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Lot 597
David Koster, British b.1926- `Longtailed Tits`; etching/aquatint in colours, signed, titled and numbered 40/50, 22x29cm: together with one other by the same hand- `Orange Tips`; etching/aquatint in colours, signed, titled, artist`s proof, 22.5x19.5cm., (2) (may be subject to Droit de Suite)
Lot 611
After Maurice de Vlaminck, French 1876-1958- "Montigny sur Avre"; hand-coloured lithograph, signed within the plate, bears facsimile signature in ink and number 108/200 in pencil, bears Redfern Gallery label to the reverse, 34x47cm: Bryan Brooke, British 1915-1998- "View from the Studio of Cedric Morris, River Brett, Hadleigh, Suffolk"; watercolour, signed and dated 1974, 53.5x44.5cm: together with documentation noting Brooke`s connections to Morris: Michael Oelman, British b.1941- "The Imperial Ack-Ack"; etching and aquatint printed in colours, signed, titled and inscribed `T/P` in pencil, 26x22.5cm: together with a silk picture of a bird, 32.5x45cm., (4) (may be subject to Droit de Suite)
Lot 648
Frederick Harry Baines, British 1910-1995- View of a pier and lighthouse, c.1939; oil on board, signed, bears inscription on the reverse, 48x66cm: L Pelling-Hall, British exh 1896-1902- "Blick auf die Blamberge am Tegernsee"; oil and gouache on board, signed and titled on the reverse, 36x49cm: After Gaetano Zompini, Italian 1700-1778- "Varii Capricci e Paesi", after Giovanni Benedetto Castiglione; etching, 20.5x29cm., (3) (may be subject to Droit de Suite)
Lot 664
Terence Warren, British b.1948- "Waste not want not"; etching with aquatint printed in colours, signed, titled, dated `80 and numbered 92/125, 23x19.3cm: together with five further etchings with aquatint printed in colours by the same artist entitled "Where there`s a will there`s a way", "A fence between keeps friendship green", A bad workman always blames his tools", "Last but not least" and "Prevention is better than cure", all signed, titled, dated `80 and numbered, ea. 23x19.3cm: Richard Bawden, British b.1936- "Nightwatch"; mezzotint, signed, titled and inscribed `A/P`, 41.4x30.7cm: Philip Bawden, British, late 20th/early 21st century- "Boredom"; etching with aquatint, signed, titled and numbered 6/40, 25.7x21.3cm., (7) (unframed) (may be subject to Droit de Suite)
Lot 675
Graham Evernden, British b.1947- "Field Poppies"; aquatint printed in colours, signed, titled and numbered 286/295, 40x30cm: together with two further aquatints printed in colours by the same artist, "Shadow Ferns", signed, titled and inscribed, `AP xv/xx`, 30x40cm, and "Nymans", signed, titled and numbered 15/350, 30x40cm: Simon Bull, British b.1958- "Georgian Window I & II", two; hand coloured etching with aquatint printed in colours, signed, titled and numbered 115/250 and 99/250 respectively, ea. 17x11.5cm: William Ayliffe, British late 20th/early 21st century- "Ashgate"; etching with aquatint printed in colours, signed, titled and numbered 19/200, 19.5x11cm: together with seven further similar garden scene etchings and aquatints printed in colours, by the same artist, 18x21cm and smaller, (13), (unframed), (may be subject to Droit de Suite)
Lot 691
After Myles Birket Foster RWS, British 1825-1899- Farmer boy resting under the trees with his dog and sheep; etching, signed within the plate, 20x25cm: with eight other etchings after various artists, Provenance: From a folio issued as an `Art Prize under the sanction of the Department of Science and Art, Nine examples of Modern Etchings`, presented as the `Worcester` prize to Louis Hadley in 1887. Louis Hadley was the son of the Worcester artist and modeler James Hadley: together with a folio of twelve selected photographs of details of relief ornaments of the Italian Renaissance and another folio of reproduction prints after various Old Masters in French museums, both folios presented as school prizes to Louis Hadley, (a lot) (unframed) (3 folios)
Lot 374
Books: Carron Company Architect`s Catalogue; Christopher A Markham, The Church Plate of the County of Northampton; A G Grimwade, The Queen`s Silver, signed by the author and dated 1972; Modern Master of Etching, Frank Brangwyn RA (second volume); and `An Encyclopaedia of Ironwork`, published by Ernes Benn Ltd, 1927. (5)
Lot 764
AFTER HENRY WILKINSON "Flat coat retriever with pheasant in mouth", coloured dry point etching, limited edition 70/100, signed in pencil, "A pair of French Partridge in a landscape", limited edition no`d 96/150, signed in pencil and "Spaniel putting Snipe up, in a landscape", limited edition 74/150, signed in pencil (3)
Lot 122
English School (circa 1800) ``Wick House, Richmond, the home of Sir Joshua Reynolds`` Extensively inscribed verso, etching, embroidery, oval, 10cm by 14cm ``Pope`s Villa, Richmond`` After an engraving by Mason, said to be circa 1770 (see Chancellor pg.194-5 and 401); And three etchings/embroideries of landscape scenes with figures, and a farmyard scene with a milkmaid and cattle, two oval, one rectangular, various sizes, all in original period early 19th century gilt plaster and wooden frames (5)
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71174 item(s)/page