J.G. Lubbock: 'The Sphere of Rocks and Water', London, Bertram Rota, 1983, limited edition, one of 80 copies only, this copy numbered 19 and signed by Lubbock to the limitation page, designed and printed by Will Carter at the Rampant Lions Press, Cambridge, 10 colour plates by Lubbock as called for (mainly double page), each tissue guarded and printed from copper-plates worked by aquatint, etching, and engraving, 50pp, folio, original quarter blue morocco gilt over blue pictorial cloth gilt by George Percival at Leicester, top edge gilt, others uncut, original acetate dust wrapper, original patterned paper covered slipcase. Joseph Guy Lubbock (1915-1929) moved to Suffolk in 1963, around the time he turned his full attention to painting and writing. His work drew on the beauty of the Suffolk landscape of his home near Woodbridge: the river, reed beds and marshes, the shingle banks and beaches. His travels to the remoter parts of the world, including the Himalayas, the Galapagos Islands and the Antarctic, were also a great influence on his work
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Birket Foster (1825-1899), collection of thirteen late 19th/early 20th Century titles, including H.M. Cundall: 'Birket Foster R.W.S.', London, A & C Black, 1906, limited edition de luxe (319/500), numbered and signed by the publisher, etching, portrait frontis, 73 colour plates + numerous other b/w plates & ills. as called for, 4to, original decorative cloth gilt, top edge gilt, others uncut; 'Poems by Thomas Hood. Illustrated by Birket Foster', L, Moxon, 1872, 22 fine steel engraved plates by Birket Foster as called for, 4to, original pictorial cloth gilt (worn), all edges gilt, together with another copy of the same title, orig. pictorial cloth gilt (worn, lacks lower part of backstrip); 'Birket Foster's Pictures of Landscape', L, Routledge, [1862], numerous wood engraved plates, 4to, recased retaining original decorative cloth gilt, all edges gilt; Oliver Goldsmith: 'The Traveller A Poem', L, David Bogue, [1856], 30 steel etched ills. by Birket Foster as called for, contemporary decorative full crimson morocco gilt, aeg; plus 8 others similar (13)
RAQUEL LUENGO (Salamanca, 1982).Untitled.Etching on paper. Copy P.A.Signed and justified in pencil.Provenance: private collection conceived since the 70s between London and Madrid.Size: 31,5 x 23,5 cm (print); 56 x 37 cm (paper); 75 x 57 cm (frame).Raquel Luengo graduated in Fine Arts at the University of Salamanca, although she broadened her academic training with numerous studies, including several courses in contemporary engraving, digital gouge engraving, silkscreen printing, lithography and alkogravure, among others. Throughout his career he has participated in numerous exhibitions, among which we can highlight: "El camino de la luz". Santibañez de la Sierra. Diputación de Salamanca and University of Salamanca (2015), Artists of the workshop. La Calcografía. Salamanca (2018), Retrospectiva Expolón. Consulado del Mar Hall. Burgos (2019), and El Trazo 3D. Casa Junco. Palencia (2019), among others
A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include an Ernest F. Hill (active 1897-1940 ) Cornish coastal landscape 'Gull Rock, Trebarwith' approximate size 16cm x 23cm, M. Trench pastel portrait of a young man dated 1986, watercolour depicting a cottage signed Wilmoth, a continental oil on canvas depicting a study of a building signed A. Galindo, Vanity Fair prints by Theobald T Chartran and Spy, etching of 'Derwent Water, Friars Crag', embellished print on canvas after Renoir 'Girl With Flowers' etc (1 box + loose)
Monica Poole (1921-2003), "Gully", etching, 32/150, signed and inscribed in pencil in the margin, 25.9 x 15.9cm; John Lawrence (b.1933), "John Clare's England", 170/500, signed, inscribed and dated '86 in pencil in the margin, 6 x 9cm, set of 3 in a glazed mount; another by Barbara Lawrence, "Shalford Mill", and a quantity of other prints, unframed. (a lot)
Epifanio d' Alfiano (fl. 1590s)The contest of the Muses and the PieridesEngraving, 1592, a well inked impression of the first state (of two) with the coat of arms and before the added address of Succhielli, on 16th century Italian laid paper with indiscernible oval watermark, sheet 232 x 337 mm (9 1/4 x 13 1/4 in), trimmed to or just within the platemark (unframed)Together with: A large collection of over 25 other old master prints, including: three Claude Lorraine etchings [Mannocci 17, 20, 23], 19th century impressions; an etching of a Rocky Landscape with Volcano by Gaspard Dughet, with ink inscriptions verso of both Lenormand du Coudray (1712-1789) [L. 1704] and Colnaghi & Co.; Pietro Testa's 'The Symposium of Plato' [Cropper 114]; Cherubino Alberti's 'Prometheus and the Eagle', after Michelangelo, and prints by Ghisi, Ciamberlano, Farinati, Sadeler, Saenredam, Dietterlin, Hollar, Wierix, Della Bella, amongst others, 16th to 19th century (c.30)
** Rembrandt van Rijn (1606-1669)A Peasant with Hands Behind his BackEtching, 1631, a good impression of New Hollstein's final state (of six) of this scarce etching, on laid paper without watermark, platemark 59 x 50 mm (2 1/4 x 2 in), sheet 74 x 50 mm (2 3/4 x 2 in), touches of wash within the image, lower margin with pen and ink additions (unframed)Literature:Bartsch 135; New Hollstein 23 vi/vi** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Joan Miro (1893-1983)Archipel Sauvage IV (Dupin 530)Etching with aquatint printed in colours, 1970, signed in pencil, numbered from the edition of 35, printed by Arte Adrien Maeght, published by Maeght, Paris, on Arches paper, with full margins, sheet 750 x 1055mm (29 1/2 x 41 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miro (1893-1983)Untitled, from Le Miroir de L'Homme par les Bêtes (Dupin 567; Cramer 125)Etching with aquatint printed in colours, 1972, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the edition of 200, on Bristol paper, with full (?) margins, sheet 437 x 316mm (17 1/8 x 12 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a good bold impression of New Hollstein's third state (of five), with some light wear to the densely hatched areas printing with plate tone, on laid paper without watermark, platemark 122 x 107 mm (4 7/8 x 4 1/4 in), sheet 128 x 112 mm (5 x 4 1/2 in), small loss to upper right corner expertly repaired but with some stains from adhesive tab on verso, minor surface dirt (unframed)Provenance:Unidentified collector's stamp [not in Lugt]Literature:Bartsch 71; New Hollstein 127 iii/v** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Pablo Picasso (1881-1973)Peintre entre Deux Modèles, from Le Chef-d'Oeuvre Inconnu (Bloch 83; Cramer 20)Etching, 1927, signed in bistre, numbered from the edition of 99, printed by Louis Fort, published by Ambrose Vollard, Paris, on van Gelder holland paper, with full margins, sheet 380 x 497mm (15 x 19 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Femme (Frontispiece for Picasso Oeuvres 1920-1926) (Bloch 56; Cramer 15)Etching, 1922-3, signed in pencil, from the edition of 50, published by Éditions Cahiers d'Art, Paris, on laid paper, with full margins, sheet 282 x 230mm (11 1/4 x 9in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) Rembrandt à la palette (Bloch 208)Etching, 1934, signed in pencil, from the edition of 250 (there was also an edition of 50 with wider margins), 'as included in The Vollard Suite', published by Ambroise Vollard, Paris, on Montval laid paper, with the Montval and the Picasso watermarks, with full margins, sheet 445 x 337mm (17 1/2 x 13 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Pablo Picasso (1881-1973)Deux Femmes Nues (Bloch 132)Etching, 1930, signed in bistre, numbered from the edition of 125, published by Albert Skira, Paris, on Arches paper, with full margins, sheet 577 x 465mm (22 3/4 x 17 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a good but later impression of New Hollstein's fourth state (of five), on fine laid paper with watermark of grapes and text-based countermark with numbers '[??]16' [cf. Hinterding B.a, probably early to mid 18th century], sheet 392 x 311mm (15 1/2 x 11 1/4 in), some expertly repaired tears and conservation to surface abrasion and minor losses, mainly only visible under very close inspection (unframed)Literature:Bartsch 99; New Hollstein 173 iv/v
δ Pablo Picasso (1881-1973)Two Faces Viewing Corpulent Nude, 2ème état (Bloch 1859)Etching, 1970, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives paper, with full margins, sheet 635 x 760mm (25 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Degas Imaginant: Scène de séduction entre deux filles, avec matrone hypocrite (Bloch 1962)Etching, 1971, with the stamped signature, numbered from the edition of 50 in pencil, on BFK Rives paper, with full margins, sheet 505x650mm (19 7/8 x 25 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Scène de Théâtre: Amazone, Vénus de foire, homme au bouquet pl. II, from Le Cocu Magnifique (Bloch 1245; Cramer 140)Etching, 1966, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, on Richard de Bas paper, with wide margins, sheet 222 x 320mm (8 3/4 x 12 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** δ Pablo Picasso (1881-1973)Vénus et l'amour, dans le style ''Bon Sauvage'', from Series 347 (Bloch 1640)Etching printed with tone, 1968, signed in pencil, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on BFK Rives paper, with full margins, sheet 565 x 644mm (22 1/4 x 25 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermark, platemark 132 x 102 mm (5 1/4 x 4 1/8 in), sheet 134 x 107 mm (5 1/4 x 4 1/4 in), minor surface dirt and toning (unframed)Literature:Bartsch 17; New Hollstein 120 iv/v
Pierre-Auguste Renoir (1841-1919)La Fleuve Scamandre (1ère planche) (Delteil 24)Etching, circa 1900, with the stamped signature, from the edition of 1000 for the unpublished edition of Ambrose Vollard's Tableaux, pastels et dessins de Pierre-Auguste Renoir, on Japan paper, with full margins, sheet 321 x 248mm (12 1/2 x 9 3/4in)
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a very good albeit later impression of New Hollstein's sixth state (of eight) on fine laid paper with partial watermark of letters 'A-D-', still showing remnants of the coarsely burnished address of Justus Danckerts, but before Lamoureux's address in the lower right corner, platemark 530 x 410 mm (20 3/4 x 16in), sheet 534 x 413 mm (21 x 16 1/4 in), small margins, on thin conservation tissue support, expert repairs to old perforations, visible verso (unframed)Literature:New Hollstein 119 vi/viii
** Rembrandt van Rijn (1606-1669) Portrait of Jan Uytenbogaert, preacher of the RemonstrantsEtching and burin, 1635, a good but later impression of New Hollstein's eighth state (of nine), printing with some wear in the densely cross-hatched areas, on laid paper without watermark, sheet 226 x 178 mm (8 7/8 x 7 in), thread margins to upper and lower edge, trimmed to or just within the platemark to the left and right sides, minor spotting to sheet (unframed)Literature:New Hollstein 129 viii/ix** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Frank Auerbach (b.1931)Joe Tilson (Hartley 9)Etching, 1980, signed and numbered from the edition of 50 in pencil, published by Marlborough Graphics, London, on wove paper, with full margins, sheet 153 x 144mm (6 x 5 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Frank Auerbach (b.1931)BillEtching printed with tone, 2009, signed, titled and numbered from the edition of 100 in pencil, printed by Marc Balakjian at Studio Prints, London, on Somerset Velvet, loose as issued, with full margins, 180 x 150mm (PL), together with a copy of the book, Frank Auerbach by William Feaver, published by Rizzolo, New York, within the black cloth covered portfolio case, the title printed in silver on the uppers, overall 325 x 270mm (12 3/4 x 10 5/8in)(folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, a good impression of New Hollstein's second state (of four), with remnants of drypoint burr visible in the rays just above Christ, and with only the areas of false biting reworked, on laid paper with text-based watermark 'P A SERV', platemark 136 x 169 mm (5 3/8 x 6 5/8 in), sheet 175 x 200 mm (6 7/8 x 7 7/8 in) (unframed)Literature:Bartsch 69; New Hollstein 139 ii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ David Hockney (b.1937)Gregory (MCA Tokyo 157)Soft and hard-ground etching printed in colours, 1974, signed and dated in pencil, numbered from the edition of 75, printed by Maurice Payne, Kent Jones and Dany Levy, published by Petersburg Press, London, on Inveresk mould-made paper, with full margins, sheet 910 x 700mm (35 3/4 x 27 1/2in)The subject is Gregory Evans: a key figure in the British artist’s personal and artistic career, morphing from lover and studio assistant to curator and trusted adviser. Gregory Evans has remained the constant through Hockney’s ever-evolving practice and continual experimentation as a model he has returned to time and time again, appearing in over forty portraits. The etching here – executed in 1974, the year the pair began an intimate relationship – is imbued with a warmth and affinity for the sitter. Works from this period, from 1965 where line drawing consumed Hockney’s artistic output, are highly sought after owing to their technical difficulty and the power they conjure through their simplicity.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Leon Kossoff (1926-2019)RestingEtching, 1983, signed and dated in pencil, numbered from the edition of 60, printed by Studio Prints, London, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 510 x 597mm (20 x 23 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jasper Johns (b. 1930)Small Flashlight, from 1st Etchings, 2nd State (ULAE 58)Etching with aquatint, 1967-1969, signed, dated and numbered from the edition of 40 in pencil, from 1st Etchings, 2nd State, printed and published by Universal Limited Art Editions, New York, with their blindstamp, on Auvergne paper, with full margins, sheet 656 x 500mm (25 7/8 x 19 3/4in)
Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, but a later impression of New Hollstein's seventh state (of seven), slightly slipped impression printing with tone on laid paper without watermark, platemark 107 x 77 mm (4 1/4 x 3 in), sheet 109 x 80 mm (4 5/8 x 3 1/2 in), laid onto support, small nick to hat, (unframed)Literature:Hind 141; New Hollstein 144 vii/vii
Rembrandt van Rijn (1606-1669)Self-portrait in a Velvet Cap with PlumeEtching, 1638, but later impression of New Hollstein's final state (of four), printing with plate tone tone on thick laid paper without watermark, some wear in the plate visible, platemark 135 x 103 mm (5 1/4 x 4 1/8 in), sheet 144 x 114 mm (5 5/8 x 4 1/2 in), very faint stain in the upper right quadrant, mainly visible verso (unframed)Literature:Bartsch 20; New Hollstein 170 iv/iv
Roy Lichtenstein (1923-1997)Illustration for 'De Denver au Montana, Départ 27 Mai 1972' (I), from La Nouvelle Chute de l'Amérique (Corlett 275)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, printed by Atelier Dupont-Visat, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 351 x 485mm (13 7/8 x 19in)
Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a good impression of New Hollstein's second state (of two), without any re-work but with the two dots in the upper right corner, on thin wove paper without watermark, sheet 84 x 45 mm (3 1/4 x 1 3/4 in), trimmed within the platemark (unframed)Literature:Bartsch 133; New Hollstein 178 ii/ii
Rembrandt van Rijn (1606-1669)The Angel Departing from the Family of TobiasEtching, 1641, but a later impression of New Hollstein's eighth state (of nine), on laid paper without watermark, platemark 105 x 154 mm (4 1/8 in x 6 in), sheet 115 x 165 mm (4 1/2 x 6 1/2 in), numbered '42' in brown ink to lower right margin, old handling creases, minor surface dirt (unframed)Literature:Bartsch 43; New Hollstein 189 ix/ix
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78408 item(s)/page