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Lot 8
A 18th century George III mahogany pedestal reading lectern stand originally owned by The Right Hon Sir Charles James Fox (1749-1806) and comes complete with an original 19th century etching, framed and glazed of Sir Charles James Fox after Sir Joshua Reynolds. Hand written label to verso of lectern with provenance & history.
Lot 261
Khayyám (Omar) The Rubaiyat, one of 750 copies, illustrated by Willy Pogany, with an original etching signed by the artist, 12 colour plates tipped-in, black and white vignettes, contemporary decorative morocco, small stain to upper cover, spine a little sunned, 1930 § Potter (Beatrix) The Tale of the Faithful Dove, first edition, one of 100 copies, usual browning to free endpapers, original cloth, dust-jacket, very minor dust-soiling to edges and folds, but overall an excellent copy, [Linder 432; V&A pp.1236-1238 & 1715; Taylor, Whalley, Hobbs, Battrick p.168], Warne, 1955 § Cinderella. one of 850 copies with colour frontispiece and signed by the illustrator, illustrated by Arthur Rackham, small ink ownership inscription, some light off-setting, original cloth-backed boards, corners bumped, dust-jacket, slightly chipped and stained, 1919 § Froude (James A.) The Cat's Pilgrimage, first edition, 6 plain plates by Jemima Blackburn, bookplate, contemporary half calf, Edinburgh, 1870; and 5 others children and illustrated, v.s. (9)
Lot 297
Private Press.- Wynne (Ellis) Gweledigatheu y Bardd Cwsc: Visions of the Sleeping Bard, translated by T. Gwynn Jones, one of 175 copies, text in Welsh and English, wood-engraved frontispiece by Blair Hughes-Stanton, original red morocco-backed patterned cloth, spine ruled in gilt, very minor scuffing to extremities, uncut, with a 4pp. publisher's extract and advertisement loosely inserted (browned), Newtown, Gregynog Press, 1940 § Ellis (Havelock) Chapman, one of 75 specially-bound copies, browning to end papers, original russet morocco, spine with title and a ladder of horizontal rules in gilt, some minor marking, t.e.g., others uncut, Nonesuch Press, 1934 § Cocteau (Jean) Tempest of Stars, Selected Poems, translated by Jeremy Reed with drawings by David Austen, edition "C", one of 15 copies signed by the translator and illustrator and with a signed original etching, from a total edition of 87, text bifolia and 26 offset colour lithographs, all loose as issued in original drop-back box, paper labels to cover and spine, Enitharmon Press, 1992 § H.P.M. Harold Patrick McGrath. one of 100 signed by McGrath and Robinson, an original etching by Alan Robinson (portrait frontispiece), portrait print of McGrath by Ned Gray in pocket at rear, illustrations by many, original paper-covered boards with mounted paper labels, Easthampton (MA), Cheloniidae Press, 1991; and 7 others, including Golden Cockerel, Stanbrook Abbey, Roycroft, Incline, and others, v.s. (11)
Lot 55
Britain.- Winkles (Henry & Benjamin) Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vol., additional engraved titles, 176 engraved plates, previous owner's ink signature to additional titles, scattered spotting and staining, contemporary half-calf, rubbed, bumping to corners and extremities, 1836-42 § Capper (Benjamin Pitt) Topographical Dictionary of the United Kingdom ..., loss to title head affecting text, 46 engraved maps only (of 47), 7 linen-backed and folding, scattered spotting and staining, occasional short marginal tear or small marginal loss, contemporary calf, rebacked, rubbed and worn, 1825 § Evershed (Arthur) An Etcher's Rambles. 1st Series, The Thames, 12 mounted etching, one becoming loose, faint marginal spotting, loose as issued, housed in original defective portfolio, rubbed and worn, covers detached, n.d.; previous owner's discreet blind-stamp at end, and others similar, v.s. (25)
Lot 406
§ Richard Bawden RWS, NEAC, RE (British 1936-) Southwoldsigned 'Richard Bawden' (lower right); numbered 42/75etching and aquatint34 x 47cmNot examined out of the frame. Condition is generally good, though there is some negligible undulation to the surface visible under raking light and the outer margins are typically toned commensurate with age, though this is light and uniform. Flies beneath glass but they are largely confined to the mountboard and not the image itself.
Lot 428
§ Sir Terry Frost RA (1915-2003) Untitledsigned and dated 'Terry Frost 95' (lower right); numbered 1/20 (lower left)etching49 x 48cmProvenance:Private collection, NorfolkNot examined out of the frame. Deckled edges on all side, appears to be mounted to backboard at each corner and as a result there is some very slight undulation. The glazing is a little dirty, but the sheet is clean from foxing and accretions.
Lot 366
Kurt Meyer Eberhardt (German, 1895-1977) Fox Terrier puppy in the rain, coloured etching, signed lower margin, 8 7/8 x 7 5/8in. (22.5 x 19.3cm.), modern burr wood frame; together with two modern Cecil Adin prints of terriers, framed. (3)* Condition: - Eberhardt: Good condition, with no faults. Not examined out of frame.- Aldins: Good condition.
![Emil Orlik (1870-1932) 'Japanese Woman in Winter Clothing', etching, signed, inscribed and dated [19]22 lower margin, 10 1/8](https://cdn.globalauctionplatform.com/f658f08c-f2ea-43a1-a4f2-afa4012dcbda/f871dd30-63b0-4185-af92-afa50143a332/468x382.jpg)
Lot 469
Emil Orlik (1870-1932) 'Japanese Woman in Winter Clothing', etching, signed, inscribed and dated [19]22 lower margin, 10 1/8 x 7 1/8in. (25.7 x 18cm.), in an Oriental hardwood frame.* Condition: Not examined out of frame. Good condition - with just two pinprick size fox marks. No other visible faults.
Lot 791
Pablo Ruiz Picasso (Spanish, 1881-1973) Profile of A Womandrypoint etching on heavy wove paper,signed "Picasso" in green crayon lower right and numbered 29/30 in pencil lower left, inscribed in plate and dated, framed and mounted15¼ x 11¾in. (38.8 x 30cm.)* Condition: Acidic mount and there is mount burn to the edge of the sheets to all four margins (see photo of the etching out of the frame). Several small fox marks visible. Very slight toning overall to the front of the sheet. Heavy toning to the reverse side of the sheet. There are two pieces of paper tape & one small piece of old, yellowed sellotape attached to the left and top margins of the reverse from an old mounting. The paper tape has resulted in a corresponding lighter area to the front of the sheet in two places at the top and bottom of the right hand margin. There are no tears, creases or handling marks to the sheet and it is untrimmed.
Lot 1088
French School (early 20th century) The angry cyclistpen and ink, unsigned, modern wooden frame8½ x 11¼in. (21.5 x 28.5cm.); together with a print of a Edmund Blampied etching, 'Tonnere de Brest!', pub. Modern Masters of Etching, c.1926. (2)* Condition: - Pen & ink: Time stained, tear at lower margin. Acidic mount.- Blampied: Time stained and a little spotting.
Lot 64
Victor Pasmore, Untitled 1974, monogrammed Printer's Proof, aquatint with etching and screenprint, Issued edition of 55 plus 20 proofs. Printed at White Ink Ltd, issued by Marlborough Gallery Inc., New York 1974, image 38 x 37 cm, sheet 51 x 54, framed and glazed, frame 65 x 66 cm, bears a label from William Weston Gallery verso dated 2003The family of the studio printer then William Weston GalleryIllustrated in Catalogue of Graphics, Norbert Lynton
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