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Lot 76

WILLIAM TATTON WINTER (1855-1928) A shepherd driving sheep in a landscape, etching in colours, pencil signed in the margin, 30 x 37cm; and companion, a pair (2)

Lot 77

WILLIAM WALCOT (1874-1943) 'St Paul's from the Thames', etching, pencil signed in the margin, 13 x 12.5cm, mounted but unframed

Lot 87

WILLIAM RUSSELL FLINT (1880-1969) 'Echo', etching, signed in brown ink to the margin, 15 x 10.5cm, mounted but unframed

Lot 88

CHARLES TURNER AFTER J.M.W. TURNER Scene on the French Coast from 'Liber Studiorum', sepia mezzotint lettered 'M' above image, 21 x 29cm; together with one further sepia etching by Frank Brangwyn, both mounted but unframed (2)

Lot 89

JAMES ABBOT MCNEIL WHISTLER A man seated drawing on the banks of a river, etching, published by Day & Son, 11 x 16cm; mounted but unframed

Lot 90

JACQUES-FELIX SCHNERB AFTER RENOIR 'La Liseuse', etching, 20 x 15.5cm; and three further various etchings to include Jules Hereau; Jean Francois Raffaelli; and after Frans Hals, all mounted but unframed (4)

Lot 93

THOMAS ROWLANDSON 'Fast Day', etching, hand-coloured, 24.5 x 29cm (im); and five further by the same hand, all unframed (6)

Lot 94

THOMAS ROWLANDSON 'Raising the Wind', etching, hand-coloured, 35 x 24.5cm; three further to include": 'Soldiers on a March' 'The Fort' and 'Snips'; and three after H W Bunbury, all unframed and on watermarked paper (7)

Lot 98

JAMES GILLRAY 'Dreadful Hot Weather', etching, hand-coloured on J Whatman ?1826 watermarked paper, 26 x 20.5cm; and six further from the Weather Series, all hand-coloured, two trimmed to the plate mark, all unframed (7)

Lot 99

JAMES GILLRAY 'The King of Brobdingnag and Gulliver', etching, hand-coloured, 33.5 x 25cm; and four others, all unframed (5)

Lot 400

After Wyllie: an etching, shipping scene, 6" x 12", and two other etchings, maritime views

Lot 411

Jenkins, after, A Perspective View of Matlock Bath in Derbyshire, engraved for the Modern Universal British Traveller, monochrome etching, 18.5cm x 27cm; others, The Terrace, Haddon Hall; Robin Hood's Stride, Youlgrave, Derbyshire; a Victorian woolwork panel, of convolvolus and other flowers, 21cm x 18cm (4)

Lot 413

Cruikshank, after, Woodward, by, A Sketch at Burrows-Ash, Derbyshire, monochrome etching, plate 88, 18cm x 22cm; another, Subterraneous Guides, plate 92, 24cm x 17cm (2)

Lot 132

An 18th century road map Clown to Skipton, framed and glazed; after Peter Ford, signed cartoon etching, framed and glazed; another etching, framed and glazed

Lot 1290

Richard Barrett Talbot Kelly (1896-1971)PUFFINS, FARNE ISLANDSSigned l.l., pen and ink and watercolour19 x 28.5cm;a linocut of a FOX by the same artist;and an etching of PUFFINS by F Gheys (3)

Lot 102

Mortimer Luddington Menpes, R.I. (1855-1938) Portrait of Whistler Drypoint etching Signed 16.5 x 14.5cm; 6½ x 5¾in ++Good condition

Lot 103

‡ Augustus Edwin John O.M., R.A. (1878-1961) The Malt House Signed Etching, Ref. Campbell Dodgson 126 state ii 8 x 10cm; 3¼ x 4in ++Some light time-staining otherwise good condition

Lot 104

Jean Auguste Vyboud (French 1872-1944) Kneeling nude, rear view Signed in pencil Drypoint etching 11.5 x 9.5cm; 4½ x 3¾in (plate size) ++Good condition

Lot 105

Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier puppy Signed and numbered 109/150 Etching 15 x 10.5cm; 6 x 4in ++Paper discoloured otherwise good condition

Lot 106

Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier on her haunches Signed and numbered 109/150 Etching 17.5 x 12.5cm; 7 x 5in ++Paper discoloured otherwise good condition

Lot 112

‡ Sybil Andrews (British/Canadian 1898-1992) St. Jacques, Lisieux Signed and titled Etching 27 x 20cm; 10¾ x 7¾in (plate size) Sybil Andrews helped establish the Grosvenor School of Modern Art ++Good condition

Lot 114

‡ Marie Laurencin (French 1883-1956) L’Ange bleu Signed and numbered 66/150 Etching with aquatint 30 x 24cm; 11¾ x 9½in (plate size) Provenance: The Redfern Gallery, London, 16th May 1960 ++A few small fox marks mainly to margins otherwise good condition

Lot 116

‡ Marie Laurencin (French 1883-1956) Joyeuse de Mandoline Signed and numbered 25/100 Etching with aquatint 18 x 24cm; 7 x 9½in (plate size) ++A few small fox marks mainly to margins otherwise good condition

Lot 124

‡ André Bicât (French 1909-1996) The Balcony Signed and titled Artist’s proof Etching with aquatint 50 x 42.5cm; 19¾ x 16¾ (plate size) With a further print of a life drawing studio scene by a different hand (2) ++1. some discolouration to margins, some rippling and some bloom; 2. some printers creasing, some light foxing visible to margins

Lot 125

‡ Julian Trevelyan R.A. (1910-1988) St. James’ Park Signed, titled and numbered 38/75 Etching with aquatint, from the London Parks Suite, 1969, unframed 59 x 77cm; 23¼ x 30½in (sheet size) ++A small dent upper right plate corner, one or two minor blemishes to margins, good condition

Lot 126

‡ Patrick Procktor R.A. (1936-2003) Chateau Mouton-Rothschild Signed, titled and numbered 101/150 Aquatint etching, unframed 50 x 63.5cm; 19½ x 25in (sheet size) ++One or two minor marks to outer margins, good condition

Lot 15

Herbert Thomas Dicksee (1862-1942) The Alarm With blind stamp Etching, published by Frost & Reed, 1918 50 x 75.5cm; 19¾ x 29¾in (plate size) ++Good condition

Lot 16

Herbert Thomas Dicksee (1862-1942) after Rosa Bonheur Family of lions Signed in pencil Etching by Herbert Dicksee, published 1910 by L. H. Lefevre and Son and J. McLean (E. Cremetti successor), also copyright E. L. Knoedler, New York 46 x 65cm; 18 x 25½in ++One small stain lower right below signature, some bloom to the margins, otherwise in good condition

Lot 17

Herbert Thomas Dicksee (1862-1942) Raiders Signed in pencil Etching, published by Frost & Reed, 1898 41 x 67cm; 16 x 26½in (plate size) ++Slight time staining, some areas of restoration, one or two punctures and blemishes

Lot 18

Herbert Thomas Dicksee (1862-1942) The Destroyers Signed in the plate and with blind stamp Etching, published by Frost & Reed, 1904 44 x 71cm; 17¼ x 28in (plate size) ++Good condition

Lot 19

Herbert Thomas Dicksee (1862-1942) Lion Drinking Signed in the plate Etching 17.5 x 25cm; 7 x 10in (plate size) ++Good condition

Lot 207

‡ David Tindle R.A. (b.1932) Still life of an apple and a birds nest Signed and dated 77 Etching, artist’s proof 16 x 20cm; 6¼ x 8in ++Some small stains to outer line of etching

Lot 21

Herbert Thomas Dicksee (1862-1942) In the Enemy Country Signed in pencil Etching 53 x 72cm; 21 x 28¼in (plate size) ++One or two slight blemishes otherwise good condition

Lot 22

Herbert Thomas Dicksee (1862-1942) Danger With L.B.J. blind stamp Etching on buff paper, published by Arthur Tooth & Sons, 1905 44 x 73cm; 17¼ x 28¾in (plate size) ++Some staining upper right, slight discolouration, otherwise good

Lot 25

Herbert Thomas Dicksee (1862-1942) The Tigress (The Mother in Law) Later re-strike of original etching published by C. E. Clifford, 1891 58 x 49.5cm; 23 x 19½in (plate size) ++Good condition

Lot 26

Herbert Thomas Dicksee (1862-1942) His Majesty Signed in pencil, with blind stamp Etching, published by C. L. Clifford, 1888 59 x 46.5cm; 23 x 18¼in (plate size) ++Some insect damage lower left and lower centre margins, and crack/crease upper right, some scuffs and scrapes, especially on his nose

Lot 27

Herbert Thomas Dicksee (1862-1942) Idlers Signed in pencil and with E.A.T.G. blind stamp Etching, published by Frost & Reed 22.5 x 49cm; 9 x 19¼in ++Some very faint staining to margins, otherwise good condition

Lot 28

Herbert Thomas Dicksee (1862-1942) Study of a lion resting Signed in pencil, also inscribed on a label verso with an inscription and artist’s address Etching, published by Frost & Reed 18.5 x 48.5cm; 7¼ x 19in ++In good condition

Lot 29

Herbert Thomas Dicksee (1862-1942) Thirst With T.H U. blind stamp Etching on buff paper, published by Frost & Reed, 1911 45 x 70cm; 17¾ x 27½in (plate size) ++Crease upper left, slight discolouring of the paper

Lot 30

Herbert Thomas Dicksee (1862-1942) Startled Signed in pencil Etching, published by Frost & Reed, 1919 50 x 76cm; 19¾ x 30in (plate size) ++Staining, some scuffs and blemishes, some old foxing

Lot 31

Herbert Thomas Dicksee (1862-1942) The closed door Signed in pencil, with blind stamp, also signed and inscribed on a label verso Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++Slight rippling, otherwise good condition

Lot 32

Herbert Thomas Dicksee (1862-1942) Footsteps With blind stamp Etching, published by Frost & Reed, 1926 37.5 x 55cm; 14¾ x 21¾in (plate size) ++Tear and restoration to centre, a scratch lower centre on dog’s belly

Lot 33

Herbert Thomas Dicksee (1862-1942) The Happy Mother Etching, published by Fine Art Society, 1894 36.5 x 67cm; 14½ x 26½in (plate size) ++Good condition

Lot 34

Herbert Thomas Dicksee (1862-1942) Hope, Cairn Terriers Signed Etching, published by Frost & Reed, 1929, from an edition of 325 with blind stamp 29 x 41.5cm; 11½ x 16¼in ++In good condition

Lot 35

Herbert Thomas Dicksee (1862-1942) Ready Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1928 33.5 x 54cm; 13 x 21¼in (plate size) ++In good condition

Lot 36

Herbert Thomas Dicksee (1862-1942) Where’s Master Signed with initials and dated 1910 in the plate, with XB2 blind stamp Etching published by Frost & Reed, 1911 40 x 58cm; 15¾ x 23in (plate size) ++Good condition

Lot 37

Herbert Thomas Dicksee (1862-1942) Forgotten Signed in pencil and with blind stamp Etching, published by Frost & Reed, 1923 27.5 x 38.5cm; 10¾ x 15in (image size) ++Slight bloom to darker areas, otherwise good condition

Lot 38

Herbert Thomas Dicksee (1862-1942) The Last Defender Etching, published by ‘The Portfolio’, 1893 20 x 25cm; 8 x 10in (plate size) ++Good condition

Lot 39

Herbert Thomas Dicksee (1862-1942) The Sentinel Signed in pencil Etching, published by Frost & Reed, 1913 34 x 62.5cm; 13¼ x 24½in (image size) ++Slight rippling, otherwise good condition

Lot 40

Herbert Thomas Dicksee (1862-1942) The closed door Signed in pencil, with E.A.T.G. blind stamp Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++In good condition

Lot 41

Herbert Thomas Dicksee (1862-1942) Fire Worshipers Etching, published by Frost & Reed, 1906 41 x 64cm; 16 x 25in (to mount) ++Losses and retouching round the margins, large tear and repair in two places, quite a lot of restoration throughout

Lot 42

Herbert Thomas Dicksee (1862-1942) Footsteps Signed Etching, published by Frost & Reed, 1926 37 x 55cm; 14½ x 21in (plate size) ++Good condition

Lot 43

Herbert Thomas Dicksee (1862-1942) The Prodigal Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1926 46.5 x 36.5cm; 18¼ x 14½ (plate size) ++Good condition

Lot 44

Herbert Thomas Dicksee (1862-1942) Lucky Dog Signed Etching, published by Frost & Reed, 1908 48.5 x 34cm; 19 x 13½in (plate size) ++Some light bloom otherwise good condition

Lot 46

Herbert Thomas Dicksee (1862-1942) The closed door With blind stamp Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++Good condition

Lot 47

Herbert Thomas Dicksee (1862-1942) His Royal Highness Etching, published by The Art Journal 24 x 18cm; 9½ x 7in (image size) ++Very slight staining, some old restoration, otherwise good condition

Lot 48

Herbert Thomas Dicksee (1862-1942) Prince Charles Signed in pencil Etching, published by Frost & Reed, 1902 24.5 x 19.5cm; 9¾ x 7¾in (plate size) ++Slight staining lower margin, otherwise good condition

Lot 50

Herbert Thomas Dicksee (1862-1942) Fire Worshippers Signed in pencil and with F.L blind stamp Etching, published by Frost & Reed, 1906 42 x 66cm; 16½ x 26in (image size) ++Some areas of pitted ink and some scuffs and a few small areas of restoration and retouching

Lot 51

Herbert Thomas Dicksee (1862-1942) In sight at last Signed, with faint blind-stamp Etching, published by Frost & Reed, 1923 46 x 64cm; 18 x 25in (plate size) ++Good condition

Lot 54

Herbert Thomas Dicksee (1862-1942) after Sir John Everett Millais The Boyhood of Raleigh Signed in pencil Etching on vellum, published by The Fine Art Society, 1901 56 x 66cm; 22 x 26in (plate size) ++Creasing and rippling

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