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Lot 657

Shulima (Russian 20th Century): a mixed media coloured etching with embossed border, 'Irises', signed in pencil, 50 x 33 cm (image), framed

Lot 3243

A George VI Royal Engineers officer's dress sword with acid etched blade marked for Alkit of Cambridge Circus, wired shagreen grip and brown leather scabbard. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots). Condition report: major loss of leather to scabbard, blade has light pitting and rust towards the tip. Bullion loop almost gone. blade etching still good and blade is straight with no visible damage. Shagreen with light wear but otherwise good.

Lot 5127

Jennifer Dickson, The Trysting Place (Athelhampton), hand tinted etching, 21/30, signed in pencil, 28cm x 41cm

Lot 862

Geoffrey Watson signed etching, study of an early aircraft in flight, 10ins x 12.5ins

Lot 876

Hanslip Fletcher signed etching entitled ' Backs of Old Houses, Gloucester Street London ', 10.5ins x 14.5ins including margins

Lot 879

Silvia Gosse signed etching, street scene, inscribed on exhibition label verso (1947-48), ' The Landsdown Road Bath ', 12ins x 9insBlemishes to the paper as shown in photos.Mounted very close to the impression line. Amount of margin unknown

Lot 895

Leonard Griffith Brammer signed etching, figures in an industrial landscape with pottery kilns, 7ins x 8.5ins

Lot 992

Claude H. Rowbotham signed etching, entitled ' Day Break, St. Ives Fishing Fleet ', 6.5ins x 9.5ins

Lot 324

Approximately fifteen volumes on art and architecture, includes ' The Pleasures of England ' lectures given in Oxford by John Ruskin, four parts plus Appendix 1884, ' Original Engraving and Etching in Appreciation ' by Herbert Furst 1931 etc

Lot 745

Henry Rushbury, signed etching, figures and horse guards at Whitehall, 8.5ins x 10.75ins, framed together with a pair of John Fullwood, signed etchings, ' The Forge, Cockington ' and ' Torbay, Maidencombe '

Lot 764

Graham Clarke, Limited Edition coloured etching titled ' Brimstone ', No. 114 of 250, with blindstamp, signed in pencil by the artist, 4ins x 6ins

Lot 765

Graham Clarke, Limited Edition coloured etching, titled ' Phew ', No. 115 of 250, with blindstamp, signed in pencil, 4ins x 6ins

Lot 781

Jean Helleu, signed etching, portrait of a seated girl, 16.75ins x 9ins approximately, gilt framedNo sign of damage or repair.Good impression mark and full margins. Frame and mount of earlier date

Lot 1007

Edgar Barclay etching ' The Old Steps at Capri ', signed and dated 1870 within the plate, 24ins x 12ins

Lot 1030

Cecil Tatton Winter, etching, view of Reigate windmill, 9in x 11.5in, framed

Lot 337

Mary Annie Sloane, Painswick, monochrome etching, signed, plate marks 19x11cm.

Lot 147

A Lucy Dynevor (b 1934), etching of a Power Station, framed, signed and dated 1985; together with a watercolour of the Min River, Fujian Province, signed Stewart Walton, 1986 (2)

Lot 721

A hand coloured etching depicting woodland, 69 x 47 cm

Lot 732

An antiquarian etching, 'The West of the Dunes, Warkworth Beach near the North Pier', 8 x 10 cm, indistinctly signed 'Ernest J Taylor?', framed.

Lot 205

George Vernon Stokes (1873-1954)  - a coloured etching of a Kingfisher in flight, signed in pencil, no.55/75, 27cm x 31cm and another of a bird, no.4/10, signed in pencil, 23cm x 30cm (2)

Lot 501

ATTR. TO GEORGE HOWARD. Cathedral mass. Large etching. Indistinct monogram. 43cm x 70cm, image size. George Howard was a pupil of Alphonse Legros whose influence we see here.

Lot 394

The Seekers (Spaniels), a colour etching after Henry Wilkinson, framed and under glass, 25 x 30cms; along with two framed hunting prints (3).

Lot 252

A framed and glazed etching, country cottage

Lot 31

J Reginald Taylor, etching "Scotch Firs"

Lot 650

Salisbury Wiltshire etching by Edwin Edwards 1823-1879 of Framlingham and other etchings

Lot 673

John Sell Cotman etching of Clifton and other topographic items

Lot 455

"The Woodman" etching by William Strang; Wilfred Bull "Jupiter", "Apollo" etc

Lot 457

"Ely Cathedral" etching by Robert Farron, circa 1880 and nine other etchings including a tiger

Lot 458

Mortimer Menpes signed etching of Westminster and Gerald Nordon 1912-2000 female portrait etc

Lot 459

Mortimer Menpes signed etching of barges near to St Pauls Cathedral London and other works

Lot 471

"Trinity College" Cambridge etching by Robert Farron 1881 and other etchings

Lot 579

Marie Laurecin, coloured etching, Portrait of a lady, unsigned, 8 x 6.5cm

Lot 604

Edgar Holloway (1915-2008), etching, Portrait of T.S. Eliot, signed in pencil, 60/75, 24 x 16cm

Lot 658

Rembrandt Van Rijn (1606-1669)A Peasant Replying: "Dats niet"etching,Hind 115; Bartsch 17811.2 x 4.2cm.

Lot 679

PAINTINGS AND PRINTS etc to include 'Katie' a watercolour by Sue Warner depicting a whippet or greyhound, approximate size 30cm x 40cm, Mick Cawston limited edition prints, Trevor Mitchell limited edition print, dry point etching of a scottie dog, indistinct signature, in the style of Lucy Dawson, together with assorted other prints, etc (one box and loose)

Lot 3

Sir David Young Cameron RA RSA (Scottish 1865-1945) "Perth Bridge" Etching, Signed, 17.5cm x 26cm

Lot 208

•After James Priddy (1916-1980) Etching 'Grange in Barrowdale' the brightly coloured etching signed by the artist to bottom right, framed and glazed, 11in (28cm) x 14in (35cm) together with a Peggy Wickham (1909-1978) print depicting a picnic in front of a windmill 16½in (42cm) x 21½in (54cm) (2)

Lot 214

•Michael Foreman (British, b.1938), "Othello", etching, signed and titled in pencil, dated '89, 9½in x 7½in (24cm x 19cm), framed.

Lot 247

An Albany Wiseman Trial proof Royal College of Surgeons and a print of the same, 60/500, a Ralph Mapson print, a Ray print of Paris, a Pamela Hughes print Mending Nets, Whitby, and a Tallon Winter coloured etching, all unframed

Lot 269

A framed etching by Alison Neville of Queens' College old dining hall no: 22/50, in a gilt frame, 82cm x 63cm, in good condition, gallery price £275 unframed

Lot 122

After Louis Leopald Boilly, Le Jeu De L'Ecarte, copper etching after the drawing originally published c1835

Lot 143

Black and White Etching of Two Figures sat under trees, signed in pencil to the margin and with gallery blind stamp, 35cms x 27cms, framed and glazed

Lot 1001

Rembrandt van Rijn (1606-1669) Dutch After Jan Lievens, The First Oriental Head Etching and drypoint on wove paper, believed to be the third state, 14.5cm by 12cm (pl.) Related literature: Schwartz, Gary ''The Complete Etchings of Rembrandt'', Dover Publications Inc, (1998), B 286 Provenance: Galerie Michael, Beverly Hills, USA Sold together with a certificate of authenticity from the above

Lot 1451

Douglas Macleod (1892-1963) etching of girl carrying baskets

Lot 440

Milein Cosman (German-born, 1921-2017), "Te Hongi". An artists proof framed etching signed by the artist and inscribed "For Barbara with gratitude for all her wonderful help 27 Oct 84". Total size including frame 18.5cm x 18cm.

Lot 635

A framed 19th Century etching by Charles Beauverie depicting a street scene with horse and cart, some water damage.

Lot 298

ASSORTED ANTIQUE GLASS LIGHT SHADES, including set of three green vaseline shades (14)1. Purple with etched pattern – Height 14cms, Internal width 9cm’s, fitter hole width 3cm’s – Chips around fitter rim.2. Large white mottled effect with painted flowers on the inside – Height 15cms, Internal width 12cms, fitter hole width 3cms – Chip to rim and lots of chips to the fitter rim.3. Green & white square shade with etched pattern – Height 14cms, Internal width 9.5cms , fitter hole width 6cms – chips to fitter rim, no other damage.4. Large yellow and white crackle effect – Height 18cm, Internal width 13.5cms, fitter hole width 3cms – no damage.5. Three matching vaseline shade with raised floral pattern – height 11cms, internal width 7.5cms, fitter hole width 5.5cms – two have chips to the fitter ring, no other damage.6. Round Vaseline – height 12cms, internal width 8.5cms, fitter hole width 3cms – few very small chips to the larger rim, no others.7. Tall green - Height 16cms high, lots of damage and restoration, Sellotape used to hold glass together.8. White with etched pattern – Height 11cms, internal width 7cms, fitter hole width3cm – chips around fitter rim, no other issues.9. Tall pink, etched pattern – Height 16cms, internal width 10cms, fitter hole width 3cms – again chips around the fitter rim, no other damage.10. Green with white floral etching – Height 13cms, internal width 8.5cms, fitter hole width 3cms – Again chips around fitter rim, no other damage.11. White with pink stripes – Height 10cms, internal width 6.5cms, fitter hole width 3cms – Some of the raised pink pattern has come off, one chip to the fitter rim.12. White and Clear, thick glass – Height 13cms, internal width 7.5cms, fitter hole width 3cms – no damage.When I say fitter ring I mean the opening where the shade attaches, these are not oil  lamp shades, they are described as light shades. 

Lot 220

PETER FORD, Limited Edition (4/30) Etching - People in transit, signed, titled and numbered in pencil (pl), 29.5 x 20cms

Lot 4156

Kosta Glass - A pair of glass figures, 'Father, 1971' and 'Mother,1970' with etching and gilded detail. 15.5cm and 11cm respectively, with original labels

Lot 4426

JOHN BRUNSDON (1933-2014) A framed and glazed etching 'North Norfolk Steam Railway' pencil signed and No. 12/150, plate size 31cm x 60cm

Lot 4451

S.M. STEWART (XX) A framed and glazed etching titled 'Levant Mine I'. Pencil signed and dated 1978, No.4/12. Plate size 23cm x 31.5cm

Lot 4458

JOHN BRUNSDON (1933-2014): A framed and glazed coloured etching "The View Towards Rhossilli". pencil signed and No. 68/150. Plate size 45cm x 60cm (crack to glass)

Lot 4460

RICHARD BEER (1928-2017) 'St Johns, Oxford', limited edition etching. Pencil signed and No.79/100. Framed and glazed. Image size 58cm x 42.5cm

Lot 4463

GEORGE DANNATT (1915-2009, St Ives artist) A mounted limited edition abstract art etching print, signed by the artist and dated 1995, numbered 14 from a small edition of just 16 prints. Plate size 12.5cm x 14cm

Lot 4538

QUENTIN BLAKE (b.1932) A framed and glazed 2012 etching, "Women with Birds 3", signed and numbered 5/30. Plate size 19.5cm x 15.5cm

Lot 4544

QUENTIN BLAKE (b.1932) (ARR): A framed and glazed 2012 etching entitled "Women with Birds 5" signed by the artist, numbered 5/30, plate size 15.5cm x 19.5cm

Lot 4568

SILKE SCHELENZ (Suffolk based artist) An unframed etching titled 'Storm Ahead', pencil signed, dated 2010 and No. 1/ 3, plate size 20cm x 30cm

Lot 4576

ELIZABETH BUTTERWORTH (b.1949) A mounted etching of an Amazonian Parrot, dated 1979 and numbered 34/60. Plate size 22.5cm x 19cm

Lot 4577

JOHN BRUNSDON (1933-2014) An unframed coloured etching titled 'Passing Time'. Pencil signed and No.19/50. Plate size 45cm x 30cm

Lot 424

Ruban (Petrus, binder).- Maupassant (Guy de) Contes Choisis, comprising 10 parts in 1, number 85 of 188 copies for presentation, this copy for M.A. de la Croix Laval, paper water-marked with author's name, title & decorative border, additional pictorial title by P.Avril after F.Rops in 2 states (one hand-coloured) and with 2 part states at end, some works engraved throughout, plates and illustrations by Evert Van Muyden, Georges Jeanniot, P.Avril, Ferdinand Gueldry, Pierre Vidal, Georges Scott, Paul Gervais, A.Gérardin & Charles Morel, Alex.Lunois, and Henri Boutet, some engraved, some lithographed, some pochoir, some printed in colours, the fifth work 'La Maison Tellier' with an original watercolour by Vidal bound in (lightly offset on facing leaf), the eighth work 'Mademoiselle Fifi' with an additional colour version of a plate by Morel, each work with its own decorative colour wrapper, magnificently bound in dark brown morocco, by Petrus Ruban, covers with panel of interlocking circles containing diamond-shaped red and green calf onlays connected by zig-zag lines of five parallel rules in gilt, all within a border of onlaid green calf tooled with two rows of five looping parallel lines, spine with compartment titled in gilt, the rest tooled with interweaving swirls of five parallel lines within a border of small gilt circles on red calf, brown morocco doublures with shaped border of tendrils of roses elaborately tooled in gilt with small crest edged in roses in centre, signed "P.Ruban 1897" at foot of front doublure, black and green brocade flyleaves, marbled endpapers, original printed yellow wrappers bound in, g.e., brown morocco-backed marbled chemise with spine titled and ruled in gilt, spine a little rubbed and faded, morocco and board slip-case (a little rubbed), 4to (binding c.270 x 180mm.), Paris, for Les Sociétaires de l'Académie des Beaux-Livres, 1891. ⁂ A superb binding on this attractive collection of de Maupassant's short stories published by the Society of Contemporary Bibliophiles. Each story is illustrated by a different artist, except for the final two which were left blank for the owner to choose the illustrations. This copy contains 6 lithographs by Alex Lunois in L'Epave and a hand-coloured etching by Henry Boutet in the final work, Une Partie de Campagne.Petrus Ruban (1851-1929) was influenced by Marius-Michel, producing striking and technically-excellent mosaic bindings but later becoming more conservative in his style. He was a favourite binder of Octave Uzanne, who was President of the Society of Contemporary Bibliophiles at the time this work was produced.

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