1841-1906- Pierrot and elderly woman; etching on japon paper, 27x38cm: together with other 19/20th century lithographs and engravings to include examples by Nicolai Kulbin 1868-1917, Georg Leopold Hertel, mid 18th century engraving after Rembrandt and others, (unframed) (a lot) (A/F)
* After Louis Adolphe Hervier 1818-1879- "Bateau de Fêche" (no 26.T) etching printed with tone, anointed presumably by Beraldi and inscribed, ex Alfred Elias Collection, 12x16cm, together with twenty-nine various etchings in presumably varying states by and after the same hand, each anointed and inscribed, the loose sheet(s) hinge mounted and boxed, (30) (box/folio)
Erlund Hudson, American b.1912- Ballerina in the wings; etching, signed in pencil, 17x13.5cm: American School, mid 20th century- Pinter, at the Cherry Lane Theatre; lithograph, 32.5x22cm: Wm Richardson, Castle Street, Leicester Fields, publ.- "Ed: Finch his Perambulations"; engraving, from a later edition, 13x15cm., (3)
Brieger E.M. Lilien 1922 one of 100 de Luxe copies signed by the author" with an original etching signed by the artist plates and illustrations original morocco gilt faded and scratched rubbed 4to Berlin and Vienna " 1922. ***Ephraim Moses Lilien is known as the father of Zionist iconography.

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78408 item(s)/page